ANOTHER MARIA MITCHELL READS THE FORECAST

Snow is water cooled crystal-quick,
mineral and posed;

sleet is snow cast off a lattice,
scaffoldless and smooth;

and hail is rain that fell up, gathered like belief
until its weight gave in to the fact of Earth.

Tonight the sky is clear but
late October in southern New England

I ought to be ready for anything. I take off
my ragged hat. I stand upon my roof alone,

hunched apostrophe waiting for the telescope
to fill with a light that falls only in darkness.

Up here no one to speculate how fast
I might descend.

From the shared and unpredictable night
I pull a new precipitation,

drop a comet on the world.

The Amon Liner Poetry Award IN THE HUMMINGBIRD EXHIBIT AT THE ARIZONA-SONORA DESERT MUSEUM

A green bird hovers above red rock
and disappears into a thicket of ocotillo.

Dashes of color flit around our heads,
dive between branches, rise
to the netted ceiling, scatter

like flecks of paint: blue topaz,
magenta, tangerine.

You grab my shoulder and point
to the cactus beside us—Remember
that one, Kate? Jumping cholla.

My ankle like a spiked bat
in your lap as you pulled the two-inch
spindles from my flesh.

How could I forget? It only takes one time
to learn what not to touch in the desert—

seat-belt buckles, the horned toad,
the blood that shot from its eyes
when I brought it in the house.

Your hand still gripping my shoulder,
the words I knew would come spill
softly from your mouth: diagnosis,

prognosis, atrophy, months. There are tears
in your blue eyes, and my whole body
feels far away, trapped under rock.

You take my sun-warmed hands in yours.
We watch the birds, the fierce choreography

of their rituals, until it’s time to pass
back through the curtain of long rubber slats,
the antechamber and two sets of doors

that keep them inside. As I help you
to your feet, a sliver of purple lands
on your shoulder, decides you’re its flower

for a moment, then shudders from sight—
a piece of dust blown from a band of light.

I read that if a hummingbird lingers
near, it brings with it the power to achieve
something impossible. But when

a sliver of sunlight kisses
the wrinkles of your neck, tickles
your skin with the tips of its wings,

what does that mean? The ruby-throated bird
lifts from the cotton of your shirt, floats

as close as it can get to the sky,
and I wonder where it would go,
what it would do in the world

if it could. Drink chuparosa in Oaxaca?
Steal thread from a red skirt drying on the line?

When the sun staggers behind the Catalinas,
the hummingbirds hold their breath.

THIS IS IT

In the spring of 1983, I was given the chance of a lifetime: to be guest editor of The Greensboro Review while the editor, Lee Zacharias, was on leave. I was nervous because while I had edited an alternative newspaper, The Greensboro Sun, for a number of years, I had never done much in the way of literary editing.

When my first issue arrived, I quickly tore into the printer’s shipping boxes and, to my dismay, found the blue cover stock way too dark to clearly see the names of the writers on the cover. But my “Damn!” was mild compared to reader response.

Disgusting!

How could you?

That story has no fitting place in a literary magazine.

The story in question, “Morrison’s Reaction” by Stephen Kirk, was about a dentist named Dr. Morrison, contemplating his approaching retirement after thirty years of dealing with rotten molars. In walks Vincent, the patient from hell, who represents three decades of odiferous decay by negligent patients who refused to practice simple hygiene. Vincent requests a marathon session of dental work but refuses all painkillers and becomes increasingly abusive to the dentist. The story concludes with Dr. Morrison’s violent revenge.

Perhaps because I grew up in South Florida with a family of fishermen and barroom comics for whom exaggeration was the norm, or perhaps because every dentist I had ever known was an extreme risk-taker prone to wild swings of mood, I found nothing out of the ordinary about the story. However, many disagreed and I was asked by the Chancellor’s office to forward a dozen copies of the new issue for the Board of Trustees.

My saving grace was John Updike, whose early stories I’d always greatly admired. He selected the story for inclusion in the 1984 edition of The Best American Short Stories, alongside such writers as Joyce Carol Oates, Madison Smartt Bell, and Andre Dubus.

In a way, this polarizing story was a precursor of my long thirty-year-plus tenure as editor of The Greensboro Review.

The tumult subsided and my stint as guest editor came to an end. Lee Zacharias returned and made me her editorial apprentice. Over the next four years, I learned her award-winning techniques of literary editing. When she officially handed the reins to me, I was bombarded with comments: “Up to your old tricks again?” “That lead story didn’t make one lick of sense.” “You gave your first Literary Prize to that story? I just don’t get it.”

This time it was “Kubuku Rides (This Is It)” by Larry Brown from Oxford, Mississippi, who admitted to me nobody got the story. After criticism from readers, the story was selected by Margaret Atwood for The Best American Short Stories 1989, where it appeared alongside work by Charles Baxter, Bharati Mukherjee, and Alice Munro.

With two Best Americans under my belt, I had a mandate to seek the most “out there,” exaggerated, risk-taking stories I could find and subject them to the highest standards of literary editing.

One example that comes to mind is Lou Gallo’s “Bodies Set in Motion,” which won the 1993 Literary Prize and which, as I let my editorial staff know in no uncertain terms, I detested, at first. The protagonist, Pepe, does absolutely nothing except think interesting thoughts about the universe and his place in it:

Give me an anarchic jokester, not a mere stand-up (or in Pepe’s case, a sit-down) comic . . . Aren’t entropy stories as common as all those other stale tales of kids trying to figure out their lives via algebra homework.
. . . How do these overdone topics catch on?

My rant—and my eventual change of heart—became  an essay about the Review’s editorial process in Warren Slesinger’s The Whole Story: Editors on Fiction. We require our student editors to read this piece so they can continue our tradition of selecting stories that are both unconventional and, as I describe, “bolted to a narrative drive that makes me reach for my seatbelt.”

This essay also explains my insistence on editorial deliberation—even for those stories we loved from the beginning. If I believe our team has engaged in intense editorial debate, I don’t mind admitting that a story won me over on the first read.

