SOMNAMBULISM

I dream enraged light in the eyes of cathedrals.

Objects like flesh infecting our mouths,

 

the curriculum of salt my body is,

toxic as the daughterless hills.

 

The corrugated waking found lately

in my voice is the one sob the dove made

that became the moon.

 

I dream what God calls the elements. Adrift,

 

with oars lowered to the task—the object of me

flown from the roost.

 

A hungry downriver in my voice.

Sleep has gray and vocal ruins.

 

I have a little god in me

and she doesn’t cry at last.

The Robert Watson Literary Prize Poem TO HAVE BEEN ON FIRE

The mind goes, eventually,

where it needs to go.  As does the body.

 

Not so with the heart.

The heart has nothing for need.  It sits in a little hut, and all the

      roads

are well-worn, all the wagons breaking.

 

Tonight’s breakthrough is I try to lull myself

by imagining that I have been badly burned.

 

In the drawings I can’t draw there is a new window

open on the left side of my neck.  The lulling is for this,

for shutting it.

The Robert Watson Literary Prize Story THIS CODY

My husband says the dam is strong. He says we have nothing to worry about. He gives me a look so that I will go back to knitting the world’s most unfortunate scarf, and he can finish reading his novel in peace. But I can’t help thinking how far we are from town, how all our searching for quiet, our desire for another kind of life, has left us alone out here in the shadow of the dam—exposed. I try not to think about it. I try to get lost in our days. We feed the chickens. We weed the garden. We carry our water from the creek, the one that used to be a river deep enough to sink a truck, the one the dam has choked to a trickle. If you stand in the creek bed, ankle-deep, you can see it in the distance, the concrete bowl of the dam, water sloshing over its lip.

I have dreams about it. They all start the same way. We wake to water two inches deep and the dogs whining, backed into their corners. All night we sweep the water out, but by morning, we’re wading waist-deep in the cold, fishless shallows, filling our buckets.

I stop telling Brian about the dreams after he throws down his novel and slams the bedroom door. “The dam is fine,” he yells from the other side of the wall. “You’re the one who’s cracking.”

Some days I don’t recognize him. He’s grown out his beard, and the paunch I so lovingly stroked is now all muscle, his abdominals like flat stones stacked atop one another. I’m different, too. Our dogs, two purebred Heelers Brian insisted we buy to go with our new life, won’t come when I call. The chickens peck my hand when I reach for the eggs. The garden dies all at once, overnight. Last night, I found a scorpion on my pillow, his dancer’s arms poised to strike. Sometimes I think this place is trying to get rid of me, and I wonder if Brian wouldn’t be better off. Sometimes I can’t remember why we came here, what we hoped it would fix. In the dream, the dam is splintering down the middle, a tiny fissure that widens into a crack and then a crevice and then a fault through which the river pours as if it is willful, as if it knows the way back to the beginning.

That’s not true. What I said before about not remembering why we came here. I remember, and so does he, but we pretend there wasn’t a place before here. We never lived in the city. We never ate at Spiro’s or took the red line to the aquarium on free day. We never had a son and then lost him.

When the weather is mild, like tonight, we sit on the porch while the stars blink on. Out here, they’re so bright they hardly seem real. Sometimes Brian plays his harmonica, and sometimes we just listen to the woods. It seems so much of marriage amounts to this—two people alone together in the dark. In the distance, the dogs are leaping to bite the air, and what I want is for someone else to tell Brian I’m sorry because I can’t do it. Sometimes I feel the words rising in my chest, but when I open my mouth, there is only my breath going out. So I say it in other ways. I say it when I’m weeding the garden that I hate and feeding the chickens that I hate. I say it just by waking in this place that is not my home.

Our nearest neighbor is an old man we sometimes see on the road driving his truck back up the hill as we are coming down. He lives a half-hour drive away through dense woods and across a narrow bridge. You have to get out and walk because the bridge is too rickety to drive on. Last week, from the driver’s seat, Brian said, “A man lives way out here, he probably wants to be left alone.” So he waited in the truck, and I walked across the bridge by myself, bearing a caved-in pie. The thing is, I knew he was in there. I could hear the floorboards creaking. I saw the curtain move. But he never answered the door. I knocked and knocked and then finally set the pie on the porch and walked back across the bridge to where my husband was waiting.

“How’d it go?” he asked.

“Good,” I lied. “His name is Cody, too.”

Brian stiffened in his seat. He turned slowly to look at me. I could see the thoughts coming off his face in waves. He wanted to say something, to accuse me of lying, but who would lie about something like that? He opened his mouth and then closed it again. Finally, he shook his head and turned back to the steering wheel. What I wanted, I know now, was just to say our son’s name out loud. The crisp “c” and the rolling “o” and the slight flick of the tongue for the “dy.”

Brian put the truck in gear and we drove back through the woods, silent as ever. But later, on the porch, the dogs kicked in their sleep. The stars, too close, were baring their teeth. Somewhere in the distance I knew the dam was there.

“You’re telling the truth,” Brian asked from his rocker, “about the man? His name?”

“Yes,” I said. “It’s strange, isn’t it?”

I have always been a good liar. Even when I was a child, my mother could never tell. You have to commit, is the thing. You have to believe it. On the day I lost our son, I told three lies. First, I said he had only been missing for fifteen minutes, when it was really more like an hour. Fifteen minutes still sounded hopeful, I thought. On the phone, Brian wasn’t yet concerned. Later is when he wouldn’t be able to look at me. After the detective and all the curious neighbors and both of our hysterical mothers had left for the night, is when he would cross the room without a word and raise his hand and bring it across my cheek. For a second, I didn’t know what had happened. No one had ever slapped me.

The next day, there was a bruise, and though I’d tried to cover it with makeup, you could still see it, a purple cloud with little red streaks of broken capillaries inside, like a way-off storm, one you can hear and smell long before the rain ever gets to where you are. I’d planned to tell everyone I’d risen in the middle of the night and fallen down the stairs, but when they saw me, they didn’t ask. Even the detective, when he came for his second round of questioning, didn’t say a word. It was as if they’d expected it, as if this were natural in the chain of events: first lost boy, then bruised mother. I knew then that they thought I deserved it, which is what I’d thought all along, but hadn’t said.   

 

The dam, when it cracks, won’t affect our neighbor, as far as I can tell. His house is on a hill, and the water will likely flow right under his rickety bridge. At one time, the river came through here, slow and steady, Brian tells me, before the dam, before people hundreds of miles away needed electricity for their light bulbs and televisions, for all their black boxes that do nothing without it. What I have learned is that when the river returns, it won’t be the same river. All that time pushing against a wall will make you desperate. All that time, and you won’t care about this tidy home or that. If you are the river, you will say, show me a thing I can’t destroy, and if you are the dam, and you are tired of pushing back, you will secretly want to let go.

Now, as I cross the bridge, I think of Brian. At home, he is probably digging up our dead garden. There was a freak frost and then a dry spell and then some kind of bug that made lace of all the leaves. The garden was sad-looking for a while, and then one morning we woke up and everything was shriveled and bent over. Somehow it is my fault. This is understood.

