The Robert Watson Literary Prize Story THE FAIRY SWAP

We found the fairy after a three-day thunderstorm.

We were rock hunting at the time. During the summer construction workers had scooped out one of the trails that wound up the ridge behind our house. Dad complained endlessly about the pulled-up trees, but the yellow Cat diggers did shake a lot of pretty things loose from the dirt: clay-smeared chunks of amethyst and rocks with black garnet chips and sheets of mica as big as your head. Once my sister Sadie found a fist-sized golden lump that was called pyrite. Whenever I stared at it glittering on our dresser, I wished more than anything that it was mine.

At first we both thought the fairy was a clump of muck broken off the carved-out mountainside by the wind and rain. I was the one who found it, as I poked a stick into the mud under one of the crouching diggers and hit something that didn’t give. Sadie was the one who noticed the yellow eyes. Sometimes the lids would slide over them, as gray and crusty as rock, but no other part of it moved. A sticky blackness oozed down the side of its head.

I was bigger than Sadie, but she was older, so she was the one who took off her red rain slicker and grabbed the thing through the cloth. Up in her stick arms, it was about as big as a good-sized cat. A gray foot hung out of the coat, each little toenail yellow and hooked. Without knowing why, I started to cry.

“Shut up, Omie,” Sadie said. “It’s okay, but just shut up.”

She carried it all the way back down through the steep wet woods to our house. Twice I thought I heard something behind us, just a touch different from the rhythm of the dripping trees. But as Sadie often pointed out, I was always noticing things that turned out to be nothing.

Back home we put the fairy in Ghost’s crate, in the soft spider- webby hollow of her empty bed. Ghost had been a Great Pyrenees Dad was sure would keep coyotes away from our chickens and would watch over me and Sadie when he was gone. Only she’d snarled and snapped at the chickens and trembled in the corner of the crate whenever we approached her with a bone. She’d crashed through the screen door one day and when it became clear she wasn’t coming back, Dad moved her crate down to the basement. He had not gone down there since.

“Do you think it will get out?” I asked.

The fairy hadn’t moved since Sadie set it down. The ratty edges of the bed seemed to creep up around it, like sand sucking down a stone.

 

Dad was at a gig that night, so we were able to make as many trips to the basement as we wanted. We pushed bits of our dinner sandwiches through the bars, my peanut butter and banana and Sadie’s dry turkey, along with some old dog food and a carton of blueberries, because who knew for sure what fairies ate. We edged around the crate with a flashlight, examining what parts of it we could see. It had no hair. The shadowy lack between its legs made us suspect it was a girl.

We were no strangers to fairies and their various races. In fact, we were probably as close as any two girls could be to experts. In the stories Dad told to tourists at the Folk Art Center on Friday nights, the root people—as yellow and hairy and creased as old carrots—lived in tunnels beneath the mountains and hunted chipmunks with arrows the size of hairpins. In Mom’s gold-gilded English books, the fairies were shy and dainty, but would steal babies or pretty ladies and swap them for a Changeling, a mean-tempered fairy version of the person, if they had a mind to. I imagined we might count as an exotic pet to them, like a peacock or a tiger.

We weren’t sure what sort of fairy we had. Not a particularly exciting one, anyway.

We tossed around a few names, like Moonlight, Fern Gully, and Mountain Dew (which I thought was the most beautiful pairing of words there ever was). Nothing seemed to fit, though, so we just sat there on the concrete with the damp seeping through our jeans, watching its outline waver in the dark until it almost seemed to shimmer.

That night I climbed into the top bunk with Sadie, dragging Fat Jamie, my favorite Cabbage Patch doll, up with me. My bed was level with the window and the patter on the porch outside our room sounded like footsteps, soft soled and creeping. Sadie whined and dug her elbow into my belly, but not very hard.

“I think we should tell Dad about the fairy,” I said. Dad knew all about strange things in the mountains: big cats that walked on their hind legs and glowing will-o’-wisps that lured hunters into swamps.

“No way. What about Peter?”

Peter had been a tiny shut-eyed squirrel we’d found at the base of a pine. We’d dreamed of raising him to ride on our shoulders like a parrot, and Dad promised we could keep him. Only we’d come home from school to find that he’d taken Peter to the Nature Center in Asheville, without even letting us say goodbye.

“Fairies are different than squirrels.”

“We’re not telling him. I saved your life, remember?”

This was true: Sadie had saved my life back when the fairy Changeling wrecked the car we were all in. When I was little I used to think she owned my life: a yellow flicker she kept in a jar, like Tinkerbell from Peter Pan. Either way, it meant I had to do whatever she said.

“I guess we could just keep it to play with, then.” I imagined the fairy and me walking hand in hand through a glittery green wood, flowers crowning our heads.

Sadie drew a sharp breath and rolled over. Her eyes were an inch from mine, black and sparking.

“I bet it could bring Mom back.” Her voice was low and hungry. “I bet we could make it.”

I looked away, like I always did when she got that hard, sparkly look. The rain from the window cast funny shadows on the opposite wall, slithering down like worms.

 

Mom had been taken by the fairies two years ago, when I was six and Sadie was nine. She was just the kind of human they wanted for themselves: dainty and beautiful, more like a girl than a mother.

I couldn’t remember her well, but Sadie could. Sometimes when we were in bed at night, she’d start talking out of the blue: Mom this and Mom that, the words tumbling down from the top bunk and piling all higgledy-piggledy around my head. Even though I never cared much for stories I couldn’t see myself in, I always let her talk.

Mom and Dad met in college and it was Love at First Sight, according to Sadie. He had been playing fiddle at the Friday night contra dance; she had been dancing with other girls from her Advanced Folk Dance class. She could leap higher and spin faster than any of them, and Dad kept noticing her floating up and down in the crowd, a ball of bouncing light.

Afterward, she complimented his fiddling and he complimented her dancing, and they went for a walk. Dad was majoring in Appalachian Studies; Mom was an English Major with a double minor in Sustainable Agriculture and Dance. Dad had traveled all over the state begging old folks in their trailers or dusky retirement homes to tell him stories and knew hundreds by heart at only nineteen years old; Mom could quote whole pages of Shakespeare and Tennyson, so beautifully that it almost made you hurt. They were amazed by each other.

Then Mom fell pregnant with Sadie. Her grandparents had a summer house in the mountains, and because they loved Mom, they gave it to her. When Dad was away at gigs, Mom and Sadie would do all sorts of things together: make cake out of the puckery persimmons growing in the woods, catch grasshoppers and pull open their rainbow wings, drag Dad’s old-fashioned record player out on the porch and dance through the long grass. After I came along, Mom strapped me to her back and kept dancing. Sometimes I wished I could remember what it felt like to be leaping and spinning along with her, hidden under the silky sweep of her hair.

There was just one memory of Mom I could see clearly, all on my own. She and Dad were sitting on the porch with their gasoline-smelling whiskey drinks after supper, swatting the no-see-ums out of their eyes. Dad had told me broccoli would make me invisible, which had the desired result of me eating the stuff like it was Cheetos. He exclaimed in fear at the unseen footsteps thundering along the porch, the ghostly hand ruffling his beard, as Mom laughed so hard that she hunched over in her chair, yipping like a coyote. That was still the Mom I saw in my head whenever Sadie talked about her: mouth gaped and drooling, unable to catch her breath.

Although I knew it wasn’t true about the broccoli, I still couldn’t help examining myself every time I ate it, as if I’d be able to see the grain of the table through my fading bones.

 

The Changeling showed up suddenly, Sadie remembered. The fairies had snuck it into Mom’s side of the bed during the deepest part of the night. The evening before Mom had been cuddled up in the top bunk as usual, soothing us to sleep with her sing-song English Major stories, and the next day she—or rather, the thing that looked like her—wouldn’t get out of bed. When Sadie went to tug its hand, it snatched it away and called her a mean name. Its eyes were black except for a bit of blue left around the rim. A strange smell, like snake musk, crept out from the blankets. When it finally stood up to go to the bathroom it walked like it was just learning how, banging into corners and hissing through its yellow teeth.

The Changeling stopped brushing its long hair, greasy clumps hanging over its face. One day it got into such a scary fight with Dad that it took a butcher knife and stabbed the kitchen table, not even stopping when the blade slipped on the hard wood and cut its palm. Dad asked why it was doing that and it screamed, “Because you fucking made me.” (I hadn’t wanted to believe that part, but the gouges were still there, each as long and crooked as a claw mark.)

The last day Sadie saw the Changeling—that we both saw it— was when Dad was away and it was just the three of us at home. The Changeling had gotten out of bed early and put on a pretty dress, looking almost as sweet and happy as our mother had. It told us we were driving down to Sweet Dreams, our favorite ice cream shop in the city, and that we could get whatever we wanted. Sadie and I had been giggling in the backseat as we slid into each other around the curves in the road, when all of a sudden the car leapt and crunched and we were all sucked down into something black and wet.

That’s when Sadie saved my life. She’d climbed out of the car window, but when I tried to go after her, the Changeling grabbed me by the back of my overalls and wouldn’t let go. So Sadie scratched its arms until it did.

The car wreck was what made Sadie certain Mom had been swapped for a Changeling. Fairies didn’t think like humans did. They had devilish sides, drinking dewdrops from acorns one moment and dragging sobbing babies out of their cribs the next. Probably that was why the Changeling had wrecked the car: it had just felt like it.

The Changeling went away after that and we never saw it again. The only good thing about it all was that it meant Mom was still out there somewhere, wherever the fairies lived: in a glittering cave, or some tucked-away grove dripping with flowers. Probably she was dancing and reciting Shakespeare, all dolled up in gauzy skirts and leafy crowns. Probably, the fairies loved her as much as they were able.

 

“How can we make the fairy bring Mom back?” I asked Sadie, still watching the wormy shadows. “We can’t even talk to it.”

She squirmed around onto her back, sucking at her teeth.

“We need to show the other fairies we’ve got one of them.”

I wanted to leave a note that explained the nuances of the situation, but Sadie pointed out that this type of fairy probably couldn’t read. After all, our fairy seemed about as dumb as the rock it resembled. Dad didn’t let us have brain-rotting cell phones and we didn’t have a printer anyway, so taking a picture was out. It was Sadie who thought up cutting off a piece of it—its pinky toe or its shrivelly ear, whatever was easiest to clip with gardening shears—to set out in the woods. “It’s the only way to show them we mean business, so don’t you start whining,” she warned when my mouth began to jump. Sadie would do the actual cutting since she had to do everything, anyway.

For a while after the Changeling went away, I had been sure the fairies would come for Sadie next. She was just like Mom with her honey skin and flossy hair, a perfect target. I used to stand up on my bed and look over her every morning before she woke, certain I’d find something different: a wild rotten smell, a dark gleam under her white eyelashes.

But I hadn’t needed to worry. Sadie never acted sadder or more devilish than usual. There was something about her the fairies just didn’t want.

“So they’ll give us Mom and we’ll give them our fairy.”

Sadie huffed. “They’ll know what we mean. That’s how fairies think, in swaps.”

I looked out the window, down at our dripping porch, at the dark droopy couch Sadie liked to sit on when I was bugging her too much. I tried to picture Mom there instead, her mouth a drooling hole.

 

In the morning, I half hoped to find the fairy had vanished; surely that was the sort of thing fairies could do. But it was still curled up on the dog bed, blinking its yellow eyes at us.

I wanted breakfast before we did anything gross to it, so Sadie fried me an egg and paced around while I ate, staring out the windows. “Look,” she said. Even though it was still February, the grass was scattered with dewy red flowers, like the ground had been pricked all over with a needle.

Sadie refused to make me any more eggs because I was too fat anyway, so I followed her back down to the basement. She handed me a softball bat and a butterfly net and told me to stand behind her (when I whined and hesitated, she had to remind me again that she saved my life).

She crawled into the crate, garden clippers in one hand. Her spine curled up against her T-shirt like a lizard’s. Then she took a good, hard look over the fairy and pulled its ear away from its skull. It looked so much like a spongy lichen that I was sure she could just pluck it off.

But as soon as the clippers clacked the fairy started screaming. It was like the yap of foxes and Mom’s coyote-laugh and the screech of broken-necked chickens all at once.

“Shut up,” shouted Sadie. “Shut UP!”

She flung back the hand that held the shears and hit it on the side of its round head, so hard that when she drew her fist back it was trembling. It just kept on screaming. Being the baby I was, I started to scream too.