These are the editorial standards we’ve refined during my tenure, the methods I’ve attempted to instill in my editors.

So it is with great pleasure that I hand off the editorship to Terry Kennedy. Terry was my teaching assistant here in the MFA Creative Writing Program nearly twenty years ago. I liked his teaching style, which involved his climbing up and sitting on the desk to lecture. It reminded me of the Review’s founder, Robert Watson, who also used to climb up on the classroom table to lecture—and supposedly sometimes while standing on his head!

Now I have never seen Terry stand on his head inside or outside the classroom, but I have watched him work many other wonders, including his editorship of the online journal storySouth. Under his direction, the journal has garnered many awards, including Best American Poetry 2008, Best of the Web 2008, and e2ink-1: The Best of the Online Journals.

If Lee Zacharias took the Review from a local journal to a national one, Terry is sure to develop a global following in the digital age. By upholding the storySouth mission of finding and promoting the works of promising new writers, Terry shares the goal The Greensboro Review has held from its beginning: to showcase the best writing possible.

When I first published “Kubuku Rides (This Is It),” Larry Brown was a relative unknown serving as a fireman and working in a Mississippi general store. As I talked via telephone with him on story edits, I could hear the store’s screen door creak open and shut as he waited on customers. He said he’d had a difficult time placing the story, and went on to write in his “Contributors’ Notes” for Best American:

I kept it around the house for nearly a year after I’d finished it, scared to send it out because I thought nobody would like it, or understand it. When I finally did send it out, to a major magazine, I believe the phrase that accompanied the rejection slip was “boringly monotonous.” But fortunately, Jim Clark at The Greensboro Review didn’t see it that way. He did call me up and ask me what the title meant. Jim, this is what it means: a bolt of lightning through the head.

After his publication in the Review, Brown went on to publish several novels and short story collections, and he won the Mississippi Institute of Arts and Letters award for Literature, as well as the Lila Wallace–Reader’s Digest Writers’ Award.

In the decades since we published “Kubuku Rides,” the pages of the Review have been filled with some of the most outrageous barnstormers, chicken killers, schoolyard psychics, and circus performers. We publish stories about finding Eden and the fabled fruit of knowledge, about men transporting truckloads of penguins, about evil spirits entering living people and causing mental illness. More than thirty years after I first assumed editorship of The Greensboro Review, I believe stories like these exemplify both the kinds of writing we look for and the editorial eye that can spot the talent others might miss.

Terry, I am sure, will preserve the Review’s legacy of publishing the work of newcomers, the next Larry Browns of the world. He will find the unconventional, the “out there,” the bolts of lightning, the kinds of stories that make us shout, This is it!

The Robert Watson Literary Prize Story DON’T KNOW TOUGH

Still feel the burn on my neck. Told Coach it was a ringworm this morning when he pick me up, but it ain’t. It a cigarette, or at least what a lit cigarette do when it stuck in your neck. Just stared at Him when He did it. No way I was gonna let Him see me hurt, no way. Bit a hole through the side of my cheek, swallowed blood, and just stared at Him. Tasted blood all day.

Tasted it while I sat in Ms. Miller’s class, woke up in algebra tasting it. Drank milk from a cardboard box at lunch and still, I tasted it. But now it eighth period football. Coach already got the boys lined up on either side of the fifty, a crease in between, a small space for running and tackling, for pain.

This my favorite drill.

I just been standing back here, watching the other boys go at it. The sound of pads popping like sheet metal flapping in a storm.

“Who want next?” holler Coach.

I tongue the hole in my cheek, finger the cigarette burn on my neck, and step into the crease. Coach hand me the ball and smile. He know what kind of power I got. Senior year, too. They got that sophomore linebacker lined up cross from me. The one they hoping can make the starting team. He thick in the neck and thighs, but he don’t know.

Coach blow his whistle.

I can see Him smiling as He stuck the hot tip in my neck, smiling when He put Little Brother out in the pen. I grip the ball tight, duck my head, and run at sophomore linebacker, hoping to kill him.

When we hit, there real lightning, thunder explode ’cross the field. The back of sophomore linebacker head the first thing to hit the ground, arms out like Jesus on the cross. I step on his neck as I run past him.

The other boys cheer. Coach blow his whistle and already the linebacker getting up, like I ain’t nothing. He shaking his head, laughing, and standing again. Disrespecting me?

Disrespecting me?

This time I spear him with the top of my helmet. I dive and go head to head with him. There’s a cracking sound—not thunder, not lightning, and damn sure not sheet metal—this the sound of my heart breaking, the sound of violence pouring out.

Coach blow his whistle like somebody drowning. Sophomore linebacker scream because he don’t know what’s on him. This boy a poser. He don’t know tough. Don’t know nothing. Bet his momma woke him up this morning with goddamn milk and cookies. I try to bite his cheek off, but the facemask, the mouthpiece. I see only red, then black—a cigarette, a dog pen.

I’m sitting outside Principal office, still got my pads on, when Coach call me in.

“Billy,” he say, “What got into you?”

I look straight at him, nod.

“You realize the kind of shit you in?” say Principal.

Cuss for me, old man. Make me feel at home. I raise my chin to him.

“Boy, I swear,” say Principal.

“What got into you out there, Bill?” say Coach.

I feel my jaw flexing, feel like, if I could, I’d just grind my teeth down to the gum, spit blood and teeth in Principal face. Not Coach though. Coach alright.

“You hear us talking, boy?” say Principal.

I nod and raise one eyebrow, slow.

“Swear to God,” say Principal. “Tell you what I ought to do. What I ought to do is call the Sheriff. How about that? Let him charge you little ass with battery.”

I keep nodding, knowing bullshit when I hear it. We was on the field, old man. It called football.

“But he ain’t gonna do that,” say Coach.

“You lucky you got Coach,” say Principal. “Damn lucky.”

“Listen, Bill. I’m gonna sit you for the first game. Principal think that best. Okay?”

I hear Coach but don’t. My ears ringing. The burn on my neck turn to fire. “Call the cops then,” I say.