Once I’m across, I stand on our neighbor’s doorstep, a plate of muffins balanced on my palm. At my feet is my empty pie tin, which I take as a good sign. I knock and then knock again and call brightly, “Hellooo!” with my nose to the window. Birds startle from a nearby tree, but no one comes to the door. I imagine the old man asleep in his rocker, the radio spinning the static that has always reminded me of rain. Better to let him sleep.

But as I crouch to leave the plate of muffins and retrieve my pie tin, I hear footsteps, slow and deliberate. I freeze. My heart begins to pound. Suddenly, I don’t want to be here. I don’t want to meet whoever opens the door. I want to go home to Brian and forget about making friends, just live out the rest of our days talking only to the dogs. I calculate how far it is to the truck, how long it would take me to get there, slinking through the bushes, my shoes in my hand. But it’s too late for that.

The door swings open, and I am squatting eye to eye with a little blond girl.

“Mom!” she yells into my face. “That lady’s here again!”

From around the corner, footsteps and then tan, slender legs and manicured toes. I look up and there’s a dark-haired woman holding a baby in what looks like a very uncomfortable position for the baby. One leg folded up, the other dangling. One arm smashed into its side. The woman’s hair is cut into a fashionable bob and in her ears are tiny diamond studs like the ones I used to wear. In her hand is a tightly wrapped diaper the size of a softball. “Excuse me,” she says, and then hurls the diaper over my head and into the bushes behind me.

I stand and turn, and we all watch the diaper bounce once and disappear.

“Good throw,” I say.

“Sorry. If I put them in the trash, the whole house starts to smell rotten. I’m Lisa,” she says and thrusts out her hand, the one the diaper was in. I hesitate, but then shake it anyway.

“We told you,” the little girl says, not taking her eyes off me. “We told you it was a lady.”

“We told you!” comes another voice from somewhere inside the house.

“You were right, you were right, congratulations. Now take him, go play.” Lisa sets the baby teetering on the floor. The little girl tries to take his hand, but he wails and shakes it loose. “Fine!” the little girl shouts and runs off. The baby looks up at me and then over at his mother. Lisa hooks her thumb toward the living room and makes a clicking sound in the corner of her mouth like cowboys do to wrangle horses. The baby knows what this means. He takes off down the hall, his arms splayed for balance.

“No TV,” Lisa says to me, shaking her head. “They may all get murdered.”

“We don’t have it either,” I say. “I miss The Bachelor.”

“And Real Housewives.”

Project Runway.” We both nod and say “mmm” as if we are eating something delicious.

“Sorry about the other day,” she says. “I was dealing with a poop-meets-wall situation. The pie was good. We had it for dinner.”

I shoo her compliment away with my hand. There’s no way that pie was good. It was the first one I ever made, and it was lumpy and caved-in and the crust was burnt. But it was meant for an old man who probably ate beans out of a can all day and would have appreciated anything. “I thought a guy lived here,” I say. “An older guy? With gray hair?”

“Oh, he died. End of April, I think. A stroke, maybe? Now his son rents out the place. We’re here for June, calling it ‘family time.’ Which means right now my husband is stumbling around drunk in the woods with a loaded rifle, and me and the kids are here with no TV. Just having a ball.” Though she says this wryly, I can tell she’s a good mother, even in the wilderness. She loves her kids, who are all safely unlost in the living room.

“That’s terrible,” I say.

“Eh. We get by. ”

I meant the old man and his stroke, but I let it slide. I picture the last time we saw him, his old rusted truck chuffing up the hill, his thin frame slumped over the steering wheel. It seems like just the other day. But now I’m wondering how long ago it really was. The days, I think, might be slipping by me.

Lisa leans against the doorframe and raises her leg to scratch a mosquito bite on her ankle. She does it with her fingers in the shape of a V, scratching around the bite like her mother probably taught her. “How long are you here for?” she wants to know.

“For good,” I say. “We live down the hill.”

“Oh. Oh, I see.” I can tell she feels sorry for me, that she can’t imagine living in a place without restaurants and movie theatres and coffee shops, and I want to tell her that I can’t either, that all of this seems like it’s happening to someone else. The real me, I know, is back in the city eating at Spiro’s and cutting Cody’s spaghetti into little pieces. The real me is walking down a street and seeing herself in all the broad windows and thinking at least ten different easy things, none of which are garden or dam or stroke. But I know how she must see me: the cutoffs and work shirt, the tennis shoes caked with mud, and before I can tell her about living in the city, about my hair that was cut just like hers, and my own pair of diamond stud earrings buried somewhere in a drawer, before I can begin convincing her that she and I would have been friends, we hear from inside a loud thud and then a slap and then the baby begins to cry.

Lisa yells over her shoulder, “You better work it out before I work it out for you!”

We hear a chorus of shushes and some shuffling. Then a lone, muffled “sorry.”

“I better go,” Lisa tells me. “They’re probably feeding him poison.”

“Ha,” I say, “rat poison,” trying to be funny. And then immediately regret it. If Brian were here, he would be frowning now and looking down to toe the dirt. But Lisa snorts and I can tell she is laughing even though she’s covered her mouth with her hand. “Those little pellets!” she squeals between her fingers.

At home, Brian has taken down the front shutters and laid them across two sawhorses. He’s meticulously scraping away the flaking paint with a flat tool that looks like a sandbox toy. What I never knew about Brian before, but have learned since we’ve been here, is that he is never bored. He can always, always find something to do, even if that something is a terrible waste of time like scraping paint off shutters no one will ever see but us. “How did it go?” he asks.

I know I should come clean about the old man and his rented house filled with kids—I even want to tell him about Lisa and her diaper softball—but here is what I say instead: “I don’t think Cody’s feeling very well. He may have had a small stroke.”

“Oh,” he says, scraping. “You were gone a long time.”

“He had me get some high things off a shelf.”

Brian blows away the paint and runs his hand across the raw wood. This is his trick, to pretend he isn’t listening.

“He’s in a wheelchair. Did I tell you that?”

He stops and turns to me. The flakes of paint in his hair make him look ten years older. “But we just saw him driving.”

“I guess since then he’s had the chair. He said the pie was delicious.”

“Good for you,” he says, not unkindly. I think for a minute he is actually going to smile at me. The corners of his mouth are turning up, but instead of feeling relieved, I feel like I am watching a wounded animal try to run. I can’t help but grimace. Brian sees the look on my face and rearranges his mouth into a skeptical line. “What did you say his last name is? This Cody?”

“I didn’t.”

“But he has one?”

“Of course he has one. He’s a person, isn’t he?”

Brian squints and fingers his temple. He turns back to his scraping. “I think that’s what we’re saying.”