Sadie had only managed to cut off the lobe of the ear, which was sitting in a mess of blackish blood and squashed blueberries. She fumbled around for it and grabbed me by the arm and we both scrambled back up the stairs. We could still hear the fairy screaming after we slammed the basement door.

“It made me do it,” she said, staring at her swollen knuckles.

It took a while for me to calm down. I was sure that the muffled screaming was coming from a hundred different places: Dad’s empty bedroom, the carved-out ridge, from deep under the long, dead grass. Finally, Sadie pushed Fat Jamie into my arms and said she’d let me pick out the dish we’d put the ear in, if I’d just quit bawling.

I chose a china saucer rimmed in faded violets. Ringed by the flowers, the earlobe looked like a bit of spat-up mushroom.

Because I was still blubbering and in no shape for a potentially dangerous mission, Sadie told me to wait inside—lock the door behind her, just in case—while she went up to the construction site to set out the plate. The fairies were sure to find it there.

I pressed my nose against the window as she marched off into the rhododendrons at the edge of the yard, her white hair and red rain slicker bright among their dull curled leaves. The fairy was quieting down below me, and I thought about what I’d do if she didn’t come back. Eat all the eggs I wanted, for one thing. Not cut off any ears. Have my life all to myself. But none of those things seemed worth being alone for.

 

When a knock came on the door I had a notion I’d find a whole crowd of yellow-eyed fairies on the porch. Or even Mom, back from fairyland, still red-faced and howling. But it was just Sadie. When I asked her if she saw any fairies, she said no. Probably we should give them a couple hours to find the plate.

But we couldn’t go back to check that day, because that afternoon Dad banged into the house with his fiddle case. He said hello and kissed us both on our heads, like we were normal girls and not ones who had put a fairy in the basement and its ear up on the mountainside.

The older we got, the less Dad came home. Sometimes I got startled if I opened the bathroom door in the morning to find him shaving his beard hairs off into the sink. It was how I might feel if a raccoon broke in: pleasantly surprised but knowing it didn’t really belong.

All he said to us was to be sure to take baths that night, because the Aunts were coming tomorrow.

The Aunts came to see us every other Sunday. This was never much fun, because they didn’t like Dad. They didn’t like that he’d named me and Sadie after murdered girls from Doc Watson songs, they didn’t like that he made a living as a fiddler and storyteller, and most of all, they didn’t like that our house was his and not theirs.

The Aunts were Mom’s sisters. They both lived two hours away, in big square houses with square-headed husbands. Aunt Evie had two thick-necked sons who were off at college. Aunt Katelyn didn’t have children but had been talking for ages about how God had called her to adopt a baby from a starving place. She would make us look at the online ads for the sad orphans, our possible cousins, touching their cheeks through the phone screen with a sighing wet-eyed look.

Every time the Aunts visited they acted like the house was theirs, walking from room to room, clicking their tongues at the Virginia creeper curling against the windows, the dusty piles of ladybugs crawling over each other in the corners. Sadie said none of that stuff had been there before Mom was taken, but I couldn’t imagine living in a house without ladybugs.

“Good Lord, it smells like a cave in here, Alex.” Aunt Evie flared her powdery nose. “Do you have mold?”

Dad didn’t answer right away—like me, he was probably wondering how Aunt Evie knew what a cave smelled like. She was right, though: there was a new smell in the house, something dark and mossy.

“Maybe a bit in the basement,” he said. “We’ve had a lot of rain this month.”

Aunt Evie snorted. Then we all had to sit around our knife-clawed table and talk. Dad told them he was interviewing for a substitute teacher job at the district high school (this was not true; Dad hated the public school system). Sadie said she had gotten all As on her last report card (also not true; she’d failed her English oral report because she’d tried to do it on Flowers in the Attic). I’d gotten two Snickers for the price of one from the cafeteria vending machine last week (this was true, but only because I was still too riled by the fairy business to think of a good lie).

There were some things we never told them, of course. They didn’t know that me and Sadie looked after ourselves when Dad had a gig. They didn’t know I’d had a bubbly rash on my chest for most of the winter that had gotten worse when Sadie drenched it with peroxide. And they didn’t know that when the weather was warm we skipped school to pick blackberries; that for supper we’d eat a pailful each, drowned in sugar, and leave red fingerprints on the walls for days.

“I talked to Meg the other day,” Aunt Katelyn said, once the question-asking was over. “She misses you girls so much and told me to give you both a big hug.”

She delivered the hugs with that wet-eyed look. The Changeling was in some place in Arizona. Sometimes Aunt Katelyn told us what it was doing out there—taking yoga classes and talking with other crazy people, mostly—but none of us much cared.

“I brought you girls a little something.” Aunt Katelyn was forever bringing us little somethings. This time it was a Breyer Horse for me (never mind that I was scared of horses) and a strappy dress for Sadie, the same silky blue as her eyes.

“My, aren’t you lucky girls,” Aunt Evie remarked disapprovingly. “Now go put those things away so we can chat.”

What she didn’t know was that we could easily hear the chat from our bedroom. It was always the same: Meg’s treatment bills were draining Mama and Daddy’s retirement; when was the last time Omie had a haircut because she was looking mangy; was Sadie eating enough, because she was awfully thin.

Dad usually laughed and mumbled during the chat. This time, he was dead quiet.

In their clipped cheery voices, the Aunts said that Wildwood Homes, the same people who were going to build houses up on the ridge, had made an offer on the house and property. The title was in Meg’s name, of course, but the Aunts wanted to be respectful, talk it over with Dad. They’d give him some of the money, as long as he promised to use it properly, put it into college funds. The girls could stay with Katelyn for a time, give him a chance to get things in order.

Dad didn’t say anything for a good while. One of the Aunts was jigging her heel against the floor. Tap-tap-tap.

Then, so soft we could barely hear him: “Over my dead fucking body.” It was a bad word and the Aunts gasped, but there was a limpness to the way he said it. In my head, bare-headed vultures swooped down on his corpse, picking at a string of flesh.

Before anyone could say anything else, Aunt Evie started coughing. She coughed and coughed and coughed. We peered through the crack in our door; Aunt Katelyn was trying to help her stand up. But she kept coughing and something pink splattered on the floor in long ropes. For a second I thought her insides were coming out, until I realized it was just the pasta salad she’d brought us all for lunch.

“You do something about that mold,” she rasped. “Or I’m calling CPS, don’t think I won’t.”

“Evie,” said Aunt Katelyn.

“You need to leave.” Dad followed them to the door and watched until they drove away.

Then he went to the kitchen window and wrenched it open. Paint flakes fluttered up and the creeper coils spilled inside. He went to all the other windows and opened them, even stomping into our bedroom like he didn’t even see us there. Then he went and lay down on the couch with his arm over his eyes.

If anything, the mossy smell was stronger with the opened windows. I imagined it spreading up into the squiggly crevices of my brain, green and furred.

Dad came into our room and told us a story that night. He usually only told stories when he felt bad about something (after the Changeling first went away, we got one every night for weeks).

Tonight’s was a particularly good one. Two girls named Omie and Sadie found a magic ring in a tree hollow. They took turns trying it on. The ring made Omie sprout snowy wings and fly between the mountain peaks. Then it made Sadie talk to animals and they both got invited to the Deer King’s Winter Ball. Dad did all the animals’ different voices and swooped around our bedroom, peering down at treetops the size of broccoli heads.

“Is our house really getting sold?” I asked Sadie, after he shuffled off to his own room (I knew better than to ask Dad, who tended to answer questions with sighs or, if he had the wind for it, more stories).

“It’s Mom’s house.” Her voice was low and hungry again. I squeezed my eyes shut and tried to hold onto the picture of the two girls from the story: glowing with magic, lighter than air.

 

Dad hung around for three days, so we couldn’t check the ear plate or feed the fairy. He slept on the couch during the day, shivering and twitching beside the open window. When I tried to wake him up to make supper he just blinked his cruddy eyes at me. “I was dreaming,” he said, but wouldn’t say what about. At night he kept us up with his coughing and pacing. He went from the living room to the kitchen and back in long, slow circles. A few times we heard his feet stop right by the basement door, but he never went down.

 

Then he was gone again, leaving behind a note for Sadie that Burlington Old Time Music Festival was on and that there was lasagna in the freezer. The first thing we did was hike up the ridge to look for our plate. Behind Sadie, I dragged my heels into the wet leaves, dreading what I was sure to see: a white ear, dainty and curled as a seashell, or maybe a long strand of hair attached to a bloody tag of skin.

But there was nothing there. We looked all around, kicking over rocks and clumps of leaves—even climbed up into the empty cab of the Cat digger and rustled through the water-wrinkled underwear magazines someone had left on its floor—but the plate was gone. I speculated that the fairies may have just wanted to keep it for their fairy parties, since it was so pretty. Sadie told me to shut up.

The house looked different when we walked out of the woods. It took me a minute to figure out why. Had the rhododendrons always been leaning so close to the windows? Had those weird red flowers always been poking up through the cracks in the porch? But then I saw it: a violet-rimmed plate, waiting right in front of the door. There was nothing on it, but my insides still shriveled.

Sadie wasn’t scared at all. She just looked at it and laughed. She laughed so hard that she started to cry, dribbling snot all over the painted flowers.

 

I felt all mossy-headed after we found the plate, but Sadie was excited. She leapt and spun around the house like a much littler girl, her white hair tangling around her. She pranced down the basement steps and laughed at the blood-crusted fairy and dashed back up. She jumped on the couch, in the greasy hollow Dad had left, and the creeper vines bounced like they were excited too. She twirled over to me and squished my cheeks between her cold hands.

“We’re getting Mom back, dummy.” Her eyes had that sparking look. “Why aren’t you happy? I order you to be happy!”

I let her spin me around and laughed too. It was easier just to do what she said.

 

Sadie wanted to take the fairy up the mountain and swap it for Mom right away, but I was too tired to hike all the way back up there. So we decided to wait until morning.

After Sadie started to snore, I went down to the basement alone, Fat Jamie’s best silk dress balled under my arm. The wood steps were slimy under my bare feet and I had a notion that I was walking over faces, mushy and sucking. I grappled in the dark and pulled the lightbulb chain. The fairy was slumped against the side of the crate, its head black and crusty. I wondered if it missed the other fairies. I wondered if it had helped take Mom, years ago. If it had ever thought of letting her go.

I opened the crate. Its eyes turned toward me but didn’t move. I reached out and ran a hand down one of its legs. I thought it might feel cold and rough, but its skin was hotter than mine.

It didn’t do anything as I pulled each of its thin arms through the dress sleeves, tied the ribbon at its throat. I wondered if Mom had a hard time dressing me when I was a baby, if she’d struggled to stuff my limp arms through the sleeves, or worried that my fingers would snap when they snagged in the gaps of the lace.

I usually talked to my dolls when I dressed them up—told them I’d make them beautiful, that they’d feel much better now that they had something decent to wear—but all the things I wanted to say to the fairy dried up in my throat. After I was done, I rocked back on my heels and we stared at each other for a good while.

It looked like a wet rock someone had stuffed into a cheap princess outfit. I took the dress off again, not sure why I’d expected to see anything different.

 

When morning came, we both got dressed in the dark. Sadie put on her new blue dress from Aunt Katelyn. She told me to wear my red Christmas jumper and pinched me, hard, when I said I wanted jeans: “Do you want Mom to see you looking all raggedy?” Then she combed out my hair, tugging the snarls until my eyes stung.

In the basement, Sadie fastened the fairy’s wrists and ankles with some rubber bands she found in the junk drawer, even though it was limper and duller than ever. She picked it up like a baby, its yellow eyes turned into her bony chest. Then she carried it up the stairs and out into the pale, shivery light. Her hair ran down the blue dress like creek froth.

“You look like a butthole in that dress,” I told her. She ignored me. It was a lie: she looked so grown-up and beautiful, I hardly knew it was her.

Mist snaked out of the rhododendrons and into the grass. Sadie told me to pick some of the red flowers to give to Mom. When I yanked them up the roots hung on, sprinkling dirt all down my jumper.

Sadie climbed the ridge like a deer, slipping around the briars and tree trunks. I stumbled and panted, trying to keep up. Part of me—the same silly part that used to think she kept my life in a jar—was sure that if I let her out of my sight, I wouldn’t see her again.

The mist was still thick when we got to the construction site, the crumbling red walls and ditches veiled and silvery. Sadie set the fairy down. She grabbed me by the hand and dragged me up next to her.

“Okay,” she said, breathing deep. “Okay.”

