Q-TIP HEADS

Whenever a new hire asks for a look, I take the guy to the kill floor, a place that reeks of sweat and scared animal, manure and blood. Only once this room went over good with the rookie, the time I failed to notice the glow in his eyes like hot bullets.

“Does the line ever stop just because a cow’s still alive?” he asked.

I didn’t answer immediately, then recommended he reapply after taking some classes at Bovine University. Of course, the line doesn’t stop just because an animal’s alive, I just hope the big lug never comes back even if he graduates summa cum laude from Bovine.    

Today my new employee is Jose Raoul Felipe, a refugee. Refugees are the best. They work hard, never complain, and they take home their knives to sharpen until they’re smooth, honed, with no pits. We pull on our Wellingtons, and as we walk through the cutting room, I check to see there’s no warm gleam in his eyes; I see what a brawny man he is, broad-backed, over six feet. I tell him some folks are slaughterhouse workers and some are not.

“And you?” he says.

“I’m Inez Bixley, human resource director, the one who tours new guys around the plant.”

He nods and says gracias. He says he wants to be a belly ripper because they earn the most and he can send money to his family. Not to count my new hires before the end of their first shift, but I sense a steady-Eddie-Felipe in the making. With luck, his refugee friends will apply, too. And won’t that give the manager goose flesh?

I stand beside him, about to recite the manager’s ideology—Animals come here to die, to be eviscerated, decapitated, de-hided, because we are meat eaters, and this is a highly efficient pla—when I see that once again the scofflaws have invaded and retreated, leaving a crew of lacerated tail cutters in their wake.

“Egads!” I say. “Detached fingers cost us anywhere from two to four thousand dollars!”

Felipe waves his hands before his face, says, “Not with my digits,” and runs off the cutting floor. I distribute paper towels to the injured then make my way to the manager’s office to break the news.

 

Stu Gutman is a rough-tough meat plant kind of guy. He built Gutman’s up from a roving slaughterhouse that processed animals on the farm to CEO of Southern Ohio’s biggest abattoir, where thousands of cattle enter single file every day and leave in a revised form. His glass office is located above the picnic line.

From atop his saddle chair, Stu agrees that the scofflaws are odious. “That Animal Liberation Front splinter cell’s nothing but a bunch of leaderless underground terrorists,” he says. Last week, they infiltrated the cutting floor and hid the chain mail aprons and gloves. Each disfigured worker cost us three thousand apiece. A posse of scofflaws insulted one of the knockers, and when he stunned the next cow, he almost lost his balance on the catwalk. There aren’t any windows in this huge building, so scofflaws are either worming up from the blood drains or weaseling in with the cleaning crew at midnight.

Stu thinks the key to foiling scofflaws is to put them to work on the kill floor. I tell him they’ve come close to a few too many kills already. But he says the kill floor is hot, quick, bloody.

“We’ll speed up the line,” he says. “The carcasses’ll ping-pong back and forth across the rail so fast they’ll have to dodge constantly, or they’ll get slammed to the slimy concrete.”

A short time ago, when the scofflaws first began pestering Gutman’s, Stu reached out to them with Take A Scofflaw To Meat Plant Day. He matched scoffers with skinners. With so many new toilers, the cutting line was expected to take up the slack. The liners groaned. Looks flew, slurs catapulted, knives waved, cutters spit, and the scofflaws got the boot.

I came home from Take A Scofflaw To Meat Plant Day with a jagged tear across my knuckles. Father hid the Mercurochrome, saying I earned the septicemia that would cost me my hand. As if I wasn’t irradiated before leaving the plant.

But let’s not perform an amputation over a knuckle gash.

Father said, “Inez, you’re a toady for going along with such monkey business.”

I said, “Why?”

He said, “If you have to ask, you deserve every goof-off malingerer who trashes Gutman’s.”

The next day at Gutman’s, Stu brings up our employment records:

“Dwindlers are on the uptick,” he says. “If you continue hiring oldsters, Inez, we’ll have to slow the line.”  He gives me a pensive look and asks what I plan to do about it.

“Hire their grandkids?”

“Some can barely see or hear. You write them notes, use sign language, but most of the time you’re not making any sense.”

“We’re bleeding hirelings,” I say. “No matter how well I sell them on the job, they quit fifteen minutes after they get on the floor.” I go to jails and halfway houses. I call colleges sometimes, that’s how badly we need people. I hate to say this, but I think the only ones who do this job willingly are those illegal aliens, people who can’t turn the work down. But a while ago, before I got here, immigration came to the plant, found most of the aliens and fined us $90,000. I’d say a third of our workers here now are seniors, runners-up in the gotta-work arena.

But Stu treats the golden-agers lousy. This incident last week convinced me to use some bias reform on him:

Just as my favorite octogenarian, Wes Pie, raised a stun gun to off a cow, Stu yelled, “Step on it, Q-Tip head. Some of us have a beef plant to run.”

The elders cried, “Ageism!”

For days, they wrote “Stu has a little dick,” “Stu’s dick is so big it jerks him off,” and worse graffiti on the walls. And they plugged up the toilets. But Stu isn’t bad, he’s just overwhelmed.

Still, I almost walked out. Then I thought about all the ambulances that come and go all day. Who would spend the night in the emergency room with our forebearers when their hands got crushed, or when they got asphyxiated, because there was no one else to be with them?  I thought about my fondness for the weathered ones. Of course, I love Father and our home and, yes, I know he’s unattended when I work late, but I can’t help myself. I’m smitten by the venerable Wes Pie and his cohorts. I also thought about the upcoming Grilled Chimichurri Sweetbreads Fest and the safety parties I throw every month, how the blood pudding I boil delights Wes Pie, and, well, all the old-timers. I’m like their granddaughter. Sometimes, if they catch a case of trigger finger from making the same hacking motions for hours on end, I’ll take them to the company doctor and then return them to their stations.

But I also thought about Father’s bailiwick, his new bathroom —we’ve already picked out the walk-in tub with grab bars, the glow-in-the-dark, raised toilet seat, thermostatic controls on all the faucets to prevent scalding. Then I thought about the debonair Wes Pie some more, his crisp white hair, his crow’s feet, hollowed cheekbones and gauzy pubes sparse enough to count. I crush on Wes Pie the way a co-ed adores her professor emeritus. As The Jungle’s Jurgis Rudkus would say, watching Wes Pie work is like a poem. Ever since I asked him, “Are you married?” and he said, “A little bit,” I lost all sense of the Grand Canyon between our ages and began wanting to rub BENGAY into his cumulative trauma disorders, walk arm in arm with him to bingo after a hard day of slaughtering, confabulate with him about everything—the prisons we ship our meat to, how hide-pulling is his true calling, his teeth money he gambles away. So, like I do every time Stu screws up, I decided to reduce the damage.

Stu agrees we can’t afford to antagonize our employees of advanced years after I tell him, “Last month I hired seventy-three people but eighty-one left, and we both know it takes close to three hundred workers every day to run this place.”

What I don’t say is, There’s a stigma for people who work at Gutman’s, maybe because we process rickety cows and sell the cuts to schools for lunches. Maybe because the plant is always in trouble with the city over the dumb things we do, like dumping blood in the lagoons, like not using chimney filters until the stench is so malodorous that the city fines us then calls in the EPA for an inspection (and still, it stinks), like not resolving our issues with the scofflaws.

“When it comes to our geriatrics, we’ve got to work on acceptance,” I say.

Stu gives me a solemn look and asks what I think we should do.

“Relate better to our aging employees,” I say.

His furry eyebrows hoist. He sniffs.

“To improve the bottom line.”

He rubs his hands. He grins.

I believe an experiential Xtreme Aging workshop will dispel Stu’s myths about the elderly. Stu tells me his relations with the aged are bonnie. But I say I intend to become a voice for inter-generational advocacy in this plant.

  

A week later, I facilitate my first Xtreme Aging training and get a pitiful turnout: Stu and me. Though I have to admire Stu’s pluck when he wears special glasses that distort his vision as he tries to clean cheek meat off a cow’s head. That evening, at home, Father calls me a Dr. Phil wannabe for leading an aging sensitivity session.

I say, “When Stu wore rubber gloves and I taped his fingers to limit his manual dexterity, he understood how Wes Pie feels when he splits a cow’s middle and pulls its intestines out by hand.”

Father asks how Stu liked it when I put corn kernels in his shoes to experience what old feet feel like after the fatty tissue erodes.

I stare at Father, recalling how a bunch of scofflaws had interrupted our meeting, taunting, “No cowboy’d hire these TMBs!” (TMBs= Too Many Birthdays.) Then they wrangled off his jodhpurs and targeted the next cow in the chute. I worry that my attempt at synergism has backfired.

But let’s not harvest a cornfield out of a few kernels.

The next day, Stu brings up the employment records again. And the scofflaws.

“I’m on it,” I say.

 

Wes Pie is the king of code. I call him the Counselor. And he’s good at what he does, which is kill cows, but he also works Saturdays in the office, checking refugees’ cards—he checks every number on every card. Wes Pie was the one who kept immigration from rounding up all the aliens when they busted Gutman’s, saving Stu a load of dough. I ask him who in the pile of current applications would be good at keeping the line up to speed while safeguarding the plant from scofflaws.

“Eh?” he says.

I sit on a bench outside Wes Pie’s locker watching him swap batteries in his hearing aids. “Seems to me,” he says, “this batch of apps are mostly aliens. There is, however, Arnie Zipperstine.”

Under “Additional Comments” Wes had read Arnie’s description of the Iron Man he’d competed in.

“Really?” I say. “When Arnie returned his paperwork, he reminded me of Flaccid-Forefather.”

Stu says to try out Arnie Zipperstine. Arnie’s a deadbeat dad who owes decades of child support, and Stu says that’ll keep him hustling and rustling. Stu’s idea is to let Arnie oversee the picnic line—the conveyor belt that runs between workers who carve meat from the bone. On the picnic line, if meat backs up, it spills on the floor; if scofflaws are lurking, they mince it. And the key to maintaining speed, meeting quota, deterring scofflaws is sharp knives.

“Call Arnie,” Stu says.

The next day, Arnie ascends his saddle chair inside Stu’s glass office.

“Thnkz,” Arnie grunts. He wants to work on the picnic line since it pays top wage.

“Ride that line,” Stu says. “If workers leave a fleck of meat on a bone, chew them out.”

“Cors,” Arnie mumbles in his peculiar abridged discourse.

“Here’s my idea: when picnickers go on breaks, even lunch, you demand they tote their knives along to whet. That’ll keep the line zinging and reduce unnecessary stabbings. And it’ll make disassembling a scofflaw fast, too. I’ll raise you fifty cents an hour.”

“Iwuza scflw.”

I step into the breach. “The redeemed kind,” I say. But I’m thinking, Does Stu plan to de-hide scofflaws, peel and flay them?

“K.”

“Logistics that would make the CIA proud,” Stu says.

 

Why do I live like this? So I can work beside Wes Pie on Saturdays and catch glimpses of him the rest of the week. Also, there’s Father who needs me to care for him and keep him company. I have to be there for him now that Mom’s gone and make sure he never sees the inside of an assisted living home.

I’m reading applications when I’m assaulted by heinous groans coming from the picnic line, though the day shift has already finished. I step into my Wellingtons, rush to the line and find Arnie, buck naked, stretched out on the conveyor belt. The scofflaws have tattooed his flesh: shoulder, flank, rump, loin. Near his crotch soup boner is hand-lettered and beside the words an arrow points to Arnie’s manhood; inked into his upper thigh is meat loafing.

I’m imagining him packaged inside a Styrofoam tray, wrapped in cellophane, priced per pound when Wes Pie happens along.

“Heh-heh,” Wes snickers. He hoists Arnie across his back and I follow the effulgent beacon of his white hair as he walks off toward the company doctor—I swear, Wes Pie makes eighty-three look like the new seventy-nine.

When I tell Stu, he says, “That recidivist was not picnicking with two hands. We were delusional to believe that fossil could inspire butchers and expire truants.”

The thought, That man’s mature as Peter Pan, crosses my mind, and I begin planning another awareness workshop, one that zeroes in on building respectful relationships with the Q—the  elderly—since a senior tsunami is about to swamp America.

We discourage Arnie from reporting his inking to the authorities because the FDA might crash the picnic; we pledge to reinstate him as super after his hieroglyphics fade.

      

Stu calls me into his office and tells me the scofflaws have posted pictures of Arnie, drawn, quartered, and loafing, in all the locker rooms and stations. Not to mention, not stopping the line for live animals has already landed us in the dung pile with the USDA.

I worry Stu will give me the pink slip. Instead, he invites me into his glass office and mounts his saddle chair. I scale mine, too. He pulls a tumbler from his rucksack, pours a Bull Spit-tini, and offers me one.

“Being a slaughterhouse manager’s overrated,” he says.

“Yes,” I say.

“All I want,” he says, “is to crush my competish and run a plant where animals are processed into corned beef brisket, cocktail weenies, precooked pot roasts that’re microwaveable, conversions I cherish.”

“I understand,” I say. I want to make a pitch for hiring more Q-T—oldsters—but the telephone rings. It’s Wes Pie calling from the holding pen to report scofflaws have raided the feedlot and destroyed all the antibiotic-rich corn. We bought that enhanced maize on credit. Over the phone, Stu and I can hear a Tabernacle Choir’s worth of voracious mooing.

“Those felons are cutting into my drinking time,” Stu says. “If I could, I’d press a pneumatic device to their temples and blow ’em, ba-dow-dow.”

He pours many rounds of Spit-tinis that we slug down like champs, until we dismount and flop face-down inside his glass office.

 

When I get up, I feel like ralphing. Stomach lurching, I hope I don’t bump into Vitalmiro on my way to the parking lot. After immigration rounded up all the illegals they could find, Stu hired a lot of them back as independent contractors to clean the plant at night. Vitalmiro doesn’t understand that by hiring him to do the most appalling job in the world, Stu’s protecting him. But after Gutman’s was raided and Vitalmiro began working on the cleaning crew, terrible things happened to him. Since his release from the sanatorium, he’s been trying to get his tying-off-intestines job back.

Tonight, goose-hives prickle down my arms before I see Vitalmiro near my car. I want to press the alarm button but instead ask how he’s feeling. He says he sometimes sneaks into the rending department during the day and climbs inside gut bins to unclog drains with his long arms. His old friends appreciate his help, and he hopes Gutman gets wind of his good deeds and puts him back in intestines.

Vitalmiro doesn’t like me. That’s unfortunate because maybe I could help him recover from the trauma of that wintry night when he was on the roof cleaning grease and blood from the vents. A sudden gust blew him into the dark and he landed in an oak tree. Tonight he’s turning the air blue with his cigar, asking me if I heard about the feedlot and if I recognize, as he does, that the corn decimation is God’s tit-for-tat over Gutman’s crackdown on aliens. He says Gutman’s lost skilled workers, “And who’s filling our shoes?”

I can’t answer his question without intimating the seniors. He doesn’t believe, as I do, that the elderly are our future.

 

At home, Father looks up from his anti-Alzheimer’s word jumble to ramble on about the long hours he waited up for me. As if summoned, Vitalmiro, who has taken to crouching in a corner of my mind, says I’m as hardboiled as Mr. Gutman for slighting Father, while Father criticizes me for having insufficient funds in my account, causing my toilet seat company check to bounce.

I ponder cheering Father up with his favorite joke, “What did one cow say to the other as they were herded into the chute? ‘My only consolation is that by eating us, they’re killing themselves.’”  I ponder blabbing about the scofflaws, but I don’t do that either after he calls me a flunky. As I settle him into his stair-chair lift, I say, “Well, I’m home now.”

“Bosh!” he says. “Not for long.” The zeal of his words makes his pale hair jump.

A blush fans out across my cheeks as I stare at Father’s hand, a cold fish inside my warm palm, and wonder who he thinks is bankrolling whom.

To unwind, I heat beef chuck short ribs in my Dutch oven, zeroing in on Wes Pie’s visionary theory: Meat eaters outlive vegetarians. I’m barbecuing Love Beef Ribs, a token of my affection that I’ll add to my stockpile in the freezer, in preparation for the right moment. I’m braising a platter of myself for Wes to eat.

 

Next day, two Einstein-haired men, certified as the world’s oldest identical twins, apply for jobs: Upton and Overton Synklare. They seem decent enough; their urine’s sparkling, and that’s all that matters. Besides, if I wanted to check references, I couldn’t since the circus where they worked went belly-up. I can use them in the knife recycling room so that’s where I lead them.

We’re cinching our hard hats when I see Wes Pie drive by in a scrap cart. He stops so I introduce him to the Synklares. That evening, Wes Pie phones me at home, which simply sets my sex organs afire, and says the twins might be the ones if we still want help squashing scofflaws.

“I could kiss you!” I say, startling the contractor installing Father’s toilet rail. Father scowls. I smile sheepishly, but he raises his newspaper to conceal his face.

Scuttlebutt has it, Wes tells me, that the Portable Circus fired Up and Over because they refused billing as “Human Cannonballs” in favor of their new act, “Crouching Tiger, Hidden Dragon Warriors.”

He suggests I trap a scofflaw in the knife recycling room with the Synklares and see what happens. I’ve witnessed their thrusts, their vertical and counter cuts. But knowingly lead a scofflaw into danger?  For Wes Pie, anything.

That afternoon, Stu proclaims Up and Over are twice as good as what he had in mind. I tell Stu I worry about skilled swordsmen roaming a plant where everyone carries knives they sharpen many times a day.

Stu says, “Think of it this way. At my slaughterhouse, some things must never die: a speedy line, antibiotics, irradiation. We strike now or the house suffers. Account receivables are atrocious. The bill to replace the enriched corn is mammoth. Fines to EPA, OSHA, USDA, FDA are prodigious. So, Ms. Apropos, you’re erroneous. Call the clones.”

My face flares from low to broil. I call the clones.

 

Two days later, after outfitting Up and Over with Wudang swords and loosing the twins into the factory, I arrange another workshop. Xtreme Aging sessions are starting to catch on. Today’s training is in the offal room, where Vitalmiro was found the night he got blown off the roof. He staggered in there after he came to in a tree and climbed down. But we keep the offal room at forty degrees at night, so he’d have been better off staying in his oak.

Xtreme Aging is a smash: the offal room is stocked with Q-Ti—workers of advanced years—because today is a town-hall-type meeting, a time for seniors to air concerns and offer suggestions for ways others can value our aged workforce.

Pointy-chinned Nadine Linkus, brittle as a pressed flower, has the floor; she proposes reducing the crippling speed of the line, “Because it’s causing our pacemakers to malfunction.”  Fly-away hair barnstorming, she adds, “I want power naps twice a day.”

Nadine gets a round of “Hot diggities!” I join the fray, too, recalling the times Father’s pacemaker has gone haywire when he works himself into a tizzy.

Next, Wes Pie rises and announces he’s in favor of organizing the “Salt and Pepper Jaguars,” whose mission is to resolve wage and promotion issues:

“We are the new wrinkles. We are the dicey ones. We are trying on tomorrow for size. This is our quest.”

With each word, he blooms back into the middle-aged man inside his elderly body, tempting me to shush him.

Our standing ovation gives rise to an agreeable stiffy inside his britches. As I clap, my eyes ignite like rum on a hot skillet.

As Huey Bruser clears his throat to begin, scofflaws emerge from under piles of hides and inside fifty-gallon barrels. They walk among the newborn Jaguars then hold a blade to Huey Bruser’s neck. “Let’s hear your idea, doyen.”

Out of fear, Huey turns mute so the scofflaws drag him away in the direction of the carcass cooler.

“Free Huey!  Power to the people!  The revolution has come!” the grand-persons chant as they march to the cooler, led by Wes Pie. I’ve never had to quell an uprising before, so I hurry to the glass office.

Stu’s drinking a Hairy Heifer-tini and writing a letter to the meat inspectors defending Gutman’s policy of allowing manure in its meats. Not a lot. Besides, irradiation takes care of the feces, cheap and easy. I tell him about Huey.

“We try to reach out to our elderly employees, and the belittlers put them on ice,” Stu says.

“Call 911,” I say.

He calls the cleaning crew.

When we arrive at the offal room, the grands are rolling an inert scofflaw inside a green hide. Up and Over are showing off their Beowulf-esque thrusts and parries to a shivering Huey Bruser. Wes Pie thanks the Synklares for returning Huey unscathed.

“An Elizabeth Barrett Browning moment?” Up asks Over.

Over nods then recites from memory, “And each man stands with his face in the light / Of his own drawn sword, ready to do what a hero can.”

Wes Pie tears up. I squirt a few myself.

Vitalmiro bursts in with his cleaning crew. The Synklares say they’re vamoosing to knife recycling.

Stu looks around then says, “Identical twins? Never saw them.”

Up and Over say, “Over and out.”

Stu turns over the wrapped up scofflaw to the aliens. To Vitalmiro, he says in a low voice, “When the chlorine fog rolls in tonight, grind ’im.”

I’m an ear-witness.

      

The skinny spreads about the Synklares, and for over a week the scofflaws are on the lam. As much as I hesitate to admit this, a bit of ennui sets in until a new hire, using an ice pick grip, slashes a worker’s white coat and makes off with a tub of knives.

Stu orders a search—“Leave no bone unturned,” he says, but the interloper bolts.

“No one’s hurt. Get back to work,” Stu says.

Up and Over, dressed like samurai and carrying katanas on their backs, arrive, fuming.

“Just how dangerous is the ice pick grip?” I say.

“That grip, if implemented with a double-edged knife, the pommel capped with the thumb, can slice a slaughterhouse worker into ground meat in no time.”

Stu’s eyes bulge. “You guys are the virtuosos. Security’s your baby.”  He invites the twins back to his glass office to saddle up and knock down some Ox Horn-tinis, extra dirty, but the Synklares tell Stu they must remain pure so they can interact with the matrix of the world.

I go to my office, mount the saddle chair Stu special ordered for me, close my eyes, and recite Elizabeth Barrett Browning lines.

When I dismount, there’s a barrel at my door with asthmatic gasps coming from inside. A Post-it is stuck on the lid:

This scofflaw won’t be ice picking anymore wage earners. Send katanas. Upton and Overton, The Working Stiffs’ Warriors.

A last-breath gurgle comes from inside the barrel, so I call Stu. 

He says, “Grind the guy then smack a pooh-pooh label on ’im.”

“I’m reporting this to OSHA.”

“The twins deep-sixed the other scofflaw, why not chuck this one, too?”

“But Stu, Up and Over discarded a scofflaw over a ripped coat.”

“Your new hire bullied my workman with a saber,” Stu says.

“Plastic cutlery.”

“You’re getting too big for your Wellingtons.”

“I’m a little confused,” I say.

“My point, exactly. Listen, until these ridiculers take a hike, morality has to take a walk. Now, junk that belittler and good riddance.”  He hangs up.

Lord, give me virtue, just not yet.

Since I don’t believe in cremation, I can’t grind the scofflaw, so I muscle the barrel to the cure room and write “specialty cuts” on the outside. I’m dumping the last of the dry cure, nailing the lid, when Vitalmiro enters through the spice room. He says while he likes to see a human resource director take an interest in production, I’m taking it too far.

“I believe a woman’s place is on the cleaning crew.”  He laughs.

“Some say, if I wasn’t a alien, I might be a stunner by now.”  

He tells me during the last salmonella outbreak, chlorine vapor dissolved his paper mask and his body broke out in blisters. He rasps and hawks. He turns purple. I wonder if he’s contaminated with bovine spongiform encephalopathy.

On my way back to my desk, I see Vitalmiro enter the glass office, find Stu’s tumbler, take many gulps, let himself out, and disappear.

      

As I drive home, I worry about Variant Creutzfeldt-Jakob disease, or mad cow. I obsess over barrels of cured tongue, unsmoked and smoked, raw, hewn, corned. At a yield sign, I meditate on casks of pickled tongue seasoned with onions and herbs. I turn a cold shoulder to the motorists bombarding me with foul epithets.    

At home, I want to divulge my conundrum to Father, but I’m afraid he’ll repudiate me. While dredging the brisket in flour and searing it on each side on medium-high, I recite Stu’s safety ideologue: Stop E. coli—treat meat like you’d eat it yourself.

For what it’s worth, salting a stiff scofflaw and storing him in the cure room is not the same as extermination. I didn’t slay the new hire. I didn’t requisition the barrel’s delivery.

I choke off those thoughts:  You abettor, henchwoman, consort. You need carnage rehab.

I place the brisket fat side up in a roasting pan and wonder, If I give regular penilinctus to the correction officer, will I earn extra visit time with Wes Pie? Then I pledge to muzzle myself and risk going to the pokey if we get nabbed.

When it comes to the witness protection plan, I’m pro-choice.

      

The day of the Grilled Chimichurri Sweetbreads Fest finally arrives. Our flier reads:

Chimichurri, sweetbreads, and a sweet good time. Help us set a world record for the most sweetbreads sold for a good cause [us] in a single day. Dance the Stanky Legg all night long.

It features a picture of our ultimate Big Taste Grill that’s twenty feet by seventy feet. Big Taste can satisfy thousands of sweetbread lovers per hour.

As with all offal, sweetbreads must be fresh, so while the Sweet Miss Beauty Pageant is going on, I’m rinsing, draining, patting dry batch after batch of thymus glands when, without warning, Father shows up. He’s miffed because the reps from Bathroom Solutions failed to keep their appointment.

To cheer Father up, I suggest he enjoy the pageant, but he insists on tossing the glands with oil then threading them onto skewers. I begin blending parsley and cilantro, cumin and paprika with lime juice, my unmitigated supremo chimichurri recipe.

A tent has been raised outside the fabrication room so that later on fest-goers can order custom cuts. But when scofflaws charge from that tent, I call on my inner Kentucky and yell, “Knife-up!” A pair of rapiers zing by, and the ubiquitous Up and Over come dueling from the hide room. One waves an epee, the other a foil. A scoff drops.

I press myself to the fab room’s wall; Father, wedged beside me, suddenly collapses. I fall to my knees and press a fist to my mouth. His cowlick over his forehead salutes me like a raised middle finger. He says, “In my life, I’ve been a lot of things—hoity-toity, a pedicurist—but I have never been so abused. Ever.”      

Another scofflaw sprawls as the Synklares throw their bodies forward in a running attack, chanting, “Ninja!” They retreat to the knife recycling room, but not before traumatizing scads of scoffs.

Vitalmiro arrives and, along with his crew, drags the most maimed off the property. The scofflaws they leave behind cry out, “Allah!” “Abba!”  “Yahweh!”

 

I help Father saddle-up in my office and go see Stu.

“We have to turn in Up and Over to the law,” I say.

“You want some prison guard playing booty check with you?  You want shank-making for a hobby?”

“They could’ve smote Father.”

“No one killed your father. If you snitch on the twins, you might as well give your liberty a big wet one for ‘auf Wiedersehen.’”

I turn scarlet.

Stu says, “Let’s make truth a low priority just now and make cashing in—I mean, redeeming our twins—of utmost urgency.”

He pours us each a Cow’s Ass-tini and offers a toast.

“To prosperity and restored peace at Gutman’s.”

We clink and drink. Now Wes Pie is at the door, glum with tragic news. The folks who emerged from the tent weren’t scofflaws but some early fest-goers who jumped the gun special- ordering heart sweetbreads for take-home because hearts have a creamier texture than throat sweets.

Stu, our GM of the meat industry, says, “This is a serious challenge.”

      

In my office, Father paws with his Hush Puppy at blood splatters on the floor. “From my Wellingtons,” I lie, pointing to where the boots are stashed behind the door.

Then I tell him everything.

He says, “How can you possibly work for such a despicable killer?”

My face ignites into fire. “I lost my way,” I say.

“Think you can find your way home?” he says.

I mount my saddle chair, watching Father gather himself, feeling torn between doing what Stu wants and putting the full courtship press on Wes Pie. When Father slams my office door behind him, the bang of it wakes me up. All I want is coitus with Wes Pie.

      

At home, I’m barely inside the door when Father appears and holds out a packed suitcase.

