BRICKS SINKING IN DEEP WATER

At what depth does their dull orange disappear?

I rowed out to where I know the water’s deep,

and in my rowboat: a cargo

of bricks, fifty balanced

across the stern, just so.

At the bottom of this reservoir

was a town. Two towns, in truth.

Its people were paid an honest price

to leave, but no question: they had to move.

I anchor my boat forty feet above

what was once a pasture.

I take a brick from port first

and hold it by its upper-right corner

and dip its lower-left corner into the water

before I let it slip my fingers.

The next one I take from starboard,

but drop from port, and so forth and on.

It’s the sinistra hand that does the work.

I never counted two seconds before one was gone

from touch, and sound, and sight. They sink until they stop

on now drowned and grassless land.

Why do I want to leave a small scattering

of man-made triangular stones

at the bottom of this no-bones

(the cemetery relocated)

body of water? In darkness, who does not love

the faint, hard, orange glow

of building bricks?

HONEY THE GUARD

honey a river

most perfect

dammed in the centrifuge

until the spout

opens for honey the river

to pour sparkle

gleam in jars

on the kitchen

counter a lone

bee here a light

bulb there the table

puzzles out the scene

honey the hive

the mother the

sisters the lost

honey the bee

the bee that followed

honey the lost

BLACK GIRL

                       (Ousmane Sembene, 1966)

 

I listened to the palavering: birds with car horns

as the sun went down. Once I began

 

to understand their conversations, I started my days

by eavesdropping like a citizen of privilege

 

and apathy. Antibes reminds me

of Dakar the way a new lover brings

 

to mind the mistakes I made with the one before.

As I pass other women in the marketplace,

 

home is soon clouded in memory

by the air of authority festering

 

behind sunglasses, amid cigarette smoke.

All faces look alike and no face reminds me

 

of anyone I knew from another life.

Yesterday, I was introduced as “our girl,”

 

a possessive I’ve never felt in my country.

The gift I offer now is a face behind a mask,

 

a mask of a face to haunt them

long after mine fades away behind it.

 

Dear young couple, you

who hired me to look after your young,

 

give up on the roman à clef in which you

 

imagined me as a nameless character.

 

Give up on subterfuge to control

the woman you imagined me to embody.

 

My body, lifeless, politically still,

still has a chance to rustle a few trees

 

inside your aristocratic heads.

PATHER PANCHALI

                                       (Satyajit Ray, 1955)

 

When a child dies before you do, remember:

forget this pain. But keep her laugh, a totem to remember.

 

It’s spring. The rain pelts the forest leaves like tears falling

down a mother’s face; she tries not to remember.

 

In the Jatra, the brother protects his sister from the cold.

The actors on stage sing their story, so you’ll remember.

 

Why steal a banana or jackfruit? Even the Devil’s Apple

      couldn’t

cure her fever. Fruit belongs to all, but too few remember.

 

In Kaash fields, we ran for the train, laughing, out of breath,

Kans grass whipping our ankles . . . Do you remember?

 

The path winds long, and the path to love often brings strain;

endurance calls for more than shoes for your journey, do

      remember.

Sustained on the road, prepared for any storm ahead,

 

the path is a line in your palm, little Apu. Remember.

CATTLE

It was my grandfather’s moist palm on my forehead that I felt when I woke in the dark. And, he was saying something, his breath on me, the scent of rot and saliva.

“Was nothing, boy. No worries.”

His calloused palm scraped my forehead as he ran his arthritic fingers through my hair. He grunted and moaned as he lowered himself to lay beside me on the quilt, squirmed as he took off his boots. In the air was the scent of liquor and sweat.

“No worries. No worries.”

He asked me what I’d seen in my sleep.

“I was dreaming about the cow I saw today,” I said. “Down in the boneyard. The mom cow and the baby.”

“Which one?”

“The one with the baby, where the baby is coming out.”

I heard him scratch his unshaven face.

He turned away. Breathed deeply and began to cough. He cleared his throat and wet his lips. Then, just the sound of the house, the wind brushing against the walls, stirring the grass in the yard, a nighttime sigh that rattled and soaked the window, rattled the door—I imagined what the boneyard looked like, out there in this dark. The bending blades of grass rippling under wind and rain that was now pouring into the hollow and filling it with the stuff that would make the animal bodies disappear with time.