The fog stirred around, but nothing else happened. The fairy lay curled on its side, eyes closed except for a yellow sliver. My heart quieted a little and my head started wandering toward breakfast, to our kitchen and Fat Jamie and the buzzing ladybugs, a million miles from here.

Then, I saw it.

It didn’t appear out of nowhere or float out of the trees, just walked out of the mist and stood there. It was like our fairy, the muddled color of dirt and rocks and naked trees. Another walked up beside it, bowlegged and staring.

Sadie’s hand was jolting in mine. The mossy feeling spread from my brain down into the well of my belly, because I knew Mom was going to come out of the mist next—like Sadie but older, taller, stranger—and that she’d walk up and take the flowers from me, maybe give me a big hug, and I’d have to just stand there and soak up whatever cold, musky magic she brought back with her.

We shivered together for a long time, watching. But nothing else came. There were just the two fairies, standing there with their toes squishing into the red clay. One lifted a hand and scratched its lumpy gray butt cheek.

“Where is she?” Sadie’s voice was high and thin. “Where is she?”

She started screaming things I couldn’t make out. The fairies jumped and the bare trees rattled but she just kept on screaming, pulling at her hair until shimmery white clumps tangled in her fingers. I tried to stop her and she pushed me so hard I fell in the mud. She kicked our fairy, again and again. It rolled over and its head lolled up at the white sky.

Sadie crumpled and dropped to the ground, clay smearing over her wet cheeks. The other fairies started to come forward, knobby hands reaching for the still gray form at her feet.

“No.” I scrambled up and stamped, like I was trying to scare a dog. I scooped up our fairy and turned my back to the others so they couldn’t see how its eyes had stopped moving.

I told Sadie let’s go and reached for her hand. Curled inside the dirty folds of her dress, she looked tiny: a little kid hiding under the covers. I thought it might be hard to pull her down through the woods while carrying the fairy, but they both felt like nothing.

When we got back to the house, I glanced over my shoulder. Something was crouched at the edge of the yard, glaring yellow-eyed through the raspy grass. I knew it couldn’t do much more than that.

In the basement, I sat Sadie down on the concrete and put the fairy in the crate.

“It’s okay,” I said, petting her torn-up hair. We both looked through the bars. The crisscrossed shadows seemed to cut the fairy into pieces.

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Congratulations on your new role.

Whether you have just joined the Company or been with us for some time, we are confident you will find the Company a dynamic and rewarding place in which to work, and we look forward to a successful association.

Welcome, says our new Employee Handbook. Not two years after Todd and I launch Zensor 1.0, the Company is experiencing a period of fast growth. Our corporate advisor, Michael Allen, informs us we should hire a bunch of new people, then take a week of vacation in order to enter Q3 with the strongest synergy yet. Since we’re hiring total strangers now, having run out of shared connections, we had to pay our lawyer to write an Employee Handbook about the “perks, amenities, and other miscellaneous joys of being an employee of the Company,” but it turns out anyway to just be stuff employees can and can’t do legally. “Not that people are going to defect.” Our lawyer always looks at me when she says this. “Not that you should expect defection. You just want to cover your bases, is all.”

Well, I fully agree with her. I love to cover my bases.

I expressed the desire to adjust the legalese of the Employee Handbook toward a friendlier tone, but according to our lawyer, “there are legal implications for doing that.” Now, Todd and I are writing an Introduction which skews good vibes, in order to increase the net good vibes of the document as a whole.

Todd is my cofounder. He does the business and I do the tech. Would I call our association successful thus far? Michael Allen advised us in the beginning that we should each get a therapist. Two therapists from two different clinics. Yes, I tell my therapist, at present I am successfully related to Todd. I love Todd like a brother. Todd and I bring out each other’s authentic selves, which is excellent, because a creative and constructive company culture depends on employees bringing their authentic selves to work, each and every day.

“Add that,” I say, and knock back my third Vitamin of the evening.

“I guess.” Todd types up my authenticity statement. “Don’t OD.”

Vitamin, noun proper, being a popular wellness pill containing a vigorous potpourri of B vitamins, D vitamins, chamomile, L-theanine extract from green tea, and lion’s mane mushroom powder. “You can’t,” I say. “It says so on their website.”

“They can say whatever they want; they’re not FDA-approved. No one’s checking for legitimacy. There’s no legitimacy with these kinds of things.”

“Explain, then, how I’m down to two cups of coffee a day,” I say. “How my Zensor has stopped buzzing to suggest memory-boosting brain games. How my skin now emits the radiant glow,” I say, “of someone who spends all day cavorting around in nature under the light of a moderate sun.” I say, “Please do explain to me—”

“Either finish the Introduction,” says Todd, “or accept that it already looks great and let me send it to the printer.”

“Almost,” I say. “It’s almost there, but not quite yet. Here, let me copy over the About Zen section from the Organization’s website.” Organization referring to the mindfulness acceleration collective located on the ground floor of our flexible shared workspace, along with a gym and cycling studio. I have been attending the Organization’s group meditations six to eight times per week since the day we moved the Company into the building. “There,” I say. “Look at that. Now it’s perfect.”

“Isn’t that plagiarism?” says Todd. “Couldn’t we get sued for that?” Todd has been sued before and won’t take any chances.

“This is about spirituality,” I say. “The Organization doesn’t have a patent on spirituality. Do we have a patent on authenticity?”

“Those Vitamins are screwing up your brain,” says Todd.

There’s a faint meow from somewhere beyond the wall. I make a shushing gesture. “Listen.”

“What?” says Todd.

I stand up. Then I sit down again. I think I catch some purring, but it’s too soft to know for sure. “Cat,” I say.

“That’s my cue.” Todd leans in and, before I can react, confiscates my laptop. “I’m not letting you hold me past eight one more night, especially on a Friday. I have a friend to meet and you have a vacation to start.”

We have to stagger our vacations, and my week’s up first. “So leave without me.”

“Can’t. I’ve been told by Allen to make sure you actually take the week off. I think I’ll hold on to your office key.”

What I find is, people who act decent most of the time can let slip some alarming flashes of cruelty. Todd is entirely aware, for instance, that I would rather chop off my left arm than take a week off. All these years getting the minimum optimal level of sleep—waking up before everyone else, going to bed after everyone else—in order to get ahead of the curve, only to plunder it all via seven days of doing nothing except falling behind. In my less logical moments, I toy with the possibility that “burnout” was invented by Michael Allen, who didn’t make it to Forbes until he was forty, to sabotage Company operations. Which is to say, more logically, that sometimes, the young should be wary of the envy of the old.

I dry-swallow another Vitamin. Todd is gazing at me with questioning intent; I reply by closing my eyes and nodding with flowing grace.

“Hey,” he says. “Calendar notification. You’re supposed to be at group meditation in three minutes.”

“I’d like my computer back, please, so I can finish the Introduction.”

“You’re joking me,” says Todd. “You’re playing hooky on meditation? For this?”

“A pagan,” I say, “ought not complain about a Christian skipping church.”

“Take yourself a little more seriously,” says Todd, “I dare you. And since when does this Christian skip church?”

Since last Friday’s group meditation, when that new girl showed up. Her name is Ana K. According to Ana K, five years ago Ana K survived a car crash that killed her entire family, causing her to quit her phenomenal job, sell her many material possessions, and go live in a nunnery in Lhasa. Ana K says that for five years she spent the entire day, from four in the morning to ten at night, silently meditating or tending to the garden.

Everyone else at the Organization is in love with her, might as well marry her. I have my suspicions. For instance, Ana K claims that, living at the nunnery, she only ate rice and steamed broccoli, sometimes carrots, some of which, she confided to us, were purple, which she had never seen before. A person doesn’t live on carbs and steamed vegetables for five years and come out of it looking like she does. Besides, she’s only twenty-seven years old, as stated by her driver’s license, which I saw by accident in her cubby when I was retrieving my shoes and wallet from my own cubby.

Ana K, everyone is saying, has seen the Truth.

Who is she? I don’t know. What is she here to do? Nothing good. Group meditation is all about the harmony of the group. It’s delicate. It requires trust. How I feel about it is, I could definitely use a group meditation right now, but I couldn’t use walking into the Organization and seeing Ana K. That’s how I’ve felt about it all week.

“My friend,” says Todd. “It’s official. I think I’m actually worried about you.”

“Sounds like a you problem,” I say.

“Get up,” says Todd, “and go look at yourself in a mirror.”

“Let’s do dinner,” I say, “and then you can go. I’ll drop my office key in your mailbox on my way home.” At the thought of dinner, I observe that my Zensor has not buzzed a suggestion all day, even though I skipped lunch. This is promising; I’ve heard rumors at the Organization that some members, thanks to sustained meditative practice, can metabolize efficiently enough to thrive on only one meal a day, liberating time for other, more valuable activities.

“I could do dinner,” says Todd.

Together, we leave the office and walk down the hall. Even this late, the shared workspace remains occupied with hundreds of startup founders hunched at their desks, squatting on their chairs, walking and talking at a steady pace on their desk- treadmill hybrids. Each office is lit with the same single frame of fluorescent light. I have the notion I’m traveling through a space zoo, with every exhibit flicking up its unfamiliar eyes to scope out my threat level as I pass.

I’ll admit that, years ago, when I first started the Company, I too was starved for a slot in history’s credits. Then I attended my first Organization event, a weeklong silent meditation. One could say that my life is enriched by spiritual development. To put it lightly.

In the microkitchen, Todd retrieves two plant-based health drinks, each of which contains all the nutrition per meal a person on the standard two-thousand calorie diet needs. We tap them together like they’re flutes of champagne. “Cheers,” he says. Then he goes to the pantry and selects a bag of cheese puffs which, despite being vegan, are still, at the end of the day, cheese puffs.

People like Todd, they can’t fully comprehend what they’ve been given. The gift of existence is limited by a fixed number of years. We call this a constraint, in data science. And the optimization equation is what allows one to make decisions so that the ultimate desirable quantity, such as profit, or perhaps happiness, is maximized—within the given constraints.

I’m not saying anything new here. I just look at Todd munching on his cheese puffs, with his rumpled clothes and Friday-night plans to go bar-hopping with some friend who’s getting a divorce, and I feel truly sad for him. Out of brotherly love. I have seen his Zensor buzzing him to spend more time in idle contemplation, among other things, but what does the man do? Hits Snooze on his own Company’s Product.

I suppose there is only so much an outside influence can do. Like the About Zen section states, the only way to achieve complete synchronization with the Truth is self-awareness. And that must necessarily originate from within.

Back in the conference room, I think I hear another meow. But when I switch on the lights, the place is empty, and what appears to be cat hairs at the far end of the table turns out to be a few wilted microgreens from my breakfast bowl.

“Tough luck,” says Todd. “I saw the tabby just a few days ago.”

“Me too,” I say, even though, as a rule, I prefer not to lie unless the situation is dire.

 

That night, I dream that I’m delivering a sermon. “Life,” I say.“The eternal question. For what is human experience but gems of meaningless emotions, strung together by the thread of a soul to form what feels like meaning, only to turn out ultimately to be a bracelet of a life that is but an accessory to the planet we call Earth?”

Too late, I realize I’m reciting the latest advertisement for Zensor. The white speck of light by my webcam winks in the darkness, signaling the live broadcast of my face to zillions of people across the dream world. “Can you all hear me?” I say.

We can all hear you, replies God, a woman.

I’m not sure I’m enjoying this dream. I feel deeply, abstractly unwell, which is wrong, because I know for sure that I am living my very best life.

Through sheer curtains, I see tiny cats with tiny wings flying through the sky. Having no idea what I just said, and being unsure how to proceed, I start spit-balling phrases from books I’ve read in the past year. “Success,” I say, “like happiness, cannot be pursued.” I say, “If you look to others for fulfillment, you will never truly be fulfilled.” The white speck winks at me in Morse. “Virtuous deeds make up the light of our lives.”

As I speak, I’m clicking through my open tabs, and in slow, wading motion, I notice a calendar notification for 5:00 a.m. on Saturday morning. I check my watch. It’s 5:37 a.m. on Saturday morning.

Apparently, I’m not dreaming.

I’m giving a virtual keynote on discovering joy in entrepreneurship for the Stanford University Alumni Association’s “Putting the I’m in Impossible” conference in Singapore, where it’s not 5:37 a.m., but 8:37 p.m. As a matter of fact, I spent half of Thursday working with our content team to generate a five-page speech for this very event.

The woman’s voice says, “Wallace? I think you’re frozen.”

The chat box says the event host is Kylie Wakita, the head of the Stanford Alumni Association. The toolbar says 781 participants are present.