“After you serve supper,” he says, “I want you to leave. Gutman’s is all you care about. I could’ve been killed.”  He hands me an apron and says, “Work starts on the bathroom tomorrow. I’ll be in Vegas for the duration.”

He writes his PO Box where I’m to send him checks.

I’m scraping dirty dishes over the garbage pail when my cell phone rings, but it’s not Wes Pie.

“Come to my office,” Stu says. “So I can update you.”

Dreadful Stu’s drinking a Sweetbread-tini straight from his tumbler.

“OSHA’s shutting us down. Tongues wagged about our skirmishes.”

“Father kicked me out,” I say. “He’s changing the locks, installing security.”

“Did you hear me?  Gutman’s is closing. Temporarily.”

Then he says, “Find an apartment. I’ll hide there until things cool off.”

When I don’t reply, he says he’s taking back my saddle chair.

I wonder, Where’s a bolt stunner when I need one?  But I’ve got to stay out of lockup so I can abscond with Wes Pie. As I make my way back to my car, I see Vitalmiro on the roof, cleaning vents. I watch him slip, right himself, slip some more, then the wind picks up and he sails off, into the void. After drying my tears, I observe the Synklares as they joust from the knife recycling room, big smirks circling their chops, revenge like a gang of scofflaws in their eyes. When I realize it’s Stu they’re after, not me, my relief is so great I could yodel. In a moment, the three are framed within the walls of the glass office, fencing—Hamlet, Claudius, Laertes —I think, until Stu threatens, “Stab me with your sabers, I’ll shoot you with my .38.”

I recall the day Stu hired me, how he clapped my back in congratulations, how he poured me a Steer Rump-tini, and how, back then, I thought I’d be able to take care of any employees’ problems by writing safety policies to make sure things went smooth. But my job’s mostly about getting bodies in here to do work no one wants to do. With the exception of Wes Pie.

Overhead, the glass office rattles as the combatants lunge and plunge, so primitive a means of settling any disagreement. Downtown, Wes Pie speculates on bingo. Inside my suitcase, frozen Love Beef Ribs, wrapped in my chimichurri recipes, defrost, loosen up, relax in anticipation of Wes Pie’s tender lips.

Under the locker-room showerhead, I peroxide my dark hair then slip into red patent leather mules for my sugar pie bettor to ogle. I make my way to Bingo Casino, imagining mysterium tremendum et fascinans Pie kisses after Wes turns his good ear to hear my beguiling whisper, each syllable a jalapeño over Tabasco sauce:  You’re my Big Taste, Wes Pie, I’m your burning coal—all I want, given the chance, is to sear, sizzle, slow-smoke your beef kebabs from now until forever.

The Robert Watson Literary Prize Story HEARTBREAK GRASS

There was a man who lived in my district and this man had gone South to fight the Americans and when he came back a year and a half later he had no arms, no legs, and he was blind.

I called him Uncle, like us youngsters would address our seniors. Uncle Chung was thirty-one when he returned home as a quadruple amputee. A blind war veteran. I was eighteen and about to be drafted to join those destined for the South. When I saw Uncle Chung the first time I knew why many boys my age grew alarmed of being drafted into the army. Uncle Chung used to work as a machinist. He was once a big man. But the first time I saw him, limbless, he looked to me more like a freak I saw years later in the South, a country boy burned by napalm, so far gone he looked during nighttime like a glowworm, and his father would charge each neighborhood kid ten xu to come into the house to watch the human mutant.

I saw Uncle Chung on a day the herbalist I worked for sent me over to the man’s house with the medicine. The medicine. Always the medicine. And the wife. Each time Uncle Chung’s wife came to the shop to consult with the herbalist, I would hang back from leaving, sometimes to run an errand, so I could listen to her melodious voice and steal glances at her while trying to look busy in the shop. She was perhaps in her mid-twenties but looked older with the way she rolled her hair up and tucked it into a bun, so when she turned her head you could see the long curving nape of her neck. White or pale blue was the color of the blouse she wore. Just white or pale blue. And always the first customer in when the shop had just opened. The early morning light would cast a pallor on her face, and her ink-black eyebrows only made her face paler. Yet despite the anemic white of the undernourished, the unwell look, she was pretty. The city was full of women her age and older. Now and then you saw men—many had gone South and most of them never returned.

One rainy morning I went to their house with the herbal medicine. Down an alley through the standing water floating with trash to a stucco-yellow matchbox dwelling in a housing project. Its green door was left ajar. Stepping in I heard a man’s singing voice:

If I were a dove

I’d be a snow-white dove.

Spring and then summer.

The flowers, the flowers, the flowers.

You say aren’t they pretty

And I say

Aren’t they really.

I looked down at a man sitting on a pallet. The gruff voice stopped, the man turned his face toward the door. His skin, his eyeballs were yellow, the mucus yellow. I couldn’t tell if he was blind, but I could tell those eyes had the look of fake eyes you put in stuffed animals. But his song about the pretty flowers struck me. What would he see now but his own disturbed memories? He kept nodding—I wasn’t sure if he had any control of it—and he had a large head matted with tousled black hair that covered his ears and the collar of his shirt. The old olive-colored army shirt, with its long sleeves cut off, revealed the stumpy ends of his severed arms. You could see the rotten-wood brown of the flesh—what was left of his upper arms.

I told him I brought him the medicine and as I spoke I looked at his full wiry beard. If his wife refused to shave it for him, I thought, it’d one day hang down to his neck. Then his torso. He must have been a big man, aside from his large head, for the only part left of him filled out his army shirt. His torso was as thick as a boar. He wiggled on his rump. “Make me a pipe,” he said as if he knew me, or I were someone he used to boss around.

I stood eyeing him, a squat hunk of meat sitting on two slabs of flesh called thighs. What looked like his shorts were a pair of army trousers shorn at the knees.

“Don’t stand there!” he snapped at me, his voice as viscous as if spoken through a mouthful of glutinous rice.

“I brought you your medicine, Uncle,” I said and bent to put the herb packet next to a water pipe that sat before him. It was a long bamboo pipe in old yellow, and near the end with the bowl to receive the tobacco, the yellow had become stained with black smoke. The pipe stood on an angle, harnessed by a wide bamboo strip that went around the trunk and came down to rest on the ground like a mortar tube on its bipod.

“Make the pipe,” he said. “Then you can go.”

I just shook my head at his authoritative voice.

“Don’t you know how to light a pipe? Boy?”

“I do, Uncle.”

“Then light my damned pipe. And get out!”

Light your own bong! But I stopped short of ridiculing him. I didn’t pity him. At first sight, he struck me as freakish. An overbearing freak. Then I thought I’d better set the tone for myself.

“You’ll see a lot of me, Uncle,” I said to him politely, “as long as you need Chinese medicine. And I don’t take orders. Not from strangers.”

“You a prince?” His voice twanged. “Some sort of a pampered shit?”

“If I were, Uncle, I wouldn’t be here bringing you this measly medicine.”

“Did your pa teach you manners? Or is he too busy making drugs?”

“My ma and pa died a long time ago.”

“So you’re an orphan. No wonder.”

“I can behave, Uncle.”

My calm voice had him lost for a moment. He rotated his jaw then said, “How old are you?”

“Eighteen, Uncle.”

“You be joining the army soon, eh?”

“Right. The way things are.”

“You know what I did for a living before the war?”

“What did you do, Uncle?”

“I was a foreman in a machine shop.”

I thought of lathes and mills. Those shops must be busy during wartime. Hearing nothing from me, he leaned his head to one side as if to determine in his mind where I was. “In the army I was a senior sergeant,” he said. That fit him, I thought. Some were domineering just by their nature. He went on, “Used to do all the things myself. My woman didn’t need to lift a finger. Now, now, the world’s turned upside down. Man has to beg from a woman’s hand. When you’re down and out, you’re worse than a mutt. I can’t even piss or shit unless she lets me.”

His voice was flat. In it I sensed no self-pity. Like he was telling me about the weather. I thought of walking out but I changed my mind. I could see the pipe’s bowl had no tobacco. “Where’s your set, Uncle?” I asked him.

“Look around,” he said tonelessly. “Set shaped like a persimmon.”

The bare room had two metal chairs. Under one chair sat a lidded pot. It looked like his toilet pot. The only piece of furniture was a black-wood cupboard. The ornate flowers embossed on the cupboard’s doors gave it a vintage feel. It must have belonged to his once-proud past before the war ruined him.

“Can’t find it?” he said, keeping his head still as if to listen for a sign of my presence. “Used to have things everywhere around here. But she’s done sold most of them over the years. Now you can hear the echo of your voice.”

Through a thin flowered curtain that sectioned off the inside of the house, I saw a bamboo cot draped with a mosquito net. The net hadn’t been rolled up. I went through the curtain looking around. A gas stove sat against the yellow-painted wall next to a standalone narrow cabinet, its black-wood glass doors opaque with smoke and dust. On the wall were hung rattan baskets dyed plum red and peach yellow. A wooden table sat in the center of the room, and on the table I saw the persimmon-shaped caddy painted coal black.

The caddy made of fruitwood had a keyhole. I brought it to him. It was locked. I told him.

“Damn woman,” he said.

“She kept the key?”

“Damn she did.”

“She forgot?”

“That woman? Never. Never forgot anything.”

“Well, Uncle,” I chuckled. “What’s with the key anyway? Even if she’s left it for you, I mean.”

“I’ve got help.” He jerked his chin toward the entrance. “Door’s always open.”

“Your neighbors?”

“Them louts. Sit at the door every day. Gawking and giggling.”

“Ah. Kids. They help you, Uncle?”

“Some do. Some I have to bribe.”

I wondered what he bribed them with. “Where’s she now?”

“Out. Business.”

I shook the herb packet for him to hear. “What’s this medicine for, Uncle?”

“Stabilize the yin and yang in my body. That’s what your pa, eh, the herbalist said.”

“Your yin and yang?”

“This body,” he said, pressing his chin to his chest to make a point, “still has a piece of shrapnel in a lung. The metal junk messes up the balance of yin and yang. So I heard.”

“How’s that?”

“I puke blood whenever it gets bone chilly.”

“They didn’t take it out of your lung?”

“If they could, it wouldn’t be in my lung now, eh?”

I ignored his rude remark and looked around. The slatted side door opened into a common garden. Rain was falling steadily on the leaves of herbs and vegetables and the morning light glinted on the rain-wet leaves. I knelt on one knee, looked at the water pipe, then at him.  “You smoke often, Uncle?”

“Often as she lets me.” He grinned a crooked grin then yawned. I could smell his rancid breath. I tapped the caddy, thinking, until he cocked his head to listen to the noise. “I can make a pipe for you, Uncle,” I said. “But I’d have to pry the lock open.”

“I don’t give a damn about the lock. But I know what she’d do if the lock is busted.”

“What then?”

He let his head nod again, like he was following his thoughts. “Once I lay here in my piss and shit the whole damn day till she decided to clean me up. Otherwise the house would stink and that’d ruin her dinner.”

“What started it?”

“Like I told you. I only piss or shit when she lets me.”

“So she wanted to condition you, didn’t she?”

“You’re wrong, boy.” He frowned. “I mean, young man, she was talking business with this man in the alley. Talk. Talk. I yelled to her. Damn did I yell. Then everything burst out of me. When she came back in I doubt she bothered to look at me. Then when the smell couldn’t be ignored for heaven’s sake, she just left the house.”

Listening, I recalled her to my mind and still I couldn’t reconcile what I just heard with what I’d carried inside me ever since I saw her. He wiggled on his rump and the nylon sheet that covered the pallet squished. “If I can have me a drink,” he said. “Hell, if I can have me some rice liquor.”

“Where does she keep it, Uncle?”

“That woman won’t waste money on that kind of stuff.” He wrinkled his nose, snorting a few times to clear it. “We’d been drinking, me and some old friends. They brought a bottle with them and after they left I began having chills and shaking like a dog. She came in and saw the mess of cigarette butts and ashes and unwashed cups and started yelling at me. I cursed her, so she sat me up and screamed in my face, and it was then I threw up. I believe I just let it gush out all over her blouse.”

“You vomited on her? Why?”

“To spite her? I’m not sure. She emptied the bottle into the drain. That’s far worse than hearing her curse me or let me rot on my own.”

“I’ll get you some liquor the next time, Uncle.”

“I have no money on me. To pay you.”

“I know.”

“I’d appreciate it, young man. You drink?”

“A little.”

“That won’t hurt. You going into the army soon. So. I used to get high while we stayed for months in the jungles. Ever heard of dog roses?”

“They told me. Them wild roses that crave blood to bloom?”

“Hogwash.” He blew his nose with a loud snort. “But them wild roses have a subdued fragrance, not as strong as garden roses. And their leaves when crushed have a delicious smell. We cut up their fruits too and add them to the tobacco. Them rose hips give an added authentic kick when you’re high.”

His mouth hung open with an amused smile as he stared into space. Those eyes made me think of yellow marbles. Quietly I looked at his limbless torso, the wiry beard that covered half of his face, and a thought hit me: how would I carry on if I ever became like him? This man seemed to survive the way a creeper did, by latching on to living things nearby. He wanted to live.

 

I went back to Uncle Chung’s house a few days later. This time the herb packet I brought contained finely cut leaves of yellow jasmine. When the herbalist wrapped them up, I asked him what they were for. For hemorrhoids, he said. For external swelling and pain. But never take them orally, he said. It’s fatal. I asked if the wife knew about it and he nodded. She didn’t want the ointment, he said. She wanted the leaves and the seed pods. Much later when I was fighting in the South I would occasionally come upon this vine in the jungles. At first glance you could mistake it for honeysuckle. Then I found out that the vine—any part of it from its root to its leaves and flowers and fruits—was toxic if taken by the mouth. I also learned the words the Americans called it: heartbreak grass.

I bought half a liter of rice liquor in a bottle. Uncle Chung was lying on the pallet, sleeping on his side like a big baby. I woke him and helped him sit up. He kept squirming.

“Hemorrhoids bothering you, Uncle?” I asked him.

“Like hangnails,” he said. “Just a nuisance. You said you’ve got the spirits?”

“I bought half a liter.”

“Let me smell it.”

I opened the bottle and held it under his nose. He leaned forward to have a full whiff of it and nearly toppled. I held him up. He grunted, his face contorted into a painful scowl. The hemorrhoid must be bad enough, I thought.

“You want to lie down, Uncle?”

“What for? Wish I had arms to hug this bottle here. Eh?”

I found a cup and poured him some of the clear-colored spirit and brought the rim of the cup to his lips. He sniffed, then inhaled deeply, his nostrils flaring. He held the drink in his mouth and kept nodding. Then he thrust his head toward the cup, said, “Give me.” He made a loud sucking sound, lifting his chin in a great effort to imbibe the liquor. The spilled liquor dripped from his beard.

“A smoke, Uncle?”

“Got no key to that caddy.” He burped. “You know that.”

“I got you cigarettes. Here.”

As I lit and puffed on a cigarette for him, he sniffed like a mouse. “You’re a prince, young man,” he said, and his lips curled up into a wide grin. “If I die tonight, I won’t regret a damn bit.”

I plugged the cigarette between his lips and let him drag on it like he was out of oxygen. When the ash curled and broke, I caught it in my palm and went to the door and let the rain wash it from my hand.

“We need some sun.” I sat back down. “To air things out.”

“Rainy day like this, you just want to sit and sip liquor and cuddle up with a pipe. Eh?” He tilted his torso to one side and I could tell that he wanted to ease the pressure on his hemorrhoids.

“This stuff for your hemorrhoids,” I said as I jiggled the herb packet, “has it helped?”

“What?” His dead-fish eyes looked blindly at me.

I gave him another shot of rice liquor and he took a healthy sip from it. Then huffing he said, “Something like . . . opium. Might help.”

“Opium? You can’t afford it, Uncle.” I lit another cigarette and put it between his lips. “You said it helps? Against pain?”

“Kills pain. When I was all busted up by a mìn cóc, they gave me opium. Damn. It worked.”

“What’s mìn cóc?”

He described it. Leaping Frog mine. Gruesome destruction. The kind of mine that jumps up when triggered and explodes two, three feet above the ground. Severs your legs and worst of all maims your genitals. Bouncing Betty. That was the name I later learned from the Americans.

I asked him if he lost his limbs from a Bouncing Betty, and he said yes, nodding and snorting. Smoke from his cigarette didn’t bother him, his dead eyes open unblinkingly, as he asked me, “Which would you rather lose: both of your legs or your penis?” I couldn’t help chuckling and said that I would never ask myself such a question, for it was a warped sense of morbidity that should have no place in a sane mind. He chewed on the cigarette butt leisurely and said, “Soon you’ll ask yourself such when you start having phobia of losing your body parts.” I told him I never treated one part of my body more favorably than another. If it happened, I’d live with it. One older guy in the army said the same thing to me, years later when I was in the South, that your body parts are like your children and you don’t favor one over another. Now, out of curiosity, I asked if he still had his penis and he laughed, spitting out the cigarette, and the ash was scattered on the nylon sheet. I brushed off the ash and waited until he stopped cackling and put the cigarette back between his lips. He shook his head, so I took the cigarette out and he said, chortling, “Still with me, young man. My treasure is. So I don’t have to pee through a tube. And am still a man. That’s what it’s good for. Don’t ask me about my woman though. I don’t blame her.” I mused on his remark as he asked for another sip. Afterward he said there was this thing called “crotch cup,” which had gained popularity in the South among men in his unit and others. It started out when this guy custom-made a triangle cup-shaped piece that he cut out of an artillery shell, and through its three sides, he drilled holes to run three twines and looped them around his torso to hold the piece in place against his crotch. He became the butt of every joke told among fellow soldiers. Then when more and more men fell victim to Bouncing Betty mines, many having been cut below the waist, their genitals pulverized, blown and stuck to their faces in pieces of skin and hair, they grew so paranoid they started finding ways to protect their manhood—and their lineage. The crotch cup became their holy answer. As I tried to absorb the horror of  the war’s realness, twinged with the painful knowledge that I too would soon be a part of that reality, he told me he chose not to wear a crotch cup because it was unwieldy and uncomfortable. Then, snickering, he said some fellows in his unit at one point decided to take a break from wearing the crotch cups, and the next thing that hit them was Bouncing Betty mines. What he never could forget was the crotch pieces of the army trousers all shredded and glued to fragments of white bones, unrecognizable lumps of the genitals found on the ground, some still with skin, some with hair. Without sight now, he said, he imagined those scenes day and night. I listened and decided to take a sip of liquor. I wasn’t afraid, but the gloomy pictures he painted for me to see had affected my mood.

 

For more than a month I had not visited Uncle Chung and neither had I seen his wife coming to the herbal store for prescriptions. One late morning when the weather had cleared up, I went to his house. The door was closed but wasn’t locked.

Inside the house, dim and cool, there was a moistness in the air. It was tinged with a fermented sourness of liquor that had been spilled. On the pallet scattered with clumps of cooked rice, Uncle Chung was lying facedown, the seat of his cutoffs damp-looking. Just as I sat down on my heels, his voice came up, “That you, young man?”

“You awake, Uncle?”

“No. I never sleep,” he said with a deep-throated chuckle. “Just airing out my rump.”

“Wet your shorts?” I peered through the curtain. “Where is she?”

“Be back in the afternoon. She closed the door, didn’t she? Should have left it open for fresh air.”

“It smells in here, Uncle. Want me to open it?”

“Well, don’t chance it. She closed it for a reason.”

“What?”

“Bunch of them kids were coming here this morning. Some were new, I could tell. So she yelled at them, ‘You want to peep at him? Do you? How about pay him? That’s right. Pay him and I’ll let you ogle at him, pet him. Long as you like.’ They just broke off and ran.”

I eyed the stain on his buttocks. “She meant it, didn’t she?”

“It came out of her mouth. So.”

I thought of her. Just briefly. The pretty face. The pleasant voice. “Want to sit up, Uncle?”

He twisted his head toward my side. “My back. Can you scratch it?”

I pushed up his army shirt, paused and brushed off pellets of rice stuck to his back. A warm, sweaty smell rose from his body, and for one brief moment I stared at his back, its bare flesh speckled with black moles like someone had sprinkled raisins on it. His voice drifted sleepily, “She kept telling me . . . those black moles I was born with were flies . . . flies . . . crushed into my skin.”

As I scratched him, he squirmed. His stomach groaned. I wondered if he had eaten since the night before. “Get a towel in there . . .” he said. “Check the kettle. Might have some hot water in it. That’ll take the itch away.”

I found a dish towel hung between the rattan baskets. I reheated the water in the kettle and wet the towel and wrung it as steam wafted up. I saw a bowl with some cooked rice left in it, sitting on the table. A few cubes of fermented tofu lay on top of the rice. Next to the bowl was a glass with some water. But it wasn’t water when I sniffed it. Liquor. I took the bowl and the glass with me and came back out. The hot towel seemed to help him feel better against the itch after I had scrubbed his back until it turned raw red.

“That damn monkey meat,” he slurred.

“What monkey meat?”

“She brought back some monkey meat yesterday. I ate some.”

He tried to turn onto his back. With my help he rolled over. It struck me when I looked down at him. His left cheek had a cut and several scratches. Red, raw, they looked fresh. Since I last saw him he had lost much weight. I could tell from the hollowness in his cheeks and from the slackness given by his shirt. “Let me sit you up,” I said. He let me pull him up, grunting. An ammoniac smell hung about his face. I winced. “Your face, Uncle,” I said, “smells of piss.” His nostrils twitched. “Yeah. From my head to my butt, eh?” His beard, longer now, felt like a woolly wad when I wiped his face. “Woman’s piss,” he said and shook his head.

“What?”

“She pissed on me.” He grinned as if amused while I felt disgusted. “I had a seizure last night. That came after I ate some monkey meat. Good thing I didn’t die, ’cause I woke up and she was sitting on my face and watered me with her holy water. For heaven’s sake I felt all cold sober after that.”

I told him perhaps her quick thinking might have bailed him out of danger. He nodded. For the first time I noticed in his jet-black hair the gray hair had started showing through here and there. I could hear his stomach growl again. “I brought you leftovers—rice and liquor,” I said. He asked me to dump the leftover liquor into the rice. Obliging him, I stirred the concoction, the sickly yellow tofu cubes going round and round with the rice clumps, a tart smell of stale liquor and tofu hung about. I spoon-fed him. He slurped and swallowed. He didn’t even chew. I asked him how he could eat anything like this, and he spat out some rice and said, “There comes a time when you’d eat anything given you. In the South once we had no salt for weeks so we ate ash. Not a bad substitute.” He hiccupped. “Be adaptable, young man.”

“Where’d she get the monkey meat from?” I asked him.

“From a baby monkey, fallen off a tree and drowned in a flood. Well, she and this guy were up across the Viet-Sino border on opium runs. They got caught in a flood and had to eat bamboo rats.”

I recalled the man he mentioned coming to the alley and talking with her. “What if she gets caught by the border police?”

“I’d know when that day comes.”

He told me she had given him the black pellets of opium whenever he had a bout of pain—the hemorrhoids, the lungs. The pains would go away. Since then the seizures had come more than once. If she was home, she would give him liquor that seemed to blunt the fit and, sometimes with much liquor, he would fall asleep.

“I cursed her for giving me the monkey meat,” he said. “She yelled at me, ‘You’re a dunghill. A dunghill for me to risk my life just to earn some cash to keep all your perverted sicknesses at bay.’” He raised his brows, his eyeballs like still yellow marbles. “That woman has a sharp tongue. But she spoke the truth. Said, ‘Who’s going to make all your pains disappear? Doctors? Your crummy pension? That? That goes out the window in no time just to pay the helpers to clean up your filth and buy you liquor so your opium fits won’t kill you. Monkey meat, hanh? Last time you crashed, was it monkey meat? Or was it opium? I’m an expert now on how to kill your obscene pains when you convulse on the floor like a leech, your eyeballs roll into your head, your mouth foams like baking soda. And next time when you bang your head, find a sharp corner. Hanh?’”

It dawned on me about his facial cuts. “You banged your head? During a seizure?”

“Broke her cactus pot and got their spines all over my face.”

As I put the empty bowl away, the fermented sourness made my nose twitch. He cleared his throat, his sticky voice becoming raspy as he told me he had done his part around the house, and yet she never appreciated it. When it did not rain for days, he twice managed to crawl out to her vegetable patch and urinated on the spinach, the purslane, the fish mint. He could tell by their smells. And she could tell of what he had done sometimes by the sight of the cigarette butts lying among the patch. The fish mint leaves would smell repugnant when she chewed them, then she would spit them out and daub the paste on his forehead. He would curse, shake, to get rid of the slimy gob and she said, “You get what’s coming to you. It smells like your piss, doesn’t it?”  She loved her garden patch. Nights when it rained, the air moist and cool, he could hear raindrops pinging on the cement steps and the moistness in the air seeped through his skin. He liked the rain, for he knew rain would soak the soil in the vegetable patches. At first light the soupmint’s downy hair would spark red, the crab’s claw herb would glisten, the thyme, the basil would be gorged with moisture. He could tell that one of her pet plants, the yellow jasmine vine, was coming out in clusters. She’d watered it every morning from the time she brought home the seeds, allowing the pods to dry first before breaking them open, and nursed the seeds with much watering until one morning he could smell something fragrant and that was the first time it flowered. He might hear her cheerful voice, for a change, when she plucked them at dawn.

   

I didn’t visit Uncle Chung for a while until one morning I saw his wife coming into our herbal store. She was wearing a white blouse and a red scarf around her neck, and the red was redder than hibiscus. She asked for a cough prescription. The herbalist asked her if Uncle Chung was having a cold or flu and if he had a whooping cough. She smiled, said it was for a sore throat. I could hear someone coughing outside the store. A man was smoking a cigarette, standing on the sidewalk with his hands in his pants pockets. Lean, dark-skinned, he was about Uncle Chung’s age. His slicked-back hair was shiny with pomade. He glanced toward the store, coughed, and spat. When she met his gaze she smiled. She had that fresh smile that showed her white teeth. Even, glistening.

I thought of that smile when I went to see Uncle Chung afterward. He wasn’t on the pallet. Him sitting or lying on that pallet had been a fixture in my mind. That gave me pause. I went through the curtain and saw him crawling like a caterpillar toward a corner of the room where the bathing quarter stood behind accordian panels. He bumped a chair, stopped, wiggling his head as if to get his bearings. I called out to him.

“Young man?” he cocked his head back, his hair so long now it looked like a black mane.

“Why’re you in here?” I went to him.

“Water.”

“Water? Where?”

“Where she bathes.”

There were no pails, not even a cup, in there. Her black pantaloons were the only item hanging on a string from wall to wall. I could see water still dripping from the pantaloons’ legs. Before I said anything to him, he gave a dry chuckle. “That’s my water.” I pictured him worming his way to where he could catch the dripping water with his mouth.

It took a while before I could move him back out onto his own pallet. Though he said he hated water, he drank some from the kettle, which I poured directly into his mouth. He asked for a cigarette. I told him I was out of cigarettes and promised him when I got money I’d buy him a pack and some liquor. I brought the black caddy to the pallet.

“I’ll make you a pipe, Uncle,” I said, tapping the caddy.

“It’s locked. You know it.”

“I’m going to break the lock.” I thought of her, her smile to the man she had been with, and I could feel my resentment.

“Go ahead.” He grinned.

Surprised by his encouragement, I clucked my tongue as I twisted the blade of my pocketknife inside the keyhole until I felt it snap. “I saw her at the store,” I said to him casually, folding the pocketknife.

“She breezed out of here this morning and I swear I could smell perfume.” He tried to clear his throat, for his voice suddenly sounded strained. “Make the pipe. I need it.”