In Waimea the rain is a mist that slants with the wind, and comes in sharp and stinging. That morning, when me and Mom arrived at my grandfather’s property, he told us that the weather was turning, pointed to the clouds coming from the east, and I could already feel bits of wet against my face making my nose itch. He had been sitting on the porch repairing a tarp when we greeted him, and when he stood to go inside, we followed.

January of 1959, I’d met my grandfather for the first time. I was thirteen. We’d made this trip so many times that year, me and Mom every other Saturday. The two-hour bus ride took us north, from Hilo, through every Hamakua sugar town—the Pacific to the east and sugar cane fields to the west. Passed over Honoka’a town as the road curved inland, taking us up into the Honoka’ia Forest, and when we came out the land and the sky opened up big and wide. Views of grassland and cattle replaced the stretch of cane and ocean. Men on horseback wearing flat-crowned hats with wide brims, in the old vaquero style, came alongside the bus, clicking their tongues and pulling on the reins of their horses, whose hooves clacked high, hollow sounds on the road as they trotted to and from town.

My grandfather lived a few miles south of Waimea town, out toward Mauna Kea, on the Pu’u Kapu Plain, on three hundred acres of land he’d gotten in a Department of Hawaiian Homelands lottery, back when it was run by the Federal Government: a ninety-nine-year lease with a 50 percent blood minimum requirement. He’d built a stilted, plantation-style house that sat on a hill near the center of the property. Red dirt in wind, rust-scarred roof, made the once white house tawny. Inside, quilts and blankets lay folded in the corner and a large chest containing clothes and keepsakes was set in another. The dining table was pushed against the wall, beneath the sill of the large picture window that looked out toward the western paddocks. Dusty brown, inside, and scents of lacquer, leather, and manure, the wood mustier when the rainy season came, mustiest that trip in December 1959, the last time I saw my grandfather alive. Me and Mom climbing the steps to the porch, following him through the doorway, smelling it—the lacquer first, the saddles and boots, the mildewed beams of the open ceiling—me and Mom put our bags down near the quilts. He folded the tarp he’d been repairing and placed it in the corner at the door.

Later, when we sat down to lunch, he asked, “Is he doing good in school?” and pointed at me with his chin from the other side of the dining table. At the center was a large pot of beef stew simmering on the portable gas burner. Mom filled my grandfather’s bowl, then mine, then hers, telling him, as she ladled, that I always did well in school.

“It’s that Ha’ole blood where he gets that from. The brains not from us,” he said.

Mom glared at him. She fidgeted with her napkin, wiping her palms over and over again. I imagine that she was searching for the perfect phrasing that would save her from an argument, as had happened during past visits. They were still unable to talk about my father, a marine from Idaho who had been stationed at Camp Tarawa during World War II.   

“That’s not true,” she said. “You’re a smart man.” She reminded him of all the work he’d done on his property, how he’d built it up from nothing.

“Not the same,” he said.

“But, you have Ha’ole blood, too,” I said. “Your last name is a Ha’ole name.”

My grandfather kept his eyes on his bowl. It was a different kind of thing, he said, blowing on a spoonful of stew, slurping at the broth until a single piece of beef remained. It was different, perhaps, because what little Ha’ole blood he did have he could trace back to nineteenth-century New England missionaries. Different, because his Ha’ole ancestors arrived here with a Bible in hand. My father arrived in military dress, carrying a rifle. It was a different kind of thing because, as my grandfather had once told me, my father had seduced my mother, who was too young and stupid to know any better. It was different because I did not meet the blood requirement for the lease, and could never take over the property.   

“We had to put one of the calves down yesterday. The leg broke when was going through the chute and couldn’t do nothing. Cost more money to fix,” my grandfather said.

I waited, but he said nothing more, nothing about the blood and all that, nothing about the noise, the huffing and bleating of the calves, only chewed and swallowed, saying it was a shame and a waste.