I turn off my camera.

“Now we can’t see you at all,” says Kylie Wakita.

“One moment, please,” I say. “Just hold on for one moment.”

I conduct Deep Breathing Exercise 3 from the Organization’s corporate breathing class and start scrolling through my recently opened documents. In-breath. PDF of blood test results. Out-breath. More blood test results. In-breath. Cat adoption certificates. Out-breath. Vision tests, hearing tests. In-breath. Blood tests; I get them once a week, just because.

And it hits me like a chunk of ice: the script is on my work laptop, which is in my office, which is not only a fifteen-minute drive away, but also locked with a key currently locked by Todd’s key in Todd’s house with Todd locked inside it too, probably deep in the most productive phase of REM sleep.

“Wallace?” says Kylie Wakita. Her microphone produces a slight reverberation around my name. “Wallace, are you there?”

“I’m so sorry,” I say. “My sincerest apologies. I believe my internet may be faltering.” I say, “Two moments, please.” Then I shut the lid of my laptop.

Outside, the early birds, not tiny cats after all, are flying back and forth between telephone wires in a peachy predawn light.

I am at a loss. If I were still susceptible to the shallow and unproductive emotion that is hate, I would hate myself for this. Wimping out is hardly a regular occurrence in my playbook.

I spend some time staring at the backs of my hands. Then I realize that I’m barely breathing, which is odd, because my Zensor isn’t buzzing me. In fact, my Zensor hasn’t buzzed me this entire time. No Spend fifteen more minutes in bed. No Drink a glass of water. Nothing at all. I tap it to check on its battery—

And receive my second shock of the morning.

I can’t remember exactly how Company protocol goes, but a Product bug like what I’m seeing must be Code Red. I look closer. It’s not just a bug—it’s a potential PR crisis. I dial Todd, put him on speaker, and start pacing the room to get my heart rate up, in case the issue’s in the hardware. “Good morning, sunshine,” I say, “where did you hide my office key?”

Todd says, “Jesus Christ.”

“This is an emergency,” I say. “Company protocol. Code Red.”

“What Company protocol? What the hell,” says Todd, “is Code Red? I thought you didn’t do drugs?”

“Okay, forget that. My Zensor isn’t working. I need to access the code to see if this is related to the features we’re beta testing, or if valued customers across America are actually experiencing this problem real-time. Can you imagine? Right after we broke into Silicon Valley?”

“What do you mean, not working?”

“Right, don’t panic, but now I’m realizing we might have been hacked.”

“Hacked?”

“There’s this new girl at group meditation, her name is Ana K, she has green eyes, maybe you’ve seen her around the building; she presents as, well, I don’t know, all I know is she’s not who she claims she is. I suspect we may be under attack from some competing—”

“My Zensor’s completely fine. It’s actually buzzing me to get the hell back to sleep.”

“My Zensor says I’m dead.”

For a few beats, the line is quiet.

“Well, you’re not,” he says.

“Yeah,” I say. “I’m aware.”

“I didn’t even realize we had this as a feature.”

“Release 9.3.2,” I say. “I wanted to demonstrate how death and life are harmoniously intertwined, like the heads and tails of a coin.”

“Oh,” says Todd. “God.”

“It’s probably the beta,” I say. “Which is why it’s still in beta. Is my office key still in your mailbox, by any chance?”

“Buddy,” says Todd, “just relax. It’s definitely the beta.” He says, “If I put a ticket in on Monday, I’m sure the dev team will have a look by Friday.” He says, “Hello?”

“How about,” I say, “the dev team has it fixed by Wednesday?”

“I don’t think that’s necessary,” he says. “We’re way ahead of schedule.”

“Sure,” I say. “Sure, we have loads of time. Time here, time there. All we have is time.”

“Hey,” he says, “that’s the idea.” He says, “I’m going back to bed.”

“Wait,” I say. “Wait just a minute, here.”

“Have a good vacation,” he says. “Hope the keynote went well.”

Which reminds me: I haven’t checked my Zensor in a while.

I stop my speedy pacing and tap the wristband. Even with my intensified pulse, the display hasn’t changed. “Yeah,” I say. “The keynote. Of course. The keynote went well beyond comparison. I’ve never met such an insightful crowd.” If Todd finds out what happened, he’ll sic Michael Allen on me, and I just know Michael Allen is going to call burnout and put me on another vacation. “Todd?” I say. “Don’t worry. Don’t worry about me at all.”

“All right, then,” says Todd. “If you say so.”

“I said it,” I say. “You go back to bed, now.”

“Wow,” he says, “thanks, pal,” and the line goes cold.

For an emergency breakfast, I consume a twelve-ounce smoothie that contains 110 percent of my daily servings of fruit. It’s somewhat lacking in vegetables, so I compensate with a multivitamin gummy, a biotin supplement, an iron supplement, and two Vitamins. As I’m parsing through my stash, I notice that the cap to the sleep-aid melatonin is screwed on crooked. I must’ve taken too much last night. I chew twelve edible mini-espressos to negate the residual drowsiness and, since I will be reviewing thousands of lines of code when I get to the office, swallow another three in quick succession. Anticipating jitters, I empty the contents of a lavender honey tea bag into a bowl, crush it into powder using a rolling pin, wet my fingers, and rub it gently into my gums. I overheard Julian F and Reynold R talking about this at group meditation; I trust it, because they both went to well-ranked med schools. I didn’t stick around to hear how much of the effect is due to placebo.

I dash to the door with my keys. Hand on the knob, I’m struck by the possibility that my Zensor is glitching because I skipped my group meditations last week. I dash back to the kitchen. Cross-legged on my yoga mat, I open the Organization’s mobile app and hit Start on a random guided track.

A male voice says, in a British accent, “You’re standing in an elevator.”

I get inside my elevator.

“You’ve been wobbling at the fiftieth floor, unstable, like you’re at the top of a ladder. Let the elevator take you slowly to the forty-ninth floor. Breathe in—that’s right, slowly, very slowly, descend another floor. Yes, you’ve reached the forty-eighth floor now.

Breathe out. Forty-seven. There’s a window in your elevator— what do you see? Now, breathe in, slow, tracing the breath all the way into your stomach, feeling the sensation of lowering closer to gravity, to gravitas . . .”

The edible espressos have achieved their full effect. My gentle British narrator is still on the thirty-ninth floor when I hit the lobby. Which, yes, I understand is not how the guided meditation is designed to work, but I’m operating in Code Red, over here. I open my eyes and tap my Zensor. No luck.

At Todd’s, I find his key under a rock in the rock garden and enter with ease. I jog up the hall on my tiptoes. I slow down outside his bedroom, for stealth reasons, and then I speed silently into the living room. My office keys are on the end table, all jumbled up with Todd’s wallet and keys. Crumpled napkins. Two plastic forks. Mustard packet. Bottle of aspirin. Superimposed over this scene is an image of Todd from a few hours ago, drunk, knocking back an aspirin, watching fake life play out on television as his real life falls away at constant velocity into the irretrievable past. Man is given a brain and he poisons it with alcohol; given body, and he fills it with chemicals. And—he is given time.

Todd used to invite me over every Friday, but I have trouble getting along with his friends. They slouch around on Todd’s three couches and drink beers; gossip, play cards. I myself own just one couch. I enjoy it with great care, knowing that my future self will thank me for preserving my posture.

I am proud to confess: I certainly haven’t always been this way.

I give a little laugh, thinking of how far I have come.

 

When I first started attending group meditations, I was in a bad state. My group leader recommended adopting a dog or cat— taking care of a life, she said, is a sure way to find happiness and fulfillment in one’s own life. Stroking a pet’s fur, or even seeing your pet, she said, is enough to generate a rush of happy chemicals. So I went straight to the shelter and signed the papers for Lovely, a slender black cat with white paws. I took her back to the office and let her wander as I set up two ceramic bowls and a litter box. She was curious about me in the beginning—if I called to her, nicely, fairly in a whisper, she would come and sniff my fingers. But every time I tried to touch her, she scooted just out of reach.

After that day, I never saw her again.

When I couldn’t get ahold of Lovely is when I adopted the tabby. Then, when I couldn’t get ahold of either of them, I adopted a third. Everyone else at the office has sighted a cat at one point or another. The litter boxes fill up. The food and water disappear. Once in a while, I find hairs on my chair or a trail of barely perceptible litter-smelling pawprints on the surface of my desk.

And I have to say: I don’t understand.

Nor does anyone I’ve talked to. They say to keep trying. This is just the way cats are, they say. It’s nothing personal; next time, rescue a dog or something. Or try harder.

What am I doing, then, if I’m not trying?

Now, in the conference room, I clean out the litter box, then straighten up Todd’s and my chairs from last night. I go to my personal office and I boot up my work computer. My hands are shaking, likely from the edible espressos, so I eat a chamomile stress-relief gummy as I start to check the code for errors.

After some time, I think I hear lapping at the ceramic bowl in the conference room. And maybe the cats are wandering around in there, playing under the cover of the table, just rollicking about, all fluff and delight, but when I stand up, a can of cat food in my hand, I realize that somehow, despite everything, I don’t have the heart to go after them and check.

 

It turns out that no one has hacked into our system.

No one has reported a bug, either. The parts of the code I worried about are clean. Now, it’s a matter of exporting the data out of my Zensor into a spreadsheet for analysis, which, judging by the rate of the USB transfer, means three or four hours of waiting, if not five.

The Organization is down three flights of stairs from our office. Exiting onto ground level, one first passes the gym, then the cycling studio, before finally arriving at its double glass doors.

Lately, I have been submitting weekly complaints to building management about the cycling studio. The cyclers possess two large speakers, which they leverage to play today’s pop hits at blast decibels. When asked, they claim the volume is kept on the lowest notch. I can’t say I believe them. People who indoor-cycle for sport parade about like they are fitness kings and queens, but judging by their taste in music, can be nothing more than hacks. I imagine it is difficult for them to cycle peacefully with the idea that right on the other side of the wall sit people who are truly integrated with their inner selves. The brain-dead pop music that bleeds through the walls and into the Organization’s group meditations, I have written to building management, could, at worst, be a ploy to even out the playing field. Which I don’t find particularly conducive to the safe, inclusive working environment this building declares itself to have.

Upon entrance to the Organization, the visitor is faced with an employee at a white desk who, backed by a glowing pine-green infinity logo, emits a peculiar luminescence of her own, the way the moon emits the sun. Plants and T-shirts for sale line the windows. Turn left after checking in at the reception, and there extends the long, dim corridor lined with multicolored doors. Beside each door stands a cubby shelf for personal belongings. Each shelf is outfitted with an essential-oil diffuser, so puffs of steam roil all along the walk, alternating left and right. An otherworldly catwalk for an audience of none.

Usually, on Saturdays, I attend the afternoon session. But here I am, Saturday morning, with a few hours to spare, having gone a whole week without meditating. I see some people gathered outside the blue door, making small talk—Blue Room must be where the morning session takes place. I fade in to the circle, looking forward to meeting new faces. Instead, I see Julian F, Reynold R, Allison S, and Frankie M, all of whom I know from the afternoon session. Which means they have been meditating twice a day on Saturdays, whereas I, heretofore unaware, have only been meditating once.

Of course, like a punchline, Ana K is present too. I consider leaving, but everyone has already given me a warm, welcoming nod. If I don’t return the greeting, I could be passively excommunicated, and many of the Organization’s members are industry leaders or influential venture capitalists.

“So, where are you living?” says Allison S to Ana K. She might as well jump in front of a train for Ana K, if she plans to keep looking at her like that. “Now that you’re back in the States?”

“I’m waitressing at a small family-owned restaurant in exchange for free room and board,” says Ana K, smiling ambiently. “The kindness I’ve encountered is absolutely incredible.”

“Do you find time to meditate?” Julian F is desperate to know.

“The way I think about it,” says Ana K, “if you can’t meditate while you’re washing dishes, you can’t meditate at all.”

“Sublime,” says Allison S. “Truly sublime.”

“You can only say that because you’re advanced,” says Reynold R. “Me, I still have to put myself into a trance state in order to have a meditation that really fulfills me.”

“That’s funny,” says Ana K, “you must be far more advanced than I am; I don’t even know what a trance state is.”

A trance state is Reynold R hyperventilating into a paper bag for five minutes, and then, more likely than not, supplementing with a microdose of psychedelic. “It’s like,” says Reynold R, “it’s like, I kind of like to wander the streets of the city after dark,” he says, “on account of night-walking being, in my mind, the best manner in which to reflect upon the self and self’s relation to the greater world.”