Inside the caddy a jackfruit leaf lay on top of the tobacco. The leaf was no longer fresh, the blade having gone a dark yellow. He listened to my movements and mumbled something about the leaf left in there to keep the tobacco fresh. Without it when you smoke, he said, the tobacco lacking moisture would burn dry in the throat. He asked me what she wore. I told him. Then remembering her red scarf I told him that too. “Damn,” he said. As I lit the pipe he brought his lips to the opening of the pipe, paused and said, “I remember her wearing that scarf, that red scarf, only once in her life. On the day we got married.” He took a heavy drag, the water in the pipe singing merrily, and then he tipped up his face and blew a cloud of smoke toward the ceiling. “Wish I had eyes to see that scarf on her this morning. Damn it. Was she with somebody?” I told him she was, adding that he must be her business partner. Uncle Chung grunted with a twisted grin at the words I used. I could sense his muted pain and at the same time my still simmering displeasure toward her. “But my woman. Oh my woman. Whenever she bathes in there, I still feel that urge just to caress her full calves. Know what they remind me of, young man? The wax gourds. Those fleshy ripened gourds to sink your teeth in.” He stopped snickering and drew a healthy drag, kept the smoke in his mouth as long as he could and his eyes became slits in his own bliss. I repacked fresh tobacco in the bowl, thinking wishfully of a rice liquor bottle, because I wanted to get drunk, very drunk, with him. I took one big drag with the fresh tobacco, my head buoyed, tingling, as he slurred his words, “Know something else, young man? In the South when they amputated my limbs they said, ‘Don’t cry now, Sarge.’ You know why? We got no anesthesia. So I had someone press her picture on my eyes and I imagined her in that red scarf and I sucked in the pain until her picture shrank with the pain and I passed out.” He nodded his head up and down like on a spring, said he understood her and even felt grateful to her still being with him. Chuckling, he told me the night before a female cat was yowling in heat as it wandered off the garden and into their house and his wife left her cot to come out, turned on the light and saw the cat push its bottom against his stumped leg, rubbing and purring, and his wife said, “Look at it, oh will you look at it,” and he said, “She’s horny. Aren’t women like that when the moon is full?” and she just howled, “How can I sleep with its obscene squealing? Now, now will you look at its obscene way of showing itself?” He said, “How obscene?” She told him that the cat was lying down, twitching its tail and then flinging it to the side and there it was: the pink slit of its genitalia, pink and swollen. Before going back to her cot, she said she was going to stuff the cat’s mouth with lá ngón, the yellow jasmine leaves, if it didn’t stop yowling. He made a snorting sound as he laughed, said it took a long time before things got quieted down, the cat now gone, but the sound of her cot creaking beyond the curtain kept him awake into the night.

Now he blew the smoke out of the corner of his mouth and a light breeze coming through the front door carried the smoke toward the back door. I saw a pot on the doorsill, a tall wooden stake rising from its bottom, and around the stake twined the yellow jasmine vine. Uncle Chung’s wife’s pet plant. I could tell by its pretty yellow flowers.

  The next morning a boy from Uncle Chung’s alley ran into our store and asked the herbalist to come quickly to Uncle Chung’s house. The herbalist was like a doctor in our district, where western medicine and its physicians weren’t trustworthy. I went with him, the boy running ahead of us before we could ask him. Inside the house I saw Uncle Chung lying facedown by the back door where the pot of yellow jasmine sat. It took me but one look to see that he had plucked nearly all the fresh leaves of the vine and some of them were in his mouth still and some of them lay scattered over the doorsill. White foam coated his mouth and his head full of long black hair lolled to one side, and in the morning light I could see the gash and the scratches on his cheek.

I knelt down, looking at his eyes, still open like yellow marbles. I ran my hand over them, and the eyes stayed open. Like dolls’ eyes.

 

A year later I left the North to go South to fight the Americans.

Many of my friends had gone South. Nobody had heard anything from them since. I asked people why none of them ever came back, and they shushed me. Most of them my age tattooed their arms with four words, “Born North Die South.” Like it would boost their morale. Most of them died—true to their tattoos—and there was no news sent home. You can’t win the war with damaged morale suffered by the people at home. The messengers of death weren’t telegrams, but the returning wounded who eventually reached the unfortunate families with the tragic news.

The first day on the way South on the Hồ Chí Minh Trail I saw camouflaged trucks heading North. It was raining. Rain fell on our nylon raincoats, fell on the open beds of the trucks. We stopped, exchanged greeting words. I saw human bodies, alive and packed under the cover in mottled shades of green and brown. The wounded. Some had no legs. Some burned by napalm so severely they looked leperous. Rain dripped on their limbless bodies as they slept. After the trucks came the stretchers. Sticks, bamboo slapped together. Lying on them were the blind. Some had no faces. We couldn’t greet them. They couldn’t see us. They all moved past us, huffing and puffing. Rain-smeared sallow faces. Malaria-wrecked skin. They were all bones. So they headed home. Up North. I looked at them. I wasn’t afraid. Just queasy. We stood off the muddy trail, letting them pass.

I thought of heartbreak grass. One day, I thought, someone going South on this trail would look at me heading North. I might not then have a face. Or limbs.

The thought was like a thief hiding itself in my head to steal away slivers of joy once lived. I bowed my head. Inside I cried and thought of all the mothers whose lives ebb and flow with hopes that their sons would someday be found, what’s left of them, so they can hold them again, with the limbs intact, like they did on the day their sons were born.

ORBITAL DEBRIS

I

 

Something about the boy was strange. Not just the way he looked—the sallow skin, the tenebrous owl eyes, the black hair that slumped across his bulbous forehead—but how he moved as he poked about the field behind their neighborhood, his gait brittle, the stick he gripped in his palsied hand twitching like a dowsing rod. Every morning this summer, Addie watched the boy wander in the knee-high grass of the field while she sipped coffee on her rear patio, designed in the New Orleans Courtyard style she’d chosen from the builder’s options when she and Hal bought the place.

It had sounded so delicious then—a French-inspired hideaway to soothe the soul under the wide expanse of stars, your own secret garden. But the market crashed and the money and buyers dried up before the remaining phases of the residential development could be implemented. More than a few of the faux-Craftsman homes were empty—some never purchased, others foreclosed. The cleared field behind Addie’s home, which was intended to boast the pool, community center, and playground, had gone to seed, as Hal used to say, fond of using his farmer’s colloquialisms, although as a concession to her the closest he’d come to farming in the ten years prior to Addie putting him in the ground had been to thumb morosely through Progressive Farmer at the kitchen table, and God forgive her, Addie was grateful for that.

The boy was there now, in the field, the dark gloom of clouds gathering in the east hulking over his form like a reatomizing superpower villain, the kind of unsettling illustration found in the comic books Addie remembered schoolmates wedging in their textbooks so many decades ago. The grass writhed around the boy’s branch-thin thighs, the storm coming in fast as they tended to do every afternoon, the year’s El Niño slamming their corner of Alabama with record levels of rain.

But the boy did not seem to notice the threat above him. He plucked through the field, unsteady on his feet, poking his stick at this and that. Occasionally, he would squat to study the ground, and in those moments, he was completely consumed by the roil of grass: it was as if he’d vanished.

Addie often wondered if the boy’s mother knew how her son, who looked to be no more than twelve or so, passed the day. Addie had seen the woman only at a distance, hauling her trash bin down the driveway or  lingering by the mailboxes staked at the end of every quaintly named street—Cottage Lane, Dogwood Trace, Magnolia Pass—picking through her mail. If the boy’s mother had a husband, Addie had never laid eyes on him. Given the boy’s sullen posture, his brooding stare when he caught Addie observing him, she suspected that the father was dead or just gone. What else but that kind of pounding sorrow would allow a mother to give her boy to a field gone wild, would permit a mother the ignorance of not knowing that at this very moment that boy stood alone under the glare of a fierce storm with no intentions of escaping it?

The rabbits were starting to stir, and they leapt en masse past Addie’s patio. The rabbits were another silly idea from the builder, a queer bucolic touch for a scab of houses wedged between a Walmart and a dilapidated mall. With few natural predators other than the restless housecats who escaped their foyers on occasion, the rabbits did what rabbits do: multiplied. Their pebbly shit studded the sidewalks; it was impossible to take a stroll without soiling one’s shoes. Mounds of rabbit shivered on too-green lawns, watching unblinkingly. Hal, who had been unable to parse the purpose of decorative rodents, once struck one across the head with a potting shovel for habitually shitting on their patio. Addie had watched from the kitchen window; the rabbit did not even think of moving when Hal raised the shovel, could not seem to comprehend that the world might be bent toward necessary violence.

It wasn’t right, Addie thought, to breed the wild out of the wild capriciously. But even now the tremor-eyed rabbits knew what was coming. They stormed the lawn, hopping into bushes, under the latticework of porches. Addie stood, her knees protesting the abrupt movement. “Get out of that field!” she yelled at the boy, the volume of her voice swelling against her cheeks. “You’re going to get yourself killed.” She waved her hands, beckoning him to her patio.

He must have heard her. His head pitched up. His ears cocked. He stared straight at her, his big eyes moons. The black was on him now, the sky preparing to cleave, lightning severing the clouds. The boy hesitated, gripped his stick as if he intended to ignore her, jabbed at something at his feet. And then the sky ruptured, the winds tearing Addie’s coffee cup right off the table, her newspaper scudding to the ground, the brightly colored pages levitating around her calves. A finger of light reached out toward the boy, a perfect spear of lightning, and like a shock cord, it retracted just before it touched him, lassoing back up into the clouds.

Addie had never seen him move quickly before, not like the other kids who played basketball in the alley or scootered around on their wheeled contraptions. No, the boy generally maneuvered like an octogenarian, his legs buckling beneath him, the joints of his body bending at bizarre angles, a little, geriatric-looking Pinocchio.

But the boy was running toward her. Fast. The wind whipped his longish hair into a ducktail; his wet T-shirt stuck to his body like a caul. Even from a distance, Addie could see the boy’s ribs beneath the fabric, each slash of bone. Then he was standing not three feet away, waiting hesitantly at the patio step, just outside the protection of the awning. His thin chest heaved. The veins of his neck jerked. His owl eyes ballooned. He seemed slightly inhuman, some creature the storm had conjured. A horrible thought struck Addie: one day this boy will be a man, his ugly body hovering over some woman Addie could not help but see as unfortunate. And that unwelcomed image—the grotesque angles of his matured face, the eyes like small, raging animals caged in his sockets—shivered her spine; the truth of it, that she’d thought it at all.

 

II

 

When Vivek got home from the old lady’s house, his own home was silent; it smelled of rain and sandalwood. Barely past four, the house was pitch black, the drapes drawn against the soupy light. He found his mother in the living room that hinged the kitchen. She still wore her scrubs, bright teal and freckled with kicking bears in top hats. A fashion magazine draped her lap, unopened. Her profile—his profile—cut a dark, shadowy void. Her thumb and middle finger noosed the stem of a half-full wineglass.

She stared at the curtained window, the last breath of the storm pelting its panes. Vivek knew she hated it, the rain, the constant moistness, the promiscuous green growth of the landscape, the way everything seemed to ooze and seep, but for some reason, she refused to leave, refused to return to southern California where she’d grown up, where she met Vivek’s father, where they lived pre-children—if the family photo albums told any truth—a happy life before his father uprooted her for a job running the regional hospital where Vivek’s mother now worked as a nurse.

Vivek opened the window curtain to allow in what little light the day offered, then eased onto the sofa beside his mother, his thigh almost resting against her own. She blinked, her lashes, as long as spider legs, pinching together then fanning open. Her eyelashes and eyebrows were untouched by the gray that shot through her hair, as if they belonged to an earlier version of herself.

“I lost a patient,” she said.

“I’m sorry.” Vivek thought to hold his mother’s hand, but even as young as he was, he understood that the gesture would be too jarring in its strangeness, what little language of touch they’d known lost to them since his father’s death the year before. They sat together for a moment, both staring out the window at the neat line of spindly, young oaks bordering the sidewalk in front of their house, which they moved into after his father died, his mother in search of a sterile newness, a blank slate.

“A girl,” his mother continued. “She was talking—about some TV show with dancing hippos—and then she wasn’t. She closed her eyes, and that was it.” His mother turned to him when she said this, her face so vulnerable he could barely look at her without feeling the familiar rage punch from his gut to his throat.

“Rice and steamed vegetables okay for dinner?” Vivek asked, unfolding off the couch.

“Sounds lovely,” his mother said, although he knew she would not eat more than a child-sized bite or two. And then, after she thought he was asleep, she’d sip wine in the dark silence. He could not understand it, his mother’s choice to work with terminal children, other than she found comfort in knowing with certainty the outcome of things. There’d been hope for his father, torturous hope for months, and still the end had been like all endings. There’d been none for the older brother Vivek never met, the teenager who died upon impact on an unlit country road, a case of empty beer cans scattered around his body in a loose constellation, the car, a graduation gift, accordioned against a tree, his girlfriend slung over a branch of the same tree, her blonde hair draping like Spanish moss. Or at least, this was what Vivek saw when he tried to imagine the scenario, which he did often enough to scare himself.

No, there had been no hope for Anaadi. Not until Vivek, a consolation baby—no one made a secret about his purpose—entered the world on the first anniversary of Anaadi’s death sixteen years ago. He was reborn, their usually unreligious mother insisted on the rare occasions she drunkenly collided with her living son in the small hours of the night, into Vivek’s own body, a frail and contorted vessel after a botched forceps delivery. If true, other than being a stupid teenager, what horrific thing had Anaadi done, Vivek often wondered, for Yama to punish him with such a body in his new life?

“What’s that?” His mother pointed at the metal detector he’d propped against the coat closet. It looked like a weed whacker.

“An old lady two streets over gave it to me. I ran into her house for a minute when the rain started.”

“Why would a stranger just give you that?”

Vivek shrugged. “She said she didn’t need it anymore. Said she didn’t want things to clutter up her house.”

His mother considered this, studying the contraption suspiciously. “Be careful,” she finally cautioned. “No one gives away things without an expectation of something in return.”

Vivek clamped the rice steamer closed. He’d become the lone cook in the house after his father died from pancreatic cancer, and although he had discovered no secret culinary talent, he liked the ritual of preparing food, felt a certain superiority over the other boys at school, boys who were obsessed with video games and sports and skateboards and flippable bangs. He’d always been different from them, but this distinction seemed noble, unrelated to his uncooperative limbs, which would never have allowed sports and skateboarding even if he had the interest. He did not.

“What would an old lady want from me?” Vivek asked, but even as he said it, he knew that in general his mother was right. No one had ever given him a thing without an expectation of something in return. An unexpected gift of a Snickers at school from one of the shaggy-bang boys had eventually cost him his trig homework, an unwanted kiss on the cheek from one of the skankier girls a peek at his physics exam. Even the sad gift of his body required that he share it with Anaadi when his mother so desired.

The old lady’s house had looked as if she was just moving in or about to move out. Packed boxes towered in the dining room. A widescreen TV rested on the floor. The only visible furniture in use was a table in the kitchen with a few chairs ringing it and a small couch in the living room facing a blank wall where the TV would have been in a normal person’s house.

He’d paused upon entering her home, eyeing the boxes, the bare dining room to the right.

“You moving?” he’d asked, his voice sounding strange in the naked room.

“Sooner or later.”

“If you haven’t moved yet, where’s the rest of your stuff?”

The woman shrugged, said, “I didn’t need it anymore. Probably never did.”

After she ushered Vivek into the kitchen, she fetched a towel and wrapped it around his shoulders, seating him at the table. She poured him some lemonade from a carton she pulled from the side of the refrigerator, then sat across from him, her scrawny hands fisted under her chin. She was tiny and birdlike, her blotched skin loosening at the chin, her nose so long the fleshy tip almost touched her top lip. She stared at him for a minute, runny green eyes narrowed. “I’m Miss Addie,” she said. Her accent, a muddied, old-fashioned drawl, was so thick it would have required subtitles if she were on one of those redneck reality shows.

“I’m not good with kids,” she said. “Never had any of my own.” Then she stood and limped over to a utility closet and retrieved the metal detector, shoving it toward him.

“This was my husband’s. He’d intended to hunt for Civil War nonsense—bullet casings and belt buckles and whatnot—but didn’t get around to using it. Maybe it will help you find what you are looking for in that field.”

“Maybe,” Vivek said uncertainly, but he could not resist reaching for the gift.

She cocked her head, her nostrils shuddering. “What are you looking for, anyway?”

This was what Vivek was searching for this summer: his brother’s class ring, the school mascot, a cartoonish tiger, prowling up the side, the center stone an oversized ruby. One lazy, early June morning it had occurred to Vivek that if what he owned belonged to Anaadi, then in theory, what Anaadi once owned should belong to him. So Vivek swiped the ring from his mother’s jewelry box, intending to keep it for just a day. At first, he slipped his hand into his pocket every few minutes; the ring felt hot to his touch, like a tiny organ pulsing heat. And then, he became distracted by the day’s project, a kite he designed and built himself, which he attempted to fly for hours in the grassy field behind his neighborhood, a childish pursuit he suspected would invoke a barrage of cruel taunts from his classmates if anyone saw him. But that was not a problem, because outside of school, Vivek never saw anyone except his mother. By the time he remembered to shove his hand into his pocket to check for the ring, he found nothing but a wad of kite string.

What he told the old woman, a lie inspired by a television program he’d watched by himself in the darkest hours of the night after waking from another disturbing dream: “Space junk. Orbital debris rocketing around the asteroid belt. Sometimes it breaks through the atmosphere. Bits of rockets and satellites.”

“Good Lord,” Miss Addie had said. “There’s junk in space, too?”

Orbital debris? his brother seemed to say now from one of the photo frames that rested on Vivek’s dresser, his sultry eyes those of a Bollywood star. Their mother had rewritten Anaadi’s modest achievements into epic feats since his death, but his looks required no exaggeration. He was the kind of handsome that made Vivek study his feet when it passed him in the school halls, overwhelming in its intensity, like staring directly into the sun.

Poor Vivek, Anaadi whispered sadly from his photo, but Vivek caught his brother’s faint snigger, and Vivek suspected, not for the first time, that his brother had been a bit of an asshole when he’d felt like it. He actually liked that about him. Boys who looked like Vivek—bug-eyed and bent-backed and perpetually preadolescent—were not permitted the luxury of assholeishness.

The top of the desk served as a shrine of sorts: pictures of Anaadi from diapers to graduation gown; a sterling silver rattle with Anaadi’s full name and date of birth engraved on the handle (there was no such rattle for Vivek); seashells Anaadi had collected from sands of the Gulf on a family vacation as a toddler. And, hidden beneath a photo of ten-year-old Anaadi in a Little League Baseball uniform, a picture of the blonde girl Anaadi had loved, the girl who’d been with him at the end. In the snapshot, she sits on the edge of a bed in purple-polka-dotted panties, her long hair tousled on her shoulders, her knees pulled to her chest and wedged inside an oversized T-shirt. She’s squinting hard at the photographer from under heavily made-up eyelids, her extended hand languidly shooting a bird, Anaadi’s class ring glaring from her middle finger like an angry, bloodshot eye. The look and the gesture seem somehow intimate, an invitation. Vivek had found several photos of the girl wedged inside his brother’s copy of The Call of the Wild, but he preferred this one the most. The edges showed the wear from his brother’s hands, and it made Vivek feel close to Anaadi—mysterious, fabulous, wonderboy Anaadi—to hold his girl in Vivek’s own.

Lila Grayson. That was the name scrawled on the back of the photo. Her last name was Williams now. He’d looked her up on Facebook, and it took a few minutes from there to figure out her current address one town over. He’d marveled at the image of her profile photo, how the tired woman in that picture could also be the glossy-skinned kid who’d once known his brother. Vivek had done the math; she would be well over thirty, almost double the age of the girl tucked into his dead brother’s book.

Last week he had taken his father’s car—a silver, vintage Mercedes his mother was saving for Vivek, though his sixteenth birthday had passed with no mention of when he might get his license—and driven to the adjacent town where Lila Williams now lived, circling the pocked roads for her address. The town was a string of doublewides and boarded storefronts, and after an hour of orbiting the same trash-strewn lawns filled with lanky, mud-kneed kids or knots of young men in low-slung pants with cigarettes pinched between their thumbs and forefingers, Vivek finally found Lila’s place—a small tract house with a patchwork of red clay and dead grass for a front yard. A pack of young children—all boys—ran wild. He parked the car next to the mailbox and watched, waiting, he supposed, for Lila to emerge through the dented front door, wondering how her life might have been different if Anaadi had not died. He liked to think that Anaadi’s death changed the course of Lila’s life. He liked to think that he was not alone. He waited until he could wait no longer, until his mother’s shift ended at work and she would soon be home to discover the missing car, and still, Lila never emerged once to check on her children, never even pulled back a drape.

Vivek caught his mother studying him often enough, her expression a mixture of wistfulness and mild distaste, to know she recognized nothing of her first son in her second, that she never once truly believed any remnant of Anaadi survived in Vivek. But at night, when he finally found sleep, Vivek sometimes saw Lila, the girl as his brother had loved her, and the details of her face—the mole that rode the rim of her upper lip, the freckles scattered across her slightly crooked nose—were so finely etched, the pressure of her lips on his so palpable, that when he first woke, her image still hovering in his mind’s eye, he half believed what he had witnessed was more memory than dream, that Anaadi’s soul, however briefly, burned within him.

      

III

 

Jacob felt like a tool, wobbling down the street on his daughter’s lavender-colored bike, his soaked clothes clinging to his skin, the ragged plastic basket that drooped from the handlebars funneling a spout of water straight at his left cheek. The plan had been to take the Camry, but when he finally worked up the nerve to pull out of his driveway a few hours before dawn, the car refused to start. It took him two hours to cover the ten miles in the rain, which pushed against him like an invisible hand.

He couldn’t remember the exact address of the old lady’s house. It had been pouring when he loaded her donations onto the Goodwill truck a couple of weeks ago—another part-time job that had not paid enough to cover even the electric bill—her house sheathed in rain. He’d been pedaling awhile now, circling the neighborhood, the large stucco homes so similar in structure and color, particularly in the night, that he worried he would never recognize the one where the bird-faced woman lived. The houses were monstrous in size—several so big they required two heating and air units. Some were silent as tombs, the owners probably off at their vacation homes to escape the summer heat. Others had yards littered with trampolines and miniature battery-operated Jeeps, porches crammed with SUV-sized strollers and bike trailers. What kind of work did these people do, Jacob wondered, to own so much stuff?

By the time the rain stopped and the sun began to emerge—a piss-colored smudge in the heavy-lidded horizon—he almost decided to cut his losses. And then he saw the planters on the front porch, two massive, ceramic bowls painted with navy blue fleurs-de-lis. He knew that the planters were plantless, filled only with dry, caked dirt, because when the old lady wasn’t watching, he’d put out his break smoke in one, embarrassed by the intense pleasure of the juvenile act. Jacob dropped the bike behind a row of drooping azaleas next to the house and crouched in the shadows of the two-story Craftsman, bile seeping up his throat.

Since he’d lost his job teaching phys ed at the elementary school during the last round of cuts, in addition to taking any job that came his way, he’d cancelled the landline and cable, pawned the TVs, the Xbox, the laptop, the crappy Walmart pay-as-you-go smartphone, listed his good tools on Craigslist, even sold his blood plasma. Still, there was not enough, and Sharla had been very clear in her terms the past weekend: Don’t come inside this house without rent money. He’d spent the last four nights sleeping in the car, waking at dawn to drive to the empty lot next to the old Piggly Wiggly, where he stood around with the other day laborers in hopes that some douche in an oversized, souped-up truck would choose him for the shit job du jour, which never happened. The younger guys and the Mexicans got picked first, more bang for the buck. Jacob felt like an aging hooker, and when he said as much to Sharla that first night when she came out to the car to torture him with another stack of bills, she snorted, said, “When a four-hundred-pound dude with titties bigger than mine sticks his hand down your G-string, we’ll talk.” Before they met, Sharla had stripped for a few years at a pretty tame tops-off-only joint, but the way she worked herself up about it, you’d think she’d been exploited by a ring of Russian sex traffickers.

Last night he was awakened in the back seat of the Camry by a persistent drip, the moonroof’s seal completely undone by age and sun exposure. He sat there for a long time, stripped to his boxers, the stringy heat of the old car unbearable. It was like sitting in a cow’s mouth. And then he understood—what he needed to do, the only thing he could do.

He chose the old woman because she had seemed so delighted to get rid of her things. She practically hummed when he hauled off a nice set of leather couches and a recliner to the Goodwill truck, spreading her arms wide in the emptied living room as if she were about to break out into a jig. Frankly, Jacob found her joy offensive to people like himself, people who were too panicked about not being able to put gas in the tank and food on their table to kick up their heels when the repo man came to haul their shit off. What was the difference, he reasoned, if he cut out the middle man and took her things himself? She wanted to donate to the poor, and God knows, Jacob was not much, but he was poor.

But standing here now, his face pressed to the old lady’s window, he wasn’t so sure. He’d never stolen anything, unless he counted beer from the stash his father used to hide in his ancient johnboat, and weed from friends in high school, a finder’s-fee pinch from a baggie here and there. Or, if he wanted to get philosophical about it—and Jacob did not—Sharla’s youth, which, according to her latest rant, had been squandered wiping the asses of his two kids.

He peeked inside the house. The old lady was nowhere to be seen, and he hoped that if she was home she was still asleep. A lady that ancient would surely sleep like the dead. He did not allow himself to consider what he might do if she were awake. Jacob spotted a wall of boxes and a large flat-screen TV perched in the foyer, a new collection of things apparently intended for donation. The TV alone would pull in at least four hundred on Craigslist. Then the obvious hit him: How was he going to carry a 55-inch TV on a bike? The panic—the cold clamping of his heart—nearly knocked him out. He pressed his cheek, raw from the hard rain, against the cool of the stucco.

Maybe, he considered, not all was lost. There could be some small stuff, jewelry or collectibles, in those boxes, things he could carry in the bike basket. He surprised himself by laughing at the thought of a man barreling down a county highway balancing a big-screen TV on his handlebars, the tone of his laugh harsh, and he wondered when his own voice began to sound like that of a stranger’s.

He would be less likely to be seen breaking in at the back of the house, which faced an open field, so he eased around the side, hugging the house as he moved, his wet, sneakered feet tripping over a paver brick, a ceramic butterfly, a garden hose, and then something soft, malleable.

Jacob looked down to find the furry belly of a small creature wedged under his heel; his foot jacked up reflexively, his shoe hovering over the animal in midair like a threat. The thing looked to be a rabbit, its eyes glassy and still. It stared straight through him, its narrow rodent mouth agape, the sharp teeth crooked and yellowed. Then it seemed to release a moan, a long, low keening.

Jacob jumped, nearly falling into the hedges, and by the time he steadied himself, he found himself at the back of the house, gripping a poorly molded wrought-iron fence that surrounded a brick patio, a wide field of grass in the distance, black clouds pressing down the horizon like a giant fist. And the moaning—it grew louder, closer, even though the dead or dying rabbit was now a good ten feet away.

Then he saw it, the woman’s body sprawled across the brick patio, a water-logged newspaper a few inches from an outstretched hand. He stared at her for at least a minute before he fully recognized her as human, as the source of the terrible sound. It was the old lady, her clothes matted to her skeletal frame, her hair a thin, see-through cap, her mouth fish-lipping the air.

At her feet, French doors winged open to the kitchen. The small dinette table that took up most of the eat-in kitchen was covered in what looked like stacks of photo albums and old papers, and next to those, a hand-carved wooden box, the kind of box in which people keep precious things. Jacob’s heart lurched instinctively at his good luck, and this response frightened him, because it took only the space of a breath to understand that he would not call 911, that in the end he would step over the woman’s body to enter her home, that he would avoid looking at the yellowed black-and-white photos spread on the table of the old lady when she wasn’t so old—when the thinness of her cheeks appeared pixie-ish and coquettish rather than birdlike, when the man he assumed was her husband still found her lovely enough to bury his broad face in the hollow of her neck—and he would reach for that box instead of the phone that hung from the wall. And later, back at his house, sitting, finally, at his own kitchen table across from his wife and kids, there would be much doubt and regret and sorrow. But in that exact moment—the moment he flipped the lid of the wooden box open to reveal a string of opaque pearls, a diamond engagement ring, and a man’s gold pocket watch—he felt only as if he’d been spared.