I had seen the cattle on branding days. I’d watched the ranchers gather the weaning paddock and drive them to the corral. They ran the calves down the chute and into the squeeze. Cut notches in the ears of the females and castrated the males. Tagged them. Pushed irons bearing my grandfather’s symbol into their hides that sent streams of smoke and a sulfurous stench into the air. The animals bellowed and fought and bled. It wasn’t often on a branding day that my grandfather needed his revolver. But, as he was saying now, through a mouthful of mushed beef, sometimes the calves fought too hard.

“It’s in the corral, still. Need take it down the boneyard today,” he said.

After lunch he cleared the table and took the dishes out to the catchment spigot to wash. I took off my shirt and lay down on the quilt in the corner. Later, my grandfather was back on the porch with the tarp in hand. He sat still, threading and pulling, threading and pulling, having a conversation with himself that took place at the edge of his lips. How his hands vibrated almost imperceptibly as he patched the hole in the canvas. How his elastic-like thumb bent back nearly ninety degrees, gripping the needle. He had the strangest fingers. Always when he spoke. When he’d say important things. How he’d put his hands out in front with the crooked fingers spread wide, kinking wildly at the joints. And curving the hands down toward each other, until the outside edges of the palms touched, he’d make a semicircle motion, as if shaping a bowl out of the air. A way to show what he was saying, perhaps, because he spoke so little.

When he’d finished repairing the tarp, he stood and snapped the dirt and dead grass from its folds, eyed the stitches. He said he was going out, wanted to take care of the dead calf before the weather worsened.

“Can I come, too?” I asked him.

“What for?”

“Help,” I said.

“You don’t know what to do.” He was at the door, slipping into an army green poncho. “Hey,” he called to Mom. “You want him out with the weather like this?”

Mom told me to stop bothering my grandfather. “He’s busy,” she said.

“I’m not bothering him,” I said.

She was at the dining table, her face made up, and she was dabbing plumeria oil on her neck. Her red mu’u mu’u lay across the back of the chair beside the umbrella.

“If he gets sick, not my fault,” my grandfather said. He pulled the hood of the poncho over his head and stepped out onto the porch. “Hurry up, then,” he said to me. “The weather is only getting worse.”

“Go,” Mom said.

Perdy would be waiting for her at the front gate. His property bordered my grandfather’s to the south. A squat and dusty old man, ugly even, Perdy had made it to midlife without marrying, and he intended for Mom to marry him. Mom and my grandfather hadn’t spoken since my birth, but it was at Perdy’s request, late in 1958, that Mom and me made that first trip to Waimea. It had been a little over a year since we received that first letter from my grandfather, asking her if she remembered Perdy, and would she like to meet with him.     

Go.

Mom always said that. When I was small I’d ask her to walk to the ocean at King’s Landing, a distance of several miles. “Go,” she’d say, never asking who I was going with, or what time I’d be back. Growing up, I’d known Mom to be a large woman, a slow woman, whose movements were slight, never more than needed. Once, just after the Andrade kid drowned in a cave upriver, I said I was going swimming up Wailuku.

“Go. Do what you like.”

Even as I heard my grandfather kickstart the Speed Twin outside, and the engine revved over the noise of the weather, the RPMs falling, idling, and then the return of the rattling window, the dripping from the awning, the rain striking the metal roof, Mom seemed no more, no less concerned. She sat at the dining table, holding the mirror out in front, so that when I waved from the doorway, she couldn’t see me. We’d meet her in the morning, as we always did, Sundays on the chapel steps.

On the back of the cycle the rain and wind hit us like hail. Fog was rolling in from the Saddle, limiting visibility to a few yards in every direction. We dipped and climbed over hills, through grass that was waist high in places and in others, where the cattle were grazing, mowed to the mud. We slowed for the puddles and paddock gates only. Then the speed again, and the pelting wind and rain. The engine beneath me numbing.

Near the corral my grandfather downshifted. Arms tight around his torso, I felt his body ease with the cut of the engine. We coasted, silently closing the distance between us and the carcass. It was a tiny thing, lying on its side. My grandfather unfolded the tarp and laid it over the mud, beside the calf. As I came closer I saw the wound at the center of its forehead, the brown-black blood coagulated around it. Like the other animals who didn’t live long enough to make it to the slaughterhouse, this calf was being taken to the boneyard, a hollow at the western edge of the property, to bloat and stink, to be infested with flies and worms.