The second lie I told on the day I lost my son was about a hat. I told the detective he was wearing one—a blue baseball cap with an orange fish on the front. I said this because it was a hot day, nearly ninety degrees in the city, and when we arrived at the park, I saw all of the other kids were wearing hats and even tiny pairs of sunglasses. I felt guilty about Cody’s little cheeks, which immediately began to pink, and I felt even guiltier later, when the detective started with his questions. I didn’t want to seem like a bad mother, even though it would be established eventually that I was, so I made up the part about the hat and watched him write it down on his little notepad. After he left, I could hardly breathe because I knew what I had done. The police would be looking for a little boy in a blue hat and would never find Cody, who was terribly, terribly hatless. The room around me began to come unstitched at the edges, and a strange sound made its way to my throat. I wheeled around, trying to find Brian to tell him what I’d done. Maybe it wasn’t too late. Maybe we could find the detective and take back the part about the hat. But then Brian crossed the room without a word and took his palm to my cheek and everything slammed back into place like a carnival ride come to its end.

They never found Cody. At the end of the summer, Brian moved in with a friend because he said he needed some time, but I knew he just didn’t want to see my face. People used to say Cody looked just like me, which I’d always denied for Brian’s sake but took a secret pleasure in. Now I wished I could wipe away my features with one of those Magic Erasers used to clean chunks of food from kitchen baseboards. If I could, I’d trim down my nose and tuck away at my chin and leave myself only thin wisps for brows. Maybe then my husband wouldn’t wince every time he looked at me.

After Brian moved out, I stopped showering. And then I stopped eating. And a little while after that, I counted fifteen blue pills into my palm and took them slowly, with just enough water so that I didn’t throw them back up.

When I woke in the hospital, Brian was holding my hand. In the corner, a monitor showed my pulse in steady peaks. I knew I shouldn’t make a joke, but I couldn’t stand the blue vein of worry running down the middle of his forehead. “Drats,” I said, despite myself. “So much for subtlety.”

“Stop it,” Brian said, and then, “Listen.” He massaged his beard until the hairs stood on end. “I’ll come back,” he said, “but we have to get out of the city.”

And what could I say? Could I say no, Brian, let’s go back to our apartment where there is Cody’s empty bed and his dresser filled with too many multi-colored T-shirts, so many they are spilling from the drawers, so many you might mistake them for a string of handkerchiefs, the kind magicians slowly pull from their mouths, a trick to make you believe something small and bright can go on forever.

I couldn’t say that. I couldn’t say anything. So I just nodded and closed my eyes and let Brian sell our things and move us to this place where I have dreams that a wall of water is rushing towards us. Sometimes I can hear a humming that seems to come from two places at once: from far down the creek and also somewhere inside me, as if the dam is as much aware of me as I am of it. As if I need only to step onto the porch and open my arms.

 

When I emerge from the house having showered and wearing mascara, my hair pulled back into a knot at my neck, Brian raises his eyebrows. He’s on the porch teaching himself how to whittle. The dogs, who are sleeping at his feet, are covered in shavings. The piece of wood in his hand looks a little like a person and a little like a penis. “Again?” he asks. “You were just there yesterday.”

“Cody’s sick,” I say. “It’s sad.” I walk past him, but he gets up and follows me, the dogs at his heels. I climb inside the truck and roll down the window. Brian leans inside the cab, excavating the grime under his nails with his pocketknife. For a moment, I’m reminded of my husband as a younger man. Back then, if I ever canceled a date, he would show up anyway with a cheap bouquet and sit on my doorstep. My roommates would step over him on their way in or out and report back. “He’s just sitting there,” one would say. “It’s creepy.” But I didn’t think it was creepy. I thought it was proof he loved me.

“This Cody,” he says. “He’s how old?”

“I don’t know. Seventyish.”

He scans the inside of the truck. “And he’s fine with you showing up uninvited? He doesn’t have something better to do?”

“Believe it or not,” I say, “some people actually like talking to me. Because I’m nice. And funny. And if you stopped hating me long enough—”

“Come on,” Brian says. “You’re being ridiculous.”

“No. I’m not.” I start the truck, but he doesn’t move. He’s trying to get me to stop being ridiculous by convincing me how ridiculous I am. “You’re all dressed up!” he says. “You’re wearing perfume!”

“I have green eyes! I have two arms!” I flail them around in a variation of jazz hands. “Do you have a point? Or are you just making observations?”

“You’re different,” he says, his eyes like stones.

I remember the slap, the sting of his palm on my cheek. It was the last time he touched me on purpose. “Well, you were different first,” I say and put the truck in gear, but he stands his ground. He leans into the door and even crosses his arms over the window’s threshold. His lip is turning up at the corner and it could almost be a smile, but it isn’t.

I think of Lisa’s little girl trying to hold the hand of the baby brother who doesn’t want her. At the moment, though, I’m not sure which one of us she is. I gun it, and the truck lurches forward. Brian yelps and jumps back, and I can see him in the rearview mirror with his arms raised, and the dogs are barking and leaping straight up into the air as if he has signaled them, as if this is their cue to perform. But I am already halfway up the hill, and the sound of the engine is the only sound I hear.

Across the bridge, the front door is flung wide. In the kitchen, Lisa and the kids look up from their cereal and stare at me.

“It was open,” I say.

They all turn to look pointedly at the baby, who is swirling Cheerios around on his highchair tray. “It’s his new thing,” Lisa says. “He’s figured out about locks.”

Everyone looks a little glazed over, although it’s almost noon. Lisa wears thick eyeglasses and a spiky ponytail. The little girl and a little boy I haven’t seen yet are both naked but for their underwear. I lean awkwardly against the refrigerator for a few seconds, and then Lisa seems to rally. “Judith,” she says to the little girl. “Scootch.” Obediently, Judith slides into the next chair. “You hungry? We’ve got all kinds,” Lisa says, shaking a cereal box in my direction.

I tell her no thanks and that I’m heading to town, that I can bring her back something if she needs it.

“Actually,” she says and begins rummaging around in some cabinets. She’s wearing an oversized T-shirt that barely covers her rear. The backs of her legs are red and sweaty from the vinyl seat of her chair. “Do you think you could bring me a couple of cans of—”

“Lisaaaaa!” The sound that comes from the other end of the house is more like a growl than someone’s name. Though she has her back to me, I see Lisa’s shoulders tense, the stiffening of her arms, how her fingers clench into claws. At the table, the little boy has knocked over his bowl. Pink milk drips onto the floor.

“Lisaaaa!”

“Shit,” Lisa says.

“Shit,” Judith says.

“Mom?” says the little boy.

Lisa turns to him. “It’s fine. He probably just wants to know who’s here.” She looks at me. “Can you watch them? Just for a minute?”

  I nod fervently. To show I’m qualified, I pull some paper towels from the roll on the table and begin sopping up the puddle on the floor. Lisa disappears around the corner, and the baby twists in his highchair to watch her go. We hear the bedroom door open and then the click of the lock.

Judith refills the boy’s bowl with Fruity Pebbles. “That’s our dad,” she says. “He’s sleeping it off.”

In his highchair, the baby begins to whimper. His chin quivers, and he smashes his palms into his eyes.

“No, no,” I say, “everything is fine. Look! Look at these yummy Cheerios!” I give them a little swirl, but the baby is having none of it. He wants his mother, and it’s clear to me even before the minutes begin to tick by that she’s going to be awhile. I unhitch him from his chair and set him on the ground, but this, it seems, is a terrible decision. He gives me a look that says, This? Now this? and collapses on the kitchen floor. He wails into the linoleum, his fingers flexing against the shiny squares. Judith and the little boy have come to stand by me, and we all watch the baby writhe on the floor.