 

IV

 

The kids were like fucking animals. Animals. Not precocious. Not curious. Not energetic. Feral animals. Lila had tried to explain this to Trey, that the way things were going she might be dead by the end of the summer, and not metaphorically devoid of life, but straight up dead dead. She’d begged him to hire her some help, even a neighborhood girl for a few hours a week, but he’d laughed it off like silly nonsense, told her money was too tight, that she just needed to put her feet up now and again, take a nap if she could squeeze one in. If Lila closed her eyes long enough for a nap, she had no doubt that she’d wake to complete destruction. Tsunami-style devastation.

Trey still looked good in boxers, stayed sober most nights, and worked hard at his machinist job, but Lila couldn’t find anything else nice to say about her husband. She knew as much when she married him. What kind of guy calls a box of donuts and a 12-pack of Natural Light on a rusted-out tailgate a first date? But she’d been assaulted by a restless anger for a long time after the car accident, a rage that stemmed, in part, from the way the tragedy had defined her, her transition into womanhood, and her inability to say as much without the risk of sounding like a heartless bitch had only exacerbated her righteous self-destruction. She’d been overwhelmed by a want to punish—her friends, her parents, the world, herself. Trey, a good ol’ boy with a pickup truck and a gun rack and tepid blue-collar aspirations had seemed a fine way to do just that, and when he put his hand on the small of her back as she worked her way through the crowded redneck bar she frequented when home from college specifically because her father had asked her not to, she whipped around to face him, placing her mouth over his before he could introduce himself.

She was a year shy of her bachelor’s degree with no employment in sight when she discovered, a few weeks before the end of summer break, that Trey had knocked her up. Being jobless and pregnant and married, even to Trey, seemed a wiser option than being just jobless and pregnant. And if there had been other options, she had been too tired to consider them. Then Peter arrived—a squally mass of flesh—and Lila thought the baby would cement the deal, make her feel like a real wife and mother, fill her days with playdates and onesie shopping and misty baths where she would coo at the baby like serene-faced mothers on Johnson & Johnson commercials. None of that happened. She just grew weary and bored, her anger, at least, dulled by exhaustion. And then the others started coming, no matter how much birth control she pumped into her arm or gut, one boy after another, like goddamn rabbits, the youngest almost two.

Their junk multiplied, too. The house was littered with sippy cups and torn books and ride-ons and little honking cars and tooting trains. The yard was even worse: a disemboweled trampoline, a rusted-out swing set, dozens of sun-faded push toys and tire-deflated trikes. Sometimes Lila thought she’d be buried alive, just slowly sink into the mire of crap, and to tell the truth, she’d be grateful for the escape.

Wine, she recently discovered, helped tremendously. She wished she’d thought of it years ago. Trey didn’t seem to notice the drinking, and she was careful to buy cheap wine at Costco so that he wouldn’t notice the expense either. Over the last few weeks, she’d started a little earlier each day, just testing the waters. Today she didn’t even pour a bowl of Cheerios and make a show of taking a few bites; instead, she filled her coffee cup with merlot, then kept refilling it, the shrillness of the children’s squeals as they ate and dressed blessedly muted.

The rain had been ruthless all summer, and anytime the sky cleared Lila shoved the kids out the door and locked it behind them. They were out in the rain-soaked yard now, all five of them, terrorizing a neighborhood cat they’d treed. Lila knew she should stop them, but she also knew that there was no stopping them, and so she sipped her wine and watched for a moment as Peter, almost twelve now and hell-bent on turning mean, pegged the tabby with pebbles, his little brothers scrounging the ground for more ammo. Even the baby was scratching in the mud on his hands and knees, yelping in delight each time the cat screeched. She thought to yell at them to leave the cat alone, but instead she closed the drapes.

Lila settled deeper into the couch, the mug of wine resting on her belly, her free hand picking at the frayed threads of the floral couch. When she noticed a patch of dried food—most likely yogurt from the morning’s breakfast—she didn’t even think of rising to get a washcloth, and she didn’t feel guilty for not thinking of doing so either. She just shut her eyes, welcoming the stillness.

Lately, when Lila stole moments like this, her body almost floating with the buzz of wine, her mind racing in images—the slope of her own mother’s cheek from years ago, the white, downy hairs gathering the sunlight as she drove Lila to grade school; her friends from college sweating out their beer at a frat band-party, their long, wet hair lacerating their bony shoulders; Anaadi the night he died, sitting cross-legged in front of a bonfire they’d built, etching a cartoonish stick figure of her into the red dirt—she was certain that there must be many Lilas, all living their separate lives at once. Sometimes, she liked to think that if she focused hard enough she could find her way back to one of those other Lilas, that she could hit the reset button, but she suspected it wouldn’t matter much, that, eventually, she would find herself right back here on this very couch.

When she heard the knock on the door, she figured it was one of the kids, forever wanting something, and she waited a long moment before rising, savoring the velvety darkness of her eyelids. She stood unsteadily, holding her mug of wine to her chest as she moved across the cluttered room so the wine would slosh onto her old T-shirt instead of the carpet. She threw open the door, ready to respond to whatever request with an It’s-time-you-learn-to-do-it-yourself, and found herself staring at an Indian boy with bulging eyes and a slab of greasy hair paneled across his forehead. He stood too close to the door, almost inside the door frame. He smelled of dirt and grass. She almost slammed the door shut, but her kids were out there in the yard, and what kind of mother would she be if she considered only her own safety?

So instead she said, as tersely as she could, “What do you want?”

The boy blinked once, twice. “I don’t know.” He pistoned his wadded hands deep into his pockets. Stared at her shyly.

“You selling something?” Lila offered. She peered around him, as if he were hiding a clipboard or a box of candy bars. Behind him, her own boys had stilled. Only the baby crawled in crazy loops around the base of the tree, the cat still clutching to the same branch. Lila’s sons watched her and the stranger with naked curiosity.

“When you didn’t answer the door, I was just going to leave it on the step.” The boy gestured with his chin toward the ground, and Lila spotted a small object close to the toe of his boat-sized old-man shoes. It took a few moments for it to register that it was a ring, its wide band a cheap, cloudy gold. She couldn’t tell if the boy was making some kind of love offering or trying to sell her his mother’s jewelry to buy meth from one of the cook houses on their street. Either way, she wasn’t interested, and was about to tell the boy so in no uncertain terms when he unclenched a hand from his pocket and, without hesitation, touched his hot fingertips   to her face.

“You look older than yourself,” the boy said, like some retard or oracle. Then he jerked his hand away and turned to hobble down the grass-cracked walkway toward an old Mercedes, the bend of his hooked back that of an elderly man. Lila studied the ring at her feet, turning it with one big toe. It was gaudy and poorly made, the red gem only dull glass, the band so thin it razored against the skin of her feet. The sight of it made her angry. More junk. She swept it with her heel into the overgrown shrub for the kids to scavenge later.

 

V

 

First it was Addie’s heart—clogged arteries, an irregular rhythm. Then her lungs—reduced capacity—an afterthought of thirty years of smoking, a habit she regretted abandoning once she realized she would be punished for it anyway. After her knees went and her doctor doled out the assisted-living speech, Addie began giving away her things in preparation for the inevitable move: the heirloom china her mother gifted her when she married Hal; her formal dining room furniture, with the silk-backed chairs she painstakingly protected from Hal’s soiled hands for more than thirty years; and as soon as the Goodwill truck showed up again, everything else she could spare, including the TVs, with their incessant chants of economic doom and endless wars.

She had no children to whom she could farm out her things. There’d been a baby the third year of her marriage, a misshapen boy who never pinked up. The others died within her, a string of miscarriages throughout her fertile years, until, mercifully, her reproductive organs could not even ignite those weak flames. If Hal blamed her for their inability to have children, he never let on—a mysterious softness for a man who railed at her for allowing the chicken feed to mold or the morning paper to get wet—and with each loss, he brought her flowers, beautiful daffodils he left in a mason jar on the kitchen table. After the initial thrill of performing wife wore off, she found herself at twenty only dutifully fond of her husband. But she loved him with an indescribable love those mornings she woke to the daffodils.

She’d expected to experience some anxiety watching the men from the Goodwill haul her things onto the truck a couple of weeks ago when she made the first round of purging, unmoored without the familiar shadows of her household possessions. Instead, she felt strangely liberated, untethered to a past she had no recollection of deliberately choosing. She was also intrigued as the two young men tugged Hal’s leather recliner down the front steps: what must it be like, she wondered, to spend one’s time collecting the detritus of others’ lives?

She was dragging a box of dusty paperbacks to the front porch for the second scheduled pickup when she opened the front door to the boy, whom she’d only seen from a distance in the week since she’d taken him in during the storm, working the field for hours with the metal detector, its robotic burping loud enough to reach her patio. If the whole of America had the work ethic of that boy, she thought each time she saw him struggling through the field, we wouldn’t be in this economic mess. But there was something unsettling about his dogged obsession as well, a futility and desperation that made her look away.

The boy stood on her butterfly welcome mat, balancing a massive platter of cookies. “Nan Khatai,” Vivek said as soon as she opened the door, thrusting the platter toward her. There were at least two dozen cookies, all meticulously shaped, a whole almond pressed into each gut. “Now we’re even.”

“Your mother made these?” Addie said, not reaching for the cookies. How would she ever eat two dozen cookies by herself? Their presence alone seemed like an overwhelming obligation.

“No,” Vivek responded, but he did not appear inclined to elaborate.

“Come on in.” Addie surprised herself with the invitation. “I’ll need some help eating these.”

He lurched inside, his feet encased in cumbersome therapeutic shoes.

“Those don’t look too comfortable.” Addie gestured toward his feet.

“They’re not so bad,” Vivek said.

Vivek slid the plate of cookies on the kitchen counter. The plate appeared homemade, painted a neon green, like some kind of clumpy pottery a kid would bring home from school as a holiday gift for a parent. “The plate’s for you. For the metal detector.”

I have a plate, Addie almost said, irritated that no matter how much she gave away, how many boxes she stacked on her porch, things had a way of returning to her: a free can opener from the bank, a sample issue of a cooking magazine appearing unwanted in her mailbox, a new pair of silk pajamas left on her doorstep at Christmas, a gift from the Baptist church around the corner she’d been maudlin enough to visit once after Hal’s death. But it seemed important to Vivek that she accept the plate, and so she did.

“Thank you,” Addie said, and Vivek shrugged his uneven shoulders.

Addie poured them each a glass of milk, and they stood at the counter nibbling on the sweet, buttery cookies, both silent under the hum of the fluorescent kitchen lights. Addie knew she was not the best at small talk. She’d rarely invited the other farmers’ wives over for coffee and dessert when such things were expected of her years ago, and when she did, the weary-eyed women had filed into her dusty parlor in homemade dresses, their squawking babies and flesh-grabbing toddlers hoisted onto their wide hips, and they’d eaten their pie and sipped their coffee without much chatter, never asking for a second slice or a refill, excusing themselves for one task or another as soon as politeness allowed. Addie always thought that her lack of children made the women uncomfortable, reminded them of how random and precarious their good fortunes were, and those smug thoughts might have conjured up the guilt and fear that pious women steeped in day after endless day, the worry that surely all that good fortune could and should be taken away in a blink of God’s indifferent eye from foolish mothers ungrateful enough to enjoy a sense of superiority over a childless woman. It was easier to avoid such thoughts altogether.

When she said as much to Hal, he’d told her, “That brain of yours is a wild, strange thing,” but he quit pestering her to invite the other wives over, and Addie had grown to appreciate long, languid days of her own company, to deem others’ presence a distraction, so much so that she found herself unsettled by the tender surge of her heart at the forlorn sound of the boy lapping his milk in timid sips. What kind of boy sipped his milk?

“How’s that contraption working for you?” Addie asked. “You find some space junk?”

The boy smiled nervously, pulling a small bag from his shorts pocket. He dumped its contents on the counter: a few barrettes and other hair contraptions, a slew of bolts and nails, two paint-chipped Matchbox cars, a glass hypodermic needle that must have been close to a century old, a fishing lure, a half-dozen defunct lighters, and a mound of coins. No space junk as far as Addie could tell.

“Take your pick,” Vivek said.

“But I don’t want anything,” Addie responded, perhaps too quickly. The boy’s face clouded, and he snaked his hand toward the counter with the intent of sweeping his finds back into the bag. Addie caught his arm with her hand before he could finish, his flesh warm beneath her palm. Wordlessly, she picked through the mound of objects, finally selecting an old-fashioned metal hair comb that was covered in dirt but otherwise in surprisingly good shape, the kind she used as a young woman to pull her once-heavy hair from her face the way Hal had liked it.

Later, after the boy left, Addie studied that comb for a long time, thinking of the woman who must have worn it, of the man who might have admired the length of the woman’s nape with her hair swept up, what she might have been doing when she lost it, if she were still alive, and if so, if she was old now like Addie. She left the comb on the table and fetched the photo albums and her memory box from the cedar chest Hal had made—one of the few furnishings she did not have the heart to give away—and spent the evening poring over the aged photos and keepsakes, studying each snapshot like a clue, a possible answer to a question she couldn’t quite formulate, until she grew too sleepy to sift through the photos any longer.

That was yesterday, and now Addie could see the comb lying a few inches from her face on the patio brick, but she could not make her arm move to reach for it. Early this morning, on a whim, she’d cleaned the comb with dishwashing soap as best as she could and carefully positioned it in her hair, which could hold its weight only after she doused it in several layers of hairspray. Then she’d stepped outside on the patio during a gap in the rain to have her coffee and read the paper, and the next thing she recalled she was opening her eyes to sky the color of gunmetal, her clothes soaked, the comb just in her peripheral vision, her body no longer her own.

That was what she had been trying to tell the stranger, the sad-faced young man who’d been standing over her when she awoke—that she could not feel her arms or legs, and that it was such a strange feeling, to simultaneously exist and experience nothingness. But the young man had disappeared hours ago, and soon after, when the rain stopped for good and the sky finally blued, she heard Vivek, the irregular heartbeat of the metal detector throbbing the saturated air, the sound so comforting that when it stopped abruptly, she thought for a moment that her own heart had ceased beating.

When the metal detector didn’t start back up, she tried to turn her head to see if Vivek was still in the field, but her muscles refused to obey her brain, and in the end, it didn’t matter anyway. She somehow knew the boy had found what he was looking for, that he was gone. Addie was surprised to feel a pang of disappointment that she’d missed it, the moment he discovered that bit of metal the universe had spat out. How delighted Vivek must have been, holding a piece of the heavens in his hand! She could imagine it now, the boy standing in the tangle of grass admiring the treasure nestled in his palm, the way it glinted and blazed in the raw morning light, a tiny sun illuminating an unknowable world.

The Robert Watson Literary Prize Story PINCHED MAGNOLIAS

Dalia brought the butt of her shotgun to her shoulder. Everything was damp, clammy. The air smelled of blooming magnolias and churned-up swamp bed, sweet and earthy all at once. Her husband stood, grinning, on the edge of her property where water met land. He spread his arms, palms toward God, and shrugged a little. Bud was a large man, wide and tall, and his broad shoulders looked ridiculous shuffling around under his denim coveralls. He took a step forward, his mudboots sinking into the black gumbo of the bayou that banked her garden.

“Off my yard, Bud. Now,” she said, the same way she might have said, “Pick up that mess.” Tired sounding, mostly. Bud took another little step, his open arms easing down, and Dalia wriggled her big toe around in the ground, digging a hole. Otherwise, she was still, a five-foot statue in a wide hat and flower-print dress. Her voice was steady and calm, her anger only apparent in how heavy her drawl had become. “Get back, I said.”

Like most of the women in Marti Parish, she’d been brought up with one finger on a trigger, and the weight of the gun felt good in her hands, natural. But Bud was the sort of fool who figured she wouldn’t use it, and he kept walking. “Baby, give me that big ol’ gun,” he said, that grin a smear across his face. “You know you ain’t going to shoot nobody.” It was the same tone he’d taken the first time he’d lifted her shirt in high school, the both of them grinning back then.

“Anybody. It’s ANYbody, you asshole.” She looked down at the hole she’d made in the soil. Her father’d had his own proverbs, wisdoms only he knew. “Nothing good ever grew from shotgun shells,” he’d say, his arms often in the dirt, “but the brass gives roses color.” The hole would do. “Take another step, Bud, really.”

“Baby, you know I love you.” His boots sucked at the ground.

Dalia pulled the trigger, smiled at Bud looking so damn surprised. “Fuck off,” she said, the sweetness of her drawl hanging on the words. She nudged the dispensed shell with her foot and sunk it deep into the dirt, pushing it into her little hole until it all but disappeared. She finished covering it, her foot sweeping and smoothing the moist earth. Only then did she look over at her husband’s body, at the ragged hole the buckshot had ripped through his chest, at the way the blood looked black as it pooled in the mud. She did a mimic of his little shrug and went inside the house to make a pot of coffee.

It wasn’t that she didn’t believe Bud loved her. Honestly, he was the sort of dumb mutt that loved everyone—therein lay the problem. She’d thrown him out when she realized that he was cheating on her, but like the old cur he was, he padded on back whenever he was hungry or lonely. He’d come in his boat, pulling in next to her daddy’s old one, a peace offering of fresh-caught white perch and half a six-pack in his worn hands.

Even that, she could live with, but he wasn’t secret with his whore. She’d eventually met the girl at the Piggly Wiggly, the both of them in the parking lot, Dalia’s cart full of half a month’s groceries, the girl’s holding only gin and tampons. She was just a little bit of a thing, short and dark like Dalia, maybe eighteen, dumb like him, and built like a rolling river, waves of her spilling out of her baby blue hot pants.

Still, Dalia could stomach it. Barely, but she could.

The girl was a stripper, of course, across the river at Pinky’s, somehow managing not to get tetanus or typhus as she crossed its parking-lot-slash-junkyard. Dalia knew the girl was just a symbol of everything that was wrong with Bud and his world and this town and had somehow managed not to hate the child whore. Not really.

She picked up her cell phone and watched the coffee drip. Her sister was sheriff, like their father had been, and so she was the only one to call. “Mary,” she said, the phone resting between ear and arm as she filled a little blue pitcher with cream and pulled out some china, “I’ve shot Bud. You might want to come.”

After their father’s death, Mary had let Dalia keep the family home but had stayed close. Three acres down, she was Dalia’s nearest neighbor. On the other side, the thin, empty homes of seasonal hunting camps leaned toward the ground. Tangled woods choked with brush and dewberries surrounded everything, slipping through and behind the sprawling lots. Only a gravel road and the bayou connected the homes, and in the thick of spring, even they seemed to get lost in the overgrowth.

The coffeepot was hot and ready when Mary stepped into the kitchen. Without even a hello, Dalia poured her a cup, and they sat at the table. Keeping her gaze on the pitcher and off of Dalia, Mary began spooning sugar into her cup.

Like so many sisters, they were opposites and made for mismatched bookends. Mary was slim and tall, her daddy’s girl, and wore rumpled jeans and a T-shirt. Her black boots, so normal everywhere else, looked out of place and clunky across from her sister’s small, naked feet.

“Looks pretty bad out there,” Mary said, finally making eye contact. “The flies are gathering.”

“I’d expect. It’s at least ninety.”

“Really, D,” Mary sounding sad now. “What on earth possessed you to shoot Bud?”

“He kept walking.”

Mary let the spoon clink against the cup as she stirred and stirred. Finally, she just said, “They always do.”

      

No one was surprised when Mary ran for sheriff, Dalia sitting right behind her at every little speech. Marti was a small parish, and everyone had known and loved their daddy. He was good people—maybe not the most honest sheriff, but wasn’t that the way? Honest and effective need not go together, not in Louisiana, and everyone understood Mary’s need to avenge her father’s murder, unsolved and itching at them all like a wound. She won easily enough, despite being a woman, her black hair yanked into a tight ponytail, skin scrubbed clean of any makeup, and Dalia behind her, bowing her head under the brim of a hat, touching her face with a tissue at each mention of their dad.

Dalia gave Mary a quick hug after she was sworn in and said, “He’d be proud,” her voice not quite happy. Mary just nodded.

She’d turned out to be a good sheriff and had been reelected, her sister once again sitting behind her, giving her the rare hug.

The women stood in the yard looking down at Bud.

Mary said, “You should wear shoes out here,” and Dalia wondered if she was just used to bossing people around these days. “Stickers and snakes.”

Dalia poking the body with her toe, “He was handsome when we met, sort of.”

“He was. But now, well, it’s a wonder he caught that girl’s eye.”

“Fairly certain he looked a bit better alive, drunk, and shoving dollars in her panties.” Dalia chewed at her lip. “Idiot. He could make a girl feel special, though, loved. In his own way, I mean. And he was funny.” The hem of her dress slipped into a mix of blood and dirt as she bent to look at her husband. She absently knotted the ends of the skirt like when she was gardening. “But, dumb.” She looked from Bud to Mary. “You know his girl looks like I did when I was young. Well, sluttier, but scrub her face and put some clothes on her . . .”

Her sister shook her head. “You ain’t exactly old.”

Dalia’d had enough of looking at Bud. Water lapped at the edge of the bank, eating it away, and she concentrated on that motion. Once upon a time when the sisters were barely more than babies, before their daddy told them that their mother ran off, before they’d forgotten her smell, her voice, there had been a couple more feet of land to play on out there, their little bodies getting bronze in the sun as they made mud pies. Their daddy drinking Beam and pretending to watch for gators as they played.

“This isn’t okay,” Mary said.

“No.”

There was a rumble of tires against gravel and both women’s heads shot up. Dalia could see a hint of black shifting behind the trees near the road. A pickup. She opened her mouth a little, finding it harder to breathe.

Mary closed her eyes, and Dalia listened to the soft shoosh of her breath. They waited. The truck kept rolling. “That camp past my house, I think. That Dutch guy,” Mary said. “It’s got to be him.”

“Shit.” The sound of the tires was almost gone now.

“Just grab his feet,” Mary said finally, waving a callused hand toward the back side of the house.

Near the farthest corner of the property stood a wooden T-frame attached to an old metal shed, rigged with a winch and rope. The nearest real grocery was the Piggly Wiggly forty-five minutes away, and so, like most everyone else they knew, the girls had been hunting for dinner since they could hold a Remington .410 steady. After a hunt, they had never been allowed to skip the skinning. “Real meat don’t come in plastic wrap,” their daddy would say, slipping a noose high around the neck of a deer before cranking the winch. Once the carcass was dangling from the T-frame, hooves a good foot from the ground, he’d grab a hose, nod toward the knives, and say, “Watch how deep you cut. You bust the gut, you contaminate dinner.” His girls, not quite tall enough to work a good-sized buck, would scrabble onto upturned pails, their daddy, tall and lean, adding his muscle to the job when necessary.

All the buckets were right side up now, but the winch was still oiled and functioning. When hunting season came around in the fall, Mary’d bring what she bagged to her sister’s house, dress it, and leave some of the meat in her freezer.

They half-carried, half-dragged Bud toward the T-frame. 

“Jesus, D, the least you could do is keep your end up,” Mary said.

Dalia’s hat fell off as she adjusted her grip. They’d slipped Bud’s boots off so she could get a good hold on his ankles, but they were wide and he was heavy, and the difference in the sisters’ heights didn’t make carrying him any easier. “Hold on,” she said.

“No. We’re almost there, and I certainly don’t have all day. Buck the hell up.” Mary’s mouth was moving, but Dalia knew that voice. It was her father talking. She didn’t answer, but she stopped and dropped Bud’s feet. Made a show of wiping the sweat from her face with the edge of her skirt despite its filth. Made a show of inspecting her hat, putting it firmly back on. Mary watched her, hands still looped under Bud’s arms, making no move to clear her own eyes of sweat.

They traveled the last few feet without much noise, but when they got to the T-frame, Mary said, “This really isn’t okay,” and as they stripped the man, made the noose, turned the winch, Dalia wondered who in the hell she was talking to, which one of them she was trying to convince.

There is a myth that any meat dumped in the swamp will be eaten by gators, but a body dumped in the bayou was as like as not to end up floating into someone’s camp. That’s how the girls found their daddy: his body bloated and nibbled but mostly intact, except for a missing finger or toe and that hole in his head that really only left his jaw in place.

That day Mary called the deputy while Dalia, home from college, sat with the remains at the edge of the water, rocks and roots digging at her. Laying her fingers on his hand—the skin sloughed off in places—she’d cried a bit and hadn’t returned to campus after, to take care of Mary, she told her friends.

So, the girls knew better than to put a whole man in the water.

They worked quickly, looking up every time a squirrel shifted the tree leaves or an acorn cracked against Dalia’s tin roof.  Once or twice she thought she heard tires again, and she stopped, looked up at nothing. It was dark before they were finished with Bud, but there was light enough from the full moon and the stars to see.

Dalia stripped to her underwear, her dress ruined. “I got a call from his girl last week.”

Mary rolled a metal barrel out from under the shed, the bottom scraping as she tugged it off the uneven concrete that rimmed the building. She filled it with faded newspapers, dropped in her jeans, her T-shirt, Dalia’s dress. “My bra clear?” she asked.

“Looks it.”

“Soak the ground. There’s been a lot of rain lately, but still a hot ash might catch this grass.”

Dalia pulled the hose. “Daddy’s matches are still in the shed,” she said. “There’s lighter fluid, too.” Their father had often burned evidence here—gambling receipts, boxes from off the back of a truck, a dead drug dealer’s clothes. “You not going to ask what she had to say?”

“Is it why you shot him?”

“Maybe. I don’t know.”

Mary added twigs and Spanish moss to the barrel, more newspaper, threw a match in. “You got to be kidding me, D. You don’t know?” her voice loud.

Dalia ignored her. “She was crying.”

“She claim he beat her?”

“Bud?” Dalia laughed. “No. No, of course not. She said he was leaving her. Begged me to give him back. Like he was mine, like I wanted him.”

With everything damp the fire was slow to catch, and Mary got the lighter fluid out, tried another match. “Did you?”

“No.” Dalia watched the moss and wood and newspapers and bloody clothes light, watched the fire climb and fold itself over the edges of the barrel as if searching for escape. “And isn’t that sad.”

She had wanted Bud so badly when she was younger. Whenever she visited from lsu, he’d show up with magnolias that he pinched from the tree in the front yard, the one her daddy had planted for her when she was six, her daddy saying they’d grow tall together. Bud always claimed that he’d bought the big white blooms, the both of them laughing as he pretended to search for a receipt.

The night her father chased him off, Dalia had sounded just like the girl, Bud’s stripper. “I love him,” she screamed, her voice high-pitched and panting, the sound of it climbing to fill every space in the kitchen.

Her father had just stared at her. His eyes the sort of gray that blanketed the bayou in winter. She’d never yelled at him before, had never really cried, not since she was small. And there she was, sobbing so hard that her body shook. It felt as if her teeth might rattle right out of her head.

Her daddy hadn’t raised his voice, but it crackled like a bonfire. “You’re hysterical and he’s trash.” He put his 12-gauge on the table. “And if he comes back, I’ll shoot him. Now buck the hell up, sit the hell down, and calm yourself. You’re scaring Mary.”

And she knew he would. Her daddy had no problem with killing.

After a while, Dalia looked away from the fire in the barrel and said, “I’m not sure when I stopped wanting Bud; I’m just sure I didn’t want him anymore.”

“Why don’t you get dressed? I’ll watch this,” was her sister’s only answer to that.

       

Along with a large cooler full of the meat, full of Bud, Dalia loaded a frog gig, a couple of Maglites, and some Cokes onto her boat— just in case they were stopped by the Wildlife and Fisheries boys—and waited for the sound of Mary’s truck. She’d gone home for a shower, her badge, and her fishing license. “No need to take any chances,” she’d said.

The bayou was not a lonely or quiet place at night, and Dalia listened to the owls and crickets, watched the lightning bugs. She fought sleep, exhaustion creeping up on her as her boat rocked in the water. Once, she’d wanted to move to Baton Rouge or New Orleans, to be a doctor or an architect, but the cities hadn’t suited her. She’d felt trapped by the concrete, the constant buzz of lights, the people pushing against each other. She missed home, never stayed gone long.

