THE SPANISH CRISIS

The night Dominick and his friends got on the One Line and Dominick wouldn’t shut up about the girl from the party with bunny-soft lips, the metro car was empty except for an older woman reading a book near the front. The boys took seats in the middle section. It was odd to find an empty car on a Friday night in Madrid, almost impossibly odd, and one of them likely said as much, probably Jorge, who, of the three of them, was the most likely to comment on the obvious. Nathan Matías was the most likely to agree with what anyone said about the obvious or about the girl with bunny-soft lips. And Dominick, sitting across from them, was the most likely to talk stories. He was the loudest among them, which some girls liked but a lot of them didn’t. They told him he sounded too Spanish.

They were all in eleventh grade at the American School in Madrid. Jorge was a Spaniard, but he’d lived in the States and spoke perfect English. His parents were diplomats. Dominick was born in Missouri. His parents decided when he was six that the United States was fucked—their words, not his—and they’d uprooted the family and moved to Madrid. His dad did website design and his mom taught English and debate at the American School, which is how he got a spot there in the first place. She had been the Missouri State debate champion back when she was his age.

Nathan Matías was an American, too, but he’d just moved to Madrid in ninth grade. He was rich and tall and good-looking, with a Justin Bieber shag and sleepy eyes that the girls liked, but his Spanish was still pretty rough. At the botellón earlier that night, Dominick had mocked him every time he slipped up. “It’s echar un polvo, man, not hecho polvo,” he’d shouted when Nathan Matías had basically said that he liked being tired when what he’d meant was that he’d like to get laid.

“I’m telling you,” Dominick was saying now, leaning across the aisle to stare at Jorge and Nathan Matías. “Her lips were extra soft, like she’d rubbed them in baby bunnies. Or like they were baby bunnies and kissing them was really just my whole body curling into a nest of bunnies deep in a forest somewhere.”

“Fuck,” said Nathan Matías.

“Hombre,” said Jorge. “That’s kinda gross.”

“Not gross, man, fabulous,” Dominick said. “It was like Disney mixed with porn.”

The woman at the front of the metro car was facing in Dominick’s direction, but she never looked up, not when the boys got on and not when Dominick started talking too loud about the girl with bunny-soft lips, first in Spanish and then, when he noticed her sitting there, in English.

She was at least sixty and had the look of someone who’d worked in an office her whole life. Her short hair was thinning, and, beneath it, you could make out the slightest glint of white scalp. She looked small and was wearing gray slacks and a partially unbuttoned red peacoat. Her handbag was big enough to hold a human head. Dominick would’ve bet ten Euros that she was reading The Alchemist.

“But the best part is what she was doing with her hands,” he continued, looking over at the woman again. She didn’t look up from her book—even when it was clear he was staring. There was only a set of sliding doors between her and Dominick and his friends. She suddenly seemed so close.

Of the three of them, Dominick was the only one who lived near old ladies like her. His parents had bought an apartment in Alcorcón just outside Madrid because it was one of the few places they could afford and still have money to fly back to Missouri each summer to visit family in the Ozarks. Alcorcón was a midsized city, but it often felt like a village. There was a pedestrian walkway running through the commercial district, and it was there that parents and kids and tired, sad-looking old women went for a walk before dinner every evening. As a kid, Dominick used to like to watch those old ladies, walking alone, and try to imagine what their lives were like.

“Where are their families?” he’d asked his mom once when he was probably seven or eight. He’d never really known an old person. His dad didn’t talk to his parents anymore—they were hypocrites, he’d said—and his mom’s dad had died of a heart attack before he was born. His grandmother he could remember, but just barely. She’d died in a car wreck the year before his parents moved the family to Spain.

“Why don’t you go ask?” had been his mom’s response. He knew she was joking, but then one day he did. The woman he approached wasn’t all that old, probably fifty or sixty, but she had the same bowed look of most of the older women he saw walking in their town.
He was alone that day. His mom had sent him down for bread. The woman was just coming out of a café, probably heading home. She had short hair—like the woman on the metro car—and eyelids that were beginning to droop over her eyes, which he realized were green when she turned at the sound of his voice.

“Do you have a family?” he’d asked in Spanish.

Her eyes got smaller and she grabbed the strap of her purse in her fist, pulling it to her chest.

“Don’t be a dumbass,” she had said, and before he could answer, she’d walked away.

He never spoke to anyone on the streets after that. And in the years that followed he stopped wondering about the secret lives of older women. He entered middle school, made more friends, met girls. He still looked at photos of his grandmother every once in a while, but older women started to seem less like a mystery and more like a nagging reminder of something that once was.

On the metro car, the woman flipped a page, then held the book in one hand as she scratched at the hairline along the back of her neck. There was something familiar in the way she held her back so straight and the book so squarely before her. It was as if she were trying out for the role of old woman and had just now perfected the posture. Dominick suddenly wished she wasn’t there.
“So what’d she do, bro?” Nathan Matías said when it was clear Dominick wasn’t going to finish his story. “Give you a dick massage?”

Dominick ignored him and continued to stare at the old lady. “I bet you ten Euros she gets off at the Cuatro Vientos stop,” he said.

The other two looked over and for a moment the woman glanced up at them. Dominick still had his cup from the party and tilted it back and forth so that the ice clunked against the plastic. In a bag at his feet were two Coca-Cola bottles and one nearly empty bottle of vodka. Nathan Matías had a cup, too, and every once in a while he passed it to Jorge. Dominick did the same from across the aisle. The woman returned to her book.

“She’ll go home to a dirty apartment and masturbate watching Saber y Ganar,” Dominick continued, looking just past the woman at an advertisement for some restaurant or hotel that read ¡pare aquí!

Nathan Matías laughed hard, spitting part of what he had been drinking back into the cup.

“What the fuck, man,” he said. “She might understand you.”

“No way,” Dominick said. “I know that type. She’s Franco-era. The only English she knows is ‘Santa Claus’ and ‘Tank you.’”

Both boys laughed that time, but neither of them looked over at the woman again.

“I bet she hasn’t had sex in thirty years.” Dominick raised his voice slightly, unable to stop.

“Hombre!” Jorge warned. He reached across the aisle and grabbed the cup from Dominick and downed the rest. “She’s an old lady.”

“And she really might understand you,” Nathan Matías added.

“You’re a bunch of pussies,” Dominick said. He turned to face the woman and yelled: “You’ve got awesome tits!”

The woman looked up at the sound of his voice. He waved at her. She stared hard before looking back down at her book, shaking her head.

“See.” Dominick turned to his friends. “Don’t you think if she understood English, she would’ve beat me flat with that rock of a bag?”

His friends laughed, Nathan Matías the loudest. “Sick, man,” he said.

It got quiet again, but Nathan Matías interrupted the silence.

“So what about the girl?” he asked. “What was she doing with her hands?”

Dominick looked back at him, suddenly annoyed that Nathan Matías was there, too. Even the name Nathan Matías pissed him off if he thought about it too much. It was like trying to make a sandwich out of American and Spanish names and then coming up with something that made no sense in either place. He’d heard it was some sort of compromise between Nathan Matías’ parents, one a Spaniard and the other a conservative Republican from Texas.

“What’s wrong?” he asked. “You come up dry again?”

“No way, man,” Nathan Matías said. “The Spanish girls love me.”

“Whatever,” Dominick said.

The announcer made the call for the next stop, Colonia Jardín, and repeated that this would be the last train for the night. The boys were quiet as the doors opened and closed, but no one else got on their car. They could hear high-pitched chatter coming from somewhere else as the metro pulled away from that stop and toward the next.

Their car was warm. The woman laid her book facedown on the seat beside her while she undid the last buttons of her peacoat and took it off, folding it gently in half and placing it on her lap. Once all was back in order, she picked the book up again and continued to read.

“Including Bunny Lips, I made out with three girls tonight,” Dominick said after the screeching had stopped and they were again surrounded by tunnel. He was still looking at the woman but talking to his friends. “They were all good, but Bunny Lips was the best. She got my dick so hard.”