Principal laugh. Coach don’t. He know I’m serious.

“Come on, Bill, it’s just the first game,” say Coach. “Lutherville bad this year too. We’ll beat ‘em a hundred.”

“Senior year,” I say.

Coach breathe in deep through his nose. Look at Principal, who already turned back to his computer. “Billy, I know, but damn son,” say Coach, “Austin got a concussion. Was out cold for ten minutes.”

I nod, waiting for Principal to say something, at least turn from his computer and see what he just took from me. But he don’t. Whatever on that screen bigger than Billy Lowe. I’m out the door before he ever turn back, running with blood in my mouth. I swallow.

“Aw, hell nah,” say Momma.

Little Brother dangle from her arm like a monkey. I see tiny fingers, white at the knuckles, holding onto her shirt like he know how it feel to be dropped. And Coach wonder why I ain’t never fumbled, not once.

“First game senior year? And Coach sittin’ you? For what, Billy? What’d you do?”

“Nothin’.”

“Don’t lie.”

“Just a drill, at practice. Hit a boy hard, real hard. Just kept hittin’ him.”

Football practice?”

“Yes ma’am.”

“Nah, hell nah,” say Momma.

She already got the phone out, already dialing Coach when He walk in, smelling like beer sweat and gouch.

“Who she talking to?” He say to me.

I don’t say nothing back.

Boy.”

“Coach.”

He make a jab for the phone in Momma hand. Momma jerk away. Little Brother hold strong.

“Calling Coach,” say Momma. “Done kicked Billy off the team.”

“He ain’t kicked me off. Just—”

“Nah,” He say, grabbing Momma by the shirt now, pawing for the phone, “no goddamn fuckin’ way.”

“Yes, hello,” say Momma, but it ain’t her voice. It the voice she use when she talk to the light company, DHS, teachers, and Coach. She talking fancy, slow. Don’t sound nothing like her. “This Billy’s Momma.”

The man who live in our trailer but ain’t my daddy start pacing. He got a bottle of Nyquil in his hand. Probably all He could find. He pull from it and wipe His mouth with His sleeve.

“Billy say he ain’t gonna play the first game?” say Momma. “That right?” She stop rocking Little Brother. Look at me. “Austin in the hospital?”

He start to laugh. “Shit yeah, that my boy.”

“Alright,” say Momma. “I understand, Coach.”

She still got the phone to her ear when He take it. “Billy the only fuckin’ chance you got. You hear me? Either let him play or we take his ass down the road to Chillerton. How ‘bout that?”

He pause. Chugs the Nyquil.   

“Yeah. That right, Coach. See you at the game tomorrow, and if Billy don’t play—Billy don’t play.” He jab the phone screen three time with his thumb then throw it at Momma. Momma lunge for it. Little Brother hold tight but the phone corner hit him in the back, a sad, hollow sound. Little Brother don’t cry, though. He know.

Coach let me go through everything but say he still ain’t gonna let me play. Gave me my jersey to wear at school. Even let me dress out. I ain’t said one word all day, not one. Didn’t say nothing to Him on my way to the bus. Didn’t have to. The Nyquil bottle empty. Everything empty when I left the house.

Now it game time and Coach still letting me run out through the tunnel and the paper the cheerleaders spent all day coloring. I stay in the back. The band blow they horns, but they ain’t blowing them for me. Used to blow them loud and sing the alma mater when Billy Lowe run cross the goal line. Not tonight though.

Sophomore linebacker here. In a wheelchair, God, a fuckin’ wheelchair. Ain’t nothing wrong with his legs. Wearing sunglasses too. I walk up behind that wheelchair three time, just stand there, while our team beat the hell out of Lutherville. Lutherville sorry as shit. Coach knew. And as I’m standing there behind that wheelchair, smelling sophomore linebacker hair—smell like girl hair—I hear Him start hollering from the stands.

“Ain’t got shit without Billy Lowe!”

I start gnawing at my cheek because He so stupid. It a stupid thing to yell when we beating Lutherville by three touchdown already.

“Bes’ play my Billy!”

And now Momma too. I can tell by her slur, she gone. I look back quick to the bleachers, time enough to see Little Brother dangling from her arm, Billy Lowe jersey on: number thirty-five.

“Fuck this shit.”

“Yeah. Fuuuuck this shit.”

Ain’t no telling them apart now.

Coach a true believer, though. He out near the twenty, fighting for a holding call. Don’t matter we up three touchdown. He know what it mean to fight. He still ain’t heard them yelling, either. Got his headset on, talking to them other coaches, talking about that holding call. Don’t see Principal wading through the stands like a linebacker on a backside blitz.

“Nah, hell nah. Don’t touch me.”

It Momma. She know Principal coming for her.

“Swear to God,” He say, like He the kind a man do something ‘bout it. He ain’t. He all talk and shit and empty bottles. “Swear to God, you touch her, old man—”

Little Brother crying now. Get it out, boy. Get it out because you cain’t cry much after this. Got a year left for crying, maybe less.

“Sue this place for every fuckin’ penny,” shout Momma over Little Brother cries. “Have you ass on channel seven news, tomorrow.”

I ain’t looking. Not no more. Got my back to them, watching Coach fight for that holding call even though we up so big. He laying into the ref, calling the man by name.

“Steve, that boy had a fistful of my nose-tackle’s jersey. Damn near ripped it off.”

Sophomore linebacker stand from his wheelchair. He got the sunglasses pushed up in his shampoo hair. He ain’t hurt.

“Don’t touch her, don’t you touch her.”

Principal must really be getting at Momma.

“Boy, you listen,” yell Principal at Him. “You touch me and I’ll have the Sheriff up here faster than greased lightning. You hear me?”

Sophomore linebacker eyes go wide, but I ain’t got to turn to know He won’t do shit. He’ll bark some. “Ought to whoop you ass, old man.” Something like that. But He won’t do nothing, ‘cause Principal a grown-ass man. Principal ain’t a kid like Little Brother. Principal ain’t living in the trailer hungry. And He know Principal would get the Sheriff up there, and the Sheriff got Tasers and clubs, and He don’t want no part of that. He ain’t tough.