I knew the boneyard well. Often I’d play there, alone, among the wasting animals. I wielded femurs against invisible armies and stomped on horned skulls half-buried in the soft soil. I’d be Eisenhower or Patton charging across the battlefield, stabbing the distended bellies until entrails spilled from the wound. Most often, I was William Holden, screaming, Kill the Japs! Kill ’em!, gunning down the enemy with a knotted guava branch. A shot taken to the chest and I’d fall face-first in the grass, grabbing and scratching at my shirt, gurgling, making what I thought were the sounds the dying make.

William Holden.

I remember the first time I saw him. It was in Sabrina. There he was, twenty feet tall on the Palace Theater screen, in Hilo. William Holden as David Larrabee, the playboy in sport jackets and straw hats. And, there was the exotic, redwood smell of the theater’s banisters and seats, a scent that, even in my old age, brings the scenes and music from that picture to mind. The smell also leaves me aching for a ghost.

See, I used to imagine my father to be just like David Larrabee, in looks and temperament. In the dark, on the upper deck of the Palace Theater, I saw my father to be a handsome man, clever-talking, a blond-haired, blue-eyed man with a warm face. I never knew much about him. Mom didn’t know much either. He shipped off and died on Iwo Jima without ever knowing about me.

If she talked about my father, Mom never said much. She always said she was telling everything she knew. That his name was William. That he had blond hair. I get the height and the olive eyes from him. But, the hands are my grandfather’s.

“Hold here,” my grandfather said, squatting beside the calf, the ends of the rope hanging limp from his hands.

I pushed against the knot with my palm and he finished tying it, looping and crossing the rope over the back of my hand, tightening the knot once I’d slipped my fingers out.

“Lift it.”

I lifted one side of the bundled calf as my grandfather further wrapped it with another piece of rope. He hitched it to the back of the cycle. We were going again, the engine rumbling low as we dragged the calf through the mud of the corral, down the hill, parting the tall grass of paddock five and six, down the side of the western hollow, into the boneyard. There, we unwrapped the calf and he folded up the tarp. A few yards away there was a freshly rotting animal lying on its side, whose outline I could barely make out through the fog.

“Where you going?” he said.

“To look.”

I approached the animal from the front. Its milky gray eyes watched me come closer. Tongue hung from the mouth. I tapped it with my shoe. The wet, distended belly and the stench. My body’s tiny convulsions. I lifted my shirt collar over my nose and still, the stench.

“Boy, we go already.”

As I circled the animal I saw something between its hind legs. A rust-colored thing, an organ maybe. But there were no wounds. I kicked at the grass around it, then pulled until I saw a pair of tiny hooves, hind legs that disappeared into the heifer. I had never seen anything like it.

“There’s a baby, too,” I yelled.

“It’s nothing, boy. No worries.”

      

Perhaps it was coincidence that my grandfather told me the story of Ikua Kaleohano that night, after waking me and asking what I’d seen in my sleep. Perhaps the telling of the story was a moment of grace. As we lay there in the dark, perhaps the story of the Kaleohano family represented the ideal, which, for the first time in his life, seemed possible.

His back still turned to me, he began to cough again, though it was much worse this time. I could feel his body convulsing beside me, clenching and releasing. He swallowed what had been loosened in his throat. I heard his lips part.

“The Kaleohano family . . .” he said.

“Who?” I said.

He had told me many stories, always in the dark, late, and only after drinking. He’d wake me to talk and slur through stories about all the beautiful women he’d been with, or a dead friend that he missed—most were dead—or a time when his father gave him lickens. If I fell asleep he’d nudge me so he could continue. He talked about the burial caves in Kawaihai. The haunted forest down Mud Lane. But mostly, he talked about families. Who was from which family. About so-and-so, who had married into another family. The tempers of families, the looks of others.

“The Kaleohano family, from Kona side. You know them, yeah? You Hilo, boy, so you don’t know. They the ones get one hundred acres up Hualalai. They get fifty or sixty head Hereford pipi.”