“If that’s what you mean by trance state,” says Frankie M, “I’ve gotten into the habit lately of fasting until noon while taking longer in-breaths than out-breaths, which I find puts me into a prolonged meditative state, not to mention a rather wonderful mood.”

“That’s all great,” says Allison S, “but really, isn’t the whole point to connect with other living creatures, not only the self? I’ve started doubling up on group meditations and I find that I feel a more tangible connection between myself and my peers, and our conjoining fabric in general, than I have in my entire life.”

She turns to Ana K for confirmation.

“You know what,” says Julian F, “I started loving-kindness meditation last year, and you all won’t believe this, but I’ll smile at a crying baby and it’ll stop crying. Just like that.”

No one has anything to say to this. “Well,” I say, “I’m going to go get a warm-up session in.”

“Snaps for Wallace B,” says Allison S.

There’s nothing I want less in the world than Allison S’s snaps, but I fill myself with loving-kindness and float myself straight through the circle and into Blue Room. Which is progress. If my life weren’t enriched by spiritual development, I would have departed in a fit of fury the moment Reynold R plagiarized what I said last month about night-walking. The moment he plagiarized it practically word for word, hands in his pockets, not even glancing in my direction.

Reynold R might as well patronize the cycling studio. In fact, I wouldn’t be surprised if Reynold R turned out to be a spy for the cycling studio.

I sit facing the back of the room, because in the front, there’s the air vent. The air vent has always made me nervous for no specific reason. It’s larger than average, but other than that, it’s exactly like any other vent, and normally, I have no trouble at all looking at vents.

I shut my eyes.

I am clean.

I am lush.

I am a mountain with clouds drifting past my peak, representing my thoughts, which I allow to enter my awareness but not stay, representing that impermanence is the root of all truth. On my peak, shrouded in mist, is a powerful white tiger. What the tiger represents, I’m not sure. But it’s been there since Frankie M said she had a white tiger on her mountain, which made me want to get one for my mountain too.

The white tiger purrs and the vibration courses through me, making the clouds release cool veils of rain which soak me in pure ecstasy.

The tiger opens its muscular jaw and goes, “Take it easy.”

The fact that the tiger has Todd’s voice unsettles me. I choose to ignore him and sink myself deeply into the sensation of bliss.

“It’s time for vacation,” says the tiger, in Todd’s voice. And he begins to purr so loudly that I feel my entire body quiver atop the mat.

After a few more breaths, it hits me that my heart’s going mad and there’s bile in my throat. I swallow it down and that makes my eyes water; I have the sudden, devastating urge to stand up and start jumping rope, though I have not touched, or even seen, a jump rope in many years. “Focus,” I say out loud. “Breathe. Transcend.”

The tiger is choked out of sight by a thick mass of clouds. The jackass, I think. He’s supposed to protect me. “Focus.” I start yelling. “Breathe.” I yell so loud I run out of breath. “Transcend.”

My eyes fly open. The door is open and Ana K is peering around it. “What exactly is it,” she says, “that you’re hoping to transcend?”

“My vacation,” I say, without thinking.

And—she laughs.

Via that easy laugh I see that, despite her being only twenty-seven, she already has smile wrinkles around her mouth and at the corners of her eyes. And maybe it’s this laugh, in juxtaposition to everything I know about her, that causes me to go, “So your whole family really died in that car crash, huh?”

“To be completely honest,” says Ana K, “I find it hard to believe too. Still.”

“Five years in Tibet,” I say, “and you can still speak perfect English.”

“Oh, there was another American at the nunnery. And an Irish woman.”

“You didn’t eat any meat at all?”

“I ate a lot of beans.”

“Scurvy?”

“We had oranges.”

“You didn’t share any of this with the group.”

“Wallace, right?”

I hesitate.

“That’s okay,” she says, “you don’t have to tell me. I’m just curious, why transcend vacation? I mean, before I went to the nunnery, I loved my job, but still, I always looked forward to vacation.”

“I can’t stand being on vacation,” I say, “because there are certain things I wish to achieve every day in order to make the most of my life. I have to work. I have to do a kindness. I have to exercise and meditate. Every day,” I say, “I want to be the best that I can be, and make a dynamic and rewarding experience out of my very limited time here.” I say, “We’re only visitors on this planet, after all. That’s what the Dalai Lama said.”

“He did say that,” says Ana K. “Hold on, I promise I’ve been listening to you, but do you hear that?”

“What?” I say.

Ana K walks over to the air vent I’ve been trying not to look at and, crouching, pries the cover right off. She executes eachmovement with the confidence of a thief, a con man. Someone totally dishonest. I look around. Naturally, I’m the only one here to witness it.

Something inside the vent enthralls her, because she gets on her knees, bends over, and wriggles her entire torso inside. “Jesus Christ,” I say. Whatever this woman is trying to prove, she’s proving it to the wrong guy.

But then her shirt slides and I see the scar. “You won’t believe this,” says Ana K.

She shimmies out and turns to me, expectant. And I have no clue what to say to her.

No idea whatsoever.

Seeing that scar, I have nothing.

“You won’t believe it,” says Ana K, “but there are cats in here. A beautiful white one and a tabby,” she says. “And I think,” she says, “from the meowing, there might even be a third.”

A tectonic shift occurs in my head. “Cats?”

“Yes.” She’s laughing again. “You think I’m crazy.”

“No,” I say, and it comes out in a whisper. “Do—do they seem happy? Healthy?”

“Come see for yourself.”

At first, I worry I won’t fit, but then there I am, inside the vent.

My shoulders are wider than Ana K’s. They block out all the light; only a few thin rays get through.

Ana K’s voice is muffled. “Do you see them?”

I can’t really see my hands, even.

Distant music from the cycling studio buzzes through the walls of the vent and I feel it in the tips of my fingers: this vague, joyful melody, right where my pulse flits against the metal. And out of nowhere, maybe because of the strange, musty darkness, I’m suddenly a kid again, six or seven, in some school friend’s barn for a game of hide-and-seek. I’m hiding on my belly in the crack between two stacks of hay that have tipped against each other. And this sensation fills me. This big sensation. The sensation of lying there, propped up on my elbows, with specks of silver dust drifting through the slanted rays of light.

“Wallace?”

Instantly the haystacks vanish, and I’m kneeling on a hard floor with my torso in a vent, palms pressed against the cold walls. And I find that I am crying. But not in a bad way. Not in a way that I have ever cried before.

I grip the walls hard and start to pull myself deeper, but a hand grabs onto my ankle. Two hands. The huge, invincible hands of Reynold R, or maybe Julian F. Whoever is out there blocks out all the light; the thin rays disappear. Somewhere, an infinite distance away, someone is talking to somebody else. The hands on my ankles begin to tug.

And what I do is, I pull this trick of going completely slack, because I have heard somewhere that dead weight is harder to move. Sure enough, the hands come off of me. I keep lying there, though. I lie there all slack in this vent. The walls tremble. The air conditioning might rush forth at any second.

I say, “I’ve got my eye on you.”

My neck is wet. My own voice sounds unfamiliar. All around me is the buzzing of the music, the darkness where things could be.

The Robert Watson Literary Prize Poem LOVING A MAN AND HIS KIDS AND HIS HOUSE

The parade-roller-coaster-hijinks-
high-kicks-slapstick-show of kids—
your kids, becoming
something like mine, as well.

How close should I hold
them? What will stay?
What will be taken
away? The kids
are never still.
Neither am I.
Neither are we.

Snare drum of dryer and tickle
of zipper going ’round.
I sit seeing if I can
become all house,
can reach peace
with the plumbing, vents, and lofty
operations of this whole rigmarole.

I am becoming woman
of the dishrag, the countertop, the shower.
I am wife-ing the damn house:
tending to her, giving
each careful ministration like a nurse
over a sick bed. I pledge:
We will keep each other safe and clean.
We will keep proper functioning.

If this were a cave,
I would festoon it with honeysuckle
and thick garlands of magnolia blossoms.

If this were the belly of a whale,
I would light candles and read the shadows.

If this were a cockpit,
I’d learn fast how to fly.

This is a house.
I am a woman grown harder
through toil and dedication. Making
it work. Sweating my equity
into every floor board, skinned
knee, illness, frustration, dishes, stitches,
and fits almost blowing the house down.

Under the weight
(an anvil shoved
into the ribcage)
of loving too hard,
I must remember:
Do not confuse Eden
with a really nice rest stop
off I-40, though the space
it offers away
from them all
(the man, the kids, the house)
might beckon and beseech me,
by how green the grass grows.

SHAKESPEARE ON MARS

To be the first to play a Martian Hamlet,
To blow red dust off Yorick’s ancient skull,
Exclaim to steadfast Opportunity, 
Over Ophelia drowned in Lowell’s canal—

I dreamed this future vividly enough
It’s a memory. It will not come to pass. 
I am a booster stage, a corner crier
Beckoning groundlings to the Marscrete O.

As I hand you the playbill, look into my eyes
And there will be an ocean uncrossed and a life
Raft empty except its unused flare gun.

Inside this helmet of my skull, I hear rain, 
Though nothing’s fallen for months. It’s only
Dry earth and imaginary tragedies.

The Amon Liner Poetry Prize Poem WE ARE ALL STARVED FOR TOUCH

On West Richardson Street, 
kids threw rocks at the pavement
until they chipped, then threw the shards
at each other. Their momma called
them in for dinner, named the dish
after a bold story, named it “How you think
you got here?” The purple and yellow
of their father’s bandana
swayed above the sweat
on her brow that night. Little dust
tornadoes followed the kids home;
small things always fake importance 
here. But if you walk through the baby 
twisters, your eyes are the only parts 
of your body that feel the dirt. 
One of the kids told a story at dinner: 
a man walked through a car wash
and let the hundreds of fluffy fingers
slap his body again and again.

HOW THE OCEAN HATED TAMPA TOM

Everyone hated Tampa Tom. His friends hated him and his enemies hated him. His parents hated him and never called. His wife and his kids hated him and moved to the other side of town. His neighbors definitely hated him and hated his lousy lawn. They made fun of his old car and called him poor. His dog, too, hated him, and ran away frequently, but always came back because no one else would feed it. His boss hated him and his coworkers hated him the most because they had to be around him all day. His school teachers hated him already as a little boy. Crossing guards, police officers, and tax attorneys totally hated him.

The trees hated him. The sun hated him. The water he bathed in, the ground he stood on, in fact, the very air around him hated him and tried to pull away from his lungs. Tampa Tom was always a little bit out of breath. Doctors thought he had asthma but it was just the angry air. His doctors also hated him and wanted him to die.

Even the cells of his own body hated him a little bit, and he was always cancerous.

Tampa Tom was not from Tampa. He went to Tampa once on vacation and rode the rides and slid the slides and saw an egret, which is a kind of bird on two legs, and when he got home he told his coworkers about the trip, so they started calling him Tampa Tom to make fun of him openly. This story has nothing to do with Tampa, so try not to focus on it.

Tampa Tom didn’t know. Sunk in the deep end of mass hatred since before he was even born (his mother hated being pregnant), it was normal to him. It was as normal and tasteless as room temperature tap water. He was never loved and so he never reacted to hate. He lived his life like it was a Tuesday in June.

Despite growing up in a hateful seaside town, set apart a bit from the rest of the world, Tampa Tom was always cheerful. He hummed when he walked, usually an upbeat tune he’d heard on the radio that morning. Everyone hated this most of all. They hated him with all their hateful hearts, they tried and tried to hate him more, to hate him enough, but he always smiled and was nice in return. He gave honest and heartfelt compliments and noticed people’s new haircuts. He said hello to tourists and strangers, who hated him immediately, and he was a good listener when people told him sad stories. They told him a lot of sad stories. No one else would listen to their sad stories, but he would, so they took advantage and poured out everything that was hurting them. Still, Tampa Tom was never sad for himself and everyone hated him for that.

So it was a warm Saturday in the summer, and after making some French toast and reading the newspaper (he never read the opinion page, and good thing too, because they mostly expressed their opinion of Tampa Tom), he put on his favorite hat and walked to the harbor. It was a beautiful day but the day hated him. The warm sidewalk he tread upon recoiled in hatred from his feet but it was concrete and could not move away. Tampa Tom walked slowly down the hill, saying good morning to the shopkeepers and fruit merchants, who all puffed and scowled as he passed. They swept angrily and restocked their shelves angrily after seeing him. One guy punched a wall and hurt his hand. 