“We going, alright? We gone,” I hear Him say.

“Don’t you touch me,” say Momma, and I ain’t looking but I can just see her jerking free of Principal. Little Brother hanging on, not even crying no more ‘cause at some point you ain’t got the tears.

Coach finally see. Lutherville got to punt so he turn to the sideline, hollering for the offense, and he see. I still got my back to them, but I know it ugly, embarrassing too. Feel them hot on my neck. I look to Coach to save me. Just put me in the game, send me to the locker room, take me by the facemask and beat the fuck out of me, anything, but don’t leave me standing here on this sideline.

“Come on, Billy.”

It Momma.

“Fuck this place. We take his ass down the road,” she scream. “We take Billy Lowe to run the ball at Chillerton.”

But I don’t want to run the ball at Chillerton.

I roll my neck. The burn crack open. Hot blood on my back. My mouth an open wound. I think about spitting on sophomore linebacker, covering his face with my crazy. But I’m watching him watch my people in the stands. Watching Momma. Watching Him. Little Brother holding on. I look one more time to Coach. But it third and six and he got to call a play. Sophomore linebacker still watching Momma holler for me. Watching Him too. Now it obvious He drunk and it embarrassing, fuckin’ embarrassing.

And then sophomore linebacker save me. He elbow another sophomore in the ribs, kinda point up in the stands, point right over me like I ain’t nothing. And now he laughing and pointing at my Momma, at Little Brother.

“Come on, son, fuck this place,” He yell. But He ain’t my daddy, and that does it.

This time there more blood. My blood. His blood. Little Brother blood. The blood that connect us. I feel Coach tugging my pads. I seen a cop try and pull a pit bull off a lab once. I’m headbuttin’ the boy now. Got his arms nailed down, headbuttin’ him when they get the Taser in me.

Principal won’t even touch me on account of the blood. Ambulance light go red and blue as they drag me away. I ain’t fighting, though. Let them do what they got to do. Coach over there, kneeling beside sophomore linebacker. Look like he whispering something in his ear. Bet he’s saying, “Billy didn’t mean it. Billy a good kid, heck of a running back too. Billy just got it tough. And his momma crazy and won’t stop fucking. And yesterday he got a cigarette stuck in his neck, and he took it like a man, and that was after his momma boyfriend put his little brother out in a dog pen, and he had to take that baby boy scraps for lunch and dinner, then breakfast the next day. Billy didn’t mean nothing by it, but he was embarrassed, stuck on that sideline, right there close to them, close enough to feel the heat. Can you imagine? You imagine that, sophomore linebacker?”

No. You cain’t.

The Robert Watson Literary Prize Poem from THE BOOK OF REVELATION

The first child arrived
as through the oiled doorway of the sea

then came the purple dark closing time
the world a sea of insects
rolling on a waterbed into oblivion

Now that I am a mother
I almost never dream

but when I do
I’m sorry

I dream of apocalypse

The first word of Book of Revelation
is apokalypsis
meaning unveiling

man digging into the velvet sack
of the ocean floor—

revealing its labyrinth of bleached coral
divesting the wrecks—

or how at the nursery my son chooses
two kinds of hyacinth to plant

and appraises them daily
until the blooms finally appear

then narrows his eyes
and pushes the flower
into his mouth

his sister laughing
running down the sidewalk
away from us

A child can get sick
on sweet things

and with that tongue
start talking

like a king

BEST,

First off, I have to say, Jim Clark would hate every last thing about this. He would hate the picture, he would hate the essay, he would hate that we “wasted” two good pages that could have been used to flesh out a story or give voice to another poet. And it was precisely this position that made Jim so well-suited to serve as Editor of The Greensboro Review for over thirty years. First and foremost, the magazine was always about the stories and poems it contained. Not the outside cover, not the authors, and certainly not the editor.

The other large part of Jim Clark’s greatness as an editor came from the way he observed, the way he paid attention. Jim was never one to flinch from the hard realities of life, and he showed this in both his own prose and his editing over the decades. As long as I knew him, Jim read deeply and widely, yet conversations with him were always accommodating and generous and honest, ranging in topics from historic chess matches to Fleer bubblegum comics, from Ralph Waldo Emerson to George W. Bush.

Jim once said that the best fiction works like this: there’s a story, and somewhere in its narrative floor is a trapdoor that, once discovered, leads the reader below the surface to a big room filled with a richness of stuff: allusive artifacts, bits and pieces of our collective history on this planet. And that’s where Jim preferred to stake his ground—below the surface, working like a wizard or mad scientist to pull together the disparate and overlooked and somehow, beyond all reason, mix everything so that the surface elements bloomed effortlessly, brilliantly. When Wordsworth speaks of finding the “greatest things from the least suggestion,” I like to think it has to do with this kind of attentiveness.

A former colleague of Jim’s recently reminded me that Jim always signed off his correspondence with “Best,” and I want to end here with that because, well, that is what Jim Clark was: the best. The best of bosses, the best of editors, the best of people.

LAST WALTZ

6.

“Nobody buys vinyl anymore,” I tell Mom when she starts threatening to sell yours. And even as I say it, I’m thinking they’re worth a fortune.

I’m stooped over The Last Waltz, Record 2, Side II, a strip of felt in one hand, a bottle of cleaning solution in the other. “The Shape I’m In.” Get it? Danger, the bottle tells me, Avoid contact with eyes.

I check the amp, the receiver. I stare at the needle. Behind the record player I find, coiled like a snake, a tangle of wire you never bothered explaining.

 

5.

Mom finds you. She will decide later on that she sensed something. She will claim the dog growled, that the wind rustled the trees. I know what she means: she means we all saw it coming. I couldn’t tell you why I never mentioned the dream to her: sound, noise, vibration, bright lights, heaven. Being born must feel like this, or else giving birth. Here is this thing, finished and begun. Here I am. Here we are. Toward the end, I couldn’t stand to be in the same room with you. I clung to details instead, doctor visits and lawyer visits. One day I organized your record collection.

