The Greensboro Review, Issue 106, Fall 2019

Featuring the Amon Liner Poetry Prize-winning poem On Seeing a Bee Drink His Nectar, by Wesley Sexton, an Editor’s Note from Terry L. Kennedy, as well as new work from Dan Albergotti, Susan Auerbach, Maya Bailey-Clark, Marta Balcewicz, Dorsey Craft, Armen Davoudian, Chelsea Dingman, Ariel Delgado Dixon, Benjamin Gucciardi, Graham Hillard, Sally Rosen Kindred, Alyse Knorr, Chelsea Krieg, Jennie Malboeuf, Donovan McAbee, Raul Palma, Felicity Sheehy, Aurora Lee Shimshak, and Michael X. Wang.

Purchase
The Greensboro Review, Issue 105, Spring 2019

Featuring the Robert Watson Literary Prize-winning story, Sarah Heying’s The Chair Kickers’ Tale, and Prize-winning poem, Lena Khalaf Tuffaha’s Miss Sahar Listens to Fairuz Sing ‘The Bees’ Path’, as well as an Editor’s Note from Terry L. Kennedy and new work from Kirsten Abel, Jessica Guzman Alderman, Nick Brown, Mia Caruso, Julia Kolchinsky Dasbach, Lizzy Fox, Mary Grimm, Rebecca Gayle Howell, Peter Krumbach, Liz Marlow, Derek N. Otsuji, Samuel Piccone, Brook J. Sadler, Maya Salameh, Kirk Schlueter, Sharon Solwitz, and Mary B. Spalding.

Purchase
The Greensboro Review, Issue 104, Fall 2018

Featuring the Amon Liner Poetry Prize-winning poem Appaloosa Rider Unchained, by Forrest Rapier, an Editor’s Note from Terry L. Kennedy, as well as new work from Deborah Allbritain, Christopher Todd Anderson, Erin Rose Belair, Caylin Capra-Thomas, H.M. Cotton, Ally Covino, C.W. Emerson, Quinn Forlini, Andrew Hemmert, W.J. Herbert, L.A. Johnson, Elise Juska, Christopher Lowe, Christine Pacyk, Morgan Thomas, Derek Updegraff, Hannah VenderHart, Marina Weiss, and Annie Woodford.

Purchase

May 1966

Volume 1, Number 1

The journal’s inaugural issue featured work from students in the first years of the MFA Writing Program at Greensboro, including Kelly Cherry, Harry Humes, Thomas W. Molyneux, and Angela Davis. Students and faculty members printed the issue in the campus duplicating shop, then collated it by hand. Greensboro painter Betty Watson designed the logo that is still in use today.

View » Read selected highlights from previous issues