Jorge laughed. Nathan Matías finished his drink.

“Bullshit,” he said finally. “I’d believe two, but not three.”

“Fuck you,” Dominick said. “What do you know about Spanish girls anyway?”

“I know enough to know they don’t like you,” Nathan Matías said. And for a moment it seemed like either he or Dominick was going to stand up, but Jorge stepped in. He always did.

“Don’t be a punk,” he said to Nathan Matías. “And Dominick, finish your fucking story.”

But the doors opened again, and this time someone did get on: a couple, probably about five years older than Dominick and his friends. The girl was good-looking, though her eyes were a little big. The guy had thick eyebrows, a closely shaved head, and the body of a rock climber. They found seats at the back of the car. Once the metro had lurched to a start, the girl got up and sat on the guy’s lap.

Dominick looked over at them and then back down at his own feet. The truth was he’d never really done much with girls. He’d kissed a few in Spain and once he’d made out with his cousin’s best friend back in the Ozarks. He’d even convinced her to take off all her clothes, except her panties. But when he’d tried to touch her, she’d pushed him away and said she was saving herself. He’d gotten pissed and never spoke to her again. Not that he spoke all that much in general on that trip back to Missouri.

When he was a kid, he loved the Ozarks. Every time they visited, he felt like someone’s exotic pet. His cousins asked him to teach them swear words in Spanish and his aunts and uncles cooed over his good manners and tidy style. His parents always complained about the trip in the weeks before they left, but once they were there, they disappeared into the landscape. His mom drank Coors Light on the dock and his dad talked about baitfish and the Tigers’ new quarterback. They let all the cousins call him Nick. They rarely fought.

But at some point, things changed. His cousins said he’d turned into a snob, and once, when he said it was disgusting to eat a hot dog on the street, his Aunt June had slapped him hard across the face.

“Get off your high horse,” she’d said, and his parents hadn’t done a thing.

The past two summers it was he who resisted the trip to Missouri and his parents who talked more about missing home. Spain was in full-on crisis by then, and even the American School was talking about layoffs. Whole families showed up outside grocery stores begging for food. In Madrid, a woman walked into a bank and set herself on fire. Another woman was stabbed to death by her husband. He said he’d been fired from his job and when he came home and she refused to have sex with him, he just lost it.

And then there’d been the affair. It was over now, but his mom sometimes tried to blame Spain for what she’d done. His dad told her to stop using debate tricks to avoid responsibility, and she’d yelled back that it was his idea to up and move the family to this fucking country in the first place. Mostly Dominick stayed in his room and looked at pictures of naked girls online. Nothing really dirty, but at least it made him feel good.

Dominick hadn’t realized he’d been staring at the couple making out at the other end of the car until the guy looked up and stared back at him.

“You want my girlfriend?” he asked Dominick in Spanish.

Dominick looked back down at his feet and shook his head.

“I think you do,” the boyfriend said, pushing his girlfriend onto another seat and standing up. The girlfriend tried to pull him back down.

Dominick kept his eyes on the ground, shaking his head. His friends looked anywhere but at the guy walking toward them.

“Or maybe you wanna kiss me?” the guy was saying, now standing in front of Dominick. He smelled like hashish. To avoid his eyes, Dominick looked toward the front of the car and saw the old woman staring at him.

“He didn’t mean it,” Jorge said finally.

The guy moved closer. His crotch was now in Dominick’s face.

“Say something.”

“Man,” Dominick said. “Man, I was just thinking. I wasn’t even looking.”

“Where you from, fag?” the man said.

“He grew up here,” Jorge said. “Let him be.”

The old woman continued to stare, but like Nathan Matías she was quiet. She looked at Dominick with the same expression she’d had when he’d told her he liked her tits. Like she could see through him.

When Dominick turned his head, the guy was unzipping his fly. He tried to stand up, but the guy pushed him back into his seat. He heard the girlfriend yelling something, “stop” maybe, but a second later, the guy’s dick was in his face and then Dominick felt his shirt and pants grow hot and wet. Drops of piss misted his chin. He could feel the old woman staring. He could hear the girlfriend scream and then, he was pretty sure, laugh softly. The tunnel was dark around them, but the bright lights of the car illuminated everything.

Dominick closed his eyes just as the announcer made the call for the next stop. For a moment he could see the Lake of the Ozarks. They say it has the body of a snake, but you’d never know that looking out at it from ground level. From that perspective, the lake is only flat blue-gray water and the distant roar of outboard motors. His grandmother used to call it “the little man’s paradise,” and when he was young he thought that, by little man, she meant him. Only later did he realize she was talking about poor people.

The guy was laughing hard as he zipped up his pants, and in the next second he was in his seat at the other end of the car again. He and his girlfriend got off at the next stop, still laughing.

For a long while no one talked. There was just the whirl of the metro and the sound of pages turning. Dominick could taste salt, smell sourness. The wet heat of the piss had begun to cool and his shirt clung to his chest. He remembered how he’d pissed his pants once walking home from school. He was seven years old. It was soon after they’d arrived in Spain and the sense of cultural disorientation had only made the accident worse. Everyone seemed to be staring at him. By the time he got home, he was crying hard. It was the last time he remembered really bawling like that, like it might be possible to get every feeling out and be done with them for good.

When Dominick finally spoke, it wasn’t to his friends.

“I bet you’ve got a bunny in that bag.” He opened his eyes and turned to face the woman at the other end of the car. “That’s your girlfriend, that bunny. And you take her home and sleep with her.”

His friends stared and then, as if the world had suddenly grown hilariously tiny, they both began to laugh. The woman continued reading her book, its back turned toward him now. Dominick could see it wasn’t The Alchemist after all, but something by Ernesto Sabato. He recognized the cover from his Latin American literature class the year before. It looked like she was close to the end.

“I bet you’re so lonely, you sit by yourself every night in the bathtub eating chocolate and crying about how long it’s been since you got laid,” Dominick continued, still in his seat, empowered by the sound of his own voice.

“Gross, man,” Nathan Matías interrupted. “I don’t want to think about her naked.”

“Shut up,” Dominick said, and stood up. He realized he was drunk.

“You’re so lonely you wake up in the morning to an empty bed and then you just go back to sleep.” He walked closer to her. “You’re invisible. We’ve forgotten you exist.”

He knew the woman could hear him, but she kept her eyes on her book. He thought he might take it out of her hands. Actually, he wanted to do more than that, he realized, and the realization made him sweat. He wanted to push her off her seat and knock her to the ground. He wanted to kick her in the stomach, between the legs. He wanted to hear her scream and beg him to stop. He wanted to take his dick out and piss all over her, all over that bag and her neatly folded peacoat. He wanted the roaring in his ears to stop.

The announcer called out the next stop and repeated that this would be the last train for the night. Dominick sat down in a seat by himself and wiped the piss splatter from his cheeks. Neither of his friends were laughing anymore. What that girl with bunny-soft lips had been doing with her hands, really, was pushing him away. She’d said she had to go. She’d told him to leave her alone.

As the metro slowed, the woman closed her book and clutched it with her free hand. She unfolded her peacoat and put it back on. Jorge and Nathan Matías looked down at their feet, but Dominick stared. It was the Cuatro Vientos stop.

The woman stood as the metro came to a stop. She put her bag over her shoulder, the book clutched to her chest, and passed between the rows of seats where the boys sat. She didn’t need to go that way. She could have left through the door closest to her. But she chose to pass between them.

Then, for a moment, almost as if it were an afterthought, she paused before Dominick. His pressed jeans were soaked at the crotch. He smelled like one of those defeated old men, drunk or passed out, who were now so common in the city.

It would be best if she let him be. If she just walked on and forgot about the boys on the Metro that night. That is what it means to survive as a woman. To not be anyone. But she reached down anyway, and she touched his shoulder. She held it there for only a second.

“Stop,” she said in English.