Now I ask, “Who are we supposed to call first? The ambulance, or do we go straight to the funeral home?”

 

4.

Heaven will look like a spaceship: a blur of lights, four notes like a torch song to the Wyoming sky: “Life is a Carnival.” Take a load off. Toward the end, Dylan will show up. They’ll play all the hits. The crowd will go nuts.

 

3.

I wish it brought out the best in us, but it has brought out more than that. While Mom sleeps on the couch, I walk out to the garage, to the bookshelf where you keep them lined up, pristine and priceless.

The White Album. Exile on Main St. Skull and Roses.

Dylan. Dead. Doors.

I hate what’s going through my head. Blonde on Blonde. Cash or credit.

 

2.

The night before the day before you die, they run Close Encounters on Channel 7. The movie is one of your favorites: aliens land in Wyoming and give a free concert. Mom and I watch, with commercial interruptions, until she falls asleep. Around midnight, I tug on her arm and wave toward the bedroom where your breath—even I notice it—comes slower.

“I can’t,” she says.

She can’t?

She says, “The respirator.”

 

1.

Lungs. Liver. Brain. Kidneys. Lungs.

Your ears don’t work like they used to, either: side effects, I guess. I’m almost sure you can’t hear Levon Helm thumping in the next room. And yet:

“You hear that?” you ask.

“Hear what?”

I am already trying to forget your finger cocked at me, your eye stabbing from its socket. “Again. Hear it?”

“Hear what?”

“Scratch in it.”

“I don’t hear it,” I tell you, knowing you’re right, knowing I do.

That’s how things like this go. Oscar Wilde’s last words were, “Either this wallpaper goes, or I do.”

Your last words are, “Listen better.”

 

0.

Hear that sudden cutting out, this ending-before-the-end. Hear the dog growling. Hear the wind in the trees. Hear me talking in my sleep. Do you hear that? Here’s what I’m trying to tell you.  Listen. Better.

ROSEATE’S BOOK OF PENMANSHIP

If we write it in the book, it comes true. That’s an indisputable fact. Everything else is up for debate, but we know the book controls the turning of the universe.

For instance, in a fit of anger, I once wrote: All socks should be rainbow over-the-knee socks!!!!! This was after I’d received a bunch of crappy white athletic socks for Christmas instead of the oversized rainbow pair I’d asked for. No other kinds of socks exist now, and that’s why—because I decided to jot it down, as if the book were a journal that could absorb my hurt feelings. As a direct result, people only wear rainbow over-the-knee socks: ROYGBIV tights pulled over the bony kneecaps of grandfathers and stodgy bank clerks and graying, ancient schoolteachers. They only know rainbow over-the-knee socks. They’ve always worn rainbow over-the-knee socks and they always will. Only Samuel and I remember the way things were before the book. 

There are other things that are probably true:

1. We’ve had the book for nearly two years, found in the attic crawlspace of the Genoma Baptist Church in Blanch City, Florida. Genoma Baptist is no longer a church, but it was then. Now it’s Samuel’s dog kennel. Over fifty breeds are lodged inside its wide, white walls. Huskies, Chihuahuas, and pit bulls swim freely in the Olympic-sized pool. They bite wildly at hundreds of chew toys, sleeping in red kennels shaped like Snoopy’s doghouse. Canines frolic under the church’s domed cathedral ceiling and stained glass windows, sun painting the wood floors in bright watercolors. Now when we say we’re going to church, we mean we’re going to play at the puppy sanctuary, all because Pastor James once told Samuel dogs didn’t have souls and couldn’t go to heaven. 

2. The book belongs to Samuel Wilkie and Shawna Freeman. That’s a fact, though I wish it weren’t. Samuel and I have our names written on the front cover, and they won’t come off—not with erasers or whiteout or even black Sharpie. Samuel and I take turns with the book. We pass it back and forth, handing it over like an unwanted child shuffled between divorced parents. Samuel usually wants to hang out afterward, but I haven’t forgiven him for the long blue hair that sprouts from my head like the anime girl in the poster on his bedroom wall. I keep finding knots of it bunched in my shower drain. Wads of the stuff clogged there, like radioactive Smurf hair.

3. Roseate’s Book of Penmanship cannot be destroyed. Though it appears to be a simple how-to manual, the book can’t be burned, cut, or scorched with acid. It can’t be drowned or buried in a deep pit. You can’t throw it down a well. We’ve tried all these things and more. Once Samuel tossed the book into a trash compactor after he’d gotten drunk and written that fried chicken should fly like regular birds and maybe rain from the sky on Wednesday mornings. On those days, grease pelts our hair and clothes, making everything smell like the inside of a particularly rank KFC. Despite its time in the compactor, the book showed up the next morning on his kitchen table in pristine condition. We no longer write things about food.

But what we really know is that everything comes from the book, and we can’t trust anything that came before. We know that to be the case because we were raised to trust in books. The Good Book, specifically. I don’t know how God deals with having so much power, but I’d give it all back in a second just to have regular grocery stores again. Ours only carry Little Debbie snack cakes and pizza rolls.

      

Samuel and I were ditching service when we found the book. We had four packs of Red Hots and a bottle of lukewarm Coke to split between us. We were bored and wanted to nap in the crawlspace over the choir loft because I’d heard it had pillows. 

I wasn’t sure how to get in, but Samuel hefted himself up onto a stool and dragged himself through the hole, grunting and scratching his overlarge belly on the lip of the opening. He pulled me up behind him. The space was small and frighteningly hot, maybe the driest air I’d ever felt in Florida. Alongside us were boxes that held costumes for the Christmas Nativity and for the Easter musical; mostly fabric that resembled twisted-up bed sheets.

“Half for me,” I said when we finally got situated. If I didn’t tell Samuel how much I wanted up front, he’d try to give me all of it. We were best friends and sixteen, but he wanted to be my boyfriend. I was gay and wanted my first time to be with a girl who looked like Ellen Page.