“Well?” Judith says, looking up at me.

There is nothing to do but pick him up, which I realize I have been avoiding. And now I know why. He immediately finds the curve of my shoulder and buries his head there, his face shellacked to my neck by a thin layer of drool. The kids wander into the living room, and the baby and I do a lap around the kitchen. He clenches my shirt in his wet fist and makes a noise like a car alarm but very, very far away.

Somewhere, across a distance, I am sitting on a park bench. I look away for a moment, and my son is gone. This is what is written in the police report. This is what I told Brian and the detectives and anyone else who asked. I’ve never said that I leaned my head back and closed my eyes. I’ve never said that I’d forgotten my sunglasses, and that the sun threw dappled shadows on my eyelids. No one knows that for maybe half an hour before I faded into sleep, I listened to my son playing nearby with another child, the sound like birds chasing each other in the trees.

In the kitchen, the baby’s head lolls against my shoulder. Muffled voices funnel down the hall. The children in the living room march tiny horses along the windowsills. At home, Brian is probably dismantling some part of the house. I see his face, his paint-flecked beard, his expression as he crossed the room that day to strike me. It is the same look he would give me if he saw me holding this baby—the confusion and anger and fear—as if by holding him, I am forgetting about our son. I am losing Cody all over again. Inside me, something small but essential begins to break. Heat seeps and brims in the pit of my stomach. I think of Brian on my doorstep all those years ago. He wasn’t angry or jealous. He didn’t ever demand to know where I’d been. He only ever wanted to trust me. I feel a rising in my throat—bile or a scream, I don’t want to find out. What is clear is that I cannot hold this baby a second longer. I pry my shirt from his fist and lay him down on the kitchen rug. Then I slip quietly out the door.

When I reach the bottom of the hill, I turn right instead of left and park the truck alongside the creek. I leave my shoes in the cab and climb down the embankment to stand ankle-deep in the water. Even in summer, the creek is cold, but the ache in my toes is better than the heat in my stomach. I keep my back to the dam. I think of Lisa and what she will do when she emerges from the bedroom to find her son on the floor. I think of her husband and of my own husband and how it seems no matter where we are lost—whether in the woods or the city or the park—the hardest part is never finding our way back. The hardest part is explaining the moment when we strayed.

That day in the park, I could hear Cody’s voice moving away from me. I told myself he was fine, the park was safe. I told myself I deserved a few minutes alone with the sun and with the trees moving overhead. On the shore of sleep, I thought of stupid things—a blouse I’d seen in a store window, all the potential colors of my hair. I have always thought I would know if my son were in trouble, the way you can sometimes anticipate the ringing of the phone or what song will play next on the radio, that my scalp would tingle or the hairs on my arms would stand on end. But when I opened my eyes, I still didn’t know he was gone. I gathered my things. I looked in all his favorite places. What are we, I want to know, if we are not connected to each other? What keeps us here?

Behind me, the dam is holding back every drop it was built to contain. Its concrete walls are eight feet thick. It is designed to collapse in and not out. Brian told me this. He meant to comfort me with this information. He meant to help me sleep. But what can he do about the dreams? The wall of water rushing towards us? And what about the dream I haven’t told him yet, the one where I sit beside the woman who is sleeping on the bench? The one where I watch our son walk away. What can he do as our son looks up and takes a stranger’s hand? What can he do as Cody takes a step, and then another? This, I know, is how the years will reveal themselves. This is how the time will pass. Always, our son will look back over his shoulder as he moves away. Always, his mother will sleep beside me, on and on through the years, her head tilted back as if she is watching something very small and very high moving in the air above her.

WHEN FOG, WHEN MOUNTAIN

So many cracks—

                               my window is always open.

Heat and cold,

                               electric saws, steeped ash leaves

and moths all drift in,

                               but what’s best is this:

the smell of a cloud.

                               As if a mountain grew

beneath my bed

                               while I dreamt of skyscrapers.

 

My train is now

                               a country train, cradling coal

through mist.

                               Here men masked in soot look

askance or long

                               for me to bring them babies.

Here my mother

                               endured five labors after me,

under moonshine

                               kept on a high shelf.

 

This vapor world

                               that knocks the glass—what has it

to do with me,

                               a woman of the valley who

would rather

                               the earth tower than kneel

before her?

                               I would marry it, but the cloud smell

is a cruel smell:

                               filling me with wanderlust, refusing

to touch my face.

TAUNG CHILD

What led you down, first mother, from the good

dark of the canopy, and then beyond it?

What scarcity or new scent drew you out

that day into the vertical-hating flatness

of the bright veldt, alone, or too far from

the fringes of the group of other mothers

following the fathers out among the herds

and solitary grazers, the child clinging to your back

when the noiseless wing flash lifted him

away into the shocked light as the others ran?

Two million years ago, and yet what comes

to me, in time lapse through cascading chains

of changing bodies, is not the tiny skull

I’m holding, not the clawed out eye sockets,

his fractured jaw, but you, old mother, just then

in that Ur-moment of his being gone,

what I’ve felt too, on crowded streets, in malls,

if only briefly, in the instant when

the child beside me who was just there

                                                                          isn’t

before he is again, that shock, that panic,

that chemical echo of your screaming voice.

CHASING THE HAWK

They called my eyes kind,

my face an easy read,

 

unaware that the muscles beneath

fold and stretch like a foot

 

of the hawk clutching at wind.

This is the something I hold

 

in the basement of my brain—

the rigid child fists to the floor.

 

She knows the purpling

on the underside of her eyelids,

 

the punches of color when she closes them.

She would chase the hawk.

 

She would pitch herself from a tree

arms wide and howling.

 

Instead, I gather fallen feathers.

The soft remains knifelike.

 

I can run a finger up the blade

and smile at the kicking of my heart.

BARRY GIBB IS THE CUTEST BEE GEE

The lawn chairs are still cold when we carry our stuff out at ten sharp. I carry a blanket, sunglasses, a hat, a towel for each of us, and an armload of homework on my first trip. Mama has her baby oil and iodine, a cup of coffee, and her cigarette case. She is wearing a white terry cloth strapless jumper she will peel off when she’s ready and flip-flops.

Mama aligns her chair with the sun and adjusts both ends the way she wants: feet down, back up so she can peer out over the subdivision while she sips her coffee and enjoys her first cigarette. Then she lays the chair flat, spreads a towel over it, and strips down. A thin white scar peaks out of her bikini, but her stomach is flat and her waist is tiny. I wear my track shorts until Mama makes me take them off, but I refuse to wear a two-piece. “Your belly is going to be white as a fish,” she says, and I think, More like a whale, you mean. She will finish her cigarette before I get everything in order to suit me, my blanket spread out in case I feel the urge to switch. I carry out a bag of chips and Little Debbie cakes, even though Mama cautions that girls can’t eat this way forever. I raise the window in the kitchen and find a station we like on the radio, turn the volume up, pour a glass of tea, and refill the ice trays. “Want a pop?” I ask. But she doesn’t. “Anything else?”

“Not right now, Tabby,” she says.