When the doors closed behind her, the silence of the metro car was replaced with the dim hum of the station. The woman turned to find the boy staring at her, his face growing smaller in the window as the metro pulled away. She stared back at him as if from across a stretch of time instead of space, until eventually the metro picked up speed and the boy and his friends disappeared into the darkness of another tunnel.

The Amon Liner Poetry Award AN IMPERFECT FIGURE

                                is making biscuits in the morning just
for myself worth it
                                 kneading in the butter
filling the kitchen           with godly golden
                                 crumble smell
breaking open like a confession
                                 steam gasping into the air
apron covered in floury
                                 handprints           not caring
that it’s hot in the kitchen I will
                                 say of course           and more

                                 and then opening           the jam
last summer’s Michigan blueberry
                                 the near-black nectar smothering
licking my fingers
                                 I can live with the softness
padding my ribs for this           the crumbs
                                 all over the sticky counter
like waking up in the bed of the one I love
                                      a trail      of my clothes set loose
across the floor
                                 unconcerned if it’s messy
the answer is yes           and please

First Comes Love

They could smell it all, the couple: they could smell all the kids, the kids, the kids, could hear the kids, could taste all the sour kidness on the air. So, in her mind, the wife, Kate, reached for the biggest bottle of Febreze ever made and sprayed and sprayed it all away, and then, in additional response to having learned via email from her cheerful doctor that they couldn’t have children of their own—at least not without resources they currently lacked, i.e. and e.g. time, money, emotional strength, and good health insurance—the couple decided to get a kitten.

At least the husband, Kevin, did. Across the street from their bank was a pet shop; whenever they went to use the ATM, Kate would skip across and coo at the kittens in the window. Hello, pussens, she’d say. And hello to you, second pussens, she’d say.

Money gained or money lost, Kevin would join her at the window.

That orange guy, he’d say, grinning, is a little outlaw.

Don’t quote movie lines, Kate would admonish. But look, look how cute he is!

The night they got the news, after an extra round of margaritas, Kate slept and Kevin, restless, walked around the apartment, listening for leaky pipes and worrying about his current novel. As he held his ear beside the bathroom faucet, Kevin thought: Kitten, why not? The next day, as Kate was teaching her final class of summer school, Kevin drove to the pet shop. The countergirl assisted him when he asked what else he needed, besides of course the kitten, and he went home laden with food and litter box and little colored plastic balls with jingle bells inside. He released the kitten from its box and it scurried beneath the sofa, and he tried to lure it out by kicking a pink ball across the room.

He laughed about the name—jingle bells!

All afternoon, Kevin played with the kitten. Your name, he pronounced, holding the tiny warm animal before his face, will be Peeve. The kitten, orange-furred and blue-eyed, squinted and sneezed. She was a tabby so tiny that, when he held her in his hand, she pooled softly. He opened a can of cat food and the kitten sniffed it and walked away. Then he poured the kitten a saucer of milk. You like milk, he said, right, Peeve? The kitten lapped greedily, purring as it fed.

After she finished, she began licking her chops with startling urgency.

You okay, Peeve? Kevin asked, worried.

She looked at him, made a sound more yowl than meow, and puked out the milk.

Shit, Kevin said, cleaning up the vomit. He opened a can of tuna and spooned the fish into a bowl. How about this, Peeve? Chicken of the sea!

The kitten ate happily. This time, she didn’t throw up. Kevin stood over her, arms crossed, pleased. You and me, Peeve? he said. We’re going to be some sort of team. All three of us. We’re going to fight crime and have superhero names and we’ll dress you up on Halloween. He considered it. I think we’ll dress you as a black cat, Peeve. We can dye your fur!

The kitten bounded away, chasing a fly.

When Kate came home, Kevin wanted to surprise her. He asked her to shut her eyes and hold out her hands. The kitten galloped up to her, nosing her shin.

A kitten, a kitten! Kate said, lifting the kitten to her face. I get to name you! Don’t I?

Of course! the husband said.

So the kitten’s name became Polly.

In no way had Kevin considered the cross-country trip they were taking in two days; this is what Kate reminded him of as she cuddled the kitten to her neck.

Shit, Kevin said. I wasn’t thinking!

Kate nuzzed Polly. No he wasn’t thinking, was he, Polly?

So they needed a cat sitter. Kevin stapled signs on the four television poles at the nearest intersection, and three teenage girls called and made interview appointments for the next day. That night, as Polly stepped across the bed pillows, licking the couple’s hair, Kate and Kevin devised interview questions. They would, they decided, ask the same questions of each girl: best to observe protocols. Questions: experience with cat sitting; experience with cat owning; preference of dog vs. cat; willingness to clean up vomit (Why should we ask that, Kate wondered; Kevin shrugged: Just in case?). The next morning, the girls appeared in turn, each ponytailed, each serious—offering handshakes, wearing slacks and suit jackets, armed with their own questions: was there Wi-Fi on the premises? Hulu? Would the couple travel often? Could they bring guests? How many? What about AC? Kate and Kevin were impressed. They were not at all so composed at that age (they weren’t sure they were so composed at their current age). They asked their questions, they observed the girls with Polly, and, after the last girl left, they asked each other who they’d like best. They couldn’t decide. Who could tell? They asked Polly. She demurred. They wrote the girls’ names on index cards and put a spoonful of tuna on each card. Polly ate all the tuna.

They shrugged and called the first girl.

She spoke slowly, enunciating clearly. After further consideration, she informed them, I have decided to decline your offer.

The second girl, too: A thing, she said, has come up.

The couple began to panic, but the third girl was excited: Yay! she said. I loved Pilly!

Polly, Kate and Kevin said.

Polly! she said. I loved Polly!

Then, funnily enough, they flew to Philly, which was the name they’d been using for the city since they’d made their travel plans months earlier. We get to go to Philly! they’d been saying to each other. They told their friends: First we’re going to Philly—and then we’re going to the Poconos! Most of their friends were confused by this: Why the Poconos? Were they taking foxtrot lessons from Patrick Swayze? No, no. They were visiting Kevin’s stepbrother and the stepbrother’s wife and daughter. The three had a weekend cabin in the Poconos, and it’d been a long time since Kate and Kevin had seen them. The last time, the niece had been just a baby and now she was eleven, and they were excited to see family, especially young family.

Goodbye, Polly! they said to Polly. Behave! See you next week! Thanks, Margo! The cat sitter was looking at her phone, but she gave them a thumbs up, and off they went.

On the flight, Kate was sleeping, and Kevin reached over and tweaked her nose.

Her eyes blinked and she cried out. Then she quieted, assessed, and glared at him.

Poke a nose, Kevin said. Get it ha ha?

Kate mumbled a curse and turned back into sleep.

It was a redeye, so exhaustion upon arrival, but at least they had the whole day ahead of them. We have the whole day ahead of us! Kevin said. They were jostling on a downtown train from the airport. At one stop, a family of three, a father and two preteen daughters, boarded, the father clad in tourist gear, Phillies hat, backpack, baby blue Ben Franklin T-shirt. As the train rolled, the girls took pictures of one another with their phones, vamping, then sat together and compared the images. Kate observed their pubescent vanity, mildly annoyed. Kevin nudged her. Let’s go see the Liberty Bell first, he said. Kate shrugged. The Liberty Bell: Sure, why not? The train made their stop. They walked toward the Liberty Bell. That market there, Kevin said, possesses wondrous scrapple, ever had wondrous scrapple? Kate yawned. They passed a Chinatown, passed noodle shops, enormous old cemeteries. The city was tighter than Los Angeles: small streets, honking cars, old buildings and buildings new, and its air was heavy, warm and damp, stank of hot trash. A woman stepped from a doorway and tossed an arc of creamy water right onto the street.

Kevin and Kate laughed. They both, in their travel weariness, felt loose and easy.

What a place! they said. Pollydelphia! they said.

The Liberty Bell was the Liberty Bell. They considered the cracked bell’s shape. Kevin said, I’m not sure if it’s grand or if it’s meaningless.