“You give me the Coke then,” he said, watching me sip. I purposefully backwashed into the bottle, spit bubbling up the carbonation. “Never mind, keep it.” He licked candy stains from his fingertips. “Sometimes you’re really disgusting.”

Spilled out on Baby Jesus’ white manger cloths, the Red Hots looked like sticky red braille. We took turns placing them on our tongues like communion wafers, seeing how many we could hold there before our tongues burned to crisps. After the candy was gone, we got restless and crawled farther into the attic space. 

Music floated up through the cracks in the wooden floor. I could hear my mother singing “The Old Rugged Cross” during the benediction and knew that the service was winding down, but Samuel urged me to keep going, making wild claims of discovering church secrets and hidden caches of tithes. We crawled deeper, past myriad Tupperware bins full of Vacation Bible School teaching materials, an artificial Christmas tree fully decorated, outdated office equipment, old hymnals, pew cushions bitten open by animals, and a fabricated sheep with wool glued to it that looked like pieces of ceiling insulation. Near the stained glass window at the very back was a cardboard box so old that the sides were splitting and rotten. One touch and it broke, spilling out yellow papers and mimeographed sheets. Roach shit rolled around on the floor and a few crispy dead bodies were laid out like sacrifices. I stayed on my hands and knees so I wouldn’t accidentally sit on a live one. 

At the top of the pile was the book, though it didn’t look like much of anything. It was an old pulp paperback, robin’s-egg blue, gilt embossed on the cover: Roseate’s Book of Penmanship. “Check it out,” I said, picking it up and leafing through the pages. “Look at this cute little thing. Super retro.”

“So what, who even uses cursive anymore? They don’t even teach it in school.” Samuel dug through the mimeograph papers, crunching them into balls and tossing them at the open boxes behind us. He missed every shot.

“Bet you can’t even sign your own name, idiot.”

That’s when he took the book from me and started writing every nasty swear he could think of. He did it all in perfect cursive: swoops, flourishes, loops. I laughed and watched him write, thinking of our oblivious parents downstairs. They were listening to Pastor James drone on and on about the Israelites in Egypt while we gorged ourselves on candy and scribbled SHIT CUNT and DICK STAIN and QUEEF JUICE in its pristine pages. Sweat dripped down our hands and dampened the paper. Some soaked through the underarms of my gray polo dress, making dark half-moons that smelled like my baby powder deodorant and stifling body odor. Then I scrawled our names on the front cover, directly under the block print that said This Book Belongs To. All the air pressing down on us in the crawlspace was sucked from the room, as if someone had turned on an industrial fan.

Underfoot, the organ brayed like an angry donkey as the congregation passed the collection plate to the tune of “Blessed Assurance.” My mother’s voice rang out over all the others, loud enough to call attention to the notes she missed. Samuel frowned and turned his bulk toward me, grunting as he heaved over onto his left side. He had a doughy face, sweet and pretty, with almost-black eyes and long blond eyelashes that matched his shaggy hair. His lips were always bright red and wet, like he’d just licked them, which he usually did because they were always chapped. He licked them then, his tongue slowly tracing the rim of his mouth as he wrote: All church music sucks, organs should be banned. Real church music = death metal.

From below came the grating whine of an electric guitar. The drone was deep and throaty. Vibrations ratcheted up through the floorboards, stunning dust off boxes and jangling loose bits of fiberglass. Drums thumped, viscerally loud, from what had to be a double bass kit. We sat with our heads cocked like springer spaniels, unsure of what we were hearing. Then a tortured human voice screamed like a murder victim, a prelude to the hideous screeching that followed. 

Samuel’s eyes went wide in his chalk-pale face. “They’re listening to Obituary,” he said, spit flying out and dotting my cheeks. “I can’t fucking believe it.”

We crawled back along the dusty floorboards, falling out through the crawlspace entrance and into the choir room. The music was so loud it was like standing inside of a speaker box, the noise a drill digging down into my skull. We ran along the back hall: me in front, holding my shoes, Samuel close behind, wheezing. Peering through the glass panes set in the sanctuary doors, we beheld an unholy sight. 

“Holy shit,” Samuel yelped, and I didn’t bother telling him to shut up. No one could have heard him over the howling in the church.

Behind the pulpit, the band thrashed around in near-epileptic fits. Livid red lights strobed spastically overhead. The guy behind the drum kit wore a neon green skull mask and an open leather vest over a burly chest full of hair. The safety pins in the lead singer’s pants flashed silver. When he turned to the side, I could see his junk hanging out through a ragged hole in the black pleather. A disfigured baby doll dangled naked from his outthrust hand.

Our families sat in the pews, nodding along to the music. Mrs. Jebson, a seventy-six-year-old widow in charge of the Awana club, clapped her gnarled, arthritic hands to the beat, head bobbing back and forth on her wrinkled neck. Little kids who’d skipped children’s church were dancing around in the aisles, running back and forth like Satan’s imps. When the lead singer grunted out a particularly noxious swear, the kids all howled it back at him, shrieking with laughter.

Samuel and I went outside, huddling together on the front steps of the church as the sun beat down on our heads and cooked the oil from my hair until it smelled like fried food.

“Let me try something,” I said, taking back the book from Samuel’s slack hands. I opened to a fresh page and jotted down the first outrageous thing that came to mind: Grass is sparkly purple and tastes like mint jelly.

Under my bare feet, the lawn turned the color of a bruise, lavender and purpling. Every place the sun touched brought spangles of light that broke and flashed, turning the world into a shimmering gem. Samuel snapped off a stray blade from a clump near the steps and brought it to his face. Up close, it was even more vibrant, deeply hued as an amethyst. He set the blade between his front teeth, pressed his wet red lips against the flat of it and bit down. Smiling, he opened his mouth and chewed hard, grabbing up a handful and shoving it between his molars. The smell that issued from his tongue was sweet as Doublemint gum.