Now, she lived off of her father’s pension and what Bud gave her, dreams of working, of being someone, lost to her wanderings in her daddy’s garden. Mary always helped her out if things got tight.

Tonight a part of her was afraid her sister wouldn’t return, though, so when the grating rumble of tires on pea gravel interrupted the swamp song, it was a relief. She squinted at the lights and felt panicky when they stayed steady, even after the engine cut off. She imagined Mary staring at her, how she looked in the harsh beams, and wondered if Mary hated her a little. As far as Dalia knew, Mary had never taken a bribe or planted evidence, had never enjoyed the “tiny perks” their daddy so loved. She’d walked straight.

Eyes watering from the light, Dalia counted. One Mississippi. Two Mississippi. Three Mississippi. Her breath more shallow with each Mississippi. Finally, the lights winked out, and the sound of the door opening knocked her in the chest. Dalia could breathe again, but her eyes were light-blind so she couldn’t see her sister’s face. Mary said, “Last boat ride, D. I mean it,” her voice hot and crackling like their daddy’s.

And suddenly in her head, Dalia was screaming at her daddy all over again. That night in the kitchen. Screaming and begging incoherently. Grabbing his shotgun and running into the night.

“Last boat ride,” she whispered as Mary got into Bud’s boat, untied it. Then Dalia reached for the ropes that held hers, loosed it, and turned the motor over, following Mary down the river.

She imagined what it was like for Mary that night, watching from the doorway as their father chased her. Her sister had worshipped the man, following him around and playing sheriff with his badge, showing him their mud pies and laughing as he told fish stories. Cutting the vegetables as he cooked dinner. Pouring Beam for him to sip on the porch. Always a good daughter. Dalia knew that they hunted together long after she stopped going, and that after she left for college they drank together, played cards together, even missed her together.

She barely knew her little sister when she came home for visits. Even though they were so close in age, she’d always thought of Mary as the baby, but the child had grown out of her quickly, the woman having moved in more and more each month.

Up ahead, Mary cut the motor, called out, “Here’s good.” So Dalia pulled alongside her and tried to hold the boats steady as her sister nimbly climbed from one to the other. “Let’s go,” she said, leaving Bud’s boat to the current. Dalia handed her a Coke and turned the wheel.

They drove for a while and finally cut the engine to drift quietly into a set of smaller waterways that branched off from the main bayou. Cypress knees bumped the hull occasionally, and the water was shallow enough that a wrong turn could beach them. Maglites out, they scanned the marsh grasses with the beams, looking for the red glow of alligator eyes. Frogs’ and spiders’ eyes glow green or yellow under flashlight, and there were plenty of those, the frogs singing nonstop, their voices so big.

Finally they found a series of banks with red reflections and backed the boat a little ways away until they were upstream from what looked to be nesting grounds, the darkness thick with gator eyes.

“Here’s good,” Mary said. It was the first they’d spoken in a while, and Dalia tried to read her sister’s tone. She got nothing from it.

They worked quickly, dropping the meat in the water a bit at a time.

She remembered how surprised her father looked when she whirled on him, his own gun in her hands. His eyes were hidden in the darkness but his whole body shot straight up with the shock of it, and he lifted his palms a little. There was a small noise as if he was about to say, “Baby,” as if the word was caught in his breath. Dalia still wasn’t sure if she actually pulled the trigger that night or if the gun had just gone off. The feel of it kicking in her hands made her think it was alive, that maybe, maybe, it had propelled the shot on its own—maybe she’d done nothing but not stop it. His face opened like a flower, blooming horribly, and she stood there forever, expecting it to close again.

The sound of the meat hitting the water made her feel a little sick. “I did love him,” she said to Mary, unsure of which man she meant.

It had been Mary who took the gun from her that night, who had decided they should leave their father in the dark water. Mary who’d told the deputy that their father’d left to hunt and that they hadn’t seen him since. Mary who’d mentioned a drug dealer from Dallas, mentioned that he’d been calling the house, leaving threats. Mary who’d run for sheriff so that Dalia would always be safe.

Dalia, on the other hand, had done nothing much except marry Bud.

Tossing the bits of the man she’d killed her daddy for into the black of the swamp, she thought of the morning her father floated back to them, of how she did not understand what the thing bumping the bank really was.

The fetid water churned and splashed as gar and bass and finally, finally, the alligators moved in. And the same sweet rot she had smelled a million years ago, sitting on the bank with her daddy’s body, then smelled again with Bud that morning, filled her nose.

DELTA FOXTROT

One Thursday in October, I went to the restored theater downtown for the film-society showing of The Thin Man. Just as the movie started, a handsome man sat down two rows in front of me. First I noticed the hair—thick and wavy like my husband’s when we first met. Then I found myself studying his profile, how his expression changed as the black-and-white movie menaced us with its long shadows, its echoing footsteps and tilted fedoras. I thought how like a scene in a movie it was: him unaware that I was watching him as he watched the screen, his face alternately illuminated and shadowed by what was playing out above us.

Afterward, the society president announced that we were all welcome to meet for drinks at a restaurant down the street. I’d never gone along before and didn’t know anybody in the group, but the hair guy was walking over, so I thought what the hell, why not try to meet some people? Everyone clustered around the bar, waiting to order, and I worked my way through until I stood next to him. He was squinting up at the chalkboard above the bar as if he couldn’t quite make out the list of wines and beers.

“How could you see the movie if you can’t see that?” I asked.

Though his eyes were small and his nose a bit too thin and sharp, the hair was so luxurious that when he smiled I felt foolishly pleased with myself.

“I can see what it says,” he said, putting out his hand for me to shake. “I just can’t decide what I want.”

His name was Preston.

“Preston, huh? Like the writer of The Great McGinty and The Palm Beach Story?” Movies my husband showed me years ago, back when the only dates we could afford were nights at home with a six-pack and a video.

He made a cute little half bow. “I wish I could say that Sturges is my middle name, but it’s really Edward.”

“The official middle name of the male wasp.”

“I had a Jewish grandfather, so I’m not technically a wasp.”

“Saved by the mohel!”

He laughed, and I thought, this guy likes to play. When our turn came at the bar, he asked if I’d share a bottle with him. I said I preferred red. The film-society people were talking around a big table on the other side of the room, but when the bartender set the Sangiovese and two glasses in front of us, Preston carried them to a small table by the big plate glass windows overlooking the street.

As he poured, he said he was working on a PhD in film studies.

“You seem remarkably cheerful for somebody in that line.”

He laughed in a good-natured way; maybe he’d heard that before. “And what do you do?”

“For the last eight years, I’ve mostly been home with my two children, but now my youngest is in kindergarten. So I work part-time in a paper store.” (For some reason, I forgot to say it was my husband’s store.) “You know, writing paper, printed invitations, party supplies, that kind of thing.”

“You’re a stationer. That’s so wonderfully old-fashioned.” He leaned his elbows on the table and gazed at me as he listened. I knew it was partly the wine, partly his determined interest, but I couldn’t help looking at that hair and wishing I could get my hands all in it. That he was younger—in his early thirties as opposed to my just-turned forty—made his attention all the more flattering.

Each Thursday after that, the film-society people sat at their big table, and Preston and I shared a bottle at our two-top. After a few weeks, I realized that he assumed I was separated from my husband. I knew I ought to correct his false impression, but I didn’t want him to think I’d assume a man wanted to date me just because we shared a few bottles of wine and some laughs.

Each Thursday, I arrived home later—eleven, eleven-thirty, midnight—giddy from flirting, gobbling breath mints and swearing I would never drive myself again after that many drinks. The house was always quiet when I came in. Even the dog couldn’t be bothered to get off his bed and greet me. Upstairs, the bedside lamps would be on, my husband under the covers—a book fallen on his chest, his head lolling to the side—completely unconcerned about my safety or my fidelity.

 

On Saturdays, my husband stayed with the children while I ran errands and visited my father. When Daddy first moved into assisted living, he would scold me.

“You don’t have to check on me all the time. Live your life, out there in the world.” As though it were a place he was glad to have escaped rather than one he’d fought leaving. But if I didn’t come for a few days, he’d go down to the nurses’ station and make them call me. “Where the hell have you been?” he’d ask when they handed him the phone. “Down with the clap?”

“Yeah, Daddy. The fleet was in last weekend, and now I’m on penicillin.”

“Serves you right.”

My mother would have said that somebody ought to have incarcerated my father long ago, but she hadn’t lived long enough to gloat. Four years ago, she’d left her vacation house at Sea Island, Georgia, put her car key in the ignition, and collapsed on the steering wheel before she could turn it. An aneurysm. Her husband, a retired banker, found her when he came home for lunch after golfing all morning. “Never knew what hit her,” he said when he called, as if her lack of self-awareness might, for once, make me feel better. The banker, she’d always maintained, was an afterthought and not the cause of her split from my father. She and my father had opposing dispositions—his dark and cynical, hers relentlessly, almost abusively sunny. His rude salty talk was just one of many things about him that she didn’t care for.

“Jesus, Charlie,” she’d say, “you cuss like a sailor.”

“I am a sailor,” he’d roar, jostling the ice cubes in his glass to let her know he needed more scotch.

Sailing was how they’d met, through friends of friends, at a beach club near Wrightsville in 1964. She’d just graduated from the women’s college; he was forty-two, divorced, a partner at a respected Raleigh law firm. When they were introduced, he frowned and said, “Well, you’re an attractive little thing,” as though attractiveness was an obstacle he was going to have to work around.

They were married the next summer. She had double-majored in classics and art history, planning to become a curator, but my father was old-fashioned and didn’t want his wife to work. She filled her time volunteering until, after two miscarriages, I came along. I was too late—they were already irreconcilably unhappy, often arguing and worried about money. Sailing remained the one thing they could stand to do together, momentarily forgetting their quarrels as they jibbed and tacked.

They sent me to sailing camp, where I failed to progress. As much as I loved the wind on my face on a sunny day, I couldn’t be bothered with navigation and ropes and all the figuring out that the work of sailing required. Even so, nautical terms were our family lingua franca, and it was a regular thing for the three of us to speak as code the names of the flags sailors use to signal other vessels, one flag for each letter of the alphabet. Many an evening my father would come home from the office, glowering, and head straight for the wet bar. If my mother asked him what was the matter, he’d throw up his hand and say, “Delta,” meaning, Keep clear of me. I am maneuvering with difficulty.

I used to try them with my husband, but he’d just raise his eyebrow and say, “Really? A flag? That’s all I get?” Even my jokes about semaphornication, complete with hand gestures, couldn’t win him over to the flag system.

It was just as well. Married twelve years and together for sixteen, we’ve developed our own private language. For instance, if he mentions the Civic hatchback he drove when I first knew him, I’ll say, My, she was yar, and he knows I mean that those were happy days. It’s Katharine Hepburn’s line in The Philadelphia Story about the sailboat Cary Grant designed for their honeymoon. They’re divorced, but as soon as she says, My, she was yar, with that wistful expression on her face, you know they’re going to get back together.

By the time my father went to assisted living, he had forgotten about the divorce and the banker. When I visited, he would fuss because my mother wasn’t there to receive me. Out shopping, he’d grouse, as though she, not he, had been the impulsive spender. I didn’t argue. He’d go on complaining about her, the irritation in his voice so fresh that sometimes I almost believed that they were still married, that she was still alive.

The Saturday after Thanksgiving was the first time my children saw my father after he moved into the nursing wing. Assisted living had been bright and lively, with Bingo games and a resident golden retriever. But the nursing wing was “one of those places,” as in, when your friends—whose parents are still playing golf and cruising to Puerto Vallarta—say, “I’d never put my folks in one of those places.” (To which I say, “Good luck with that.”) The fluorescent light pressed down on you, the beige walls pressed in on you, and if that wasn’t enough to choke you and make you want to run, there were the sickbed odors, masked by something cloying and purportedly floral. Every now and then the ambulatory patients set off the exit alarm with their ankle bracelets.

The oldest resident, Mrs. Beamon, 101, always parked her wheelchair where you would be forced to walk close to her. Everything about Mrs. Beamon—white hair, ecru bathrobe, pallid skin—was devoid of color except her pink slippers and her baby doll, wrapped in a blue crocheted blanket. When she saw my children, she extended a trembling hand toward them and made a guttural noise.

“Say hello,” I prompted Jacob, who was staring as though Mrs. Beamon were a rare albino animal exhibited behind glass. When he spoke, she gurgled again, and Elsie put her face in my skirt until I told Jacob it was okay to move along.

Down the hall in Room 132, my father’s favorite CNA, Bobby, was helping him brush his teeth.

“He’s the only one I’ll let bathe me,” Daddy would say. “He’s not queer like most of these male orderlies. He’s got seven children and four grandchildren.”

“Homosexuals have children, Daddy,” I sighed.

“Not in Jamaica, they don’t!”

Now my father stared at the television as Bobby handed him a cup of water and held a pink kidney-shaped tray under his mouth. Elsie made a sound of intrigued disgust when Daddy spat, and Jacob nudged her. They started poking and scrapping until I threw them a look.

“Knock knock,” I sang, hating my own false cheer as I rapped my knuckles on the open door.

Daddy’s eyes darted to me, shrunken and angry behind his bifocals. “Foxtrot,” he said. The flag that means I am disabled; communicate with me.

“It’s all right, Mr. Charlie, we’re done.” Bobby wiped Daddy’s chin with a washcloth and stepped back. “Now you’re all fresh for a visit with your daughter and your beautiful grandchildren.” Bobby was good like that—he always found a subtle way to remind Daddy who I was.

An anguished cry came from across the hall—a man, pleading, “Help me, Father.”

Daddy shook his head. “Calling for his priest. Does it all day and night. He can’t help it. Poor old bastard doesn’t know where he is.”

“Yes, it’s true,” Bobby agreed. “He’s confused.” With his usual inconspicuous efficiency, he finished straightening the things on the hospital table, then beckoned to the children. “Here’s the little man, not so little, what you, about nine?”

“Eight,” Jacob said.

“And, Miss Lady, your mama tells me you’re a dancer. Is that true?”

Elsie shuffle-ball-chained, bit her lip, then added some jazz hands.

“Look at you, with your razzle-dazzle! You see that, Mr. Charlie? Your grandbaby can dance.”

Daddy frowned at us, then turned his eyes back toward the television. “Your mother didn’t tell me you were coming. She never tells me anything.”

 

By the middle of December, they had Daddy on oxygen, and I was stopping by the home every day, always missing the doctor on his rounds, never able to find the right nurse who could tell me about my father’s condition. With Christmas coming, things were crazy at the store and the children were wild with Santa fever. Still, I managed to get to film club on Thursday nights. My life at home felt like low-budget mumblecore—a plotless ramble, all awkward pauses and tense situations—and I was looking to Preston to put me in a zippier feature. I yearned for sparkling dialogue, zany capers, dance numbers, and satin gowns cut on the bias. I wanted to drink my morning coffee while wearing a feather-trimmed dressing gown, winking at a man with brilliantined hair on a goddamned train.

Sure enough, one Thursday night Preston walked me to my car, took me in his arms, and kissed me in a way that let me know he’d been wanting to do it for a long time. His lips felt and tasted surprising, different, wrong. But also appreciative, eager, and, if not right, then right on. We were only kissing, after all. I could stop after kissing and still be considered a faithful wife. When he ran his hand inside my blouse, it was startling but not unwelcome.

Romeo: The way is off my ship. You may feel your way past me.

Soon, though, we had climbed into the back of my Honda—only because it was cold, I reasoned, and we couldn’t very well stand around making out in a parking deck where we might be seen. The car was the perfect spot in which to explain to him that we had to cease at once. But maybe, first, just a little more kissing, because that damage was done already, and I might as well enjoy it before I shut it down forever. But then, somehow, pants were off, and it was only a matter of minutes before even I couldn’t trick myself, in any way, into thinking I was still a faithful wife.

Alpha: Diver below.

Bracing my left foot on the back of the driver’s headrest, I abandoned myself to him, not caring that the sharp corner of a juice box was pressing into my behind.

Bravo: I am taking on or discharging explosives.

“I want to be with you,” he whispered.

Something in me summoned the wit to say, “Well, of course you do, after that.”

“Come home with me.”

I said I’d come over on Saturday. I figured I could visit Preston, shower at his place, pick up the dry cleaning, see Daddy, do the grocery shopping, go home and put the food away, and still make Jacob’s karate tournament by 2 pm. When I got to Preston’s apartment that Saturday, much more groomed than I usually am on the weekend, we went at it right away. In true romantic comedy fashion, we stumbled around the apartment in progressively giddy undress before falling onto his futon. After performing the sex act in several classic—but for me nearly forgotten—styles, I caught sight of his alarm clock and gave a cry that he mistook for pleasure. I had allotted time for married sex, not adulterous sex, and I was already late for Jacob’s tournament. Obviously, Saturdays were going to be more complicated, schedule-wise, than I had envisioned.

That afternoon, as I sat, aching, on the hard bleachers, cheering on Jacob as he sparred, I told myself that having an extramarital affair was a common enough life experience. Not one I’d planned to have, surely, but it was too late for plans now. Besides, didn’t I believe in fate? This affair with Preston was meant to be. Why else would my husband have suggested that I start attending the film-society screenings? Why else had Preston been sitting right where I could admire his lupine hair and feel those first stirrings of lust? I had been sent to the theater expressly to find Preston because there was something I was meant to learn, to discover. It was some kind of test. I was going to grow. As a person.

The whistle blew, and we clapped as Jacob bowed to his opponent. My dalliance with Preston wouldn’t hurt my family. I’d make sure my husband didn’t find out, and anyway, I was sure it wouldn’t last long. I just had to get Preston out of my system, and the only way I knew to get a man out of your system was to keep having sex with him until it didn’t seem fun anymore. I figured you didn’t have to be married to do that.

 

About two months passed, and the less I enjoyed the sex, the guiltier I felt. Tenderness crept in without my meaning for it to, and that worried me. Once or twice, I allowed myself to think what it would be like if I left my husband. I imagined sleeping every night in Preston’s one-bedroom apartment, with the moldy shower curtain and the bicycle in the living room. I’d miss my pillow top mattress and my matching blue Chinese ginger jar lamps. (I could bring them along, but Preston had no bedside tables.) I’d never again eat my husband’s sweet potato pancakes with my children on Sunday morning. And how many years would it take to achieve the companionable silence I now enjoyed with my husband? I couldn’t imagine returning to that phase when somebody was always saying, “What’s wrong? Are you sure? You seem upset.” It was like when somebody asked if I was going to have a third child and I thought about going back to all those diapers and sleepless nights.

So when Preston asked if my divorce was moving along, I’d say, “It’s complicated. I don’t want to talk about it.” But that didn’t satisfy him. He wanted to visit my father and play with my children; he was sure they would all become fond of him. They wouldn’t, I promised. I assured him that they were difficult, opinionated people whom he didn’t want to know. I reminded him to live in the moment. It didn’t matter what I said, though—he pressed; he sulked. Obviously, I’d soon have to break up with him, but I didn’t know the etiquette, and I liked having somewhere to go on Saturdays besides the nursing home. Plus, there was this one thing Preston did on that futon that my husband had never much gone for, and I wasn’t quite ready to give it up.

Then my father took a turn for the worse. It was the week of Valentine’s; the film was Bringing Up Baby. To my embarrassment, Preston brought me a red rose and put his arm around me during the screening. If any of the film-society people ever met me in the grocery store with my husband, I was going to be in big trouble. At the bar afterward, we took our usual table. I explained that I wouldn’t be able to come over that Saturday and that, no, he couldn’t visit my father with me.

“You’re my break from all that, Preston. You’re my Philadelphia Story. You’re my Palm Beach Story.”

“I know it’s probably been a long time since you’ve seen those movies,” he pouted, “but you might recall that in both of them the husband and wife get back together.”

I had to backpedal. Managing him had become too much like dealing with a touchy girlfriend—all hurt feelings and guesswork and apologies. “Oh, Preston. You know what I mean. Romance and all that. Good times. Black-and-white.”

He clasped my hands on the tabletop, and I prayed nobody was watching. “But I want to be more than that,” he said. “I want to be with you. I want to be there for you.”

Behind the big windows of the restaurant, the street was slick with rain.

 

The Saturday after I told Preston I couldn’t see him, I went by the library on my way to visit Daddy. The day before, the x-rays had come back, confirming that he had pneumonia. Too weak to rearrange himself in the bed or cough up the stuff in his lungs, he hadn’t been up for talking. All he could do was work on breathing. So I thought this time I’d just sit with him, even read to him if he liked.

At the library, I picked up a Czech novel I’d seen reviewed and a cookbook I thought would interest my husband. I dawdled among the shelves, looking for something I could read to Daddy. I hated seeing him the way he was now—his eyes yellowed, nails brittle, skin flaking. In the last few months, I could barely bring myself to touch him; a pat on the shoulder, a kiss on the forehead, or a brief hand squeeze was all I could manage. I’d back out of his room, throwing him bright promises of return, and then hurry to the visitors’ bathroom to wash my hands with antibacterial soap and the hottest water I could stand.

I settled on a book about Churchill—“never, never, never give up” was one of my father’s favorite sayings—and as I was checking out, my phone vibrated. Preston wanted me to come over for a “quick glass of wine.” I reminded him I had to go see my father. It was the same excuse I gave my husband when I went to see Preston; now I was trying to use it to get out of seeing Preston.

“You have time for just one glass.”

“All right. But no funny business.”

“I love that you call it funny business.”

By the time we made it out of the bedroom, it was nearly four o’clock, the time I was supposed to be back home.

“Fuck. I haven’t even been to the nursing home yet. Fuck. Fuck. Fuck.” I struggled into my coat.

“What’s the big deal?”

“I have a family, you know. I can’t just be gone all the time.”

“Okay.” He frowned, uncertain how to take my anger. “But you’re separated. You’re allowed to date.”

Uniform: You are running into danger.

“My father is really sick.”

“I know that, sweetie, but I don’t think it’s fair for you to be mad at me because I invited you over for a glass of wine and made love to you—”

I can’t stand to hear a man say “made love.” It sounds so cheesy and sentimental.

“—You never said you had to be home at a certain time, and I don’t think it’s fair for you to be mad at me because you have scheduling problems.”

He lay on his back, his hands clasped behind his head so that his elbows stuck out, the sheet draped to hide his junk. There was something so lazy and cavalier about him just then, his beady eyes roving over me as I dressed, that I got mad. It sounded like he was taunting me because he thought he was free and I was trapped.

“You know what, Preston? I think I’m getting sort of tired of you.”

It was the first time I’d ever been mean to him, and I saw what went on in his face. He struggled not to say something mean back, like “Your pussy wasn’t tired of me ten minutes ago.” No, that was too vulgar for Preston. Hoo-ha? Too comic. Straight-up “vagina”? Forget it. He couldn’t say words like that. The point is, I saw him think of mean things to say and dismiss them. I saw him decide to take the high road. Now, there is nothing I hate more in an argument than when somebody takes the high road. Because you know what people do up there on the high road? Look down on you. Look down on you, all smug, as you scream and shake your fist and dare them to come down and fight.

There were a hundred nasty things I wanted to say, but this time I took the high road myself. I told him I had to visit my sick father and go feed my children their supper. He didn’t need to know that I don’t do the cooking at my house. Properly chastened, he said that he understood. I kissed him to show we were made up and ran out to the car.

 

Three women in teal scrubs smoked in the parking lot, looking at their phones. Shift change. Inside, televisions blared, and the med techs moved in and out of doors doling out pills, worker bees in a hive of unmoving queens. I turned at the photo collage of residents, turned again at the framed poster of a Mary Cassatt mother and child, and hurried around Mrs. Beamon cradling her baby doll. Daddy’s door was closed; he usually napped in the afternoon. Not wanting to wake him, I opened it just enough to see his bare freckled back. Bobby and a female attendant were bathing him or changing his diaper, so I softly closed the door again and leaned against the wall to wait.

After a few minutes, Bobby came out, gave me a sorrowful look, and put his hand on my arm. He’d never touched me before. I thought my father must be really bad off, and he wanted to prepare me for what I was about to see.

“We’ve got Mr. Charlie’s shirt on him now, and I’ll come back in a few minutes to shave him.”

He spoke quietly, as though he didn’t want anyone to hear. I wondered why he was continuing to pat my arm, shaking his head mournfully and moaning in gentle commiseration. Finally, it dawned on me to ask, “Are you saying—is he dead?”

His eyes widened, and he pulled back without letting go of my arm.

“Oh. I’m sorry! The nurse said she would call you.” He shook his head again, this time at the ambient incompetence that suffused the place and made his job even harder. I reached for my phone. Then I realized how pointless it was to check my voicemail to find out what I already knew. Helpless, I held up my empty hands to Bobby. Now what?

He touched the door handle. “Do you want to see him?”

I nodded. Inside, the blinds were drawn against the fading afternoon, so the room was fairly dark. The female attendant cleared away the soiled diapers and the pan of water they’d used to wash him, then scurried out, mumbling her condolence. The head of the bed was raised to an angle between sitting up and lying down, as though Daddy was just relaxing to watch some TV. They’d buttoned his blue-and-white-striped shirt at the throat, wet-combed his silver hair, and drawn the institutional blanket up to his sternum. His mouth hung open, and without his dentures, his caved cheeks made him look more gaunt than usual. He needed that shave Bobby was going to give him, but all in all, he didn’t look terrible for a man who would have been eighty-one in a few months and who’d been sick a long time.

“I’m just not hungry,” he’d said on Thursday. “It hurts when I try to put food in my stomach.”

Whiskey: I require medical assistance. I’d known he was dying, of course. I just hadn’t wanted to think about it.

I crossed to the bed and put my hand on his chest, thin and hard under his shirt. If I knocked on it, I wondered, what kind of sound would come?

“When?” I asked Bobby. Where had I been?

“Maybe forty-five minutes ago. Maybe an hour.”

Preston’s.

“Was he alone?” I undid the top button of Daddy’s shirt, then the second. Now he looked more comfortable, more natural.

“Yes. He was alone. I came in to check on him a while ago, and the TV was off. That was strange because usually he turns it on at lunchtime.”

“He said he couldn’t hear the screamer down the hall if the TV was on.”

Bobby nodded. “For a minute I thought he was asleep, but then I saw.”

Daddy’s right hand hung out from under the blanket, dangling off the side of the bed. I remembered how I used to flop my arm off the top bunk at camp just to freak out the girl in the bunk below. “Oooh!” she’d squeal. “Stop it! It looks like a dead body’s up there!”

“Was he feeling worse? Did he ask anybody to call me?” Was he mad because I wasn’t there? That’s what I really wanted to know. But Bobby had no answers. He approached the bed, took rubber gloves from a box on the hospital table, and put them on. “I think your father passed peacefully.” He pushed the chin closed, then stood, holding my father’s jaw, staring at the closed blinds. It struck me how many times Bobby must have helped people this way.

When I’d been there earlier in the week, Daddy had complained that his back was sore from lying around so much. Rubbing his shoulders through his nylon pajama shirt, I realized it was the first time I’d touched him that long in years.

“Oh, that feels so good,” he’d sighed. “You used to beg to rub my back when you were a little girl. You were too small to do it hard enough.” He scratched his whiskers with a thick overgrown fingernail. “But it’s the thought that counts.”

I’d thought of Preston, then. How simple was the thing I’d been seeking; it could have come from anybody. Ashamed, I had massaged Daddy’s back until he said my arms must be getting tired and it was okay to stop.

“You don’t have to hold his mouth closed,” I told Bobby. “It doesn’t bother me.”

“Maybe if we do this.”

He lowered the head of the hospital bed, then rolled up a hand towel and wedged it between Daddy’s chin and chest. We agreed that was better. Bobby showed no impatience, but I knew he had work to do and told him he didn’t need to stay with me. He bowed his head.

“I will pray for your father’s soul to rest. And for you and your family.”