Maybe, Kate whispered, that’s precisely the trick of the thing.

The bell? Kevin said. Or liberty?

Kate nodded sagely.

All day they were tourists. They waited in line for tickets to Independence Hall. They listened to the story about all the flies, the story about George Washington, the story about the heroic delegate who wore a veil; why was he heroic? They didn’t know, they didn’t listen. They saw, across the river, the factories of New Jersey. Cheesesteaks? Yes: Pat’s! They rode a tour bus to a prison famous for something Kevin didn’t quite grasp. What’s the big deal? he asked.

It’s a penitentiary, Kate explained. For the penitent.

They walked the prison’s low halls into cells with trees growing right through the concrete floors, pressing up through the concrete ceilings. Can’t stop nature, Kevin thought. He stood in a cell, alone, thinking about the word ‘cell.’ It came from monks first, he recalled, and then it came to also mean the littlest parts of the body. The little homes in the body with all the little bits. Sometimes, he thought, those bits that failed a person.

He pressed his hand to the chalky wall. He breathed in the must.

He tried to imagine it. Being stuck here. In this sad cell. For years. In silence.

It sounds awful, he said to Kate.

He’d left his cell and had come upon her touching the tree in her own cell, next to his cell—not with her hand. She was touching her forehead to it, in communion.

That’s because, she said, eyes shut, voice sorrowful, it is awful.

Was, Kevin said.

Kate tiredly opened her eyes. Was, she said. Is, she said.

Same same, Kevin said.

They left the sad prison and rode a bus to the museum. Kate held her fists high beside the boxer statue. Yo Adrian, Kevin said, I am leaving, I am leaving. Kate grinned. They walked up the grand steps, too travel-tired to jog. At the top, they touched fists. Inside the museum, they wandered the rooms, and in each room, each gallery, they debated which picture they’d take home. I prefer the lady with the glowing eyes, Kate said. I’ll hang her on the front door.

I believe, Kevin said, his wife jumped out a window. While, he added, she was pregnant!

Kate frowned. Who wife? she asked. The Russian poetess?

Kevin shrugged. He wasn’t very sure what he knew or didn’t know.

They peered through the peephole at the reclining naked lady.

Where the men can see it all, Kevin said. Get it?

Kate rolled her eyes and they kept walking, through the museum, out of the museum, through the narrow city streets, beneath the city hall, past the new skyscrapers, past parks and donut shops and pizzerias, walking all the way through the friendly if stinky city. And everywhere: children. Babes bandoliered to moms’ chests. Toddlers straining against monkey-tail leashes. Can we see the fanatic later, Daddy? pleaded one boy, this at the prison. Can we, can we please see the fanatic? Of course! the father said. Fanatics! Kevin thought. WTF? And sulking teens, shoulders scraping the sidewalk, sulking parents looking in generational frustration at the teens.

But happiness, too: cheerful families in matching T-shirts, jogging, taking pictures, pointing, posing, laughing. Babies in strollers, squawking. A baby puked on a father’s shoulder; the father laughed widely. Whoa, nice job, Theo! he said, patting the kid on the head.

You have to be positive, he explained to Kevin. Then it’s a good time, all the time.

That, Kevin agreed, is a good rule of thumb. Hear that, Kate?

But she wasn’t listening. They were in line at the famous donut shop, and she was frowning at the donuts in the display case. Kevin thought about nudging her and repeating the question, but he let it go. He let it all go. All along that day, Kevin wondered if she were thinking about it too: no kids. He wondered if she felt sensitive. Sorrowful. Probably not; Kate wasn’t the sorrowful type. Kevin felt a little pang; he didn’t mind kids. He might, he thought, even have been a good father. Though he’d have to change, take life more seriously.

But I could change, he thought. I’d do a good job.

It’d been well over a year of trying, and the effort had worn them to nubs. Every month they’d driven an hour in LA traffic to the clinic where the nurse would take the plastic cup of Kevin’s sperm off to a lab where the sperm was enriched in a bath of orange vitamins, spun into energized motion, and gathered into a tube that, later, in the exam room, the fertility doctor slid hurtcrampily into Kate’s uterus and there discharged, setting the dumb little fuckers on their delicate mission. Each time, the little assholes failed. And, too, over a year, every single week, Kevin shot Kate in the belly with a drug that made her tired and angry, bruised and trembly. All year-plus-long, Kate felt emotionally thin; all year, Kevin felt emotionally thin. Instead of sex, Kevin jerked off into plastic cups. This, he’d think, tugging, sucks. This, Kate would think, looking at the bathroom wall as he pushed the needle into her stomach, fucking sucks.

And for what. For kids! And in the end, all that effort for naught.

That night, Kevin asked her. Hey, he said. You thinking about it, too?

They were in their tiny old hotel, with the elevator that didn’t work and the thin coffee and the stale pastries laid out each morning, swarmed by the guests; they sat in their tiny room, eating takeout Indian food and drinking too-warm cans of local beer and watching the Phillies game (Kevin understood: Phanatic). They were exhausted, their feet swollen with tourism. The air conditioning unit pumped icy air, though at meager distance; they sat close, facing it, wearing only their underwear, dipping spoons in dal, bringing rich spoonfuls to their mouths.

Kate set her spoon down and looked at him quizzically. Huh? Thinking about what?

Kids, Kevin said, exasperated.

Kate snorted. She took a bite of dal; mouth full, she said, I was thinking about Polly.

And Kevin felt so much love. This, he thought, is my wife!

What do you think she’s doing? Kate said. Right now? Polly?

Sleeping or eating or purring, probably.

Sleeping, Kate decided. Another beer?

Yes, please, Kevin said, gratefully.

And that was it: that was their day in Philadelphia.

 

Next, the Poconos. They were excited as they drove through the greengreen Pennsylvania landscape: they’d slept well, they were in a strange land, they felt free of constraint, hungry to live, and they were happy to see Kevin’s family. Kevin’s stepbrother Eric greeted them outside his cabin in the woods. He held to his shoulder, absurdly, an axe.

You made it! he said. Yumiko! Leyna! he called to the cabin. They’re here! He directed Kevin to a parking spot and they parked and he gathered their bags from the trunk. While this is paradise, he explained, it’s also dangerous. Every night, he admonished, striding to the cabin’s front door, remember to check for ticks. Check your scalp, your crotch. Check your buttcrack. Check your hoo-hah, Kate.

His daughter Leyna laughed. Hoo-hah, she said.

I’m serious, Eric said, tightening his eyes. No one wants fucking Lyme disease.

Eric and his wife Yumiko were immigration lawyers in New York. Leyna was eleven. Eric was from Arizona, like Kevin, but Yumiko was from Queens, and she wasn’t quite five feet tall. She and Eric had bought the cabin as a future retirement home, and Eric had insisted for several years that Kevin and Kate visit. Kevin felt guilty it’d taken so long, and guilty that he didn’t know Leyna, his only niece (if step-niece), as well as he should. Sometimes Yumiko sent links to pictures of Leyna: Leyna skiing, Leyna swimming, Leyna doing karate. Leyna was an impressive young woman; that she seemed, in most of the photos, to either be laughing hysterically or scowling at the photographer (Eric) made Kevin and Kate like her all the more.

So, Kate asked Yumiko, who stood in the kitchen peeling asparagus, you like it here?

I fucking hate it, Yumiko said. If Eric died today? I’d leave and never come back.

Kate grinned. At least you’re safe against zombies here.

Yumiko swiped the peeler along the asparagus. Zombies can all fucking die for all I care.

Oh, god, Mom, Leyna said. Drama queen much?

I know, I know, Yumiko said. She patted her daughter’s head and looked at Kate. I’m supposed to try to be nicer. I’m supposed to be working on that. Being nicer. She set the peeler down and leaned to Leyna. Because everything we do is for other people, isn’t it? she said, her voice sarcastically sweet. Because all that matters is other people, isn’t that so?