We took the book home and waited a few days before trying anything else. It sat on my bookshelf, the powdery blue a beacon that called to me. We asked it for small things at first. Samuel wanted a never-ending supply of frozen chimichangas. I asked for a forty-five-foot Slip’N Slide that wrapped around my condo complex. We sat behind the rusted-out shed in his backyard and took turns jotting down nonsense in the book’s blank pages, laughing when the changes were instantaneous—howling at the fall leaves that sloughed off pine trees in the middle of a Florida summer, marveling at the gushing fountains of polar water that sprung up in the middle of a neighbor’s Chrysler convertible.

They were funny requests, stuff that seemed inconsequential. We asked for better skin, nicer clothes, and shinier hair. I wanted to always smell like a fresh piece of bubblegum. Samuel wanted to only wear new clothes, never the same thing twice. Endless stacks of T-shirts and jeans and khakis flooded his room and the rest of his house. Deliveries from Amazon arrived daily after we both asked for open-ended Prime accounts with never-ending balances.

Our families noticed nothing. My father kept going to work at the post office like he always did, accepting whatever eccentricities the book heaped on our small condo. My mother smiled and worked around the stacks of things piled in my room, putting away my laundry after I’d written that she should do all my chores. Samuel’s parents had died in a car accident when he was four. He’d gone to live with his grandmother, a quiet woman who barely left the house and valued her cats over her grandson. Aside from sleeping on piles of his clothes instead of a mattress, there was no difference in her behavior. Our teachers kept teaching, the kids at school and church walked and talked and ate. People drove their cars and stared past the oddities we’d added to the world. Nobody knew things had changed except for us.

“No more Trigonometry in school,” I said, writing it down on the sixteenth sheet of blank paper. “No more Geometry.”

“What happens when the book finally runs out of pages?” Samuel smoothed a hand down his newly slender body. He had six-pack abs and well-defined muscles in his pecs and upper arms. My body was thin, too, but now I had the boobs I’d always wanted. My chest pushed out the front of my T-shirt obscenely, like I was smuggling cantaloupes. 

“I don’t think it will,” I said, and that appeared to be true. For every page we used, scribbling down the rules of our new world, there were five more fresh sheets to replace it.

We were careless. We asked for silly things just to make the world more interesting. I hated the dark and asked for permanent twilight, and the sky turned a constant sherbet azure. Samuel wanted the beach close enough to go every day, and suddenly sand dunes and ocean waves sprouted up in his backyard, right alongside the weedy patches of grass the guys from the baseball team came over to mow.

After I willed complete compliance, girls at school who were mean to me, girls who’d called me “Shawna Clit-Lick” and “Monster Dyke” began to text me nonstop, telling me how smart I was, how pretty I looked. Before, they’d stuck rotten, pulpy oranges in my locker and claimed the smell was from my pussy. Now they left me fresh-baked cookies and new tubes of baby pink lip gloss. They followed me everywhere, did anything I asked, no matter how dangerous or disgusting.

“Eat this broken piece of glass,” I told a blond, leggy girl who’d put chocolate on my seat in seventh grade to make it look like I’d shit my pants. She popped the fragment on her tongue and chewed, smiling gummily as blood dripped from either side of her mouth.

Samuel had fifteen girlfriends, rotating women who swarmed in and out of his grandmother’s house. After the Pastor had condemned dogs to soulless limbo, the girls came to the dog sanctuary and Pastor James moved to Boca Raton. 

“I’m going to open dog sanctuaries all across central Florida,” Pastor James said as he climbed onto the Greyhound bus wearing only his underwear. “God bless these precious animals.”

I stayed most nights in the old church, lodged in a lacy canopy bed between two dog kennels. Samuel and I sat up with the book, passing it between us until the clocks told us we had to rest. Our eyes turned bloodshot and our skin jaundiced, hearts racing from infusions of caffeine. I didn’t know where my parents were. I’d wished my father away on a permanent business trip after he’d yelled at me for staining the rug with the bubbly pink champagne I was now allowed to drink. My mother ran errands for me—my permanent slave. Sometimes I’d see her darting around town, poking in and out of shops and groceries, preparing meals, never stopping to talk.

It was exhausting to live the lives we’d engineered. We got tired of the things we asked for. The smell of bubblegum nauseated me, wafting fresh and sugary all day and night, no matter how much I bathed. Samuel avoided the girls who’d once visited, claiming they bored him. Still they came in droves, scratching at the windows of the church in the middle of the night, calling Samuel’s name until the dogs howled and pawed the bars of their kennels.

“Let’s get rid of some of these requests,” Samuel said, holding up the book. “Just a few. Make it more manageable.” 

We crossed out commands, but nothing changed. Whatever was written in the book stayed permanent. We tried contradicting earlier entries, which created strange, muddled mixtures that horrified us. After writing grass is inedible at the bottom of a fresh page, Samuel took a big bite of spangly grass and promptly threw up minty smelling puke all over my shoes. We stopped trying opposite requests, worried we’d accidentally kill ourselves.

The world remained forever purpling, always just on the cusp of breaking. No more would either of us see a sunrise, rising sharp and orange over the horizon. Samuel and I watched the ocean lap at the chainlink fence that bordered his grandmother’s yard and held each other, scared of what we’d done.

“I’m so glad I have you,” Samuel whispered one night as we huddled together in the dark of the sanctuary, dogs piled up on either side of the canopy bed as we avoided the windows and the girls who cried and cooed outside. He stroked a hand down my cheek, played with a strand of my long blue hair. “You’re the only thing I have left.”

But I didn’t want this Samuel. I wanted my old life back. I wanted my mother and father; I wanted the promise of dawn in the morning and school books and dreading church on Sunday mornings.

“I want to go to college,” I told him as we floated in the infinity pool out back of the church. “I want to find a girlfriend. I want to have my first kiss.”

Samuel followed me from house to house, from space to space. He refused to leave my side. I began avoiding him, trying to find nooks to myself, but it didn’t matter. I’d find him waiting for me outside closets and bathrooms, lurking in the back seat of cars and in empty classrooms that now served as themed party rooms. Hula girls in the luau celebration, a roast pig perpetually cooking on a spit where I used to have English classes. Later when he slept, I found a small, hastily scrawled entry on an early page: No matter where Shawna goes, Samuel always finds her.