“Thank you.”

After Bobby left, I took my father’s dangling hand and tucked it under the blanket. His stillness unnerved me. Now what? I rummaged in my purse for a notepad to start a list: Call the undertaker. Pack up Daddy’s things. Call his brother down in Baton Rouge and his cousin in D.C. Write the obituary. But the problems weighing on me were not the ones I was writing down. I needed to call home.

“Oh, honey,” said my husband, his voice breaking in sympathy. “I’ll just drop off Jacob and Elsie at the Lawrences’, and then I’ll be right there.”

“Don’t tell them yet. I’ll do it when I get home.”

“All right.”

“You know what I was thinking just now when I was calling you? I was thinking that if Daddy was the one making this call, you know, about me, or something, he would’ve flagged you. When you answered the phone, he would have said, ‘Oscar.’”

“What’s that mean?”

“Man overboard.”

“Poor Charlie. At least you were there with him.”

“But that’s just it,” I said, before I could chicken out. “I wasn’t here.”

There was a pause. Waiting for him to respond, I walked over to open the blinds, but it was five-thirty in February and already dark outside. I could smell the dinner trays out in the hall.

“Of course you were there,” he said firmly.

From the pause, and the way he spoke, I realized he didn’t want me to tell him anything. There would be no catharsis through confession. He was not going to indulge or absolve me, and my father, cooling on the bed, that towel under his chin, had gone where he could no longer help me, even if he’d been the kind to help, and I’d been the kind to ask.

EASY LOVE

Sunday was Emma’s birthday. It was also my birthday, and, unfortunately, Dan’s birthday, too. What were the chances of an entire family having a birthday on the same day? “We’re just crazy-lucky like that,” Emma used to tell people.

This year, Emma would turn thirteen, I was going to be forty-three, and Dan—my husband, Emma’s dad—had died last April, so he would be forty-five forever.

In the weeks leading up to the “big day,” Emma claimed desperately one moment that she had to have a party and claimed the next that all parties were “annoying” and “stupid” and that she wouldn’t sit through one unless I gave her a thousand dollars. I longed to spend the day distracted by a chaotic sleepover or shepherding a herd of girls through an afternoon of disco bowling, but the final word was absolutely not, no “pathetic” birthday party for her.

“Are you sure?” I asked. “I think maybe we should do something.”

“No party,” she said. “No special dinner. No nothing. Just no.” She was hunkered down into the big leather couch, and I perched on the edge, watching the Caps’ hockey game. Emma wore the lucky “Rock the Red” T-shirt Dan gave her during last year’s playoff run. Dan had been a hockey fan, had played goalie in college, and while I could follow the action, I couldn’t care about the outcome the way he and Emma did. Win, lose, tie: there was another game soon enough, another season, a different team to root for if yours wasn’t any good this year. Not that I shared these scandalous thoughts.

“I want a party for myself then,” I said. Of course I didn’t: the torment of planning and shopping, the fake smile pinning my lips upward as I pretended to have a swell and jolly time. I squeezed a throw pillow in my arms.

“Have a party,” she said. “So what.”

“I will,” I said. “And you’re invited.”

“I might be busy that day.”

“You don’t know when my party is.”

“In general I’m quite busy,” she said.

I laughed, flung aside the pillow, and gave Emma a half-hug, which was all she allowed these days, and only when I was able to sneak it in—which is why I was watching the game with her, because whenever the Caps scored, she’d fling her arms around me in a brief, loose moment of happiness, and that moment was a lightning glimpse of how things used to feel—so good, so simple, my life filled with that kind of easy love.

In the end, she relented the tiniest bit and let me invite three of her friends, but otherwise the party guests were family, and what with Kennedy Center tickets and pottery classes and gymnastics meets and all the flotsam of suburban life, it turned out that brunch worked best for those who “had” to be there. I sprang this bad news on Emma, who glared up at me from the kitchen table like I had sprouted a Cyclops eye. Then she quickly shrugged and said, “So? Why should I care?  I like pancakes fine.”

“Because we always celebrated Dad’s birthday at breakfast,” I said.

She twirled her fork in her spaghetti noodles, round and round, then let it drop onto the plate with a clatter. “Obviously.”

I waited for her to say more, hoped she might laugh with me about how Dan insisted that his birthday meant he got sausage, ham, and bacon, “a big ole plate of each.” Or that she might tear up. But her eyes remained flat and clear. She shrugged again, a dismissive flick. I smiled brightly. “We’re set then,” I said. “And I hired a clown.”

“Oh, God,” she groaned. “Super embarrassing. I’m way too old for a pathetic clown.”

“The clown is mine,” I said. “I want a clown.”

“Seriously? Since when do you care about clowns?”

“What’s a birthday party without a clown?” I asked.

She gave her plate quick, tiny, measured nudges, one after the other, until it was pushed right up against her water glass. One more and the water would spill. Then she shot me the Cyclops glare again. “My friends are not coming over if some stupid clown’s running around.”

“The clown is for me,” I repeated. “He’s my clown. So don’t worry. He’ll be happy to stay away from you and your friends.”

She stood up and headed toward the den but turned back to holler: “You know, there are people who have phobias about clowns! It’s like a real disease! Don’t always be so selfish.”

 

Selfish.

In another world, my daughter might have been burned at the stake, because how could she have known that, yes, I was being entirely selfish? I had hired Slappy the Clown, a.k.a. Jason Phillips, who had an earlier role as my high school boyfriend. Everyone snoops on Facebook, so I wasn’t doing anything bad, wondering one night what he looked like, and then clicking a few computer keys: full head of dark hair, hadn’t ballooned a gut, and looked basically like he did the last time I saw him, when I broke his heart by telling him about Dan.

Oh, and he was single, if Facebook was to be trusted—which it wasn’t, since my Facebook page proclaimed me to be married.

 

The morning of the party was crisp and sunny and blue. I was secretly hoping for a wintry mix or a massive snowstorm—anything to keep people away, to keep Slappy the Clown from being able to drive from Reston to Alexandria.

Since the weather was about as perfect as winter weather gets, I loofahed with the fancy shower gel and took extra time with my makeup. A skirt, the shoes that were too nice to wear, the French perfume I hadn’t used in forever. I mean, it was a party, right? Anyone would want to look good for someone from high school, right?   

The Spoon Catering van pulled up exactly on time, which got me nervous, as if things going well now could only mean that soon everything would go wrong. Things going well cannot be sustained.

Women in black chef jackets sweetly commandeered the kitchen and dining room, setting up a waffle station, a bloody mary bar, and what I called the dead pig buffet (bacon, ham, and sausage, which the caterer had kindly noted was “quite a variety of protein choices”). Emma was in her bedroom, rejecting dozens of outfits that I would later find scattered on her floor like a flurry of used tissues. I was in the powder room, setting out the guest towels people would be afraid to touch, when the doorbell rang.

Probably my mother, who arrived everywhere half an hour early, which meant she sat in her car for twenty minutes, staring straight ahead. I told her many times she should just come in, that it was stalkerish to sit outside in a car like that. It certainly wasn’t Dan’s mother, for whom the phrase, “I’m running a little late, dear,” was invented. Dan’s mother, his sister, my uncle and his wife, my cousin and her kids, the rest . . . the reality of the party bushwhacked my gut as I stared at my made-up face in the bathroom mirror. Would it be funny to lock myself in the powder room and refuse to come out? No, I didn’t do things like that, so I ran to the front door. My mother could help with Emma; maybe she’d have the patience to sort out the clothing traumas.

It was Slappy the Clown, wearing a well-pressed but loose, vibrantly blue jacket edged with candy cane striping, punctuated with four bulging polka-dotted pockets. Matching pants. Slurpee blue, a color no one in the real world would wear. His face and neck were aggressively white, a wall of makeup, and his wig flamed scarlet, inflating his head three times the normal size. Eyes circled in black, eyebrows shaped like waves. The traditional clown nose seemed tame in comparison to the rest of the get-up. He smiled at me—rather, his wide painted-on lips smiled, and didn’t stop smiling. Mesmerizing. I had to look away. In one hand he held a pair of two-foot-long vinyl, red and blue saddle shoes, which he dropped onto the ground. Slung over his shoulder was a lumpy duffel bag. A red Lexus SUV sat in my driveway. I mean, I didn’t expect him to show up in a tiny clown car, but something about the Lexus embarrassed me, as if he were nothing but a DC lawyer dressed up like a clown. It bothered me, the surprise of that car.

“Slappy’s here,” he said, pulling a toy bicycle horn out of a pocket and honking it.

“Yes,” I said. “I thought we said eleven o’clock.”

He shot up his sleeve to show me his wrist and the old-fashioned alarm clock strapped there. Instead of numbers there were pictures of clown faces. “Exactly. Clown o’clock.” More honks. “Right on time,” and he slid through the door, nudging his clown shoes inside with one foot. He wore a pair of ragged flip-flops and his toes looked too naked.

“Jason, it’s me,” I said, feeling awkward. I reached behind him to lock the door—I don’t know why—and the click was loud in the small entryway. “Kathy Werner, from high school.”

He pulled a pair of oversized, striped eyeglass frames out of a pocket, slipped them on, and peered closely at me. “Bless your heart,” he said, non-committally. “So it is you.”

I felt my face redden. I had booked him online, impulsively not using my married name, assuming he would make the connection. How vain I was, expecting him to remember me all these years later. He had sworn—with that deep and frightening ardor that certain high school boys affect—that we were destined to be together, inspired by an English teacher who had assigned Wuthering Heights. In fact, our early romance mirrored our English classes: he wrote sonnets and recited soliloquies during our Shakespeare unit; there was a series of rhyming couplets that coincided with Alexander Pope; the modernists set loose stream of consciousness love letters. He was inspired by absolutely anything, and I loved that about him, even as it wore me out. It was surprising that he ended up as a clown (with a Lexus), yet it wasn’t, since he got every lead in the school plays. Just before our junior year of college, his father committed suicide, and Jason dropped out to move back to Virginia. Unfortunately, that was right around the time I met Dan.

Emma’s voice from upstairs: “Mo-om! All my clothes are putrid!” I turned and went up a couple of stairs, then looked back at Slappy, who was using the cuff of his jacket to polish the nonexistent lenses of his eyeglasses.

He said, “I know who you are.” He stared up at me with that painted smile stretched across his face.

“It’s good to see you, Jason,” I said.

“Look at me,” he said. “I haven’t changed a bit.”

I chuckled nervously, and Emma shrieked, “Mo-om! Oh my God! Hurry up!”

“She’s turning thirteen today,” I said as an explanation and an excuse. “She’s kind of dramatic sometimes.”

“And you’re turning forty-three.”

Of course he would remember. Again, I blushed. He kept smiling.

His birthday was December 26; “all my presents were bought on sale that day,” he used to complain, “wrapped in half-price Christmas paper.” So my gift was given before Christmas, on the solstice. He liked that. A lifetime ago.

I smelled bacon; someone ran the garbage disposal in the kitchen. Upstairs, Emma slammed a door. I grabbed the painted railing, rubbed one thumb along the underside. “Who thought we’d end up so old?” I asked.

“Me,” he said. “Back when I was thirteen, I figured out the whole racket, one year coming after another. How they pile up. How they accumulate into this.” He motioned one arm in half a semi-circle.

This what? I looked at him uncertainly. My house? My rickety, middle-aged mom-body? My life with a dead husband and a cranky daughter who couldn’t clothe herself without a hissy fit?  Then he laughed and said, “Don’t say Jason. You’ve got to call me Slappy.”

“Slappy,” I repeated.

“Slappy the Clown,” he said, “to be specific. When you Google me, you also get Slappy the Puppet and a ventriloquist’s dummy. But I’m first.” He paused, as if I was supposed to say something, then said, “Don’t ask me any questions about it, okay?”

“But you look great,” I said.

He lifted his horn and honked it in my face. “Darn tootin’,” he said.

Emma appeared at the top of the stairs wearing black leggings, studded boots I’d never seen that rose well above her knees but mercifully were flat, and an unfamiliar sleeveless sweater, oversized and so fluffy and white that it made me think of a standoffish, expensive cat. “Great. The clown’s here,” she said. “It looks stupid.”

“This is Slappy,” I said. “The Clown. ‘He’, not ‘it.’”

Jason bowed low and tugged a bouquet of daisies out of his sleeve.

“Oh my God.” Emma rolled her eyes and stalked off to the den.

“I’ve never seen that sweater,” I called after her.

“It’s Tilda’s,” she yelled back. “She’s letting me borrow it—” and the rest was cut off by the voices from the Sunday morning TV news shows that Dan had followed.

Jason presented the flowers to me. “Happy Birthday,” he said. “Better get these in water,” and I automatically stepped toward the kitchen before realizing they were plastic. When I turned back, a stream of water zinged out of a plastic daisy on his lapel; it couldn’t reach me and puddled on the wooden floor of the entryway.

“Where’s Dan?” he asked. “The husband.”

I stared at Jason’s never-ending smile. It trapped me somehow, forcing me to smile back even though I didn’t want to. “He’s around,” I said quickly. “I’ve got to check something. You can set up or whatever in there,” and I gestured toward the living room. Then I pointed the direction Emma had gone, toward the den, and mumbled, “I should see about the food,” then walked purposefully to the kitchen, when really I just had to catch my breath.

The last time I saw Jason was twentyish years ago. We both went to Columbia, and he didn’t return that September after his dad died. Instead, Jason’s former summer boss at the second-run movie theater in the has-been mall rehired him as assistant manager, and he was working every night, pretending he was one step away from enrolling in the community college. He had lost fifteen pounds, his sister had run away twice, and his mom was back to putting down a couple of bottles of white wine over dinner. At night, after reconciling the cash and locking the safe, Jason’s job basically was sitting in the lobby until the movies were over, hoping that no one knifed anyone on their way out. That’s when he’d call me. I wanted to hear from him, but this was back before cell phones, so I had to stick around my phone waiting for him to call, which meant I couldn’t be anywhere else, like a party or a bar or a study group or anywhere that wasn’t the studio apartment I shared with another girl and her musician boyfriend. Every night Jason had a new plan: stand-up, bartending, acting, security guard, deep-cover CIA operative, bread baker, long-haul truck driving, answering mail for the White House, opening a store that sold expensive surfer clothes to Georgetown students. “I could do that, couldn’t I?” he’d repeat, “don’t you think I’d be good at that?” until I agreed: “I know you could, Bear.” It was like a bedtime story he needed every night. I felt sorry for him, and it occurred to me that feeling sorry for a guy was not a good enough reason to date him.

I met Dan at a party; he was down from Boston visiting his brother, and I was in the kitchen, getting water, when my elbow knocked a beer bottle off the counter, and Dan’s hand shot out and caught it before it hit the floor. “My God,” I gasped. “How’d you do that?”

“Reflex,” he said. “Former hockey goalie never forgets.” Later, I appreciated that during our conversation he didn’t drop in any of his stats about his shutouts playing for Boston College or the infamous overtime game in the NCAA tournament or BC’s trip to the Frozen Four or how back in Boston, among a certain college hockey-obsessed set, he was a god. Mostly we talked about life in Northern Virginia, where his parents had moved from Connecticut: the random things we both liked—chili dogs at the Vienna Inn, and lying back in the dewy grass at Gravelly Point Park as planes roared down into National Airport, and watching the water churn at Great Falls after a big rain. He made me homesick in a good way, as if before I met him, I’d never noticed how amazing my life was. The next weekend I took Amtrak up to visit him at grad school, which meant I missed three nights in a row of Jason’s phone calls.

The week after that, I rode the train down to Washington and went to Jason’s movie theater to tell him that we were breaking up. Jason said he didn’t blame me, which made me feel awful.

“I see it,” he said. “I’m a mess. No one would marry me.”

sex, lies, and videotape was playing, and something by Woody Allen, and we were eating way too much cold popcorn because our hands needed something to do. We sat up on the ticket counter, staying long after the shows ended and the customers were gone, staying even after the cleaning people arrived with their blaring boom boxes.

Garish posters for movies I’d already seen hung in the lobby, and I stared at them as we hashed it all out—how happy we used to be, how he knew he’d never meet anyone so perfect, so beautiful and sexy. “Don’t you like being loved?” he kept asking me.

I was afraid Jason would bring up his father’s suicide, but he didn’t. Mr. Phillips had hung himself in the garage in August.

Jason promised that he’d be there for me if it didn’t work out with Dan—he had weaseled out the name and kept repeating it in a snaky voice like a car salesman, like there were perpetual quotation marks around the single syllable—“if for whatever reason ‘Dan’ gets the heave-ho, then you know, Kathy, that I’ll take you back, no questions asked, even if you and ‘Dan’ end up sleeping together.”

Too late, I thought.

Also, I thought: Get mad, you stupid fucking asshole, what the fuck is wrong with you? But I didn’t say that because I was breaking up with him, so why was I angry?

Finally, I said I had to leave for real. I was tired; I was staying with my friend who needed her car to get to work in the morning—the things I’d been saying all along, trying to escape—and he nodded as if he understood, giving my head and my shoulder uncoordinated, floppy pats that irritated me.

I leaned away, eyeing the glass door that led to the safety of the empty mall corridor, and he spoke with the first quiver of outrage: “We were supposed to be forever, us,” and I said, “I’m so sorry,” for like the nine hundredth time that night, and he said, “When this guy, ‘Dan’—when ‘Dan’ deserts you—tell me. I’ll never stop waiting for you. Never. As long as it takes.”

I murmured, “I know,” and it was funny: I did know. And it was funny, too, that knowing this was the exact thing that made it easy for me to leave Jason. It was awkward and embarrassing to be loved intensely. I was twenty-two. I wasn’t worth all this; no one was. Wuthering Heights was a made-up story. I expected Dan would desert me, maybe even soon, but, yeah. I loved Dan, I did.

I ignored Jason’s outstretched arms, begging one-last-hug-please. I jumped down off the ticket counter and so did Jason. I walked toward the glass double doors at the front of the lobby, yanked the handle and listened to the rattle of the bolt. I pushed and rattled while Jason—key ring looped around one finger—stood behind the ticket counter, unmoving. Finally, I had to say, “Let me out.”

“Maybe I won’t.”

But he walked over, moving slowly, as if not feeling his feet against the plaid carpet, the way a ghost might lazily float toward you. Then he abruptly lunged forward hard, his shoulder slamming the door and crushing through the glass, which shattered into a million tiny pieces. Strangely, he didn’t seem to be cut because it was tempered safety glass, which I didn’t know could be broken like that, and so there he was, angry, which was what I had thought I wanted. I carefully stepped through the doorframe, listening to my feet crunch those glittering shards, sparkling like sun speckles on water, keeping my eyes straight ahead so I wouldn’t see Jason sprawled on the mall floor amidst that pretty glass. So I wouldn’t catch his gaze, which I knew would be bold and fierce, certain he’d proven something important.

I called Dan that night and said everything went fine. He didn’t ask for details. Already the life with Jason felt half-erased, part of the past you don’t talk about because now you believe you’re a different person, and it’s awkward remembering who you used to be.

That was the last time I saw Jason Phillips. I didn’t think of him much until after Dan died, and those words knocked in my head during loose scraps of night: I’ll never stop waiting for you, he had said. We were supposed to be forever. Overwrought and melodramatic, the desperate and creepy yearning of a dopey kid.

But now there was a clown in my house.

A little experiment.

I was in the way in the kitchen, where the chef-jacketed whirlwinds were too well trained to demand I get the hell out, so I continued down the hall to the den to check on Emma. She was slouched so deeply into the leather couch that her body was virtually parallel to the floor, her booted legs extending onto the rug. The boots looked too big for her feet. Mascara and blue eyeliner smeared the rims of her eyes, and I decided to save that fight for another time. Men and women in navy suits cackled on the TV.

“Are you thinking about Dad?” I asked.

She shrugged. “I don’t know.”

“So I guess you’re interested in the pros and cons of a balanced budget amendment?” My laugh sounded fake and untrustworthy.

“It’s a judicial appointment,” and she started to parrot back one of the bombastic experts, but I interrupted:

“You should talk to me about how you’re feeling.”

Instead, she said, “Who’s that clown?”

“Slappy,” I said.

“I mean, who is he? Why’s there a clown in our house?” She lifted the remote and clicked the TV to mute. The experts looked misplaced now, so terribly worked up but silent. “Today?” She stared straight ahead at the noiseless argument. “Why is there a clown in our house today?”

“I thought it would be fun.” My false voice, my artificial cheer. “He won’t be here forever,” I added, noticing my curious word choice, forever.

“Are you thinking about Dad?” she asked, an accusation. At the same time, she clicked the remote again, so the sound jumped back into the room. She clicked again and again, the voices growing louder, louder, and they drowned out my answer:

“Always,” I said. “Of course.”

She swished one hand in a “get out” motion and closed her eyes. Smears of violet and gray eye shadow made her appear bruised and tired. I felt sad for my daughter. Also, apprehensive about being in this room—Dan’s den—with her right now, so I backed out of the doorway.

 

Slappy had moved to the living room, now wearing his clown shoes and sporting a purple hat that looked like an upside-down flowerpot. He stood in front of a line of photos on a credenza: Emma as a baby, Emma graduating from kindergarten, Emma sitting on Santa’s lap, Emma dressed as a black cat for Halloween. I hadn’t thought about how we’d stopped updating the framed photos. We were too lazy to print them off, so anything half-current remained trapped somewhere in the computer. Though, really, Dan had been the one who enjoyed messing around with the camera. Me now taking the pictures seemed depressing.

I cleared my throat so Jason would know I was watching him, but he didn’t turn away from the pictures, and he didn’t speak.

“My husband is dead,” I said. “Dan is dead.”

I didn’t know what I expected Jason to say or do; I guess I expected him to be like most people and stumble through some cliché of consolation, or at least tell me he was sorry, but he said, “You’re wearing a ring.”

“It was my grandmother’s,” I said. “I suppose I like it. Not wearing it would be weird.”

“I never got married,” he said. He lifted his bicycle horn and squeezed it—toot toot—as he turned to face me.

There was a pause, and I self-consciously twisted my ring, sliding the emerald around to my palm. She had been married to another man before marrying my grandfather. I always wondered what that man’s family thought about her; I didn’t remember his name, if I had even known it. He worked in the mines in Pennsylvania, but my grandmother divorced him because he drank too much, and then she moved to Philadelphia and met my grandfather on a streetcar. “Handsome and rich,” she used to tell me. “Easy to love.”

Jason said, “That’s got to be shitty for your daughter.”

“And me,” I said.

“You could’ve just called,” he said. “Emailed. That’s cheaper than hiring me.”

“Especially with that two-hour minimum,” I joked.

“Plus travel time,” he said.

“Right,” I said. “I didn’t even try negotiating down. I hope you appreciate that.” We chuckled awkwardly. The minutes felt complicated and long.

Then he said, “Everything you think you remember was a long time ago.” His white face was placid, smiling. For a confusing moment, I found myself thinking about Dan’s motionless face in the casket. Eyes closed. Stiff lips. Fake, ruddy cheeks. Too many pores on his nose. I thought I’d be afraid to touch his body, but I wasn’t; I liked letting my hand rest on top of his chest as I greeted people. Even so, I told Emma not to look, but I think she did when I was in the bathroom. I remembered kissing Dan’s stony face when I was alone with him for the last time. Everyone was heading to the parking lot, and the funeral home people hovered outside the room, ready to lock up the box. I thought it would be like a fairy tale, my final kiss bringing him back to life, but no, it wasn’t. It wasn’t.

“Aren’t you a clown?” I asked. “Aren’t you supposed to make me laugh?”

He raised one hand to the side of his head and twisted his fingers, curving them into a fist, which he then opened to a flat palm, revealing a brown egg. I noticed an expiration date stamped on the end in red ink: the same brand of organic, cage-free eggs I bought.

I shook my head. “That’s not funny,” I said desperately.

“It is if I drop it,” and he tilted his palm so the egg rolled and fell to the hardwood floor.

“Damn it, no,” I said, but the egg bounced neatly upward, and he caught it in the same hand.

“Maybe a tiny bit funny?” he asked.

“Didn’t you hear me?” I asked. “He’s dead. He died.” I’d spoken the words a trillion sad times.

“I have my own life,” he said. “This isn’t twenty years ago.”

I shook my head impatiently, my hair whipping against my cheeks. “I know, I know.” I watched him. He had to think I was still beautiful. He had to say so. When he didn’t, I felt tears bulge in my eyes, so I looked aside and spoke in a stiff voice: “You should just leave. This is a mistake. You have my credit card number, so just charge me, travel time and all. Give yourself a big fat tip.”

He stepped closer, his big clown shoes slapping the floor, and tugged me into a floppy hug; his jacket was soft and fragrant, like the fabric of an old quilt. I accidentally stepped on the toe of one of his shoes, and it squished down, flat and empty.

Men hugged differently. Better. Stronger.

The derisive cough of a miserable teenager. “Grandma just pulled up,” Emma said from the entryway. “So maybe stop hugging your pathetic clown for a minute.”

I stepped away from Jason, from Slappy, from this man, and swiped at my teary eyes with my forefingers, the tips of which darkened from smudged mascara. My cheeks felt hot, embarrassed, as if I’d been caught doing something naughty, and I pressed my icy palms to my face. Jason looked precisely the same: white and smiling. He blinked a few times, but then everyone blinks. I couldn’t see what he might be thinking. He pitied me. He loved me.

“Emma,” I said. I thought some sort of explanation might appear, but all I could say was her name. She looked so much like her father. Everyone said so. That was supposed to be something to love about her. Maybe she saw it too, that close resemblance, and secretly hated it the way I did. Maybe that was why all the makeup lately. Or maybe she was just being a thirteen-year-old.

The doorbell rang, and Emma spun around, off to open the door. The click of the lock, the creak of the hinges, “Grandma!” I used to rate that level of enthusiasm from Emma, but not lately. The murmur of birthday greetings, comments about the party, the rustle of a gift bag exchanging hands.

“Your mom never liked me much, did she?” Jason asked.

“She warned me you were overwrought,” I said.

“I’ll hide,” and he stepped behind a floor lamp, crouching to align his head with the shade.

I finally laughed.

“Aren’t you too old for clowns?” I heard my mother ask Emma.

“Why do people always say that?” Jason stage-whispered as he crooked his head sideways. “So hurtful.” He pushed his lips into a frowny face, but with that smile in the way, he only succeeded in looking misshapen. “Let’s run away together,” he said casually.

I laughed again, imagining the two of us crammed into a tiny clown car, trailing plastic daisies, tossing rubber eggs at pedestrians, driving into a sunset as bright and pure as a clown’s red nose.

“No one ever knows when I’m serious,” he said. That pasted smile.

Emma’s squeal: “I love it! I have to show Mom!”

“Shh . . . my mom’s coming!” I was giddy, back in high school, the two of us pressed too close on the couch downstairs, the TV turned high to camouflage muffled zippers and panting. That groaning floorboard overhead and the race to get situated, staring at the cop show so the snooping parent suspected nothing.

Emma and my mother appeared in the doorway, Emma extending her wrist, now encircled by a loose sparkly diamond bracelet that looked significantly too grown-up for a thirteen-year-old girl who lost things or lent them to friends who lost them. (My red cashmere scarf.)

“Look!” she exclaimed, tilting her wrist to make the stones catch the light. “It’s so fabulous!” It was a bracelet a lover would buy, inappropriate for a little girl—a lover or a cheating husband. Someone wanting—needing—to splurge.

“Wow,” I said. “That’s pretty fancy.” Petal-shaped marquise diamonds arranged like flowers, a shimmering chain of daisies. Surely they weren’t real. I caught my mother’s eye and gave the world’s tiniest frown. She still wore her fur coat and that irritated me—Jason seeing it, that Emma hadn’t offered to hang it up.

“It’s from Tiffany,” Emma said.

“Maybe Grandma should have talked to me first,” I said. “Maybe Grandma should have waited until you were older before giving you such an expensive gift.”