Kate laughed. She adored Yumiko.

Outside, Eric was giving Kevin a tour of the property. Eric had spent the spring clearing a trail that would be, he explained, exactly one mile, wending along steep slopes, beneath a maple and birch and hemlock forest, crossing twice over a low creek and through a boulder-strewn clearing where, he said, he liked to camp out overnight.

You camp alone? Kevin asked.

Eric nodded. The ladies won’t go with me, he said. Do you like fireflies?

Do I like fireflies! Kevin cried. That’s like asking if I like chimichangas!

In summer, Eric said, you step out of the tent to piss in the middle of the night and the sky is glowing with them, and the stars, and it’s just so fucking silent and enormous. He looked at Kevin thoughtfully. Want to camp out tonight?

Kevin shrugged; he was worried about ticks. So instead they all went to the store and bought fireworks and that night set them off in the darkness and drank. Whenever Eric poured shots, he gave Leyna a little bottle of yogurt drink, and she toasted and tipped it back.

Cheers, you drunks! she said. Cheers!

Cheers! they all said back, laughing.

After the fireworks, everyone was quiet and tired. Eric had started a fire in the fire pit, and everyone watched the flames pensively.

We just found out, Kate admitted. We can’t have kids.

Eric shook his head. That’s life for you, he said. Being a motherfucker.

I never wanted to be a mother, Yumiko said. Leyna was walking past, arms laden with firewood. Yumiko pushed her leg out, halfheartedly trying to trip Leyna. I still don’t, she said.
Leyna hopped over her mother’s leg with ease. She dropped the firewood and wiped her hands.

Why not? she said to Kate. Why can’t you?

We tried, Kevin said. It’s not like we just gave up right away.

Leyna frowned. What does that mean?

He leaned forward. Say there’s like four doors that lead to having kids. One is the normal door, the first door that everyone sees. They go up to it, turn the handle, it opens, they go in. That’s where you just screw and have kids. You know all this, right?

Leyna rolled her eyes.

For some people, though, Kevin said, that first door is locked.

It’s locked?
And the next door, Kate said, is this magical fucking place where the woman gets shots that make her weird and depressed and the doctor shoves things into her that should make babies come.

That’s the second door.

But it’s locked, too? Leyna said.

Locked, Kate agreed.

The third door, Kevin said, is even harder than level two. That door is called in vitro, and it costs twenty-five grand, and there’s no guarantee that if you pay, the door even opens.

That’s bullshit! Leyna shouted. What about door four?

Door four, Kate said, is adopting.

Leyna considered this. Adoption, she said, is sort of weird.

Leyna! Eric scolded.

It is, though, Kevin agreed. Probably most people get over it. But you sort of have to know in advance you’re the type of person to get over it.

Kate said, He thinks I’m not that sort of person.

Are you? Yumiko asked.

Kate shrugged. Not really.

Leyna was looking at the dirt, thinking. She raised her head. That sucks, guys.

Kate reached out and gave her a hug, and Leyna squirmed in happily feigned resistance.

Anyway, Kevin said, to make a long story short, we gave up at level two. We’re quitters, he said, and that’s why you get to take care of us, Leyna, when we’re old and frail and crazy. This whole trip is a scouting mission to see if you’re capable. We’ve decided you are.

Leyna looked at Eric. Do I have to?

Of course not, Eric said. So, he said to Kevin and Kate, no kids. That does suck. But it’s just another thing to accept, right? How life is going to be.

I accepted it when I was ten, Kate said. I didn’t even like kids when I was a kid.

Yumiko laughed; Eric laughed; they all laughed, even Leyna. Plus, Eric said, if you think about the pros and cons, it’s basically a tie. He ruffled Leyna’s hair. We’ve lost a lot of time to this one, a lot of attention we could have given to each other.

He’s right, Yumiko agreed. It’s Leyna time all the time.

Leyna beamed.

Maybe, Eric continued, it’s a good thing, having kids. For democracy, I mean.

Everyone looked at him.

What? he said. So what if I’m stoned?

Kevin said, It’s like books. It’s like a person is a standalone novel. You know? You get to the last page and that’s it: the end. But a family is like a whole series of books. Like Harry Potter: you finish the one, and that’s nice, but it’s even better because you know it’s going to keep going. Even if your own book is ending, it’s nice to know the story isn’t totally over.

You’re a confusing person, Leyna said.

Yumiko said, It’s just a tradeoff: happy solitude now for sad loneliness later.

Kevin nodded in agreement, and they all felt pleased with their handle on the situation. Then it was bedtime for Leyna. She didn’t want to go. She screamed, she writhed. She yelled at them all because they got to stay up; she yelled at the forest, because the forest got to stay up.

Yumiko winked at Kate. See what you’re missing?

Eric bent down to Leyna. Leyna, he said, I need you to go to bed because tomorrow we want to tour the coal mine and hike to the waterfall and come home and make stuffed pizza, remember? And when you’re tired in the morning you can’t do all those things, but you really like doing those things, remember? The four of us can all stay up and get drunk and feel shitty in the morning and still do all those things. When you’re old enough to do that, you can stay up, too, okay? We’re all in this together. I do this for you, you do that, and your mother does—

Leyna yawned. Then she wished everyone goodnight and went to bed.

The real trick to parenting, Yumiko explained, is talking your kids to death.

The next day they were in the deepest darkness that Kevin and Kate had ever known, hundreds of feet below the earth. The tour guide had said, Ready? and before anyone could answer, he killed the lights. Listen, he said. They listened. All there was to hear was existence. A trickle within the slow vast seethe of the earth. They could smell more than they could hear—the sweetness of dirt, the tang of rust. In the pitch black, Kevin waved a hand before his face. He thought he could see it, but he knew it was only a picture in his mind; he asked Kate to wave her hand before his face, and he saw nothing, nothing. Blackness. He wondered if everyone on the tour also thought of Descartes, of what it meant to be. Ten people on a coal mine tour in Pennsylvania, thinking of French philosophy.

This, Kevin thought, is a totality. The place for the grandest thoughts. It’s not so different from sleep.

A hand grabbed his own in the darkness. A small hand. Leyna. He grasped her little hand and felt her smiling in the darkness beside him, and he felt so grateful, so comforted.

Beside him, Kate was thinking, too. Too much life in the world. Kids, sure; she really didn’t care about not having kids. But also all the green they’d seen in Pennsylvania. All the trees. All the grass. People. Breathing. Right now they were in a hole in the earth that thousands of men had died in, and because why? Because life needed death to live.

How about, she thought, no life? And skip it all?

No kids. The years ahead of her now were a vast emptiness. So much to live out, she thought. Maybe Kevin and I can go on a cruise that will never end. I would like, she thought, to see foxes. Or a sloth. No matter what, she thought, we’ll be happy. Happy enough. Happyish.

In the last email, her doctor had also mentioned a cyst that Kate would have to get removed. There was no rush, but it annoyed Kate. More unwanted life. I’ll frame it, Kate thought. Have the little thing cut from me and framed. I will make a scrapbook of my body.

And Kate suddenly felt so lonely, there in the deep dark mine, caught in immense silence within the crust of a planet floating through the universe.

Who would be reassured by that? Who wouldn’t feel terribly alone?

After, as Eric drove home, Leyna and Kate played cards in the back seat.

Hey, Kate said. What’s that?

What’s what? Leyna said.

Kate pointed at Leyna’s neck, at a tiny dark spot. That, she said.

Yumiko leaned forward.

Fuck! Yumiko cried.

What? Eric said.

Did you check her last night? Yumiko grabbed Leyna’s chin. Did you check yourself?

Leyna shook her head.

Fuck! Yumiko shouted. She took a breath. Eric, she said, pull over.

It was a tick. Blooddark and bloated on Leyna’s neck, nestled within her soft black hair.

I got this, it’s fine, Eric said. He produced a pair of tweezers from the glove box. Kevin, you want to do it? Remove the tick? It’s good to know how to do these things.