He paused. Wanted me to say something.

“You know, one of the boys plays ball for Konawaena. Real fast.”

He waited. Groaned.

“Get one story about the Kaleohanos. Long time ago had one guy named Ikua Kaleohano. He was the one first got that one hundred acres. How he got the money, who knows? Ikua had one wife and one baby on the way, but both the baby and the wife went make during the birth. Ikua, this guy, his heart was broken. That’s what the old-timers say. He came real religious after that, the kind where you pray every day, and every time you talk to the guy, all he like do is talk about God. He still worked the land. Started laying fence lines. Bought couple head cattle. The whole time he was praying. They said he was praying for his wife and his baby and he was praying for himself too, that could fix his heart.

“You try ask the old-timers about Ikua. They going tell you he was a little bit crazy. People stopped talking to him, they stopped seeing him. He never came down Waimea side anymore. For years and years nobody saw him. Then, he started coming town again. He was going around telling people he had one new son. Could describe the boy and all. From his ehu-color hair all the way down to the big toe, which was long and skinny. Ikua was telling everybody that the boy was one miracle from God, ’cause he was praying so long. The people said to him, Ikua, you get one baby but no wife, no woman, how can?

“He said he met one woman one night, up on his property. She had dark skin and gray hair, he said. She stayed with him. He said she went fix his heart. She had his baby, too. New baby. The next day she was gone, disappeared.”

My grandfather nudged me with his shoulder and asked if I was still awake, ’cause he didn’t want to be talking to no one.

“Is that real?” I asked.

“Plenty people think was one lie, but how can? Where the baby came from, then? Some people think was Pele. Me, I don’t know.”

“Where’s the boy? Is he still alive?”

“He grew up. Took over the land when Ikua went make, short time later. He too, went make in his thirties. Thrown from a mule on the trail down to Honokane’iki. All the Kaleohanos come from that line. Real talented family, the Kaleohanos. Good ranchers. I think people believe the story more now after they seen how special that family is.”

My grandfather ran his hand through my hair once more. Overhead, the roof rattled, the window, too. The rain had picked up and its patter against the house was like radio static. Then, all at once, the noise stopped, as if the weather were between breaths. I fell asleep to the sound of my grandfather snoring.

      

He died later that month.

He would not be there when we moved into Perdy’s house a few weeks later. He would not see the wedding. He would never know that after years of trying Mom and Perdy could not have children. He would not have to watch his property pieced and parceled to new ranchers.

When we found his body it was face-down near the corral, bloated and stiff, the purple skin blistering. Flies crowded around the open sores and crawled along the flaking skin of the lips, in and out of the mouth. The face was unrecognizable. I remember thinking this wasn’t anyone I knew. Wasn’t anyone. Just something my grandfather had left behind. When I saw the rigid, bent wrists and the curling fingers only then did I feel afraid. Mom wouldn’t look. She covered her face and started toward the house.

Later that day, I wrapped what was left of my grandfather in the tarp and dragged the bundle out of the corral and up the hill. I leaned back and pulled, pushed with my legs, squatted low to push off again. I was facing the western paddocks as I dragged his body along the ridge of a hill, toward the house, as I strained and sweated to pull it over rocks and dirt, through thick grass. The western paddocks lay stretched out before me, the boneyard in the shadow of the hollow.

EXPLODED VIEW

While he slept, I read my father’s books,

brought home from the furnace,

traced the diagrams—channels, ladles of iron,

 

oxygen lances—trying to follow

the metal’s path, to follow the work

that took him each night into the dark,

 

flame to the coal’s dark, the dark

gone bright while the rest of us slept.

The door closed like a storybook . . .

 

While he worked, the furnace flamed

in dream, and I tried to follow

through the swarm of yellowjackets,

 

hot wings of iron, but they were just

outlines in my dream, dream,

not iron, not fire in the dark—just spray

 

from one rare story I tried to follow.