Gravity helped carry him gently down the hill, but gravity hated Tom too, so Tampa Tom was too light for his size. His clothes hated him and didn’t protect him from the elements. He was always a little too hot or a little too cold or a little too wet. But he was oblivious. That was just life in Tom’s clothes.

Tampa Tom walked down to the harbor to watch the birds and the seals, who hated him. The seals would swim away and the birds would try to peck him. There were longshoremen down on the docks who hated him as they loaded and unloaded crates from a merchant vessel that arrived that morning. 

Tampa Tom noticed the lighthouse was open to the public that day and spoke to the old lighthouse keeper, who had maintained the lighthouse for forty years. There had never been an accident on the rocks outside the harbor as long as he had been there. The lighthouse keeper was very proud about that, and also he hated Tampa Tom and he hated that Tampa Tom came to his lighthouse and ruined such a beautiful day at the shore, but his wife had recently passed away and he was lonely and Tampa Tom listened carefully and tried his best to comfort the old man, and even cried a little bit in sympathy with him, but still the lighthouse keeper hated his guts and his stupid hat. The old man walked off to get a fried oyster sandwich grumbling. He even grumbled as he ate the sandwich. It was a hate sandwich.

The lighthouse was the tallest in the state, and could be seen for many miles out to sea. Tampa Tom ducked below the little brick archway and walked up the many spiralling iron steps to the top, pausing to rest a few times because he ran out of breath. But the view at the top was gleeful and the light was spinning slowly around with a faint and reassuring hum which Tom found comforting. The hum hated him.

He looked out at the great expanse of blue-green water and inhaled the salty sea breeze. He loved the sea but the sea hated him. It hated him even more than God did, and God hates many things quite a lot and hates them omnipotently.

The sea hates a lot of people too, but it especially hated Tampa Tom. It began to retreat from the shore, trying to remove itself from his presence. It began slowly—dropping—and the skiffs and skipjacks anchored in the harbor fell slowly to the bottom and listed to one side as they touched down. Tampa Tom could see the oyster beds rising from the ocean floor as the water’s edge ran away from the docks, swallowing the harbor, until the waterline fell into the deep, beyond the harbor’s boundary, and vanished from sight.

The seals were left bouncing and sliding and howling in the sand near the tiny beach at the edge of the harbor. The sea birds tried to chase the ocean as it fled the land, but couldn’t catch it.

Tampa Tom stood at the top of the lighthouse holding the guardrail without words or rational thought. His inner voice was swallowed up, sunk beneath logic and reason, by this grand mystery. He stared out at the miles of bare ocean floor and the thick glistening oyster beds without any understanding of how an ocean disappears. Perhaps… he thought, but nothing followed. Or perhaps… Still nothing came to him. 

Two hundred feet below, the longshoremen were shouting and scrambling. He looked over the edge to see them abandoning their wares and running from the shoreline inland. He shouted down to ask what was happening, but they didn’t call back. They only ran. The seals, too, were scooting their fattened bodies to the shore in a panic. But looking out at the empty sea, he saw nothing but clean sparkling ocean bottom colored by patches of limp sea grass, and great shoals of oysters that extended beyond sight, and faint plumes of sea water evaporating everywhere in the summer sun.

The sea, however it hated Tampa Tom, did not really have this power. It didn’t have the power to fight the physical laws God had created for it, though it tried mightily to delay returning. It held itself in a watery escarpment miles and miles from Tom and the town for as long as it could. But just as a man cannot hold back the sea, the sea cannot hold back itself for much time, and miles out, it surrendered its purchase at once.

The water was miles away, but the harbor was abandoned. Tampa Tom was alone at the top of the lighthouse and watched the horizon. Whatever was coming, whatever the longshoremen had been running from, it was too late to descend the iron stairs to the bottom and flee. And he was high above the ground, and felt safe.

At the edge of the horizon, where the earth conferenced the sky, a sparkling ribbon like a silvered seam splitting his vision lengthwise appeared. It breathed and changed without motion. Gradually, the silver sparkle faded, turned to white, and became a dense spatial fracture. It was the crest of a huge wave, and its approach, at first, was silent. The channel guides were the first to fall.

As the roiling waterline reached the harbor, it crashed over the jetties and piers. It crashed into the skiffs and skipjacks lying at the bottom of the harbor, pulling them off their moorings and sending them into the shore tumbling over the rocky seawalls. The docks were lifted from their pilings and mangled into splinters—the boards split like a gunshot. A merchant vessel was pushed sideways into the base of the lighthouse and the structure shook around him. Tampa Tom gripped the guardrail to not be sent over the edge. 

The ocean took all the boats and all the docks and shoved them up the town. The seals were gone. Soon the whitewater leading the tidal wave disappeared behind buildings and trees. Tampa Tom watched the tallest tree in the harbor topple over and get swept away. The water below him was no longer blue-green but black, and the tsunami carried behind it the stench of ocean death from decaying underwater plains far out at sea.

Tampa Tom watched from above as restaurants and homes and shops were swept up the same street he had just walked down, were dashed into one another and crumbled into the heavy currents. Over the roar of the rushing water, he thought he heard screaming from the town, but he wasn’t certain of it. The sound of the flowing tide and the sound of screaming mixed together into a single unbroken note. The water which hated Tom lifted the harbor and carried it a mile over land. It carried the people who hated him farther than he could see and took them all away from him. And then the water slowly receded, back into the harbor, pulling with it the detritus of the entire town, leaving the ground below him covered in mud, bodies, and tangled debris. The natural and the man-made were indistinguishable from one another.

Tampa Tom descended the stairs. The bottom of the lighthouse had been filled seven steps high with salty mud and oyster shells. The door was barricaded with boards and brush. He pushed them aside and slipped out onto an unstable ground. He noticed a foot in a shoe by a tree, and turned away.

Every building in the harbor was gone. The boats were gone, the seals, the birds, the longshoremen, and the lighthouse keeper. Any small tree and all the low-lying brush was uprooted and carried away. The land was gray, jagged, and alien. The village had been shredded and scattered. His dog, surely, was dead. His family too. Only the lighthouse still stood. Only the lighthouse, Tampa Tom, and the sun and the sea and the air in his lungs.

He was rescued soon enough—flown away from the junked remains of his village in a brilliant yellow helicopter and taken to the city far inland. The nation mourned. The village could not be rebuilt. But the lighthouse became a symbol of strength and courage and persistence, as did Tampa Tom. He gave interviews, went on all the talk shows. And even though the sea had hated him, and removed from the world everything he had known or lived for, he remained cheerful. He smiled, and was humble. He sat on a talk show couch next to Veronica Vargo, the most beautiful actress in the world, and told her in front of a live studio audience, without irony, that he thought she was very lovely, even though he didn’t know who she was. The audience roared and the show was rated highly. Tampa Tom shifted in his seat uncomfortably, not sure what to do next. 

He was simple, that way, in his cheerfulness and humility. He refused to ever be angry. And they asked him, aren’t you mad? Don’t you hate the sea? Don’t you want REVENGE? On the SEA?! But he didn’t. Of course he felt sad about it and missed his little village, but he couldn’t hate the sea. He couldn’t hate water. He couldn’t hate anything.

His answers to their many questions didn’t satisfy their anger, their thirst for revenge. Tampa Tom could only shrug when they asked him, “Why did this happen?” And before long, the rest of the world began to hate him too, as his old village had, and he moved to a new village where everyone could hate him again forever.

GROWING OLD IN THE SOUTH

It’s true, you get so dumb and bald
that young folks try disowning you
(and soon the old folks also keep away),
so violently ornery that news has no effect,
inoculated as you are to fact
by narrative that’s more compelling than the truth:
you move to Florida. You vote against school funding.
The nights before you go to church,
you set your best clothes out,
you fix the hairs on your toupee with hairspray.
It’s not that you can’t see the jowls,
how gravity has loosened them 
into an unremitting grimace—but—
it’s hard to clock the aging day by day.
You carry in your head a florid image
of muscled youth, the time you played
guitar for swooning girls out on the pier,
but passers-by remark upon your gray,
the hairs inside your ears, the coming stench
of surrender, which perfumes you, smells 
like apples too long in a grove, like sandalwood 
but sour, the same smell as money 
when it changes hands too many times, 
the bills worn out, the coin impossibly tarnished.

GHOST RANCH

The moment we drove over the cattle guard, a beat-up truck materialized out of road dust and pulled in front of us. The wizened rancher-type driving it didn’t need to say anything. In fact, he didn’t get out of the truck. 

We practically glowed in that New Mexican dusk—two gringas in a snow-white Toyota. Interlopers. There was nothing to say.

We had been to the Ghost Ranch that was open to the public, but that wasn’t where she lived. We spent days trying to figure out where the real house was, the one with the door she painted. 

It was a Thelma-and-Louise kind of trip. Spur of the moment. Utterly impractical. I was trying to punish B. He was never going to leave his wife. My therapist said that’s my MO—I only choose unavailable men.

When O’Keeffe met Stieglitz, he was married. He left his wife and children to be with her.

I needed different—different colors, different smells, a different angle to the light. I needed to be somewhere vastly different, and New Mexico delivered on that with its flat open spaces, ochre dirt, and sage brush. 

What Nikki was running from wasn’t clear. But with the way she popped Xanax, clearly there was at least one demon chasing her.

We searched for the Lawrence tree. We haunted Abiquiu. We even questioned the young girl working the desk at the inn. She acted like she had no idea what we were asking. 

We had spent days trying side roads off Highway 84, and when we found the compound, we didn’t even have the chance to look around. Of course the place was guarded.

The spark didn’t last for O’Keeffe and Stieglitz. They flamed out. He took another lover. She seemed more prolific without him, maybe even happier, painting in New Mexico and Lake George. But it is hard to tell anything from the outside of a marriage.

Fred Chappell, My Noble Friend

Fred has been one of the warmest and most constant literary friends and mentors of my life. 

I first became aware of Fred at Duke, where we both entered the world of the inimitable writing teacher William Blackburn. In 1962-63 I was in Blackburn’s narrative writing class under duress, practically forced there by my writer father. To say I had little confidence is putting it mildly.

Fred had taken the class a couple of years earlier—though, as the story went, Blackburn told him not to bother showing up, but to stay home and write. Blackburn often said that Fred was the most gifted student of his career. Now Fred was in graduate school in English, working on a concordance to Samuel Johnson. (We can all be glad he didn’t pursue that line of work.) 

Fred was publishing haunting stories in The Archive and his first novel, It Is Time, Lord, was to be published the next year, in 1964. I remember being very excited and impressed.

Fred was in his Rimbaud period then. He was an impressive smoker. He wore a leather jacket—or seemed  to wear a leather jacket even if he didn’t—and hunched slightly forward as he walked, as into a just-tolerable wind. From afar he looked brilliantly melancholy. I saw him at Blackburn’s parties but was too shy to speak.

A couple of years later we met at UNCG, where I was a member of the first MFA class. Fred was hired in 1964, my second year in the program. Although he wasn’t teaching writing yet, he helped me more than he can perhaps believe. I was studying with Peter Taylor—a masterful writer of short stories who is sadly neglected these days. Peter praised my work, which of course delighted me, but he kept a distance and had no interest in teaching revision. My pieces came back without a mark on them, for good or ill. (He sent one of my stories to Andrew Lytle at The Sewanee Review. Lytle said it was a pretty good story but not good enough for Sewanee. Peter seemed puzzled but did have any advice about my story.)

One night at a party not long after I’d published a story in The Coraddi, Fred came up to me and said—in response to the story but without prelude, and as if we’d been in the middle of a conversation: “A phone call in the middle of the night is frightening, isn’t it?”  

This had a radical effect. He had carried my story around in his head. He had entered the story and in a kind way let me know what was interesting about it: that phone call. The rest of the story was stilted and artificial, I realized, although he didn’t say so. I thought of this conversation many times as I was writing in later years, brushing away what I knew at heart wasn’t good and paying attention to what was driving me.

I began to get acquainted with Fred and Susan at their lively parties. Fred said I was “a happy drunk.”  Often prominent visiting writers were guests at the parties. I remember talking with Allen Tate about Madame Bovary in the Chappells’ living room before a large Betty Watson nude that hung above the mantel. 

Pretty soon the Pickwick workshop was in session. I remember going there with Fred and Bob Watson and Jim Applewhite and a horde of students and other would-be writers. There was no idle chit-chat. The subject was writing, by the greats: Wordsworth, Wallace Stevens, Yeats, Flannery O’Connor. Although Fred wore his erudition modestly, he seemed to have read everything. Not only were these conversations a major part of my education, the Pickwick sessions established a friendly, grounded writing community which sustained me in memory for many a year. 