Yumiko smacked his shoulder. This isn’t a survivalist lesson.

Eric nodded and went to work. Leyna squirmed. Her face was pale.

Well? Yumiko said.

Eric scratched his head. I didn’t get it all.

On the drive to the ER, Eric moped. They’re all survivalist lessons, he muttered. Kevin and Kate were quiet. On her phone, Yumiko frantically read all she could about Lyme disease. Everyone was silent, everyone was scared for Leyna, scared of the bug attached to her neck.

Leyna knew she was fine. They were all so nervous; it was annoying. Of course she was fine. She saw Kevin watching from the front seat. He winked at her, and she scowled at him, warmly.

Kevin grinned. He knew she was fine, too.

Oh, darn it, said the PA at the urgent care center. I missed it, too!

Yumiko nearly punched him out, but a moment later, he whistled. There we go, got it. He dropped bits of brown bug into his gloved palm. These little guys, he said, and all the trouble they cause. He pulled his glove off. We’ll have the labs back tomorrow, and we’ll call, but you did a good job, I’m sure it’s fine, okay?

Okay, sure, fine, but still Yumiko worried, still Eric worried. That night they made dinner quietly; they didn’t drink; they went to bed early. It was a little disappointing: Kevin and Kate wanted fun, more fun. And once again, life got in the way. The next morning the email came, and it was indeed fine, no Lyme disease, no problem. The worry lifted away, everyone was in high spirits, all that worry blown and gone forever. What worry?

Worry: such a strange thing, Kevin thought. How easily it vanished.

Sort of, he thought, like hope.

And then they had to say goodbye to Eric, Yumiko, and Leyna, and they felt sad again.

Halfway back to Philadelphia, Kevin said, So. I have a story idea.

Do tell, Kate said.

I will tell, Kevin said. So you follow these characters and they do these things, whatever the story is, who cares. Maybe it’s a novel. And then at the end, they die or whatever.

You already said this, Kate said. At the fire.

The thing is, Kevin said, the novel doesn’t end. It switches to someone else.

Weird, Kate said.

But it’s not weird, Kevin said. It’s like life. Writing is about life. Life isn’t about people; life is about life. If there’s a book where the world blows up? The next chapter should be about the world next door. Or, even better: the photons of the blown-up world shooting off into space, what happens to them? What grand adventures do they go on? Don’t you want to keep reading?
Kate yawned. I’m so ready, she said, to go home.

To see Polly?

Yes, she agreed. To see Polly.

But that night their flight was canceled. A storm surge, that afternoon, flared up and tore through Philadelphia. They were at the airport, exiting their rental car, just as the rains came. They had to wait damply in the terminal with thousands of other strandeds, awaiting the fate of their flight. Waiting. Waiting. Canceled. For two days, canceled. Stuck two more days in Philadelphia.

They tried to make the best of it. The weather turned. There was no Lyme disease. No kids, either, but that evening the city heat was gone, the trash stink was gone, and the city was dry and quiet. The clerk at the hotel’s front desk frowned as the couple approached.

Forget something?

Kevin tugged at his rain-soaked shirt. Not so much us as nature. Can we get a room?

Sure, the clerk said, skimming the computer screen. All we have is the accessible room. No AC. It costs less, though? Is that all right?

Kate laughed. All right? No, I don’t think it is, she said. But we’ll take it.

 

STANDARD COURSE OF STUDY

There is no history of accord,

only one of cruelty—

if the goat calms the stallion,

then debtors will clip the wires

or thrash the thick cypress fence

to steal the goat—

if the stallion loses by a leg,

the debtors will be jailed—

if the prisoners riot,

the guards will quell violence

with riot gas and side-handle batons—

 

Still, imagine how droll

the high school textbooks rewritten

to chronicle an affable people—

They shook hands and massaged each other’s shoulders,

they dressed in corduroy pantaloons

to serenade each other from balconies—

Imagine the cruelties we might have to imagine

to keep ourselves engaged—

snakebites, beds of nails,

mild electric shocks—

AERIAL VIEW: JACKSON STATE COLLEGE

On May 15, 1970, the Jackson State killings occurred on the campus of Jackson State College (now Jackson State University) in Jackson, Mississippi. On May 14, 1970, a group of student protesters against the Vietnam War were confronted by city and state police. Shortly after midnight, the police opened fire, killing two students and injuring twelve. The event happened only eleven days after National Guardsmen killed four students in similar protests at Kent State University in Ohio. The Kent State incident captured national attention; the Jackson State killings did not.

 

*

 

A bullet comes through the air. It’s not fair

simply to fear them as projectiles;

often they are warnings. That is

to say, they sound out through time,

running up ahead to let us know

the terrain before us does not welcome

our kind, almost singing a single note

of advice: run.

 

 

I.

 

Above us, squinting through the scope,

above us frowning, sharpening the focus,

pain and quirk and need, what else does he call for,

 

he who wields the secret to death?

What else scares us . . . what else do we scare?

What else rustles the leaves, nervous,

trying to remain calm?

 

Courage and warmth, what else

ended today as the clouds opened,

spreading the clarity of light?

 

I remember how the sky winced, gray and opaque,

and then, wide-eyed, what else did the day do?

Did dandelions lift from their stalks?

What else got the hell out of the way?

 

What else got caught in the crossfire,

in the wake of the whistling? I can’t see

you for the fuselage of the city,

littering the air, strewn across pavement.

 

I still long

for the mundane moment

before the seed, the seed that does not grow,

got planted in my chest.

 

What else sowed but did not reap?

Was I the harvest? Was I not meant to yield?

 

 

II.

 

Spring came and the sun came and both left

a hole where warmth once fell like a salve

for the chill and the sting of the chill.

 

Nightfall. Now, nothing behaves like spring.

Earlier, clouds burned off the sky

but no one celebrates a clear day

filled with violence. No platitudes

 

get exchanged after a killing,

sometimes after a death but never after a killing.

Who cares about the weather?

 

Who cares who won the game?

I see my body but I cannot feel

as others touch my body. Did I

 

ever feel my body respond

to the response of another’s body?

What’s the point of asking this question?

 

Under the night air, coolness prevails.

A cool, spring night, someone will say

walking their dog before going to bed.

 

Will they know how violent the day was

before dark? We think of violence happening

at night. Once more, a day stretches

 

possibility to the limit. Someone wakes

to the possibility, asserting, as their feet

touch the cold floor at the side of their bed,

 

a new day. A future of which they cannot

conceive. A death they won’t believe

unless it actually finds them.

 

 

III.

 

Some bodies had fallen out of fear

like animals freezing still when facing

a predator. Some bodies got shot

 

but not shot dead. Their lives

continue but with wounds we’ll never see;

these wounds won’t heal.

 

Some flew like prey across the veldt

of the campus quad, flew on their legs,

flew without grace, like prey will do,

 

pissing and shitting themselves,

surviving. Some have names we will forget.

They won’t mind; they took off running

 

to be forgotten. Me? I was once promising.

I stood there, looking into the sun. Above me,

the roof tops, the clock tower, the glint

 

of the gun. Stand still and watch

as people come back into the scene;

that’s what I’ll do, I said.

 

People, still, will not remember my name,

maybe they’ll mention me tonight

as they lie down in the dark

 

after they turn off the news, but once the screen

on the set powers off, I’ll lie as dead

as the distance one crosses through the night

believing there will be a sunrise.

THIS IS IT

In the spring of 1983, I was given the chance of a lifetime: to be guest editor of The Greensboro Review while the editor, Lee Zacharias, was on leave. I was nervous because while I had edited an alternative newspaper, The Greensboro Sun, for a number of years, I had never done much in the way of literary editing.

When my first issue arrived, I quickly tore into the printer’s shipping boxes and, to my dismay, found the blue cover stock way too dark to clearly see the names of the writers on the cover. But my “Damn!” was mild compared to reader response.

Disgusting!

How could you?

That story has no fitting place in a literary magazine.