I tried to follow, but even he

didn’t want to go, not even

 

in story, the blanks in the books’

diagrams all ash, all flame. All silence,

he seemed to say. But silence

 

is a furnace, too, where work

disappears, where breath is turned

to iron. And night is a furnace, too,

 

where sleep, where dark are burned away

like words until the books are blank,

and there’s nothing left to follow.

 

I tried, listening as he eased the stairs,

clicked the door, then drove away,

his engine lost in the trains’ low drone,

 

strained to hear him turning,

ten miles away, pages in the book of iron,

the story he told by not telling,

 

the dark in which the furnace always rests.

So, the furnace is a father, too,

whose story you cannot follow,

 

a shadow sitting loud in the dark,

while the quiet hardens in his lungs,

 

and the father is a story, too,

you cannot follow,

a book fed slowly to the fire,

 

a fire, worked, at last,

to two black tongues of iron.

MAYFLOWER

For John Earl Reese, a 16-year-old, shot by Klansmen

through the window of a café in Mayflower, Texas,

where he was dancing, October 22, 1955.

 

                       Before the bird’s song

                       you hear its quiet

 

                       which becomes part of the song

                       and lives on after,

 

                       struck notes bright

                       in silence

 

                       as the room’s damp—

                       wallpaper and wall

 

                       muffling the high cicadas’

                       whine, mumbling

 

                       talk from another room—

                       hangs like the thought

 

                       of a roof in the midst of rain

                       long after the joists

 

                       have been brought down.

                       So the quiet

 

                       syllables crowded

                       full-throats once the talkers

 

                       have gone away,

                       and a young man’s voice

 

                       becomes a young man’s

                       silence, all

 

                       he did not say,

                       which nothing keeps

 

                       saying in the empty room

                       between the pines

 

                       that hold the quiet

                       of the song he cannot sing,

 

                       the sound of a room

                       without sound

 

                       in the middle of what

                       anyone can hear.

WHEN THE WATER RISES

During supper in the dining car the former Queen of the Lettuce Festival wanted to know if the world was ending.

“Now, listen,” she said. “You can tell us—we’re not the kind that panics. We just want to be ready, that’s all.” She nudged her husband beside her. “Isn’t that right?” she said, then said it again.

“Oh, yes,” said her husband. “We are calm, cool, and collected.” He had the red nose of a drinker and giggled to himself as he ate his salad.

She wasn’t talking to me. I was traveling alone and hadn’t shaved in four days. I’d learned that a young man traveling alone doesn’t get asked questions. He makes people nervous.

She was talking to the man sitting beside me, a middle-aged man in a clean blue polo shirt who had introduced himself as David. He was a geologist.

The Queen tapped a golden fingernail on the tabletop. Her nail polish was the same color as the rims of her glasses and the watch on her wrist. “Tell me,” she said, “I hear about these glaciers melting in Alaska and California. Is this true? We want to be ready, you know, when the water rises.”

The husband paused in his eating to bang down a fist on the table. “Always be prepared!” he cried. His wine glass shivered. He speared a cherry tomato on his fork and grinned at it.   

The Queen turned to him. “Howard,” she said. She gave him a stern look through her gold-rimmed glasses. “We’re talking.” She turned back to David the geologist:  “Excuse him,” she said. “He used to be a Boy Scout.”

“Eagle Scout,” said Howard. “Once a Scout, always a Scout.” He put down his fork and picked up the wrapper the Queen’s straw had been in. “Watch,” he said, and winked at me. “Hitch knot!” he said and twisted the wrapper into a pretzel before it tore in half. He looked disappointed. “Oh,” he said. And after a moment, “I seem to have forgotten.” I handed him mine and he thanked me.

David the geologist resettled the napkin in his lap. “Actually,” he said, “there’s a glacier on Mt. Rainier that’s growing. I was up there last month.”

“Oh, dear,” said the Queen. “What does that mean?”

“Hard to say,” he said, “but you never hear about the growing ones. They’re not sensational enough.”

“Oh, dear,” the Queen repeated. “I wonder if they’ll make us extinct someday.”   

“Oh, we’ll all be extinct someday,” David the geologist said. “We’ll die off, but the earth will go on. Something else will replace us. Maybe the insects, maybe the birds. But something will.”