I see her through the kitchen window, rubbing down her legs and arms, the fiery red ember of a Winston as she takes a hard drag, and I remember suntan lotion, go back for it because I cannot stand oil of any kind. I don’t like getting my hair and suit greasy, or sticking to my chair. Mama says it’s a small sacrifice. She swears by baby oil and iodine, and she ought to know. Motor oil is good, too, she says. But mayonnaise, now that will burn you good. I stick to my Coppertone 8, which I put on inside the house where it’s warm, hoping it will soak in before I hit the cool air outside. Mama says I shouldn’t even bother if I’m going to wear sunscreen, but I worry about ultraviolet rays.

“Sun’s good for you,” she says. “Clear up that acne.”

I have this gross constellation of zits on my forehead, so I’m willing to listen even though I don’t act like it.

I bring the bottle with me, circle around Mama so she can do my back. I will have to do hers, too, so I grab a wet washrag to wipe Mama’s oil from my hands afterwards. I don’t want to get the pages of my library books greasy.

By 10:15, I am unfolding my chair. I always leave the newer one for Mama, take the one with the busted strap. One of the gears is broken, too, so I have to lie flat on my back. I get everything the way I want and then lie down. “What time is it?” I ask, and Mama checks her watch latched around the frame of her chair.

“10:20,” she says.

“Is that all? God, I’m dying.”

Mama crushes out her cigarette in the grass.

“Want an oatmeal cake?” I ask. She doesn’t, but I do and then I want milk, too, so I go inside for a glass and bring back the coffee pot to refill her cup while I’m at it. I have two cakes and pin the wrappers under a book so they won’t blow away. The sun feels good, but the wind breaks chill bumps all over me. I wonder why it is that we look so white out here, during the day. Even Mama. In the evening, in our shorts, we look dark already. Mama mostly, but I do, too. “Brown as biscuits,” Daddy used to say, “little Hot-Rize Southern biscuits. Nummy nummy nummy,” as he nuzzled his chin behind Mama’s ear and pressed his body up behind hers in a way that made me happy and grossed me out at the same time.

He’s probably at church looking all saintly right now, like everyone in our neighborhood. It is Sunday morning, but Mama and I don’t give a whit about going to church. “We’re pagans,” I tell her. “You know, like the Mayans.” She knows who the Mayans are because we saw an episode on That’s Incredible about human sacrifice. That’s where I got the idea for my paper. It’s my last assignment, and then school is out for two months.

The sun passes behind a cloud and stays there until every bit of heat escapes my skin. I hold my hand over my leg, check for my shadow. “Too cloudy,” I say, shivering. “Look.”

She doesn’t bother, but she knows what I’m talking about. “It’s there,” she says. “Just can’t see it.”

I look again but see nothing. “What’s the temperature supposed to be?”

“Ninety-four.”

“Wonder what it is now?”

“Mmmm’m mmmm,” she says, clearing her mind of every earthly affair.

“Feels cold.”

“Hush.”

“Got to pee. Need anything?”

“Mm mmm.” She grunts this time.

I go inside, let the screen door slap and feel Mama cracking open an eye at me in frustration.

“Mesoamericans built pyramids,” I recite from my book, “such as the Pyramid of the Sun, located in San Juan, Mexico, the place where men became gods.”

I spot my Magic 8 Ball on the TV, turn the ball over in my hands, and consult it about Daddy.

Better not tell you now, it says. I hate that one.

On my return to Mama and the sun, I make a quick pass through the kitchen to scrounge around for something else to munch on. There’s leftover bacon and canned biscuits under a paper towel, so I make up two and carry them out. “Want one?” I ask and this time Mama takes one and sits up.

“You drinking that tea?” she asks.

I hand it over and we share sips between bites. Now the sun is out again and higher in the sky, inching its way through its orbital path.

“Ready to flip?” I ask.

“Sun just came out.”

“I’m dy-ing,” I groan, my vision still blooming into purple halos from staring into the sun and then walking into the dark cave of the house. I wonder if I can go another hour, flip anyway.

“What about this, Mama?” I ask. “Indian priests read the stars like we might read a tabloid predicting the end of time. No,” I say, striking the sentence. “Maybe this: People in the ancient world believed the sun had lived and died many times, always to be replaced by a new sun identical to the one before it.” I like the way I sound in papers, a different me.

I gaze out over the backyards adjacent to ours that are strewn with bicycles and blow-up kiddie pools and old croquet sets I’ve never seen anyone using. The other neighborhood tanners won’t be out for another hour. Mama and I are usually outside way before anyone else. Kimberly’s mom is the darkest person in the neighborhood, but she gets most of her sun at the country club, where she is learning to play tennis with her married supervisor from R.J. Reynolds.

Kimberly is my best friend. We play jacks on her cool kitchen floor to keep out of the heat. She plays better than anyone I know. She can do her sets without touching another jack, even when they’re stacked. She can do her elevens or nines, even when they’re spread halfway across the kitchen. She has a nice way of skimming her hand over the surface of the linoleum, too, very lightly. It’s all about timing. And practice.

“Did you know,” she told me once, studying one of the jacks as she held it up between her fingers, “that armies use these to maim their enemies?”

I shook my head.

“My uncle told me.”

“Which one?” I hoped it wasn’t Tim.

“Donnie,” she said. “Only instead of jack rocks, they’re called punji sticks and they’re dipped in poison or smeared with poop, so whoever steps on them will get gangrene and die.”

“Eww, that’s gross.”

“I know.”

If we’re not playing jacks, we’re choreographing dances like those we watch on Solid Gold. I am not a natural like Kimberly, but I do take after Mama and can usually get the steps down pretty fast. With the strobe lights going, we look like we’re being struck by lightning. We are brown as Indians. Our teeth are white as stars. The rhythm of the music pulses in our temples, our hearts, and we feel our blood gushing around inside us like a volcano.

On Sundays like today, not another soul is in the neighborhood until Kimberly’s uncles come to mow her yard. Mama is already tanned enough, but she likes to be appreciated, too, she says. And Kimberly’s uncles do seem to appreciate Mama.

Every week, they come with gas cans and a cooler filled with Sun Drops and Pabst Blue Ribbon. Donnie wears mirrored sunglasses and cut-offs without a shirt. His hair is slightly longish and strawberry blond like his mustache and sideburns, and undeniably, he is the more muscular of the two. He is Mama’s favorite. Aunt Jonie’s, too. I imagine him walking carefully over punji sticks in the only vision of Vietnam I can conjure, a rainy jungle tangled with kudzu, no sun, no sky in sight, signaling men behind him with hand gestures, talking without words. Hand up: stop! Hand down: careful.

I myself prefer the leaner, cleaner look of Tim whose hair is shorter but yellow as a peach like his brother’s. Mama thinks Tim is too saintly looking, but she likes the way he fills out a pair of Levi’s all the same, she says.

Aunt Jonie arrives with her lawn chair. She is wearing a string bikini under a little white wrap tied merely for ornamentation around her bony waist. “Girls, have I missed them?” she asks, opening her chair, sliding it next to Mama’s.