My mother said, “Why wait?” She said it like I would be afraid to answer back after hearing that. She said it like any fool would know to give an extravagant gift to a girl whose father had died. She said it like Emma would require extravagant gifts for the rest of her life. She spoke as if all of this was obvious to anyone.

I glanced at Jason, who gave an exaggerated clown shrug, shoulders rising to his ears, hands popping palm-up. Apparently, my mother hadn’t recognized him, and why would she? He wasn’t supposed to be here. It was supposed to be Dan. If Dan were here, there would be no diamonds and no clowns. There would be bacon and sausage and ham.

I forced a smile, reached out to touch Emma’s wrist so I could look more closely at the bracelet. Emma’s skin felt warm, and she twisted free of my grasp. “It’s beautiful,” I said, because I had to say something and there was nothing to say. She knew I wouldn’t take it away from her or forbid her to wear it.

“There’s a surprise for you,” Emma said.

Something about the way she looked at my mother and the way Slappy grabbed his toy horn and beeped it twice blasted a pit deep into my stomach. The incessant smell of bacon. The thought of a dozen family members roaming the house, my lifeless smile what they wanted to see because as long as there was a smile frozen onto my face, we could all agree that everything was fine.

“That’s why I’m here early,” my mother said. “To give this to you in private.” She opened her purse and pulled out not a box from Tiffany but a crumpled, white, business-size envelope. She held it out to me. Her hands were steady.

I knew I didn’t want this.

There was a moment where I stood there, doing nothing, forgetting to breathe.

“Take it,” my mother finally said, and she reached for my limp hand, lifting it up to set the sealed envelope into my palm. My fingers automatically folded, holding the envelope, which was exceedingly light, as if what was contained inside barely existed.

“Mom, you’re being weird,” Emma said.

My mother seemed suddenly to notice Slappy. “My God,” she said. “There’s actually a clown.”

He bowed to her, then spun and dropped his pants to moon her with a pair of orange and purple polka dot underwear. Then back around, extending his hand for a handshake, which my mother reluctantly gave, Slappy pumping her arm, holding tight as she struggled to release her hand from his grip.

“This isn’t funny,” my mother said.

“I don’t want this,” I said.

“I think you’ll want it when you see what it is,” my mother said.

I shook my head, hard, repeatedly. My eyes rattled in their sockets, though that couldn’t technically be true; I just wanted them to. If I kept shaking, none of this would be happening. Everything blurred, and I had to stop.

“Mom.” Emma put her hands on her hips, disgusted, but—I suspected—enjoying the sensation of the bracelet sliding along her wrist.

“I don’t want this,” I repeated.

“The lady says no,” Slappy said, sounding not like a clown but like an overwrought high school boy. He snatched the envelope from me and tucked it into a polka dot pocket. He smiled, first at my mother, then at me. He seemed proud of himself, as if pleased at how quickly everything had been solved.

I couldn’t smile back. I had understood immediately what was in the envelope.

“Good Lord,” my mother sputtered. “That’s Dan’s wedding ring. What’s the matter with you?”

“I told you I didn’t want it,” I said. “I wanted him buried with it on.” I hated that decision the most of all of the decisions I had hated making. I didn’t know until the morning of the funeral. That last kiss. That was when I decided. He would be gone, but maybe I would feel he was still married to me because he was wearing his ring.

“I knew you’d change your mind,” she said. “So I told them at the funeral home to remove it before . . . before. Because I knew you’d change your mind.”

“Oh my God, Mom,” Emma said. “Of course you want Dad’s wedding ring. What do you mean, you didn’t keep it?”

“He died?” Jason asked. “For real? I thought you were messing with me.”

“Last April,” I said.

“April tenth,” Emma said. Her voice was cold and prim.

Jason slid his hand in the pocket and I half-hoped for another bouquet, but it was the envelope he withdrew. I silently took it from him. I didn’t have to rip it open to see the ring—a simple gold band, about a quarter-inch wide, engraved with the date of our wedding, 3-1-92. Anniversary, birthday, the day we met, the day he died . . . these numbers were locked in my head, burial or not.

Emma stretched out her arm, the one wearing the bracelet, and I placed the envelope in her hand. She clutched it to her chest. We were heading down a rocky path, the two of us, and I had no idea how we would find the end, or whether we were even traveling the same direction or to a shared destination. My mother, tears turning her eyes shiny, folded Emma into a hug, stroking her back, rubbing the fuzzy sweater.

I envied the easy comfort of the gesture, both the giving and the receiving. That’s what it seemed I would never have again.

I glanced at Slappy the Clown. “You were supposed to make me laugh,” I said. “It’s my birthday.”

“They teach you in clowning school that nothing is really all that funny,” Slappy said. “Not in real life anyway.” That painted-on smile, that fake smile. I imagined Jason staring at himself in the bathroom mirror this morning, watching as he disappeared: sponging layers of white across the planes of his face and neck; the silky caress of the powder puff, its pale cloud gently dissipating; and, always saved for last, the slow brushstrokes of deep and startling red, the immense care needed—every time—to get that smile exactly right.

THE LITTLE ONES WEARY

Hilde has come to love the garden. She tries to recall the name of each plant as Aunt Vivian has taught her—rhododendron and pampas grass and wisteria tree, the one with the fuzzy green pods, hard-candy seeds inside. At midday, she hides under the domed trellis of scuppernong vine at the edge of the yard, looks out through a gap in the hedge and sees the city skyline across the sound, metal and gray stone, the old world from which her parents sent her, and which she is already starting to forget. There the castle sits, far off. It blows from its tower a train of white clouds.

Hilde sits and watches the castle while her aunt works in the yard. She dreams of the army that occupies it, the wizard responsible for the cloud. She knows they must be watching her the way that she watches them, so she calls to her aunt, “I’m protecting you from the invasion. This is our lookout. You’re safe now.”

“Oh good,” says Aunt Vivian. “I was worried about that invasion.”

“Me too,” says Hilde, but it is not long before she finds herself sharing the lookout post with another occupant.

It’s a spider. She’s seen spiders before—the gray-brown ones that hide in the cracks in the molding—but this is a beastly, primordial hunter-spider, its abdomen a bright tiger stripe of black and white and yellow, its legs as shiny as the teeth of a comb. It sits very still, and when Hilde twangs its web with her finger, it comes alive and ticks its prickly legs into the leaves above her head.

Hilde peers out the other side of the trellis where she can see her aunt on her knees in the vegetable patch, picking squash and placing them into a plastic grocery bag. “It isn’t supposed to be in here,” she says.

“What’s that?” says Aunt Vivian.

“A spider. It’s a big spider in my lookout tower.” She waits for her aunt’s response. Really, what she would like is for Aunt Vivian to come and eject the spider, since Hilde is too afraid to touch it herself. But she has too much pride to ask.

“Come look at it now,” she demands.

“I’ve seen plenty of those before,” says her aunt. “Give it space. It’s got as much right to be in the garden as you do.”

Aunt Vivian picks up her bag of vegetables and looks toward the vine trellis. In the sunlight, her skin is shining and smooth like the seeds in the wisteria pods, though Hilde, who knows that some adults are older than others, understands now that Aunt Vivian is probably the oldest person she knows.

“Come out of there,” Aunt Vivian says. “It’s time to come in.”

Hilde crouches down and presses her face into the grass, lets loose a muted scream.

“No, ma’am,” says her aunt. “I’ll have none of that.”

“I’m guarding my fort.”

“What fort? This garden? This is my fort. Get out of there now before something bites you. Lots of calamine tonight, and aloe—you’re already sunburned to a crisp, I’m sure.”

The sun bears down razorlike through the leaves of the vine, and Hilde knows the hours of boredom that await her inside. She screams until darkness edges in around her eyeballs and Aunt Vivian comes to retrieve her by the arm. Vivian does not indulge her niece’s bids for power, not even when they are purely imaginative. She can see the castle too, far, far across the water, but for her it holds no wonder, and for the rest of the afternoon, she relegates the girl’s play to the stuffy rooms of the house.

      

The cloud-billowing structure across the sound is not a castle at all. The man in the yellow plastic suit is the one who tells her. He comes by a couple days later.

Hilde’s alone in the front yard when this happens. Aunt Vivian has disappeared behind the carport to get a trowel, complaining about the dandelions and the crabgrass, demon plants of insidious variety, and then Hilde sees him. She’s not sure if he even is a man, maybe he isn’t, because the suit is not like anything she’s seen before. It crinkles loudly and covers all of him, even his face, which she can only half see through the tinted plastic square that shields him. But because he has a face, and because he’s walking a bicycle along the sidewalk in front of their house, she realizes he must have chosen to wear the suit in the same way Aunt Vivian chooses to wear denim.

“What are you doing?” she asks. “Why are you wearing that?”

The man stops and turns toward her. He tilts the bike against the chainlink fence, leans in. “What’s that?” he asks, his voice muffled and echoey inside the hollow chamber of his suit.

Why,” Hilde asks, “are you wearing that?”

“Safety,” he says. He gestures broadly toward the sound. “That way, the power plant. You seen it, over there ’cross the water?”

Hilde stares at where he’s pointing. Now she knows for sure that it isn’t a castle, but for the man in the suit, she pretends she never thought it in the first place.

“Right,” she says. “That power plant.”

“That there’s a nuclear plant,” he says. “It leaking. So I go to my house and lock the door and stay in, but I can’t stay in forever. Can’t spend my whole life in my living room with the walls covered in plastic, no sir, but I still do what I can to keep my insides from boiling. This bike, can’t ride it no more when I wear this thing, so I’m dropping it off at a friend’s place.”

He speaks so fervently that a patch of condensation blooms on the plastic shield near his mouth. Hilde hugs her stomach and feels nauseated.

“What you doin’ at Vivi’s place, little girl?” the man asks.

Hilde doesn’t answer. She is trying not to cry—crying in front of a stranger, very embarrassing—but the man notices.

“What’s wrong with you? Eh? Can’t you speak?”

Aunt Vivian returns. She lets out a shout when she sees the man in the plastic suit, and Hilde, not wanting her aunt to see her tears, pulls her head inside the collar of her dress like a tortoise.

“Who is that? Who the hell are you?”

The man in the suit waves his arm above his head. “Just old Mott, that’s all!”

Aunt Vivian looks baffled, but she is angry now, not frightened.

“What are you doing? Why are you wearing that? Are you terrifying this child?”

“It’s for the nuclear plant, Vivi. Ain’t you heard? You must not’ve heard, being out in the yard like normal. There is a plague on this land.”

“I didn’t hear a word of that,” Aunt Vivian says. “I didn’t hear a word because you have plastic over your whole head. Mott, go home. You’ve lost your mind.”

Mott, in his crinkling yellow suit, takes up his bike and continues on down the sidewalk. Hilde emerges from her dress and watches him through a film of tears, feeling the heat of shame in her neck and ears.

“Don’t listen to him,” Aunt Vivian says. She puts a warm, dry hand on each of Hilde’s shoulders. “He’s a rare bird.”

      

All birds are rare now, but this was not always the case. When she was with her parents, Hilde lived up on the nineteenth floor of a huge gray building, and she used to watch for them from the living room window, black specks against a vast creamsicle sky. She has a memory of seeing birds by the hundreds, flickering checkmarks of birds, but maybe that’s a dream she had. Maybe this was a dream also: lying with her back against the carpet, something dripping in the back of her throat that is salty like blood. She stares at the sky. There’s one—far up. Or maybe an airplane.

Now at Aunt Vivian’s place, following her encounter with Mott, Hilde goes to the kitchen, finds the plastic wrap in one of the drawers, and takes it into the back bedroom. She has trussed up all but the top part of her head by the time her aunt finds her, which gets the woman screaming:

“You stupid child! You’ll suffocate yourself!”

Hilde is made mute by the plastic over her mouth, otherwise she would explain that she has scissors at the ready to cut the eyeholes and mouth holes as needed. But Aunt Vivian destroys her work in a fury. Now Hilde’s protective suit lies about her feet like tattered snakeskin, and she explodes in a fit.

An hour later, when Aunt Vivian comes to retrieve her for supper, Hilde pretends to be dead. Her aunt takes her by the ankles and hauls her a few inches, wheelbarrow-style, but Hilde stays limp, keeps her eyes closed.

“Fine,” Aunt Vivian says. “Go hungry.” She retreats to the kitchen alone.

 

Mott returns around noon the next day, a yellow oversized moonwalker. This time he is carrying a weed eater, and he sets to hacking up the crabgrass that Aunt Vivian hadn’t finished off the day before. Hilde pulls back the linen curtain to watch him as her aunt leans in over her shoulder.

“Surely he can’t see a damn thing,” Vivian says under her breath. “He’ll cut himself to pieces with that machine.”

But Mott is surprisingly deft, and once he has finished, he knocks on the front door and delivers six cans barbecued beans, five cans peaches in sweet syrup, a jar of pickled okra, peas, green beans, beets, Spam, and sweet potatoes (three cans apiece), a plastic container of flour, a bottle of gin, and a loaf of bread he baked himself, wrapped in tinfoil. All this he had been keeping in his own pantry, lined in plastic.

“You and the child shouldn’t eat those veggies from the garden,” he says. “It’s all good as poisoned.”

“What?” says Vivian. “Mott, I swear, I can’t hear you in that costume.”

Mott bows. His bag also contains several lengths of plastic tarp and a roll of duct tape. He goes around sealing the plastic over the windows and doorways of the kitchen and living room, and Hilde is amazed that Aunt Vivian doesn’t stop him. She stands tiredly with her arms folded, and at one point, she mutters under her breath: “Good God. All these theatrics.” But she allows Mott to have run of her place, and when the area is sealed to his liking, he finally unzips his suit.

He is maybe Aunt Vivian’s age, maybe younger, his bald scalp bright and red, dripping with sweat.

“You think all this really works?” Vivian asks.

“I try to limit my exposure best I can. You should too. You should come live with me in my bunker, I got a system worked out.”

She sighs, but Hilde, who first believed that her aunt didn’t like Mott, can now plainly see that she actually does, that they have been friends a long time and that this is just one of the things Mott does. Hilde sits in the current of an oscillating fan while they chat—about mutual acquaintances, about the scorching summer weather. And because it’s lunchtime, Mott heats up a can of the beans and fries some Spam for them. Hilde doesn’t eat the Spam, picks a little at the beans.

“She never eats much,” says Vivian.

“Pale as a glowworm, ain’t she,” says Mott. “You glow in the dark?”

Hilde shakes her head.

“She’s my grandniece,” Aunt Vivian says. “She’s visiting from the city.”

“A grandniece,” says Mott, as if this is an accomplishment on Hilde’s part. “So you from the city. How you like it out here in the sticks?”

She shrugs, unusually self-conscious. Aunt Vivian doesn’t have guests often. A stretch of marsh separates her house from any neighbors, and Hilde is not allowed to explore anywhere on her own. In midafternoon, when the weather is too hot to be out in the yard, the house is deathly quiet. While Aunt Vivian sits at the kitchen table and smokes her cigarettes, Hilde is overcome with lethargy, rolls on the carpet like a beached fish. Mott broke all that, the monotonous spell.

He watches her, mistakes her shyness for fear. “I don’t do all this just to scare you,” he says, gesturing around at the plastic on the windows. “It’s safer out here than it is in the city, that’s for sure. But you look old enough to know that the world’s filled with evil forces. Invisible forces. You’re not really safe anywhere.”

Mott,” Aunt Vivian snaps. “Suit or no suit, I will throw you out in the road.”

But Hilde feels that Mott is right. “The invasion,” she says. “The spider is watching us for the invasion.”

“What spider?” Mott asks. “What invasion?”

Vivian waves her hand. “It’s just something she’s got in her head now.”

After lunch, he puts the suit back on, takes down the plastic, and she leads him out into the yard to show him. Now it is not just one spider they see, but five of various sizes, all occupying large webs in the scuppernong vine. Hilde can no longer even enter its shade without a spider blocking her way.

“Good Lord,” Mott says. “They really are invading. It’s a bad sign, I tell you. Look at this one—I’ve never seen them that big before.”

“Me either,” says Hilde. She thinks the big spider is one she saw three days ago, that it has since grown in size. She is part pleased that Mott is impressed, part genuinely frightened. Now she is more certain than ever that the spiders are infiltrators, that their dark power comes from the fortress over the water.

Mott calls toward the house: “Vivi, come see this!” But Aunt Vivian stays where she is, standing on the back stoop with a cigarette.

      

Later, once Mott has left and the plastic is taken down, Hilde vomits what little lunch she ate onto the carpet in the back bedroom. She doesn’t want her aunt to see that she’s gotten sick again, so she cleans it up with a hand towel, throws it in the trash.

      

A few days after lunch with Mott, Hilde comes down with a fever. She begins to spend hours lying on the back porch with her cheek pressed against the tile floor, staring out through the screen while Aunt Vivian works in the garden. She is running into the spiders too, and every once in a while, when she makes a sharp turn, she jumps back from a too-close encounter. They’ve formed their webs all along the hedge, in the tomato plants, in between the okra stalks, draped over the wheelbarrow, which she keeps propped up against the shed. The females have already laid egg sacs, some as large as Ping-Pong balls. The invasion has truly begun.

Whenever Aunt Vivian comes back inside, she leans down and rubs Hilde’s back. “Let’s clean you up, you’re getting all greasy.” And she leads her down the hall to give her a salt bath and put her to bed early. Hilde eats what she can keep down—cereal or crackers with a glass of ginger ale—and falls dead asleep.

It’s on a particularly stuffy night that the voices wake her up.

At first, she believes she’s paralyzed, on fire. It takes great strength for her to shove the quilt off her chest, but then she rolls out of bed, flops onto the floor, and, free of weight, the feeling comes back in her limbs. She slides her way across the carpet on her back, using her feet to push herself along, and when she gets to the door of her room, she tilts her head back and sees the end of the hall is sealed off in plastic. Mott is here again. He and Aunt Vivian are talking.

Hilde rolls over onto her stomach and crawls forward until she reaches the plastic, which is moving ghostlike in the air of the fan. There’s a hole in it, near the bottom, and looking out she can see Aunt Vivian at the kitchen table, crushing cigarettes into her ashtray. From Hilde’s viewpoint, they resemble a crumpled, ashen little skyline.

“Ugh. They’re everywhere this year,” her aunt says. “Can’t walk two feet without running into ’em.”

“You know it’s ’cause there ain’t no birds,” says Mott. “Birds die. Bugs come out. Spiders get fat off the bugs. No competition.”

Vivian lights up another cigarette. “Thank you, Mr. Ecology.”

“You know they been lying for years about how that thing affects us. Go to the hospital, they lie there too. It leaks, they evacuate everyone within a mile, to everyone else they say, ‘Stay in your homes,’ and we do, we’re culpable. But the day of the Lord will come as a thief in the night, in which the heavens shall pass away with a great noise, and the elements shall melt with fervent heat, the earth also and the works that are therein shall be burned up. That’s upon us, only it’s not God that done it. We brought it all on ourselves.”

Her aunt is quiet a moment. “You don’t know it’s the plant, Mott. Could be other stuff. Could be cars, could be, what, pesticides, herbicides. You just think it’s the plant ’cause you see it out there on the horizon, but in truth you might be gettin’ it just as well from the cans you eat out of.”

Mott doesn’t reply at first. Then he starts up, his voice quick and angry: “You don’t even got a TV, Vivi, or a damn radio. You got no way to know—”

“According to you,” she snaps, “they just spin lies, so why bother?”

His side of the kitchen table goes dark and sullen.

“Even if it is the plant,” she continues, breathing smoke from her nostrils, “that ain’t what’s wrong with the girl like you think. She always get sick, get better, get sick again. Don’t know what it is. My sister was the same way. It’s a curse. Cursed genes.”

“They tell you that at the hospital?”

“Oh, get off the goddamn hospital, will you? I’m taking her over there if the fever gets any worse.”

“You ain’t got a driver’s license anymore.”

“I can pretend I do for a little while.”

“What about her parents?”

Vivian sighs. She crushes out her cigarette and lights another. “They don’t know what to do. They children themselves.”

This time, they both fall silent, and when the two of them pick up the conversation again, they begin to talk about money, or want of it. Hilde’s mind clouds and drifts away. She’s awakened when her aunt tears down the plastic from the doorway and stumbles over her body.

“Jesus, girl!”

Hilde opens one eye. Mott is standing in the kitchen, clothed in his yellow suit again. When his muffled voice speaks, Hilde hears it, though Vivian does not:

“The only thing that’d help this child is to take her away from here.”

Hilde covers her sweaty face as Aunt Vivian picks her up. She can’t remember the hospital, but bright lights, the smell of latex and alcohol—these sensations scare her.

     

In the morning, Hilde’s fever has broken. She watches from the porch as Aunt Vivian turns her attention to the spiders. She doesn’t kill them—as bug-eaters, they’re friends of the gardener after all—but their sheer number has clearly made her uneasy. She tears down some of the larger webs with a rake in the hope that they’ll move elsewhere. By the afternoon, they have all rebuilt, and seem to have multiplied.

      

Though she’s gotten a little better, Hilde’s head is still bleary, and she stays inside on most days. Vivian keeps saying she hopes it will rain to cool things off, and Hilde imagines all the spiders getting washed from their webs in streams, carried out to the sound with their legs kicking.

But the rain never comes, the heat carries on, and Hilde struggles to stay awake. Once, in the midst of a heavy nap, she wakens to find Mott, in his suit, on the other side of her window, taping plastic over it. He waves at her and then continues his task until the world outside becomes blockaded in an opaque film. All she can see of Mott now is his shadow.

Hilde assumes that Mott is doing this with Aunt Vivian’s permission, but when she wanders down the hall to the living room, her aunt is reading the paper in the easy chair as if nothing is going on.

“Mott’s out there,” Hilde says. “He’s taping our windows.”

Aunt Vivian looks up. “He’s what?”

From the yard, Mott sees them and waves, but Aunt Vivian shakes her head, shouting, “No, sir! I won’t play this game with you! I said no!” She slams the door as she goes out, and Hilde crawls onto the back of the sofa so she can watch their confrontation from the window. Her aunt yells at Mott, pointing to the plastic tarp, slicing the air with the edge of her hand. Mott holds out his arms at first, sheepish, but then he starts yelling back, gesticulating wildly in the direction of the power plant. Aunt Vivian stands there a moment, arms folded. She can’t understand him. She loses her patience. It happens in an instant, so fast that Hilde has to catch her breath; Vivian reaches up, grabs the hood of Mott’s suit, and rips it open. Mott crouches down as if being beaten, his face in agony, and Hilde is sad to see that his head looks almost shriveled, tiny in comparison to the cumbersome yellow body. She can read the words on his mouth—“What’ve you done? What the hell have you done?”—and when he straightens up again, he shoves Vivian so hard that she stumbles back and falls in the driveway. He flees down the road. His wounded suit flaps in the air.

 

Later, as Vivian cleans the grit from a scrape on her palm, Hilde sits curled up in the kitchen chair. She fights back a tremble brought on by the smell of peroxide and Band-Aids, asking quietly, “Why’d Mott push you?”

“Because,” says her aunt, “he wants to do something he thinks will make the house safe, and I won’t let him do it.”

“Why not?”

“Because he ain’t in his right mind, that’s why.”

Hilde doesn’t know what this means. Is there a wrong mind? A left mind? “But will it make the house safe,” she asks, “what he wants to do?”

“I doubt it.”

“But it could, maybe?”

Vivian looks up at the child, curled in the chair like a pale, wide-eyed shrimp. She can recall a time before the plant, but even then the streams ran with a film and there was always an orange haze, which hung over the city, even when she was a little girl. When the plant arrived, it became the neighborhood devil, as if it had destroyed what was once pristine. But Vivian knows better and she will not leave, doesn’t have the will or money to do so anyway. Each day she tends her garden, and that will be the end of it.

“It’s hard to explain,” she tells Hilde, and lays a bandage over her scrape.

      

In the middle of the night, Hilde can tell that her face is getting hot again, that her stomach is fighting against what little she ate for supper. The whine of a siren is what wakes her, far off, and when she opens her eyes, she sees that someone has lifted up the window. A breeze comes in, carrying the sound with it. Then Hilde squints and focuses on the shape at the foot of her bed, can make out the glint of a bald scalp in the shadows.

“Mott,” says Hilde. “Where’s your suit?”

“It’s busted,” he says. “Hilde, sweetheart, you hear that siren?”

“Yes,” she says.

“That’s from the plant. That means bad things. It ain’t safe here. Your aunt, she means well, but she just don’t know, she don’t keep informed. You come with me, all right? I got my house proofed. I bring you there, and Vivi’ll come along too, okay?”

Hilde rubs her eyes with her palms, blinks them clear. Now she can see the features of Mott’s face, alive with fear.

“Okay,” she says.

He hauls her up, and it feels good, the strength of his arms, the oniony smell of his skin. Her father had a similar smell, she thinks, maybe his sweat, but she hasn’t seen him for so long. Maybe she has no parents, only Aunt Vivian and Mott. He carries her out into the open air of the yard. The spiders sit silent in their webs.

They are at the edge of the front yard when the plant’s siren suddenly dies, and they can hear Aunt Vivian screaming. Now the lights are all on in the house, blazing and golden, and she’s at the front door flailing her arms—“Mott! Mott! What are you doing?” Mott begins to run, and Hilde’s world trembles and shudders, and she feels if he lets her go she will fall, not down, but up into the night sky, moonless and black. “Mott, no! Bring her back!”

“It’s okay,” Mott is saying. “It’ll be okay.” But Hilde can hear in his breathless voice that he’s just as scared as she is, and his gait is slowing down, as if he’s no longer sure he’s running in the right direction.

The Robert Watson Literary Prize Story JURY OF MATRONS

My mother came from a family of relentless and intransigent women. One of her grandmothers—as Aunt Faye relished telling it—hatcheted saloons alongside Carrie Nation; the other operated the speakeasy where Joe Majczek and Ted Marcinkiewicz allegedly shot a Chicago traffic cop in 1932. (“You’ve probably seen the movie version,” Aunt Faye crowed to friends. “Call Northside 777. June Havoc—you remember June Havoc, don’t you?—has a bit part as my Granny Bess. Not credited, but still!”)  My mother’s mother, Ida, fought alongside the Loyalists in Spain and later guided anti-Vichy partisans over the Pyrenees, albeit with limited success. So when my own mother deposited my bassinet in her aunt’s parlor in Powick Bridge, a fruitless suburb of Hartford, Connecticut, and flew off to liberate Guatemala from Yanquis, she followed well-tread if reckless footsteps, and when she “disappeared” during the worst of that nation’s “White Terror”—a named target of Colonel Arana’s death brigades—the US State Department offered Aunt Faye the diplomatic equivalent of a shrug.

Fast forward fifteen years: that’s a long about way of explaining how I ended up at my grandaunt’s home, a perpetually flummoxed adolescent boy sharing a roof (and a cast-iron clawfoot bathtub) with three inscrutable women, when my mother’s baby sister, Marcella, passed through on route from a halfway house in Springfield to the coast. “I’m going to save the Pregnant Pirette from the soldering iron, so help me,” she announced to Aunt Faye. “And I’m taking Ginny’s kid with me.”

Marcella wore her tawny hair in cornrows tufted with cowry shells; her harem skirt flowed from a belt garnished with artificial daisies—but even in her thirties, our visitor looked too battle-worn for Hippiedom. (Try to picture Mrs. Khrushchev dressed as Bo Derek.)  She dropped a carpetbag lacquered with political pins onto the front porch like a conquistador planting a flag.

“Like hell you are,” replied my grandaunt, arms akimbo in the doorway.

I watched from the foyer. I was an animal carcass, pierced with a pair of bullet holes, at the mercy of two rival huntresses.