In my effort to try to get to know Susan and Fred better, I once told Fred I’d like to invite the two of them to dinner. After a dramatic pause, Fred poked his head forward and said, “What would you cook?”  I wasn’t taking Fred’s impish sense of humor into account. I felt as if he had seen right through me, and into my kitchen, with its bare cabinets and cold stove. I never did have them over for dinner in all these years, in spite of many meals at their house.

Another story from those days: I had to drive from Greensboro to Raleigh in my little VW, I don’t recall why. Nor do I know why Susan and Fred were in the car with me. I’d had an accident on that highway not long before and was very anxious about driving. Fred sat right behind me, leaning forward, his eyes on the road, helping me drive by force of sympathy and will. (Perhaps also by fear.)   

The next year, after I had graduated and was teaching in Japan, Fred did actually help me stay alive. One of my teachers at UNCG, a Fulbright professor from a college in Tokyo, had invited me to come teach there. I had blithely accepted, in spite of having no Japanese language nor much knowledge about the culture. That October, soon after I arrived, my mother called to tell me that Randall Jarrell—a family friend and my teacher at UNCG—had killed himself. Between Randall’s death and my starkly unfamiliar surroundings, I was seized with agonizing homesickness and culture shock. Except for the teaching, which I loved, I felt that I was going insane. I don’t know how or why Fred started writing to me—perhaps someone told him I was in difficulty—but he did write, letter after letter, even when I didn’t write back. Salvation is perhaps not a hyperbolic word.

Many years later, when I was taking a writing workshop with Doris Betts, to work on a story that was threatening to become a novel, she invited Fred to address her classes. It was a riveting talk. The line that stayed with me, that I internally referred to again and again, was “Be true to your material.” I realized that I was indeed working with my material, a tale set in a convent orphanage in Nova Scotia where my grandmother had been raised. I dove deeper, and kept going and going until I finally finished the novel and it was published. Fred wrote one of the first reviews of Felice.

I began teaching at NC State University, and Fred and I invited each other to give readings. Susan drove a hard bargain about the honoraria but I managed to dig out the full amount; it helped that I was head of the readings committee. Fred wrote many recommendations for me; he said we’ll be writing recommendations in our graves. I taught I Am One of You Forever many times in my fiction workshops. 

A couple of years ago Fred wrote an essay about my work—the four novels—for The North Carolina Literary Review. He arrived at a conclusion that surprised me. He said that all the characters in my novels are either orphaned in some way or abandoned, living in solitary pain like the hibakusha (atomic bomb survivors whom I wrote about in Plum Wine). Even my  characters living in Nova Scotia, Illinois, or North Carolina are hibakusha. This hadn’t occurred to me. I was deeply pleased by the revelation.

I have lately read through much of Fred’s writing—poems, novels, stories. I am happily awash in Chappellese. I didn’t do the reading to make comments about it, but I want to mention one thing that struck me again and again: the juxtapositions of the celestial and the quotidian, the spectacular ease and fluidity of the transitions.

In addition to being a magnificent writer and an influential teacher, Fred has a deep kindness and sweetness. He is a noble friend.

I am so grateful to you, Fred. I can’t imagine what my writing life would have been without your generosity and stalwart friendship.

The Robert Watson Literary Prize Story MANTIS

Shaken as an infant, abandoned by my father, and squeezed through time and circumstance, I find myself some thirty-odd years later, here, retching onto a frosty hedgerow outside the town house I rent with my mother. I pull myself into focus, and my stomach feels stretched and snapped like a surgeon’s glove. This is coastal Florida. Our row of homes sits along the Gulf shore, but it’s freezing, so I pretend there’s snow and tilt my head to catch an imaginary flake on the tongue, a miracle. An egret on the sidewalk pecks at a worm and fails to kill it. I stamp it out of its misery and grind with the heel. Then, finally, after I stare down the sun, it begins to set for the last time before The Great New Millennium, century twenty-one. 

Inside, my mother’s on the couch with her boyfriend. The King of Sanitation, they call him. (“You’re not customers. You’re family.”) They link hands and watch Jeopardy!, both wearing their New Year’s hats. There’s glitter on their brows and on the carpet, too. 

“You out there for some air, bud?” says The King. “Cold weather to end the year on, but that can be good for you.” I don’t bother telling him that, no, dumbass, my pharynx is contracting from the fluid produced by an acute anxiety spell. The television goes static, and he gets up to fidget with the antenna, as he is wont to do these nights he visits. 

Mom looks good, rosy and done up for the first time in a while, and that admittedly makes me happy. Her hair bobs above her shoulders. Her lashes are curled long, and she wears a slender-fitting dress that covers one shoulder and exposes the other. For all of last week Mom wore the same sweatpants, and when she burned her wrist on the oven rack, she spent the rest of the night crying about death and the pearly gates, the inevitability of her struggling ventricles, her failing heart. To help I recited that joke about the Chihuahua and the top hat because she likes that one, but it only worked insofar as she could take a few breaths of calmness. 

“We’ve got those dinner reservations later,” she says with tenderness. “We’d both like you to come, get out into the world. Could be back to watch the fireworks over the water after.”

I swallow the acid in my throat. “Told you no, but thanks. I have to grade papers.”

“School’s out for break, my man,” The King says. Just like that, he catches the fib and has to remind me of my embarrassing things, throw them in my face: That this PhD is worth a square of toilet paper. That I’m only a history adjunct at the state college, and I am stuck in-progress on my book of the Roman emperors. That I don’t get offered many classes, and when I do, a lot of them don’t even make enough enrollment, so I can’t afford a place all my own. 

I say I’m headed to my room and touch my mom on the shoulder to signal I love her but I just can’t leave the house with this disposition, and certainly not with him, The King. She nods because she always tries to understand. We ride the same wavelength. Her style is compassion.  

I boot up the computer, and the internet begins to gargle, to dial up. I wait. There’s the pornography folder, but my heart’s not into it. I’m distracted by what happened earlier, this guy who came by in a backpack selling doomsday gear, like radiation goggles and non-perishables. I asked him his deal, and he said that come the year 2000 all the aircraft fall from the sky, the grid fails, the microwaves explode, the chips burn out. He scratched his shin. “Okay,” I said. “But then what does this mean for my mother’s pacemaker?” He said, “Don’t know, broseph. Sorry to say, but she might be a goner,” and turned to haul away his batteries and peanuts. 

I’m aware of all the apocalyptic speculations—who isn’t by now?—and I think of them as absurd and pathetic but my worry does stay with my mother and that precautionary yet essential electronic machine designed to zap her heart, her fundamental organ. 

This sort of panic I now type to Mantis in our private chat, so I can get these worries out into the open. I don’t have to wait long; she’s always online when I need her. I’ve never seen Mantis in person, but I choose to imagine her as such: a tidy woman my age, her plush visage illuminated by a computer screen in the wet, stone basement of a convent in Rome, perhaps, or at least in some adjacent township. Because of this glowing, one must be able to see the moisture on her upper lip and the tiniest amount of peach fuzz, almost translucent. She will occasionally press her palm down the front of her habit to smooth any wrinkled fabric. Undoubtedly, it’s past sleeping hours, and if caught, the reprimand she would receive from her superior would be severe. But I am worth that risk to her. 

And for that I am in love, whoever she might actually be. 

If all collapses, Mantis says, her text appearing in our chat thread. You know. How will we communicate without the web? Give me your address now, sweetheart???

I’m not ready for that, not quite, not yet at the phase of my life for a romance to become tangible. I steer the conversation back to my mother.

But the end of the world, it’s not factual or actual, right? I type. And my mother’s pacemaker isn’t necessarily needed anyway, right? It’s like break-in-case-of-emergency, right?

I pick at my thumbnail and examine my space, the dinginess in here, the dusty vent, the one bulb. And then there’s what’s taped to the modem: a scrawl written by Mom’s fingers on the back of a heart-healthy pamphlet, a poem from her most recent hospital stay. I don’t like crying, so I never read any lines except the last one. In heaven or blazing hell, we’ll love each other just as well. That’s true.

If real, Mantis says, one startle, and if that heart stops without the machine? She dies??

Possibly. Yes. 

My poor baby, Mantis says, because kindness is among her highest virtues. Then a couple beats. So address yet??? she asks. 

The King knocks, opens the door like he’s a chum or some kind of dad. “Bud, I want to beg you,” he says. “I’ll even bribe you if I have to.” He tosses his gaudy silver watch onto my bed as an olive branch. “It’ll mean the world to your mother if you tag along.” I close my eyes but glare at him through my lids, which can be a more potent strategy. “I know it’s because of me,” The King says. “But it’s not like I can back out, can I? Me, you, we’re both trying to help her enjoy the simple things while we still have time to.” He extends his hairy hand for a shake.

I summon courage. People know of my width but forget my length, so I stand to exist above him. I’m quiet. I spin the ceiling fan blade. 

“Okay, I get it,” The King says and turns to leave because I have used intimidation. “Keep the watch.” I secure The King’s timepiece around my wrist and it suits me well—me in my finery. 

I lock the door and feel almost brave enough to give Mantis my address. I type in the coordinates and hover my index above the ENTER key, only to delete without sending. Again, there’s the porn folder, and this time I’m feeling it. 

Just moments after my culmination there are gunshots—no, firecrackers—outside my window. A group of starlit teens launch the explosives overhead, and I twitch when they ignite above the ocean tide. A wiry kid in a jacket and shorts tosses one of the bombs to his friend, who runs before the bang, before there is damage to any extremities. Their bare feet leave spastic imprints in the sand. The impact zone of their debris inches closer to the marsh-end of the beach and toward what they probably can’t see in the darkness: my pal Rex’s RV, stationed among the sea brush.  

I open the window. “Stop it,” I whisper, even though I too would like such fun. I’ve never been a good disciplinarian. Cases in point? My students. Occasionally they break my chalk before I arrive to the classroom, as if I were a dunce. They sometimes snicker, heckle my belly. There has been snorting, frightening faces during lectures. I speak toward the floor to prevent any conflict because they are unkind company.  

 My wall rumbles with the sounds of pipes and faucets, which means Mom or The King or both are showering for dinner. Out of fear of being within earshot of possible intercourse, I step through the window threshold and slide myself out and onto the sand. It triggers the floodlight. I tremble even though I’ve secured my peacoat, and when I raise my arm to wave at the children, they scatter as if I’m the village ogre. 

Rex must’ve noticed me from his RV. He hobbles out the door and flashes a peace sign to beckon. My left ear rings vaguely, a result of my anticipation flaring up, and my tinnitus. My boots conceal my feet and ankles, so as I walk toward Rex’s place and turn back, my prints appear blocked and mechanical in contrast to the feral steps of the teens.  

He pours me something warm and gritty from a blender, and I drink before saying hello because this is our ritual. Rex handles the maintenance in our complex and is the only man who’s slept with my mother I appreciate. I just about love him, my only true offline friend. He is nearing seventy. So perhaps due to his tenure, he’s accumulated his fair amount of the world’s paraphernalia. He’s got it all: bean bags, katanas, ashtrays from every state. Books climb from floor to ceiling, wall to wall. He says he’s written more than twenty. I can’t even complete one. 

I give him the brass tacks regarding my mother’s artery channels, her shock-rhythms, her emergency defibrillator.

“Can’t help with your mom, dude,” Rex says and pulls me to the space next to him on the sofa. “Been there. Tried that.” A calico claws itself onto Rex’s lap, then paws at the hair hanging from his chin. “I might be good with appliances but nothing like that, nothing on the inside, all that squishy stuff. Gal’s been on her way out for a while, besides.”

He pushes away the cat, crosses his legs, and fills a balloon with nitrous. Inhales. I do the same—my self-granted indulgence and as far into the underworld as I’m willing to venture. The gas unscrambles my innards, and for those thirty seconds all thoughts are fireflies, all worries miasma, far above the ozone. 

Rex asks if he can snap a couple photos of me with my arms behind my head, says I’m cute that way. And even though it’s odd, I can’t help but turn flushed and flattered. He takes a few, and I sit again while he winds the camera film. 

“I’m no mystic,” Rex says. “But this end-of-the-world bullshit might actually hold some merit. Just think of the rhymes: JFK. Y2K. And what’s the common denominator?” He uses the inside of his shirt collar to blow his nose. “That’s right, my dude: the fucking CIA. 