“Awful,” the Queen said. “What an awful thing to think about.” She sat back and looked out the window. We were passing through the wide fields of eastern Montana. It was August and they were full of alfalfa and cutter bees and the hot evening sunlight.

A waiter came by and cleared away our dirty plates as the train swung into a long curve. He swayed with it perfectly and didn’t miss a step. When he returned, Howard said he was ready for some apple pie.

“I bet it’ll be the insects,” the Queen said at last. “There’s so many of them.”

“Could be,” said David the geologist. “Wouldn’t surprise me at all.”

“Me, neither,” said the Queen. She was quiet for a moment and touched her white hair lightly with a hand. “I just hope it’s not flies,” she said. “I don’t like flies.”

The waiter brought Howard’s apple pie and we fell into a silence as we concentrated on our food and the doom of the world. I didn’t think it would be the insects. I didn’t think it would be the birds, either. I had a feeling it would be something else entirely, something worse. But I didn’t say anything. It wasn’t worth fighting over and I’d already lost one fight that week.   

Two days before in Chicago, Lucy told me we weren’t working anymore. We were moving apart, she said.

“How are we doing that?” I asked. We were sitting under a black umbrella at an outdoor café. The Chicago River flowed beside us and two gulls clattered over it.

“I don’t know,” she said. She shrugged and sipped dark soda through a straw. It was hard to hear her. It was rush hour and the traffic was a loud wind that redoubled off all the buildings. I pulled my chair closer to the table.

“It’s like I’m going east,” she said, “and you’re going west.” I frowned and leaned toward her. The traffic light had changed and a horn sounded as she spoke. “We’re just going in different directions, you know?” There were cardboard coasters on the table and she pushed two of them apart with her fingertips.

“That’s not true,” I said.

“Vance,” she said. She tried to smile, but instead she tipped her head to the side and took another sip of soda. When she did, her hair slid over itself like grain. It was shorter and lighter. I’d seen this the moment I got off the train and it worried me somewhere deep.

I’d mentioned it that afternoon on the platform. After we’d kissed hello I said she’d done something to her hair. Yes, she said. She had looked at me steadily. She’d gotten it cut, she said, and lightened, too. She’d told me this on the phone, she said. Didn’t I remember?  Oh right, I said, she had. She hadn’t.

She wanted to know if I liked it. I didn’t. No, I wanted to say, are you kidding me? but I was thinking instead, thinking of how it was when we were both still in Shelby and we’d put food and beer in my truck on Friday afternoons after school and drive west through Cut Bank and on up to Glacier, where we’d hike until we found a good spot near water we could swim in before dinner. We’d sit against rocks and drink the beer while the stars came out above the lodgepoles and the spruce and the katydids began to tick and clatter in the brush; sometimes we’d hear the hoot of an owl and then Lucy’d make her eyes big and put her face close to mine and hoot at me until I’d kiss her to make her stop and she’d be laughing too hard to kiss me back. Later, in the tent I’d pull her down on top of me and her hair was so long and thick that when it covered my face I couldn’t see a thing or really even breathe, but I’d hold her there like that after we’d finished, the darkness beneath her hair so complete that nothing came in at all, not the starlight or the cricketsong or the damp smell of mud curving up from Rose Creek—even our breathing seemed to have gone someplace far away where it sat and waited quietly.    

It was that stillness, I decided one night after a year with her had passed, it was that stillness that people must mean when they called something love.

“I can go east,” I said, though I knew it wasn’t true. I already didn’t like the city. It made my stomach heavy. In my suitcase back at her apartment was my return ticket to Shelby, and that’s where I wanted to be.   

“Vance,” she said again. “No, you can’t.” She reached across the table and took my hand for a moment and squeezed it.

“Then you can come back west,” I said. I felt a little desperate, a little dizzy.

“I can’t do that, either,” she said. She didn’t take my hand this time. Instead I felt the firm pressure of the world pushing back at me. “I like this city,” she said. “I like my job and I like going out at night and dancing. I like all these people and all the noise. I’m happy here.”

I sat back in my chair and asked if there was someone else. She smiled sadly at me and said no, there wasn’t, and I believed her. I believed there was no one else, but there was still the city and that was still too much.