“No,” I say, and she grins with her tongue between her teeth and skips around all hot to trot, not like a grown woman should, I think. She considers herself the classiest, sassiest woman alive, and that’s about right, I guess. Her hair is a dark brown-red, only a shade or two darker than her skin is by the end of the summer. Her fingernails are heart-stopper crimson, she calls it, and stay looking wet like the commercials advertise.

I ask her again for the thousandth time how she got her nails so long and she says, “Tabby, I’ll tell you,” in that tone that signals a story is coming. “Your Aunt Jonie was born with fingernails this long.”

Mama lifts the wet rag on her eyes and says, “With three rings on every finger and an emery board in one hand.”

Aunt Jonie cackles and shoots me a clicking wink and says, “Damn straight, darling.” Then she adjusts each one of her rings and stretches out on the lawn chair next to Mama.

“What time is it?” I ask. “I am burning up.”

“You’ll live,” Mama says.

I move over to the blanket spread out in the grass. It is a soft, wooly thing with reversible images on either side: a panther on one and a wolf howling at the moon on the other. It will burn me up shortly, too, but it is better than a thin sheet that would let the hard, stalky grass poke up through and stab me. I open my book to a fantastic drawing of a pyramid, read the caption beneath it: Children were ritually sacrificed in the cave wells beneath the pyramids to appease the rain god Chaac. The real pyramid, shown in the inset, looks more like a pile of rocks.

Aunt Jonie opens her cigarette case and digs out a Virginia Slim with her long nails. She spends a lot of time at a bar called Coyote Jack’s, even though she is a married woman, and I suspect she dances and God knows what-all with men she meets there. Now that Mama and Daddy are in a “trial separation,” Mama goes to Coyote Jack’s with her.

That is where she met Tam, at Coyote Jack’s. “That’s his name? I don’t like calling a man Tam,” I told her.

And she said, “You don’t like a lot of things, Tabby.” Then she said, “His name is Talmadge, if that suits you better.”

He is the biggest drip that ever lived, I reminded her. “He has varicose veins on his face.”

“Don’t be ugly, Tabby,” she said. “And they’re not varicose veins.”

She is slightly embarrassed to be going out with him, though, and anybody who knows Mama knows it. Talmadge is not Mama’s kind of man. Donnie is Mama’s kind of man, muscled and tan and hunky. Daddy is Mama’s kind of man, dark-haired, dark-eyed, and deceitful. I see it all over her when he comes to pick me up on holidays. “You look good, Jesse,” she tells him, smiling that way she does, chin down, looking up at him. And he says, “You, too, sweet thing,” the heavens breaking open above him, and we both give into his charm, forget what a con he can be.

Across the way, Kimberly’s uncles finally arrive in Donnie’s battered Datsun pickup. Tim steps out of the passenger side, and my heart skips, like he is coming to pick me up for a date or something crazy like that. Mama and Aunt Jonie stop talking once they spot the men, and we all three sit there quiet in our own heads, dreaming the same dream. And what we dream is this: we dream that Donnie will woof at us and smile big and wave and say, “Hello, la-a-dies!” And Tim will laugh in spite of himself and shake his head in embarrassment and go on around to the bed of the truck and start unloading push mowers and weed eaters.

I’ll imagine standing before him, waiting for him to kiss me, dying from his slowness, tortured and loving it, dying and smiling to draw him out. And what Mama and Aunt Jonie will imagine is the same, I figure, only a little grosser and moanier, though I don’t worry a lot about the details I know I’m surely leaving out. It is all the same thing, one dream between us, and it paralyzes us like a poison, all three of us sleeping stubbornly to a beautiful dream we want to go on forever.

“Somebody put a note in my locker,” I tell Mama and Aunt Jonie after Donnie and Tim move out of sight to the other side of Kimberly’s house.

“Ooooh,” they say. “Who?”

“I don’t know,” I say. “A secret admirer.”

Mama raises up on her elbows, lets the washrag fall from her eyes to her greased-up breasts. The look on her face causes my heartbeat to quicken, and I don’t know whether to go on or to make up something juicy that’ll make her happy.

“Let me guess,” she says. She has studied my yearbooks, knows all the cute boys at school. “Jonathan Rivers?”

I shake my head, no.

“Ben Clonch?”

“Nu-uh.”

“Well, let’s see it,” she says, excitedly. “Hand it over, baby.”

I pull the note from my library book where I’ve been saving it for her. I don’t know if my heart is racing from the heat stroke I’m having or if it’s because of the glorious smile on Mama’s face. She unfolds the letter and squints against the white glare of the notebook paper. She squints harder and harder until her eyebrows stand down and her lips ease into a worrisome bunch.

“This is a girl’s handwriting,” she says.

“What?” I snatch the page to have another look. “No, it’s not!”

“Look at all them curlicues,” Mama says.

I study the writer’s handwriting for clues, and she’s right, the script is loopy and very well practiced. The letters are prim, and I wonder what that says about the writer’s personality. Could the letter actually be from a girl? I’m more baffled than before when I thought my suitor was a boy.

“Stay away from them lizzies,” Mama says sternly.

“Maybe it’s just a joke,” I offer, to make her feel better.

“A sick joke,” she says.

“Maybe it’s just a prissy boy who writes like a girl.”

“Prissy boys are worse than lizzies. You stay away from all of them. Your daddy would have a heart attack if you brought home some little fairy-tailed boyfriend.”

I am sorry I brought up the letter at all. I wipe sweat from my face with Mama’s washrag, consider saying, Well, what about a grown man named Tam? That’s pretty queer sounding. But she would just cock that sassy attitude, wink and smile, and say, Oh, I beg to differ about that man, little girl, not saying what she’s saying loud and clear. And besides, that’s different. You’re young. Your whole life is in front of you.

Then in Tam’s defense she would say, There’s just something about him, which is what she always says about men I’m “too young” to appreciate. Trust your mama, she is always saying. 

And I do. Most of the time. But I know that this “trial separation” is just code for something more permanent. I have seen her lying in bed for days too often lately, and at times like that, I am glad for Talmadge, glad as I can be. He is a nice man and gives Mama anything she wants, takes her out to eat. Invites me, too, often as not, though I never go. Tam is alright, I figure then.

I run my eyes over each character of my secret admirer’s curvy handwriting.

“Maybe the letter is from someone trying to cheer me up,” I offer again.

“Cheer you up about what?” Mama says.

 

It rains all week, so Kimberly and I are trapped inside playing jacks. I usually take all three throws before I toss a spread I can manage, but Kimberly has shown me how to work with whatever cluster of little metal stars comes my way. To practice, she makes me pick the jacks out of her hand. If she feels anything, even the slightest touch, I have to start over. We play in the kitchen where her mom has been trying all summer to root a houseplant in a glass of water. Mother, Kimberly calls her. She is the only kid I know who calls her mom Mother that way.

In her room we lie on her bed and look at magazines with foldout posters of Eric Estrada and John Schneider. We measure our chests with the measuring tape from her mother’s sewing kit. We prime the roller balls of our lip gloss with our fingers and then smear gobs of sweet-smelling, chemical-tasting gloss over our lips. We want desperately to kiss someone.