We fought incessantly. I stopped bathing, wore the same ratty clothes every day, filthy from food and spilled coffee and grease from the fried chicken that still flew and rained every Wednesday morning.

Samuel has to take a twenty-minute nap, once every hour, I wrote, hoping to get some alone time. He’d fall asleep, frowning viciously through his yawn as he grabbed for me, passing out mid-swear.

Shawna will never leave Blanch City, Samuel scribbled down beside it one night as I attempted to hide from him, and when I saw it, I howled with rage.

I gave him webbed toes. He wrote that I could only wear stiletto heels. I hobbled after him, vowing he’d only ever taste pumpkin spice, before tossing the book at his face. After one particularly rough night where I wrote that Samuel could only see the color blue, he grabbed the book from me and ripped out the page. We both stared at it, the rip as jagged as saw teeth. Then we both yanked at it, tearing out pages, paper tumbling around our heads like confetti. When we were finally done, the binding was a husk broken open on the floor. Our beach chairs on the back patio were peppered with white, survivors of a Florida snowstorm. Exhausted, we fell asleep in the sultry purple-dusk. The plastic of the chair etched lines into my sweaty skin.

I woke to Samuel’s screams. The book was whole again, the pages pristine. Everything we’d written was still there. Our names, our wishes. The mistakes we’d put on ourselves and everyone else. 

“I can’t stand it,” I said, my head pressed into my hands. I ripped out a handful of blue hair and let it fly off in the mild sea breeze. “I don’t wanna be alone anymore.”

“We aren’t alone. We’ll never be alone.”

Samuel tried to put his arm around me and I turned away, digging my face into the plastic chair. I fell asleep to the siren song of the cicada, the sound bouncing off the waves and the manufactured sand.

The next day I couldn’t find him. I searched for Samuel everywhere; he wasn’t with the dogs at the church building, flopping around with them in the giant pool and tossing plastic Frisbees. He wasn’t over at the school in our old classroom, lazing around, drinking giant margaritas. I wandered the purple-spangled grass of what had been the high school football field and climbed onto the merry-go-round set perfectly along the fifty-yard line. A girl sat down beside me, straddling a white unicorn with pale jade eyes and a solid gold saddle.

“Is this what you wanted?” she asked from Samuel’s spitty red mouth. Her nose was tiny, her eyes were dark. She looked a lot like Ellen Page.

“You know it’s not.”

The girl shrugged a tiny shoulder; my Samuel’s twin, same pale, doughy skin, now with high breasts and a small waist tucked under his clothes. She drowned in a giant red polo shirt. Her khaki cargo shorts were supported by a braided leather belt, wrapped twice around her torso. Her legs swung from the emerald stirrups, one sneaker falling from a pale, dainty foot.

“I did what you wanted,” she said. “Be nice.” She tucked a long curl of dark hair behind a small pink ear as delicate as a kitten’s. “This is what we’ve got now.”

We slept curled in the back seat of the pearly white hearse I’d once thought would be so interesting to own. I parked in the back of the dog sanctuary, Samuel’s girlfriends pressing their faces to every window until their makeup left cakey smears like dirt. Our heads touching, legs entwined, we stared at each other’s faces. Two strangers forever attached, always knowing that things should have been very different.

“Let’s write ourselves into the past.” I pressed my cheek to Samuel’s downy softness, breathing in the girl-scent of gardenia and lemon verbena. We listened to the power ballads streaming from the stereo, turned up high to drown out the girls and their moaning. Eighties glam rock was the only music that played on any radio station after Samuel had banned everything else. “It’s gotta be better than this,” I said, dipping my thumb into the dimple of her cheek.

Samuel kissed me, sucking in the pink bubblegum smell of my breath. I could taste the pumpkin spice on her little cat tongue. “In the morning. Let’s have one more night before we really fuck ourselves up.” She wove her fingers into my thick, false hair and fell asleep at twenty after eleven. 

Now it’s closing in on three in the morning, but the sky looks the same as it did at 2:00 pm and there’ll never be a sunrise to make it any different. I sit up in the back seat and stretch out my kinked back, which has curled into a hump. Samuel snores lightly at my side, her face as precious and breakable as a china doll. Down the road, fried chicken parts fall from the sky. I count four breasts, eight thighs, and dozens of drumsticks. Digging out a pen from the back pocket of the car seat, I open to a bare page at the heart of the book and write us back to the crawlspace where it all started.

She and I are in the attic, breathing in the same dry heat and dusty particles, but we’re not alone. Our former selves are here, too, and I’m picking up the book from the wrecked box. There’s the old Samuel, plump and honey-blond, curled up next to me and my skinny calves and ironing-board chest, hair greasy from an excess of hormones in an already rocky puberty. I want to tell myself to put it down, that it’s not worth it, but I’m distracted by the sounds coming from below. The boards at my feet, cracked and warped, let through slips of music. My mother’s singing. Lilting strains of “Blessed Assurance” float up from the crowded sanctuary and seep into my ears. Her voice is sweet and familiar, pitched full of vibrato.

Wind blasts through the scorched air and I know it’s too late; we’ve already signed our names into purgatory.

“Don’t worry,” Samuel says, lacing her fingers through mine. She squeezes, tight enough that I can feel the pressure all the way through my joints. “We can try again tomorrow. And tomorrow. And tomorrow.”

BRIEF EDEN

For part of one strange year we lived
in a small house at the edge of a wood.
No neighbors, which suited us. Nobody
to ask questions. Except
for the one big question we went on
asking ourselves.
                                 That spring
myriads of birds stopped over
briefly. Birds we’d never seen before, drawn
to our leafy quiet and our brook and because,
as we later learned, the place lay beneath
a flyway. Flocks appeared overnight—birds
brilliant or dull, with sharp beaks
or crossed bills, birds small
and enormous, all of them pausing
to gorge at the feeder, to rest their wings,
and disappear. Each flock seemed surer than we
of a destination. By the time we’d watched them
wing north in spring, then make
an anxious autumn return,
we too had pulled it together and we too moved
into what seemed to be our lives.