“Hmm.” I can’t blame Rex. Like with the constellations, when there are so many billions of burning suns, how can you not be tempted to connect them all, to sketch the handsomest images to mend the loneliness? “And then there’s MLK,” I gift him. “But why would the CIA want to kill my mom?”

He palms my knee, massages the top and then tries to pry at the cap with his index finger. “Why wouldn’t they?” he says. 

Rex has the shakes of a motor, so he asks if there’s any booze at my place and if anyone’s home. And yes I do have a few bottles in the high drawers, even though The King has recently convinced my mother to stay on the wagon. Rex takes the lead and we exit toward the sand, but out of impulse or kleptomania, I snag the disposable camera he’s left on a stack of old newspapers and put it in my coat pocket. 

I show Rex in the front, since The King’s car is gone for dinner. The heater is buzzing, so I toss my coat on the kitchen counter. I pour him two fingers of some kind of scotch and he drinks it like he’s sucking on honey. He insists I match him, but it’s difficult, I say. It tastes like towering Vesuvius, the metro killer. Rex has no idea what I’m saying—which is nothing, really—but he laughs and lifts himself to kiss my earlobe, nonetheless. This is nothing to make a fuss about and far from the first time. He nods toward my room, and as we pass the television, Dick Clark winks at the camera, snow on his shoulders. 

My bed is dusty, but we are warm under the quilt. Rex holds my fetal body from behind and reaches for my member. This is as far as it ever goes, and he understands. I am not of that persuasion, I don’t think, so I lie un-erected. 

After a bit, before I’m asleep, Rex releases his grip and glides his hand over my chest. I am glad for this, Rex’s presence, his encompassing, sweaty comfort. I wonder if The King provides this security for my mother. I’m tempted to hope so. Eventually Rex grabs and yanks the hair on the top of my scalp, the wiry bunch barely clinging to the follicles, then exits out the open window, leaving nothing but drool on the pillow. 

I load up the instant messenger to check on Mantis’s New Year’s situation, to see if there’s devastation to her time zone, but no response even after seven-plus minutes. 

Systems down? I ask. Send SOS? To what latitude/longitude???

I shut my eyes and visualize: Much ruin. Her town aflame. Mantis clutches her rosary beads, dodging sparks from outlets and fixtures. The other sisters cower in desperate prayer. She holds a candle stick both for illumination and defense, and when she makes her way out and into the mist, she slips and cuts her cheek on the sharp stem of a poison hemlock. The wind snuffs her flame, and after she spies her way up the brick path to the medical clinic, half of the structure has crumbled to rubble. A howling queue of civilians waits outside. Mantis falls forward onto her elbows, and the gravel makes its way into her like splinters of shaved metal. Despite the circumstance, she is affronted by the power of her own slender beauty. She curses the Lord for this matter—that she cannot match the ugliness of the scene around her, that she stands out. She is an outlier, living as contrast. Her eyebrows furl and she screams my name for help. I cannot reach her without the web, and in this instant, I fear our tether has been clipped, umbilically.

I type my address into the message box, delete, type again, then finally press SEND.

Mantis does not reply, so I do the same again, hoping for any sign of life and to give her a place to run toward. But no. There is an error message, and our chat window closes. When I attempt to reboot the program, it fails. Her username no longer exists, it tells me. Gone. Evaporated. 

I pop an antacid. It lodges sideways in my throat, and I choke until my cough ejects the tablet and my spittle seeps into the carpet fibers.  

In the kitchen I gargle water from the tap, then dampen a slice of white bread with milk to soothe my esophagus and to provide myself a meager amount of sustenance. A cockroach claws its way out of the electrical socket by the telephone, and I think of what people say about their ability to survive nuclear fallout, but I don’t want to muse on that. I slam it, smear it across the marble surface with the edge of my fist and rinse it down the garbage disposal. 

Headlights cut through the window blinds, the deadbolt releases, and in struts Mom with a plastic bag. She’s all giggles, happy and filled with three courses. She comes in for the hug, and I press my chin to her forehead. 

“Where is he?” I say. “The King.”

“In his car listening to his cassettes.” She extends the bag for me to reach inside, and I remove a box of sparklers. “He wants to give us space.” She sees the trail of insect. I wipe it away, and she smiles like it never happened.

Mom insists on lighting the sticks on the beach, so she wrenches her feet out of her heels, and I notice they’ve ballooned again, swollen from ankle to toe. She stops me when I bring up her circulation. Mom breathes heavily, and I wonder if it’s tipsiness from the night out, but there is no whiff of wine. I ask if she hurts. She doesn’t answer, just tugs my wrist to follow. I grab my coat. 

The sand takes her up to the ankle, but me, I feel buoyant. I am lighter alongside my mother. I could float across the Gulf of Mexico if I chose to, big belly up, drawn by the Gulf Stream into the Atlantic beast and back. Mom stifles a wheeze into her elbow and tries to play it off as a laugh. Her breath has gone short. She points eastward down the shoreline, and in the middle distance, a lonely hot air balloon glides gently home to Earth. Probably lovebirds, high on kissing and helium inhalation. Its small flame dims. They land safely from such height. 

“I didn’t know anyone was allowed to fly those at night,” I say. 

Mom looks at me with a shine in her eyes—the sort I know from her old yearbook photos, gleaming with youth and a long, fortunate future. “How about,” she says, “we let everyone off the hook tonight?”

I shuffle into the ocean only because she asks me to. It’s coldest around my toenails. The hem of her dress is now soaked, and I can’t help but look to where her lungs are hidden, then to where her heart lives, imagining the struggling artery that connects the two. 

“Your pacemaker,” I say aloud, and my mouth dries from the rough texture of the word. “Does it really work?”

“It works exceptionally,” she says and walks backward, barely missing a pile of tangled weeds. “Unfortunately, exceptionally is all it can do.”

Finally we strike up our sparklers and do a little marveling at the size of the moon. I accidentally allow the stick to burn my thumb. It hurts like grieving, so I let it fall and hold the finger out to show my mother.

“What is life to you?” she says. “To you specifically.”

The world has me cornered, so I say, “I don’t know. An accumulation of seemingly minor moments, that, when compressed into segments, create escalating consequences which eventually influence our collective experiential decisions on the planet, thereby causing a perpetual series of syllogistic patterns until we inevitably extinguish.” 

A big fish, now, swimming unusually close. 

“Why don’t you love yourself as much as you love me?” she says. 

I try to conjure a response, but this only makes my memories activate, those of a single mother and her only son, infant images: bubbles in the bathtub, the surprising palms of peekaboo, birthday candles and tree ornaments, car seat buckles, the tickling of my soles. “Are you afraid you don’t deserve it?” she says.

I try to breathe more deeply, from my diaphragm. There are tears, obviously, but the ocean mist conceals them against my cheeks. Mom reaches to hold me, and I bend to press my temple to her shoulder. In a tenor, she sings the hymn I used to love from Sunday mass, “On Eagles’ Wings,” that windy song. I step back, eased. 

She lights one last sparkler, and The King’s watch shows a quarter to midnight. I remove Rex’s camera from my coat pocket in order to capture a spirit all but vanished. My mother twirls. Her hair is newly short and dyed red. Before, she’d always found that color too daring. She is gaunt in face and stature, but in her current movement it is no longer jarring—an unwinding figurine in a jewelry box. I snap away. I capture grace. She poses, then steps over a blue crab and kicks the surf in my direction. Sure as hell she would swim if she could, but her heartbeat won’t allow it. My mother asks me to guess the letters and words she writes in the air, her flaming, winding strokes, and I use the last click of the camera to preserve the instance. The ball will soon drop, but here, over the Gulf of Mexico, the stars remain random. They cross each other’s brilliance and dance over and behind us to the mainland side—the vibrance of ’99 waning. 

 

A week before the spring equinox, year 2000, my mother died of cardiac arrest, and I try not to dwell on it too much or too little. 

It occurred the night we went to the bowling alley. We both made fun of my foot size as I struggled to knot the laces of the rented shoes, and I joked that she was one to talk. My mother could barely lift the lightest ball, so I would hold her arm and help guide it backward, then forward, to push and urge toward the pins. She winked with both eyes when a few would fall. The two of us, slipping on the hard wood, clumsy as clowns in baggy clothes.

Now it is just The King and me. The King has moved into the house, into Mom’s room, because he misses her. He still spends his nights in despair—crying in the living room, in the bathroom, sometimes even on the floor of my room when I am compelled to join. We are closer now, after many months of this year. At the end of each, he writes me a check for half the rent. I brew the coffee in the morning. In the evening he prepares supper. 

Rex, the over-lover of life, stopped by to deliver his sympathies and salutations, but he wrote no card. He was cruising west to find California, he said, to pursue late-life political ambitions, or maybe even a little commercial acting. I wished him well with a handshake and nothing more. 

I’ve taken to pedaling my Schwinn to campus, but this morning I hitch a ride on the back of The King’s garbage truck because he gets a kick out of it. I white-knuckle the rail and nod to all who will never experience this privilege and power. Today though, The King doesn’t drop me at the pedestrian trail. Instead, with no decal, he parks in the student lot—who is going to tow a vehicle like this?—and asks if he can sit in on my classes. He’s a fish out of water in his company polo. I wear my wool suit jacket even though it’s ninety degrees. 

8:50 is Roman Mythology. The King takes a spot in the back corner, and I tell the kids he’s here to evaluate the learning experience. Confused, they engage their best behavior. The King asks the student next to him for a sheet of looseleaf and a pen. He writes when I speak. 

I’ve grown more confident manipulating the accoutrements of the classroom, so I use the projector to bring to life a rendering of the Roman deity Cerberus, a three-headed canine, the guard and minder of the underworld. A springy boy in glasses asks if this animal is indigenous only to the Mediterranean, or has it ever come to the contiguous U.S. Before I can respond, The King pipes up. “Listen, bud,” he says. “It ain’t real. None of this shit is actual or factual.”

So as not to pierce anyone’s bubble, I tell them mythology is as real as we perceive it to be. The Romans saw in these gods beauty and hope and justice and fear. In my opinion, a figure of the past is only fictional if you let those truths fade or be forgotten.

In my office The King wants to know what the fuck that even means, and I shrug and say that in this line of work you have to think on your toes, that it’s part and parcel of the gig, and sometimes words might simply spew as such. I ask if I can see what he wrote down, and he supposes so as he tosses the folded paper across my desk. The sentimental element in me expects a romantic moment in which the sunlight splits the cloudy shawl over my window to illuminate a vulnerable poem, The King having connected the metaphorical implications of today’s lesson with the sweetness of Mom’s legacy. But it’s not much, a crude sketch of Cerberus the dog smoking a cigar and a scribble to further look up the subject at the library. 

There is an hour before my next class, but The King doesn’t take the opportunity to leave. He sticks around, folds his arms over his stomach, and falls asleep with his mouth open. Rex’s camera sits on my bookshelf, and no doubt its contents have overwhelmed The King, to whom I’ve told what’s on the film: my mother lives there, undeveloped.

A trait I’ve absorbed from The King’s demeanor is the desire to console. So I stand to reach and hold his shoulder. I even wet my lips to whisper like my mother would, but the door opens with no warning. 

For a moment I expect Mantis, as I do lately, often, paranoid and fearful. Now thrown into the bin along with my computer, she remains a specter, no longer needed, and I am unsure if I would even be welcoming of her arrival. Mantis was born of my past self, not of my present maturation. If I were to meet her, or whoever controlled her messaging account, I would like to say: Thank you for the help and benevolence, but your manifestation is a stark reminder of my tendency for agoraphobia, the diabolical characteristic I am in the process of expunging. Or something to that effect.

However this, here and now, is only a frantic student, a boy with hair to his narrow shoulders. I struggle to recall his name, and he pays no mind to the sleeping man in the chair. He’s been absent this week, he says, because his dorm has flooded, he says, because his car is getting repaired, he says, and his parrot is sick. He has documentation. The boy asks for an extension. I grant it.

When my classes finish, The King is off to complete his rounds, so I get home by way of city bus. Inside the portico of our town house, against the door and nestled beside a clay pot of grayed soil, rests a delicately wrapped bouquet of calla lilies, tulips, peonies, and one rose—beautiful and tenderhearted—a gift which arrives every twelve or so days since my mother’s passing, that one might reasonably conclude is, in fact, from Mantis herself. But the card is nameless. 

Inside, the refrigerator drones, and a wren sings along from outside the kitchen window. The word is harmony. I clip the stems, remove any browning leaves, and I lay the flowers on the dinner table for The King to arrange later.