The story in question, “Morrison’s Reaction” by Stephen Kirk, was about a dentist named Dr. Morrison, contemplating his approaching retirement after thirty years of dealing with rotten molars. In walks Vincent, the patient from hell, who represents three decades of odiferous decay by negligent patients who refused to practice simple hygiene. Vincent requests a marathon session of dental work but refuses all painkillers and becomes increasingly abusive to the dentist. The story concludes with Dr. Morrison’s violent revenge.

Perhaps because I grew up in South Florida with a family of fishermen and barroom comics for whom exaggeration was the norm, or perhaps because every dentist I had ever known was an extreme risk-taker prone to wild swings of mood, I found nothing out of the ordinary about the story. However, many disagreed and I was asked by the Chancellor’s office to forward a dozen copies of the new issue for the Board of Trustees.

My saving grace was John Updike, whose early stories I’d always greatly admired. He selected the story for inclusion in the 1984 edition of The Best American Short Stories, alongside such writers as Joyce Carol Oates, Madison Smartt Bell, and Andre Dubus.

In a way, this polarizing story was a precursor of my long thirty-year-plus tenure as editor of The Greensboro Review.

The tumult subsided and my stint as guest editor came to an end. Lee Zacharias returned and made me her editorial apprentice. Over the next four years, I learned her award-winning techniques of literary editing. When she officially handed the reins to me, I was bombarded with comments: “Up to your old tricks again?” “That lead story didn’t make one lick of sense.” “You gave your first Literary Prize to that story? I just don’t get it.”

This time it was “Kubuku Rides (This Is It)” by Larry Brown from Oxford, Mississippi, who admitted to me nobody got the story. After criticism from readers, the story was selected by Margaret Atwood for The Best American Short Stories 1989, where it appeared alongside work by Charles Baxter, Bharati Mukherjee, and Alice Munro.

With two Best Americans under my belt, I had a mandate to seek the most “out there,” exaggerated, risk-taking stories I could find and subject them to the highest standards of literary editing.

One example that comes to mind is Lou Gallo’s “Bodies Set in Motion,” which won the 1993 Literary Prize and which, as I let my editorial staff know in no uncertain terms, I detested, at first. The protagonist, Pepe, does absolutely nothing except think interesting thoughts about the universe and his place in it:

 

“Give me an anarchic jokester, not a mere stand-up (or in Pepe’s case, a sit-down) comic . . . Aren’t entropy stories as common as all those other stale tales of kids trying to figure out their lives via algebra homework.
. . . How do these overdone topics catch on?”

 

My rant—and my eventual change of heart—became  an essay about the Review’s editorial process in Warren Slesinger’s The Whole Story: Editors on Fiction. We require our student editors to read this piece so they can continue our tradition of selecting stories that are both unconventional and, as I describe, “bolted to a narrative drive that makes me reach for my seatbelt.”

This essay also explains my insistence on editorial deliberation—even for those stories we loved from the beginning. If I believe our team has engaged in intense editorial debate, I don’t mind admitting that a story won me over on the first read.

These are the editorial standards we’ve refined during my tenure, the methods I’ve attempted to instill in my editors.

So it is with great pleasure that I hand off the editorship to Terry Kennedy. Terry was my teaching assistant here in the MFA Creative Writing Program nearly twenty years ago. I liked his teaching style, which involved his climbing up and sitting on the desk to lecture. It reminded me of the Review’s founder, Robert Watson, who also used to climb up on the classroom table to lecture—and supposedly sometimes while standing on his head!

Now I have never seen Terry stand on his head inside or outside the classroom, but I have watched him work many other wonders, including his editorship of the online journal storySouth. Under his direction, the journal has garnered many awards, including Best American Poetry 2008, Best of the Web 2008, and e2ink-1: The Best of the Online Journals.

If Lee Zacharias took the Review from a local journal to a national one, Terry is sure to develop a global following in the digital age. By upholding the storySouth mission of finding and promoting the works of promising new writers, Terry shares the goal The Greensboro Review has held from its beginning: to showcase the best writing possible.

 

When I first published “Kubuku Rides (This Is It),” Larry Brown was a relative unknown serving as a fireman and working in a Mississippi general store. As I talked via telephone with him on story edits, I could hear the store’s screen door creak open and shut as he waited on customers. He said he’d had a difficult time placing the story, and went on to write in his “Contributors’ Notes” for Best American:

 

“I kept it around the house for nearly a year after I’d finished it, scared to send it out because I thought nobody would like it, or understand it. When I finally did send it out, to a major magazine, I believe the phrase that accompanied the rejection slip was “boringly monotonous.” But fortunately, Jim Clark at The Greensboro Review didn’t see it that way. He did call me up and ask me what the title meant. Jim, this is what it means: a bolt of lightning through the head.”

 

After his publication in the Review, Brown went on to publish several novels and short story collections, and he won the Mississippi Institute of Arts and Letters award for Literature, as well as the Lila Wallace–Reader’s Digest Writers’ Award.

In the decades since we published “Kubuku Rides,” the pages of the Review have been filled with some of the most outrageous barnstormers, chicken killers, schoolyard psychics, and circus performers. We publish stories about finding Eden and the fabled fruit of knowledge, about men transporting truckloads of penguins, about evil spirits entering living people and causing mental illness. More than thirty years after I first assumed editorship of The Greensboro Review, I believe stories like these exemplify both the kinds of writing we look for and the editorial eye that can spot the talent others might miss.

Terry, I am sure, will preserve the Review’s legacy of publishing the work of newcomers, the next Larry Browns of the world. He will find the unconventional, the “out there,” the bolts of lightning, the kinds of stories that make us shout, This is it!

IN THE MUSEUM OF TENSE MOMENTS

I tell my daughter I’m taking her to the new museum for her birthday present.

“But what if I don’t want to go?” she asks. “What if I want another Bot Buddy for my birthday present?”

“You’ll like it,” I say. “And you don’t need another Bot Buddy.”

Of course, I’m not sure she’ll like it. It might be too soon to go; the museum is so new, the crowds are still terrible, there are still kinks to work out. The average TripAdvisor rating is only three stars. It’s expensive. Also, maybe Jane is too young: she just turned eleven. The museum is intended for older audiences—but not too old. You have to sign a waiver promising not to sue if you have a heart attack or suffer from “emotional distress.”

“All the cool kids are going,” I say. “The high school kids.”

This is true. You see them around town in their MTM T-shirts, which feature a big bloodshot eyeball and the slogan I’m Not Telling.

Jane is going through a difficult stage, spending too much time in her room with her VR animals and her Bot Buddy, Naomi—she works on a virtual ranch she designed when she was seven with her VR father before the Glitch. She stays up late feeding tigers and roaming the camp with her rifle, stalking a shadowy bandit that steals eggs and sets fires. Her teachers report that she’s intelligent but unmotivated. Instead of thought-waving with other kids she just watches movies on her finger screen. She made Naomi punch another kid’s Bot Buddy and then denied it, even when there were goggles everywhere recording it.

I tried to tell her stories of my own childhood, the things I’d endured, my own loneliness. And look, I turned out fine! But we don’t seem to share the same language. I told her how I used to carry a phone device in my pocket or in my purse, how I had to send text messages to people to know what they were doing. And her grandmother—wow, she had to wait by the phone for a boy to call her. It was a plastic machine, I told Jane, and it hung on the wall with a long curly cord, and it rang when someone wanted to talk to you.

She said, “I have no idea what any of that means,” then clamped her VR set on and went off to hunt the bandit.

 

The line begins a block away. A cold rain is spitting down, and we shiver in our coats. I’m glad I made Jane wear her boots. We haven’t been to the city in almost a year, not since we last visited her VR father in his midtown loft. I designed him myself. He played the piano and the trumpet. He told jokes. He said, Atta girl. I gave him a face like a friendly lion and hair like a twentieth-century rock star. He wore skinny ties and chinos and had big yellow paws. He was perfect, and Jane loved spending time with him, but when the Glitch happened, he was deactivated and I never got around to reformatting him.