Outside it is gray. Steam rises from our sidewalks, our driveways, even from the grass. Mama’s tan is fading. “Rain is so depressing,” she says. But I like it; I like the air before it rains, swirly and damp. I never really tan anyway. I am still peeling long runs of skin off my shins. Kimberly scratches at the pieces I can’t reach on my back with her neat fingernails. I bite my nails, so I have to use the sharp point of a jack rock to bring up edges of dead skin that I can grab hold of.

“My uncle saw a man skinned alive in Vietnam,” Kimberly says.

“Which one?” I ask.

“Tim,” she says, and my heart hammers behind my training bra. “But they couldn’t brainwash him,” she says. “They never could.”

 

The next weekend, I am flicking a big black bug off my blanket and picking away grass and little gnats that have stuck to my sweaty legs when TJ Frazier strolls up to us in the yard. I grab my towel, standing, wrapping it around me, pretending I am about to go inside. TJ is a boy in the neighborhood, a couple years older than me, a dropout whose eyes are permanently glassy from smoking pot all the time. He is cute, though, and I have always had a crush on him, so I don’t know what to do when he stops and says, “Hello, foxy mamas.”

Mama and Aunt Jonie fawn all over him; they could just eat him up, you can tell, even if he is just a kid. Precisely because he is just a kid. He makes himself at home, flops down in my empty lawn chair beside Mama and says, “Want me to rub lotion on your beautiful body, Mrs. Lambert?”

I snatch the bottle of baby oil from him. “Grow up,” I say.

He laughs and Mama and Aunt Jonie grin in cahoots with him.

All of you,” I say.

TJ reaches for my oatmeal cakes, unwraps one.

“Tabby has a secret admirer,” Mama tells him.

“Mama! God!”

She looks at TJ with her spell-casting eyes and says, “Wasn’t you, was it?”

He shoves the whole cake in his mouth, smiling dreamily, and I throw a book in front of my face and curse the day I was born. I am standing there with a big Marvin the Martian towel wrapped around my body, my legs and arms prickling from the smoldering look I know TJ is giving me. And he says, “The world is supposed to end in 2012.”

I screw up my face behind the book, which is, I realize, what he’s referring to.

Then he stretches out on my chair and stares up into the wild blue yonder as if he can see the end coming.

Mama and Aunt Jonie leer like headhunters.

TJ rolls over on one side, pulls his legs up in the fetal position, hands under one cheek and says, “But yeah, Tab. It was me.”

He doesn’t even go to my school, but my heart pounds to the song on the radio, “Tragedy” by the Bee Gees.

 

                         Here I lie in a lost and lonely part of town

                         held in time in a world of tears I slowly drown

 

I look like a complete retard standing there, so I drop my hands and make an attempt to glare at TJ, muster my surliest pose, as if to say, In. Your. Dreams.

He sits up on one side of the foldout chair next to Mama with his hands hanging between his knees, looking at me with that stoned smile of his, those lazy eyes that bat in slow motion, and that distant-looking wry expression on his face.

Aunt Jonie starts gyrating in her chair to the Bee Gees and it is X-rated almost the way she writhes and thrusts her bony hips. TJ laughs, says, “Show me what you got, Hot Stuff,” and sings along to the song. Tragedy, when you lose control and you got no soul, it’s tragedy. His voice is too low to stay with the Bee Gees, but he doesn’t care. He stands up, struts, tears his T-shirt over his head, strikes a pose like something out of Saturday Night Fever. His chest is scrawny and white, and he looks more like Mick Jagger, I think. He prances and sings and it is Mick Jagger exactly, nowhere near Barry Gibb, who is, we all agree, the cutest of the Bee Gees.

“That’s horrible,” I say, wanting to laugh, but not wanting to more. Aunt Jonie stands and dances with him; she is doing her “Lay Down, Sally” bit that drives me crazy it’s so funny to watch, thrusting her pelvis and doing that thumbing-a-ride thing. Mama is going right along, singing and hooting at the two of them.

I am the only one wondering if Donnie and Tim are getting an eyeful across the way at Kimberly’s house, and there is Donnie, staring back with his mirrored sunglasses, reflecting a blinding ray of light that makes my eyes tear.

TJ and Aunt Jonie are boogeying around the yard, shaking their tail feathers, doing what they know of the hustle. Part of me wants to show them some moves that are out of this world. But another part holds back, clings to the earth. The sun is blistering hot now, and I feel like I might burst into flames. I read an article about a kid who spontaneously combusted when he had his first wet dream. TJ is stumbling and falling against Aunt Jonie, his hands like golden stars whizzing through the air.

Across the way, Tim is pushing the mower around the playhouse that Kimberly and I used to play schoolteacher in. He has taken off his shirt and turned his ball cap around backwards.

Mama tells me, “Come on, Tab. Live a little.” She is turning over, untying the strings of her bikini top so she won’t get tan lines.

I think of leaving, slipping back inside the house, letting the door slam as I go, sure that no one would even miss me. Then I think of what I’ll tell Mama later, when TJ is gone. I’ll tell her he is a total pothead, and Aunt Jonie will say, “Yeah. But a cute pothead.” As if that settles it.

 

When school is out and the sun is directly above the earth and scorching the Northern Hemisphere, Kimberly invites me to go swimming at a park that has water slides and go-karts. I take the money Daddy has given me for my birthday to buy a new striped beach towel, something mature and inconspicuous, and a bathing suit cover-up to hide my fat hips. I don’t know how to swim, but Kimberly says she can teach me. She doesn’t mention that her uncles are coming or that I will have to sit between them in the backseat of her mother’s Mazda, which barely has room for Kimberly and me. I think of asking if I can ride in the front seat, but I don’t want to seem ungrateful. Kimberly gets carsick riding in the back.

Mama would have a cow if she knew the uncles are coming, not because she’d object but because she would be jealous and think it a waste of a good opportunity for another woman, an older woman like herself. What can I do? I’m just a kid. I hope she doesn’t see us piling into Kimberly’s mother’s car.

Donnie is wearing a pair of short white trunks with a yellow and blue stripe around the middle and a belly shirt that shows the lower half of his hairy stomach. Tim is wearing plaid knee-length trunks and a baggy T-shirt with Mickey Mouse on it, silent Mickey from the old black-and-white cartoons.

I wait until given instructions about where to sit, but eventually I must climb between the men in the backseat who sprawl out with their legs thrown wide open like a couple of Venus flytraps, and I try my best not to touch them. They are hairy everywhere, and my bare thighs prickle with the feel of their legs touching mine. I wrap my towel over my lap and make myself as small as possible. I think of Mama’s spell-casting eyes and the hold they had on TJ Frazier, a boy not even half her age, and feel a surge of power inside me like a burning tornado, a volcano turned inside out. My arms and feet look brown inside the car. My white toenails gleam on the floorboard straddling the hump between Donnie’s sandaled feet and Tim’s sockless Converse sneakers.

Donnie throws his arm up over the seat behind me, clearly cramped himself, and asks if I’d be more comfortable sitting on his lap. The heat inside the car is a greenhouse trapping the sun. I smell the sweat of Donnie’s armpit and feel myself melting into the vinyl seat beneath me, the sweat of my own legs and the sweat of two grown men running together and pooling in the seat of my swimsuit.