That night I lay in the dark on Lucy’s couch and tried to fall asleep. Yellow light came in through the blinds and I could smell her perfume in the seams of the cushions. Outside there were people calling to each other and laughing and airplanes rose and landed somewhere near. I covered my eyes with one hand and tried to think of one good thing. Then I tried to think of nothing at all. In the end I sat up and waited for dawn and wondered once or twice if I might get sick and if I could be quiet about it.

When it was light enough I took a taxi to the station while Lucy still slept. I took a seat in coach, then moved to the observation car and watched the flat land and the thin rivers slide past until evening came and I started to feel hungry again. I didn’t have much money, but I decided I deserved a good meal the way a soldier deserves a good meal after a battle, so I got a ticket for the dining car where they seated me with the Queen and her husband and David the geologist.

The Queen wanted to know if David the geologist was married. He wasn’t.

“Why not?” she said. She pointed at him with a shining fingernail. “Look how smart you are. How many men know about the end of the world?”

“Oh,” said David the geologist. He held up a hand, but he was smiling. “Please,” he said.

“Any girl would be lucky to have you,” the Queen said. She looked at the neat points of his collared shirt as she said this. I saw her glance at my hands. They were folded together.

“Well, it’s not for lack of trying,” said David the geologist. “I’ve met some nice women, but they never seem to stick around.”

Howard had finished his apple pie and took up my straw wrapper. He worked feverishly at it for a few moments, looping and relooping it. “Double surgeon!” he said at last and held up his work. He gave it one last tug and it tore in half. He smiled sadly as before. “Alas,” he said, “this trout has escaped.”

“Stop it,” said the Queen. She took the wrapper from his hands. “Now, listen,” she said to David the geologist. “Howard and I met thirty-two years ago at the Lettuce Festival in Santa Cruz. I was crowned queen and he was my king. It was a wonderful place to fall in love. You never know how it will happen.”

“That’s a beautiful story,” said the geologist. “Maybe I should go to a Lettuce Festival.” He laughed a little, then stopped.

“I would very much recommend it,” the Queen said. “Wouldn’t you, dear?” She nudged Howard and he grinned.

“Yes,” he said, “go. Go!” He giggled again and gave me his rosy grin. I could see where a touch of apple still clung to a tooth.

“Maybe I will, too,” I said, and the Queen and David the geologist looked at me. I went on:  “I think I might like that.”

There was a long moment and I was aware of someone in the car striking a dish too hard with a glass and then laughing. “Yes,” the Queen said finally. She looked at me through her gold-rimmed glasses and frowned a little. “It’s quite an experience.”

I felt the blood rush to my face. I picked up the pieces of Howard’s straw wrappers and rolled them into little pellets between my thumb and index finger. I arranged them like a stone circle around a crumb while the waiter brought the check.

Outside, the mountains pushed up on the horizon and the light grew long and late, making deep shadows in the dells. I held on to the edge of the table with one hand as the grade rose slowly.

DUSTY FIELD, DOG BARKING

When I try to see my mother in this world,

standing in a dusty field, confused

and taking tentative steps like a child—

 

when I try to see her there, after

she’s climbed out of the car she’d driven

over the shallow ditch miles from home—

 

when I try to see her there, wondering

why she’s not at the store or home,

maybe wondering where her son is—

 

when I try to see her there,

I can hear nothing

but small birds in high branches

 

and the distant barking of a dog

at the edge of an unseen fence.

He’s heard the wheels’ thump, creak

 

of old shocks, maybe the horn. He’s barking

at what he can’t see. When I try to see

my mother there, I hear the barks

 

becoming fainter, more intermittent

as the dog begins to understand

that nothing’s happened, no one’s coming.

The Amon Liner Poetry Award Poem NOVEMBER

The pumpkin face sags

like a chemo patient’s,

 

spots down the temples,

weighted, sloping cheeks.

 

Pockets in long black coats

fill with elegies. Everything

 

that was is entropied and organized;

Mother is dead and the world

 

travels its tethered arc.

The farmers carve new rectangles

 

in the soil, each plot

a blank face in the earth’s geometry.