“Are you nervous?” I ask Jane, as we shuffle toward the entrance.

“A little,” she says. The other people in line are in their thirties, forties, and older; a few give us disapproving glances, and one woman says, “This is no place for a child.” But the scanner beeps  green as Jane and I enter, and I feel vindicated—especially when I see the scoldy woman beep red and be taken aside by Nurse Bots for extra Health and Wellness scanning.

You have to deactivate all of your screens, and Bot Buddies aren’t allowed past the cloak room.

The marble hallway opens to a set of eight rooms, and the crowds stream into them, disappearing into more and more rooms. There are no Bot Docents; there is no map.

“I guess just start anywhere,” I say.

“I wish Naomi was here,” Jane mumbles as we follow a line of people into a brightly lit room. “What is that?”

“It’s a bench,” I say. “And an old man.”

Because that’s what it is. A green wooden bench, the kind you used to see in parks. And a white-haired man in black trousers, a tattered blue windbreaker. His face is both gray and yellow. He’s hunched, staring into space.

“What’s he doing?”

“He’s sitting.”

“Ohhh, he’s a Povvy.”

I forgot that she even knew about Povvies. They were pretty much swept out of the country a decade ago.

We watch as a young woman in blue jeans and a turtleneck sweater walks into the exhibit. She has long dark hair pulled back in a ponytail.

“Hey,” the man calls. “Pretty lady.”

“Oh no,” says Jane.

There’s some shoving behind us, and a man whispers, “God, I hated Povvies.”

“You got any change?” the Povvy shouts, but the woman ignores him, walking past, looking straight ahead. “So I can buy a meal? I just want a meal.”

“No,” the woman says, and then another glass door swings open and she walks up to a window that says ice cream and hands a piece of paper to a man in a paper hat.

“That’s money,” I tell Jane.

“I know that.”

The old man is walking toward the woman with the ice cream. “I saw you,” he says. “I see you. You said you didn’t have any money, but you did. You too good to talk to me?”

“Let’s move on,” Jane says, so we follow a stream of people into the next room, where three suitcases churn around on a conveyer belt while a woman and her tiny son stand next to it, gripping each other’s hands. All the suitcases are marked not yours.

“They don’t have their stuff,” I explain to Jane. “And there’s nothing they can do about it.”

“Huh,” says Jane.

We make our way through more rooms. There’s a teenage boy sitting on a single bed, staring at a phone—“See, it’s one those old ones,” I tell Jane—picking up the handset, putting it back down again. Picking it up.

In another room: a dining room table with six people eating silently, not making eye contact. Two sputtering red candles on the table, a turkey carcass.

“Who are those people?” Jane whispers, and I say, “I think it’s a family.”

I’m starting to think it’s all getting through to her: the ways the world used to work, all the opportunities for missed connections and miscommunication and misunderstandings and helplessness. We hurry past blue flashing lights, past small children holding out candy bars. A man with a clipboard, calling, “Just a moment of your time.”

A woman sits by herself at a restaurant table and stares at her wristwatch, a concept I once tried to explain to Jane. Then she takes out a phone device and starts pushing its buttons.

“She can’t use thought-wavers to find out where her friend is,” I say. “She has to try to find her with that phone, using words. But her friend isn’t answering.”

“Is her friend dead?” Jane asks, her eyes wide.

“Maybe. But the woman won’t know it until later.”

“Ohhh,” says Jane.

“Do you see how easy it is for you?” I tell her. “You have it so easy.”

She doesn’t say anything.

We enter a room strung with crepe streamers, a disco ball twirling from the ceiling. A girl Jane’s age sits by herself in a chair while a group of boys stands nearby, laughing. One of the boys keeps looking at the girl. When he looks away, she looks at him. There’s a window behind them, rain slanting in bright shards through the night sky.

“It’s a middle school mixer,” I explain. “He wants to dance with her and she wants to dance with him, but they don’t have thought-wavers or finger screens.”

“I can’t stand this,” Jane says. “It’s awful.”

I watch the boy drift over to the girl. “It’s beautiful,” I murmur, but Jane has already turned away. She’s staring at her fingers even though the screens are deactivated.

“This isn’t even a real museum,” Jane says, loud enough that several people stop and look. “I want Naomi and my animals. I want to catch the bandit before he burns down another fence.”

I watch the boy and girl staring at each other, their faces flushed and terrified. The last time I felt this way was when Jane was still a baby, before the screens and the lion-father, when my heart was like that glittering ball twisting just out of reach, suspended and cracked open. Maybe now is the time to tell Jane that the bandit is me, that I’m keeping an eye on her, tiptoeing through her animal kingdom and setting small, harmless fires. I open the traps and let the wild rats roam free. Sometimes I’m a snake slithering just out of sight.

I turn to tell her how proud I am of her, that I’ll buy her whatever she wants in the gift shop. “This wasn’t so bad, was it?” I say.

But she’s gone.

Maybe she’ll come back, or maybe she’ll find her way to the exit, and the doors, and the world beyond it. In a moment, I will look for her, calling her name, stopping strangers and asking, “Have you seen my daughter?” They will think I’m just another exhibit, and maybe I am.

Through the big window, the rain has turned to snow, swirling past the silver buildings. We don’t have snow anymore; I don’t think Jane has ever seen it.

CONFIRMATION BIAS

In the bleach-blue light of

                             morning, the reason to

 

                 stay in bed. In the glass

dropped by the diffident

 

                             hand opening of its own

                 accord, a one-word horoscope

 

of nope. In the Muzak

                             playing while you wait

 

                 in the yawning

line to order your dark

 

                             roast with cream,

                 in that sibylline satellite

 

radio, nostalgia’s anti-

                             gravity—the Buzz

 

                 Aldrin of your heart

planting flags that don’t

 

                             wave. In the dream,

                 a prophecy of more

 

dreams. In the crows,

                             take-take-take. In the way

 

                 one word breaks

into another like a wave,

 

                             something you didn’t want

                 to say, though you’ve thought

 

it before. In the TV’s blue,

                             in the sun, the fluorescents

 

                 at work: you, you. Light’s

always lifting dark’s

 

                             rock to find you wriggling

                 there, a worm under

 

the eye, as if that’s what you were

                             looking for. As if it was

 

                 the last thing you

wanted to find.

A STORY ABOUT THE BODY

Anger can erupt like a lawn mower pieced together

Suddenly exploding

Yellow jackets

 

But it’s a mistake to thank fate

For the extra skin of denim

Draped around your tender ankles

 

If you’re unwilling to indict it

For your failure to engineer a kill switch

Or to wear a shirt

Those stingers can’t penetrate.

 

It’s not to blame when

The cloud of dust and dry grass

Churning through the blades

Above the evacuated rabbit hole

Transforms into a golden cloud

Of switchblades.

 

The sun doesn’t drop any slower

For anyone

But you

As you circle the yard

Savoring

What might be your final

Pain.

 

And isn’t anger like this—festering

Inside you all week until

It squeezes out through your skin

Leaving welts as it electrifies the air

Into a swarm so territorial

 

That you can’t—though you try to—

Outrun it?

from QUANTUM LYRICS

TRUTH

Albert Einstein to Mileva Maric

 

Your eyes hold enough lies

Day-to-day walking through the market,

A woman walking freely without

The sleight of hand of my skin, this peccadillo.

 

What rests inside me will rise

Out my mouth to kiss you, to kiss

My confession into you each day, Mileva.

Will the truth offer you some freedom

 

Or will I simply invite you to sit in my prison?

Wouldn’t life play better if you visited me

In this cell, conjugal visits in which we pretend

We’re free? I’ll ask for you to come to me,

 

And I’ll tell you to leave me, eternally

Coming and going like the rain. I told you

Only that I’m a man, only through how I hold you,

How I look in your eyes, like stars announce

 

They’re stars by the dance and death of their light.

But you look sad as if you know now

What you must not know.