“No thanks,” I shoot back too quickly, feeling the heat rise in my face.

“You guys okay back there?” Kimberly’s mother asks, glancing into the rearview.

Donnie pumps the window down and reaches across me to the other window on Tim’s side of the car.

“I got it,” Tim says. “Watch it!” Heavy beads of sweat have collected in the short hair follicles around his face, and when he leans forward to roll down the window, I see that the back of his T-shirt is beginning to soak through. His shirt is bunched up over his trunks, and I see a dark line of matted hair disappearing into the small of his back.

Kimberly’s mother fires up the Mazda and soon the wind rushes through the open windows, wicking away sweat from the surface of our skin.

“Goddamn if it’s not hot,” Donnie says.

Without a word, Tim cuts his eyes at his brother and frowns, and Donnie says, “What?

The melting lard of my fat thighs pressing against him is irritating Donnie, but I dare not lean closer to Tim or my skin will burn to a crisp. I perch as best I can on the hump between my legs and lean forward between the seats where I don’t have to look at the men.

Kimberly smiles and leans to whisper something in my ear. She turns my jaw toward Tim, pushes my hair behind my ear, and cups her hands to the side of my head. I blush from the nearness of Tim’s face to mine, notice the little whiskers of missed hairs under his lip, and he smiles without showing his teeth. I smile, too, feel a cyclone of bees in my heart, and think that I can almost taste the smell of Kimberly’s Bubblicious bubble gum. There is a dead wasp in the window behind us, a little rubber smiley face on the tip of the car’s antenna rising behind it. My bare back is exposed and I feel Kimberly’s hands cupping my ear, her pink breath forming one word after another.

“My uncle told me you were pretty.”

“Which one?” I ask, the words collapsing in my throat.

Tim’s green eyes soften when I glance at him sideways. And then there is another set of hands around my waist. I feel Donnie’s big thumbs in the small of my back, and then a hard tug up onto his hot lap. The wind from the window whips in my face, steals my breath, and I think I will smother. The pitch of his knee drives my head into the liner of the car’s ceiling and I wrestle as he tries to pull me into a more comfortable position against his stomach. I arch my back and crane my neck, and all I can see are Tim’s calloused hands, palms thrown up in urgency, signaling for Donnie to stop.

“What?” Donnie says. “She’s fourteen years old,” and the mention of my age in Tim’s presence sends hot gasses to my eyes. I don’t know how old he is, but it’s a lot older than fourteen and being with him in the car is a thousand times worse than boring into the center of the sun. I don’t have so much as a pair of sunglasses to protect myself, so when the tears come I bury my face in the stupid new towel I bought with my birthday money.

Over my shoulder, I hear Tim cluck his tongue at Donnie, and it is the saddest sound in the world.

I call Mama from a pay phone as soon as we arrive at the pool. Pretend to be sick. Wet kids with towels draped over their shoulders beg for Pop Rocks and banana popsicles.

“What is it, honey?” she asks. “George?” George is code for that time of the month. It is not George, but I lie and say that it is so she will come right away and get me. She would never want me to be trapped in a bathing suit in public with George.

I wait in the glassed-in arcade, the sounds of pinballs and asteroids circling me as I watch Kimberly’s uncles teaching her how to dive backwards from the spring board. Donnie does backflips and cannonballs, bounding down the length of the board in thunderous lunges. When he emerges, he crosses his hairy brown shoulders in front of himself on the edge of the pool and rests, flashing a smile at the young mothers dipping their babies in the kiddie pool across the way.

Tim walks to the end of the board, aligns his body with his arms extended above his head, standing perfectly still until he is ready to leap. He does graceful swan dives and snappy jack-knifes, his long body folding and unfolding in the sun, slicing through the water without a ripple, swimming the whole length of the pool underwater, his body a shimmering comet tearing through space and time.

DREAMS ABOUT MARRAIGE

are really about death

a friend tells me

but I am newly betrothed

& believe this marriage dream

is really about my impending

wedding—not dying: the pair

of us riding a high-wheeled bicycle

a penny farthing he pedaled

& I seated atop the throne

of his shoulders (quite appropriate for the circus

of our courtship)

shouted I’ll die if we fall

              Then keep me close he replied

now I know why this machine was dubbed

boneshaker

down uneven streets we wobbled

trying hard to avoid children

or crashing into predictable old

ladies laden with baskets of groceries

& complaining about bills

all the while we kept on cycling

swerving down cobblestone lanes narrowly

escaping disastrous collapses

all the while my love pedaling

steering us & balancing the weight

of me on his shoulders as I pointed onwards

the way west

glee of two wheels

whose spinning momentum

swept us forward with no particular destination

just the sheer To hell with the world! joy

of cycling together into that supreme

slow-dying sun as it slipped

westward into the evening water

how we rode with no hands in our own

private parade of years

POISON LIQUID LIQUID

Two phone calls come

I miss or I skip them

It’s not as if

the satellites really need me

It’s not as if the rooster

is anybody home      Loneliness

and reasons        I am full of

stomach bugs      Later

the defender, and the tulips

still sleeping       We’re springing

forward, the grass is grown

Can you believe how

impossibly this is living

and you’re a ghost,

or only closest to me,

reading something juicy,

something with its mouth

hanging open

in the doorway, saying

what ails me is what ales me

I have fallen down the stairs now

some number of times,

but nothing’s so surprising

as the spot beyond the lantern,

the place where the wigwam

waits to be history

It is mostly out of the picture

Or another day for me

to make a pitch in pitch darkness,

the night-light on strike,

saying, fuck it, go home

I want to be blown

all out of proportion,

every mythical monster

and a case of Hop Bomber

It’s the final dress rehearsal

and no one’s being serious

This used to make me nervous,

but now it makes me normal

A CLOUD OF DECISIONS TRANSLATES

We own the horizon, so draw it out

in one giant breath full with a rolling green

oxygen tank and some horses

underneath it     It is a landscape

we can walk into a nursing home

eventually     I feel the way

you and everybody must, after all

these long delays like ice cubes melting

The most meaningful things never wind up

in a window, but sometimes they do

in the belly of a buzzard or a girlfriend

I’m so tired of walking into this house

and knowing that it’s not my house

and won’t be my house for several more days

I need a place to wrest this motorcycle

from chance, which is art, so lay down

my pillow on the head of a pin,

crushing all the winged things

to powder for the baby pigs

I think this is what it means to amplify,

but it just as well might mean

I don’t know where I live and should

make amends with the sky

and all my friends who ever

rummaged through my backpack

looking for a hangover or some

fog to rub against themselves

I’ve got plenty of fog      You don’t

even really need to ask for it but

probably should as a matter of empathy

and forgiveness for all the times

I’ve stolen everything,

from your heart to your headstone,

then lost all of it trying not to

in the couch or the forecaster’s

high in the 50s and rain all day

I always take the weather

around me so personally,

when, mostly, nothing’s such a big deal

that we couldn’t just go to a diner

and slam some scrambled eggs,

then look up at the night sky

and wonder