 

When I’d first gone to live with Aunt Faye, she was alone in the house. She’d once had a husband, a fellow named Tate, but like most of the men in our family, he’d drifted from history into mist, leaving behind only his surname. (All I knew of my own father, Len Kuritsky, was that he’d asphyxiated on a chicken bone at a music festival in California several weeks after my birth.)  At some point, long before I entered the scene, Aunt Faye had staffed the reference desk at the Powick Bridge Public Library, and pushing seventy, she carried with her an atmosphere of dusty encyclopedias. We had lots of visitors in those days: a klatch of female relations whose precise perch on the family tree wasn’t worth locating. Even Marcella had stayed overnight once, but left in a huff before breakfast, incensed that Aunt Faye had stipulated a separate bed downstairs for her niece’s boyfriend. Four years later, a widowed girlhood friend of my grandaunt’s—the aptly named Edie Coffin—moved permanently into the same chamber. (To this day, I don’t know whether Aunt Faye and “Cousin” Edie were lovers, or had once been lovers, or were merely faithful late-life companions.)  The third female in our estrogen-perfumed Cape Codder, Cindy Jane, arrived only four months before Marcella. She was a genuine cousin—the sixteen-year-old, cashew-shaped, eggplant-hued spawn of two heroin junkies, one of them loosely descended from Granny Bess. Aunt Faye had again opened her doors to the family’s jetsam.   

So that’s how the household stood at the outset of the battle royal. Marcella had just completed a ninety-nine-day stint in the Hampden County lockup for pepper-spraying a guard during protests against expanding an air force base, so she had more than three months of pent-up zeal to launch on behalf of her mission. It was a Saturday in July—a lazy, torrid afternoon—and although we’d been summarily banished to the yard seconds after Marcella’s arrival, both Cindy Jane and I eavesdropped from below the kitchen window. The heavy scent of “Cousin” Edie’s heliotrope and sweet alyssum cloyed our nostrils.

“I’m sorry, dear,” said Aunt Faye. “I am glad to see you’re well—and you’re always welcome in this house, provided you abide by the house rules. That being said, I cannot have you showing up here like the Pied Piper of Hamelin and leading that boy into trouble.”

“Nobody is leading anyone into trouble, Faye. I’m teaching the boy the value of direct action, of bearing witness. Doesn’t it bother you the slightest bit that they’re going to guillotine the Pregnant Pirette on a whim?”

“I doubt they’re doing anything on a whim,” replied Aunt Faye. “In the first place, you act like it’s a human being they’re harming. They’re dismantling a statue, for heaven’s sake. A rusted old iron statue that nobody—at least nobody other than you—gives a slap about. It’s not as though you’re trying to save an ancient redwood or some natural wonder—”

“It’s a feminist icon—”

“Do let me finish, dear. As far as I’m concerned, I think it’s a wise choice they’re making, razing all those blighted motels and creating a preserve. And so too, I might add, does every progressive thinker and environmental scientist in this state.”

“Not every—”   

Almost every one. Your problem, Marcella, if you’d like my unsolicited opinion—and even if you don’t—is that you’re always looking for causes.” Once Aunt Faye dipped into her speak-in-full-paragraphs mode, there was no turning back. “I’m not saying the world is a perfectly just place, but it’s not the gulag, either. Even without a revolution, we have running water, and three solid meals a day, and the right to vote and speak our minds, and to make pests of ourselves in public places. Maybe you could try being thankful for a change. In any event, the bottom line is that you’re welcome to drive down to East Sedley and make a nuisance of yourself all you’d like—get yourself arrested again, if you have your heart set on it—but I have custody of that boy, and he’s not getting wrapped up in your shenanigans.”

Marcella responded with a sigh—almost a groan—that seemingly contained all of the frustrations of Woodstock and Selma and Kent State drawn into one breath. “What planet do you live on, Faye Tate? Do you really believe all that Norman Rockwell shit about the right to speak your mind? Jesus-fucking-Christ!  That statue is a landmark. A piece of my childhood. She was practically my best friend. Have you forgotten how I’d stuff pillows under my nightgown and go down to the beach at night to help her defend our motel from marauders while you and that bald lady friend of yours got sloshed on cocktails?”

“Betty Miniver was not bald; she had alopecia. Nor did either of us ever ‘get sloshed,’ as you call it. That’s simply not what your childhood was like.”

“Maybe you weren’t sober enough to remember.”

“Enough, young lady,” said Aunt Faye. “Now put your bag in the upstairs guest room and I’ll make you some cucumber sandwiches to tide you over until supper.”

Cindy Jane poked my flank and whispered, “Crazy how they’re fighting over you, isn’t it?”

That was before I’d decided whether I found Cindy Jane attractive enough to kiss. “I guess,” I agreed—not too committal.

“You know what? I bet Marcella isn’t your aunt at all,” said Cindy Jane, her warm breath only inches from my neck. “I bet she’s really your mother.”

 

Aunt Faye called us into the house again before Cindy Jane could elaborate, so it wasn’t until nearly midnight that she pressed her point. We’d tiptoed downstairs—lungs held past Edie’s bedroom—and then through the cellar door into the yard, where the previous owner had wedged a tree house into a colossal black walnut. Nearly every weekend night since school let out, the pair of us had been meeting atop those pinewood boards, his-and-hers milk crate stools roosted a thirty-foot climb above the lawn by rope ladder, squandering time and whetting lust. The truth was that I couldn’t imagine kissing Cindy Jane without my eyes clenched shut—she had caterpillar brows and a knob of baby fat under her chin—but I weighed a scrawny one-hundred-thirty pounds in my tennis shoes, and other girls hadn’t lined up outside my door. (The only girl I’d ever asked out, strawberry-haired Angie Swenson, responded to me much as the State Department had responded to Aunt Faye.)  So I faced the teenage loser’s ultimate dilemma: pine after girls like Angie until fate shifted the tides, or make out with my cousin. A bush in hand or a bird in flight, as they say. I reassured myself that Cindy Jane and I shared only a fraction of DNA.

Don’t get me wrong: Cindy Jane hadn’t exactly been offering up her lips for the taking. Yet I sensed that if I mustered the courage to ask, I might receive what I wasn’t sure I actually wanted. In the meantime, while the more popular 98% of Dean Acheson High School’s tenth-grade class bonded at sleep-away camps in the Berkshires—a concept as spendthrift to Aunt Faye as store-pitted cherries—we engaged in a lopsided flirtation, a pas de deux rendered all the more alluring by its concealment. (I must have been in my late thirties myself—as old as Marcella was then—when I realized that Aunt Faye had known of our nocturnal trysts all along, although I’m still unsure whether she was hoping to encourage a “romance” between us.)  Cindy Jane had pinched a coconut-scented candle while babysitting for a neighbor and had smuggled it into the tree house. The flame danced off her pajama top, illuminating her bounteous breasts.

“C’mon, Pete,” insisted Cindy Jane. “You can’t really think it’s a coincidence they’re both tugging on you like a wishbone. Did you notice how Marcella didn’t mention your so-called mother at all in her story about the pirate statue? Not even once.”

“Why would she?”

“Because your mother must have been there with her and Faye in East Sedley? And if she wasn’t, where was she while Faye and her bald gal pal were getting sloppy?”

“I don’t know,” I said. “Someplace else.”

“And don’t you think it’s weird that they don’t have any of your mother’s stuff around this house? Not even newspaper clippings? They have a basement full of Marcella’s junk—Marcella’s punching bag and Marcella’s talking Barbie and Marcella’s Go-Go the Burro—a whole damn shrine to one niece—and nothing of your mom’s except a couple of snapshots that could be anybody.”  Cindy Jane adjusted the candle to shield it from the draft. “I mean, there are ten times more photos of my own deadbeat mama in Faye’s albums than of your mother, and my mama is like a billionth cousin two zillion times removed.”

“Mom only lived here a few years,” I argued. “She was already a teenager when grandma died. Marcella grew up here.”

“Whatever.”  Cindy Jane folded her arms across her chest. “I’m telling you that woman they claim is your mother is a cover story. Maybe she was a family friend—or a distant relative of some sort—if she even existed at all. Marcella is your mother.”

I suppose my orphan ears were primed for my cousin’s charge because I found my resistance waning. “I don’t get it. Why would they lie?”

“Who knows? Marcella probably couldn’t manage both a baby and a revolution, so she abandoned you here, and in return for raising you, Faye made her promise not to tell . . .”  Cindy Jane inched her milk crate closer to mine. “Women used to do that all the time, grandmothers pretending they were mothers and mothers pretending they were sisters. Don’t be so fucking naïve, Pete. That’s how the world works.”

You’re thinking her theory sounds like the plot of a Dickens novel—and a bad one at that—that no marginally sane teenage boy could ever embrace such a tale. All I can say is that it’s different if you’ve grown up without a mother, if you sobbed yourself to sleep countless nights over a woman you don’t even remember, if you’ve spent your whole childhood fantasizing that a two-line cable from Guatemala was sent in error. “Marcella is too young to be my mother anyway,” I said, serving up one last defensive salvo.

“Bullshit. How old is she? Thirty-eight? Thirty-nine? You do the math,” said Cindy Jane. “I was certainly old enough to have a baby at thirteen.”

This reference to her own sexual maturity galvanized the atmosphere in the tree house. Cindy Jane glanced down at her knees, her chubby knees that I suddenly imagined spreading with my palms. I felt the tips of my ears ablaze.

“Do you really think she’s my mother?”  I asked—mostly to fill the shadows with words. “How can you be so sure?”

Cindy Jane looked pensive, as though victim to an internal struggle. Outside, raccoons scampered in the undergrowth. The electric lantern on Mrs. Sewell’s porch cast a hostile beam onto “Cousin” Edie’s strawberry patch.

“I’ll make you a deal. Tell me I’m pretty and I’ll tell you a secret.”

This was not the first time, nor the last, that Cindy Jane bartered for compliments.

I tried to meet her demand without lying, but that seemed an insurmountable challenge. “You’re my cousin,” I said. “Of course I think you’re pretty.”

Cindy Jane weighed my answer—deciding whether to be flattered or insulted. “Okay, thank you,” she finally said. “So I’m going to share this with you, but swear you won’t tell a soul.”

I swore—right hand raised like in a courthouse: “May the Red Sox finish dead last for a hundred seasons if I tell.” A barn owl shrieked in the darkness, mocking my oath.

“You’d better not say a word,” my cousin warned. She leaned forward, her lips only inches from mine. I smelled the cinnamon gum on her breath. “When I was two or three years old, Marcella stayed with my parents in Berkeley. I can’t recall much about the visit, but I do remember one thing for certain—she wasn’t alone. She came with a baby.”

Cindy Jane curled her lips into a tooth-crammed grin. Never have I seen another human being appear as self-assured as she did following her revelation.

“That doesn’t prove anything,” I said. My body, quavering violently, cried otherwise.

 

The next morning, while Aunt Faye griddled waffles, Marcella corralled me into the parlor and shared the saga of the Pregnant Pirette, preparing me for the Tuesday morning rally I’d been barred from attending. “You’d be surprised how many female buccaneers there were in their heyday . . . Anne Bonny, Mary Read, Rachel Wall,” she explained. “Jacquotte Delahaye, who faked her own death.” While she spoke, I scrutinized her face, trying to read a likeness to my own drab features. I smoldered to ask her point-blank: Are you my mother? But I didn’t dare—suspecting she would lie, but also fearful of upsetting my own fantasy. Soon “Cousin” Edie settled into the damask-upholstered armchair opposite the bay windows, as she did every morning, stripping us of any vestige of privacy.

Marcella didn’t even acknowledge Edie’s arrival. She asked me: “Do you know what happened to female buccaneers when they were caught?”  

I delved deep into my piratical knowledge, most of it gleaned from Treasure Island and Peter Pan. “They walked the plank?”

“Close. They hanged,” answered Marcella. “Unless they were pregnant.”

Edie flashed a frown in our direction but said nothing. In the foyer, the grandfather clock knelled a joyless eight o’clock.

“If the baby inside them was old enough for people to feel—a stage called quickening—then they were spared the gallows until they gave birth . . . And often, by then, they’d managed to escape or obtain a pardon.”

I studied Marcella’s cheeks, her jawline. We shared a chiseled nose—distinctive on her, I suppose, but too large for my narrow skull. I resembled her more, I decided, than the soft-featured brunette who appeared sporadically in Aunt Faye’s albums. Edie lit a cigarette—Virginia Slims—filling the parlor with the heady cologne of tobacco.

“So they had groups of women whose job it was to decide which pirettes were actually pregnant and which were lying,” continued Marcella. “These were called juries of matrons . . .”

I sensed a lethal presence in the room and looked up to find Aunt Faye, armored in plaid apron and oven mitts, scowling at her niece. “It’s time you stopped filling that boy’s mind with claptrap,” she declared. “What does he care about lady pirates?”

“I’m teaching him about the world,” retorted Marcella. She turned to me and added, “A pirette takes what she wants. Unlike many modern women.”

That was too much for my grandaunt. “The world can fix its own problems. You’d be better off figuring out what you’re going to do with your life, don’t you think?”

“I’m already doing something with my life.”

They stood facing each other—the woman who’d raised me and the woman who might have birthed me—like eighteenth-century musketeers in hostile formation. Cindy Jane had stationed herself at the top of the stairs to survey the battlefield.

“I’d like to have a word with you in private, Marcella,” said Aunt Faye.

Marcella refused to make eye contact. “If you have anything you want to say to me, you can say it right here. I don’t have any secrets.”

“Well I have secrets. Plenty of them. And while you’re eating my food and sleeping on my bedding, young lady, you’ll just as soon give me a moment of your time.”

The innuendo about secrets was not lost on me. Cindy Jane beamed knowingly.

Marcella didn’t say a word, but she slowly—at the pace of a molasses-dipped tortoise—climbed off the sofa and trailed Aunt Faye into the kitchen. The heavy oak door swung shut behind them, muffling the ensuing row. “I have an idea,” suggested Edie Coffin. “Why don’t we three play a round of pinochle?” Any hope of overhearing the conflagration in the next room was soon drowned out by the widow’s squeals of “Aces abound!” and “Nine of trump!” Cindy Jane and I conducted an entire conversation with our facial muscles.

Secretly, I hoped for a revelation—like King Solomon offering to split the baby in half—that would expose my mother’s true identity. Instead, a subdued Marcella eventually pushed open the swinging door with streaks of eyeliner trailing below her orbits.

“We’ve reached a compromise, Peter,” she announced. “Faye has agreed to let me take you to see the Pregnant Pirette tomorrow. But then I’ll bring you back here and I’ll go to Tuesday’s demonstration alone.”

Aunt Faye emerged from the kitchen. “And the other half?”

Marcella’s voice tensed up. “I’ve agreed that she can come with us.”

 

One advantage of having Aunt Faye accompany us was that we could drive her Oldsmobile directly to the coast, rather than calling a cab to take us to the bus station. Around ten o’clock the next morning, we piled into that oversized vehicle—my grandaunt behind the wheel, a cooler of turkey sandwiches and fruit punch in the trunk—and headed toward Long Island Sound. Edie stayed home to look after the house. “What do I want with pirates?” she asked. (I’m honestly not sure if Edie Coffin stepped foot from that property even once between the day she moved in and Aunt Faye’s funeral; my grandaunt’s will left her the place, in trust, and when I visited Edie in her final years, the widow’s sole goal was surviving until the mint issued the last of its fifty-state commemorative quarters, which she collected like relics.)  Cindy Jane also had to remain in Powick Bridge, much to her consternation, because Aunt Faye declared, “I can’t be responsible for looking after two wild children at once.”  That Marcella was so desperate to show me the statue, but obviously less vested in my cousin, struck us both as telling.

A skilled driver could reach East Sedley from Powick Bridge in under ninety minutes. Aunt Faye managed the trip in slightly over three hours. She refused to leave the right-hand lane, even when we found ourselves behind a trailer hauling cement pylons, and she stopped at every public restroom in southern Connecticut. While we drove, Marcella furthered my education in the field of female piracy. I entered a panorama of cross-dressing bandits and swashbuckling maidens who fed English admirals to sharks. Marcella possessed a gift for elucidating the underlying political implications of the most innocuous-seeming yarns. “Often a considerable time passed between when these women were apprehended and when they arrived on shore to plead the belly,” she said. “So a class of professional ‘baby getters’ seized the opportunity. These were able seamen in the Royal Navy who’d knock up accused women for a small share of their pirate’s loot—or even for amusement.”  I found myself both fascinated by this revelation and mortified that Marcella had shared it.

“Don’t you think that’s enough?” asked Aunt Faye.

“I don’t see the point of sheltering him,” snapped Marcella. “He should have some idea of what women have gone through to get where we are.”

“Not all women were pirates,” said Aunt Faye.

I sensed the two of them were engaged in a complex emotional ballet, employing military stratagems of Napoleonic proportions, tactics that made the pas de deux between me and Cindy Jane look like an amateur checkers match. In some ways, I felt irrelevant to the entire struggle—a pawn, an afterthought—and then the notion hit me that maybe I was an afterthought. If Marcella could be my mother, why couldn’t Faye be her mother? Suddenly, all of the enigmatic twists of my childhood yielded their mystery.

Ginny would want him to know,” said Marcella.

“I don’t doubt she would,” answered Aunt Faye. “But Ginny’s not here.”

My grandaunt’s words sounded more like a warning than a statement.

After that, we drove in silence until we reached the coast.

East Sedley did not live up to my hopes. The resort had once been a summer retreat for upper-middle-class New Englanders—WASPy physicians and insurance executives who wished to avoid the nouveau riche Jews, like my father, who’d “taken over” Watch Hill and Nantucket. By the early 1980s, the town center consisted of a shuttered movie house, a flyblown post office, and a post-and-beam library open three mornings each week. Of the two-dozen motels that had lined the beach from the marina to the Rhode Island border, only one—the Captain’s Deck—remained operational. All of the others, including the Vengeful Scrod, where my family had summered, and the adjacent Jolly Roger, whose beachfront harbored the Pregnant Pirette, had been commandeered by the state in eminent domain proceedings.

Aunt Faye eased the Oldsmobile into the gravel lot opposite the remnants of the Jolly Roger. The letters V-CAN-Y welcomed us in unlit neon. Beyond a chainlink fence rose the steel shoulders and bulging metallic tummy of the Pirette. Rigging cascaded down her back in a knotty mane. A corrugated patch covered her left eye. The fabric shielding her breasts had long since peeled away, exposing two jagged-edged cones. Nearby, a Caterpillar bulldozer lurked in a pit of sand, temporarily deserted, awaiting its turn at the Pirette.

Marcella hiked through the litter-strewn no man’s land between the road and the construction site, kicking aside the orange traffic cones and yellow police tape that walled off the public from the padlocked gate. She cupped the lock for a moment, then let it fall against the meshwork with a clatter. Overhead, terns and herring gulls circled for prey.

I let the sea breeze fill my lungs with salt.

“Satisfied?” asked Aunt Faye.

Marcella glowered at her. “Very.”

The pair of them certainly interacted like mother and daughter.

 

Our outing sounded all the more uneventful when I shared the details with Cindy Jane later that evening while Aunt Faye and Cousin Edie prepared supper. I described Marcella’s failed effort to scale the fence, her dustup with my grandaunt, the numerous times she declared that my mother would have wanted me to see the Pirette. I related our brief detour to a specialty knitting shop in Branford, east of New Haven, where Aunt Faye picked up a ball of merino yarn for her next quilt. “If I’m gallivanting halfway to the moon,” she said, “I might as well make good use of the gasoline.”  I complained to Cindy Jane of the gargantuan mosquitos that guarded the statue. I pointedly omitted my theory of multiple generations of family deception. Once we’d been summoned to the dining room, nobody made mention of the excursion at all.

A truce had settled over the household. Aunt Faye acknowledged that there “was no harm” in my seeing a historic landmark like the Pirette, which she conceded “could be considered a feminist icon” from a certain perspective. Marcella made a point of including Edie Coffin in the conversation, asking after her tea roses and her stamp collection. Cindy Jane scrawled the words Are you my mother? on her napkin and slid it onto my lap. By the time Aunt Faye served the apple cobbler, we were actually laughing like a family.

That night, I dreamed that I’d accompanied my mom to the Guatemalan Highlands. We trekked from village to village, organizing the K’iche’ people for revolt. Somehow, I was both an infant and a teenager at the same time, just as my companion was both the brunette from Aunt Faye’s photos and Marcella, so when the death squads finally caught up with our band—while my mother was away, spying on nearby quarry—I pretended to be a sleeping child and managed to survive the ensuing massacre. I balled up my limbs, frozen, until my mom returned to the bloodbath and shook me awake. She kept shaking me, so I opened my eyes, and there stood Marcella, in my dimly lit bedroom, a finger over her lips. At her urging, I dressed rapidly and followed her downstairs. The grandfather clock in the foyer read 4:00 am.

Marcella didn’t have to tell me where we were going. As soon as I saw her retrieve the keys to Aunt Faye’s Oldsmobile from the wall hook in the kitchen, I understood that we were headed back to the coast to help rescue the Pregnant Pirette.

“It’s raining,” whispered Marcella. “Do you have a jacket?”

Her words sounded maternal, not auntly. No teenage boy has ever been so thrilled to be told to bundle up. I retrieved my windbreaker from the hall closet.

Route 89 extended clear as an airport runway in the predawn. Steam rose off the asphalt. We crossed the Powick River and gusts rattled the chassis of the Oldsmobile. Marcella drove at twice the speed of my grandaunt, peeling turns and passing buses on the right. She’d flipped the radio to a folk station and the car filled with the sounds of The Original Caste commemorating “One Tin Soldier.” I dozed to the rhythms of the highway. When I woke again, we were already on the outskirts of East Sedley.

“Good, you’re up,” said Marcella.

She stopped for carryout coffee at a ramshackle café.

“How do you like yours?” she asked.

I didn’t. But I hoped to sound mature. “Black,” I said. 

She poured cream and sugar into her own cup.

“If you’re not part of the solution, you’re part of the problem,” said Marcella. It wasn’t until my second semester at Yale that I realized the quote was Eldridge Cleaver’s, not hers. “Faye is part of the problem. Ginny would want you to be part of the solution.”

“Aunt Faye tries her best,” I said.

“I know that,” Marcella said. “But sometimes that’s not good enough.”

We climbed back into the car and soon pulled up in front of the Jolly Roger. Several of the demonstrators had already arrived, including an elderly woman with a bolt cutter. Also on hand was a morbidly obese man in his sixties, the brother of the sculptor. Next a lesbian couple arrived, then an unkempt family of six. By daybreak, other protestors—mostly women, mostly over forty—had arrived with placards that read Saws Off My Belly, the rallying cry of the Pirette preservation movement, but also Close Yankee Power and Save Narragansett Bay and Reagan = War Criminal. One activist distributed fliers demanding immediate pardons for Eddie Conway and Leonard Peltier. Another, whose outfit reminded me of Danny Kaye channeling a court jester, connected the statue’s fate to the plight of Palestine and Tibet. At full deployment, the campaigners numbered about thirty.

I hoped that Marcella might introduce me as her son, but she didn’t. “This is my nephew, Peter,” she said—and each time she said “nephew,” I felt disowned. My nose and chin grew raw from the spray-brined air.

The construction crew arrived around nine o’clock—a half-dozen sun-scarred men in coveralls and hard hats. I’d anticipated warfare, but the demolition team appeared largely indifferent to the disruption. They got paid, it seemed, either way. Only their foreman expressed any displeasure. “This here is private property,” he shouted over the protesters’ off-key chorus of “We Shall Overcome.” “I’m going to have to call the authorities. You’re leaving me no choice.”

He returned ten minutes later and said, “Please, be reasonable. Look, people, you’re going to get yourselves in trouble. I’m warning you.”

Our ragtag band sang louder. Marcella squeezed my forearm.

“Your mother would be so proud,” she said. “We’re going to win.”

I trusted her. “Do you really think so?”

“Of course I do. The momentum is on our side. And so is justice. Once they realize what the Pregnant Pirette means to us—as women, as human beings—they’ll back down.”

We were still singing when the squad cars arrived. New London County Sheriff. Two officers in each. They approached us, communicating in their own dialect of nods and gestures, and I feared they might break out stun grenades or tear gas canisters, like the military police had done when Marcella refused to leave the air force base. To my amazement, one of them asked—in a voice firm, but not unkind—“Are you Peter Kuritsky?”

I honestly don’t remember what I answered, or even if I answered at all. I have only the vaguest recollection of climbing into the rear seat of the cruiser, followed by Marcella, who apologized to the other demonstrators before departing. “A misunderstanding,” she pleaded. “We’ll be back as soon as we sort this all out.”  Today, I imagine she’d have been arrested for kidnapping, but those were laxer times. All the authorities wanted to do—and the senior officer explained this patiently, between Marcella’s threats—was to return us both to Powick Bridge, where Aunt Faye waited at the station house. “If it’s a misunderstanding, ma’am,” he said, “the local police will sort it out for you.” Yet when the vehicle’s door shut behind us, the clink sounded like the closing of a prison cell. East Sedley retreated into the past.

I watched the cops in the front of the cruiser, but they were ignoring us. My window of opportunity was closing: if I wanted to know the truth, this was the moment. I counted to ten and played all my cards. “Marcella, can I ask you a question about the time you visited Cindy Jane’s parents in Berkeley?”

Marcella turned toward me. Surprised. Puzzled. “What?”

I didn’t need to hear anything more. I already knew the truth—I could see it in her confusion—and I fought back my tears. Not only was Marcella not my mother, I understood, or Aunt Faye my grandmother, but the Pregnant Pirette would soon land in a scrapheap, and no lifetime of tides would unite me with Angie Swenson, and no matter how many times you watch Call Northside 777, you won’t see the actress June Havoc in an uncredited role as my great-grandmother because she doesn’t appear in the film. Not at all.

 

“She really called the police?” said Cindy Jane. “Wow! That’s crazy.”

Although it was a weeknight, we’d rendezvoused in the tree house. Marcella was long gone and another eight years would elapse before we heard from her again: a Get Well card that arrived—too late—after Aunt Faye’s second stroke. My grandaunt had offered to pay for a taxi since her Oldsmobile remained behind in East Sedley, but Marcella insisted on hitchhiking to the train station. Outside, a cold front had left a damp nip in the summer air. Fireflies pulsed in the yard below; a whippoorwill wailed. My wrists and ankles itched from where I’d been nibbled by mosquitos.

“Did you get to ask her whether she’s really your mother?” asked Cindy Jane.

“Why bother?” I replied. “She’d lie either way.”

I let Cindy Jane absorb my indifference. She looked wounded.

“Let’s talk about something else,” I suggested, seizing the advantage.

Cindy Jane’s voice turned coy. “Like what?”

My eyes casually raked over her flannel-covered legs, her cleavage.

“I have an idea,” I said. “Let’s not talk at all. Let’s kiss.”     

My audacity surprised even me—as though I were the first teenager ever to ask for a kiss.

“I’ll make you a deal,” offered Cindy Jane, as though she’d had the words stockpiled. “If you tell me you love me and you’ll be my boyfriend, I’ll kiss you.”

So I told her the lies she asked for—and then I leaned into her with my eyes clenched, ready to start making my way in the world.

The Robert Watson Literary Prize Story WAR RUGS

CYNOCEPHALI, a community of Monsters, (having, as their name (κυνός κεφαλή) implies, the head of a dog, but in all other respects resembling man,) who are described at some length by Ctesias, (ap. Photium, 72, de Indicis.) This author says that the Cynocephali bark a language which is understood by each other; that their teeth are longer, and their nails both longer and rounder than those of dogs; that their complexions are black, and that they occupy a tract of country in the mountains as far as the Indus. In their general dealings and institutes they are eminently just, (δίκαιοι πάνυ).

—Encyclopaedia Metropolitana, 1845

 

The Dogfaced girl sits with her red-furred muzzle pressed against the window of the van. The sidewalks of this neighborhood are empty, and the houses are brick, built in the image of their owners’ skulls—flat and clenched. If she holds still, she can hear all the TVs, spilling their caustic wash of anger and bubbling jingles. As has become their pattern, Alcibiades and Themistius drop her off last out of the whole Squad. They pull over at the end of a cul-de-sac adorned with flouncing flags and perfumed olive trees. Themistius, a puggy Dogface with a patch of black around his eye, turns to her from the driver seat as she tucks her nail file into her folder of sales brochures. She stares down at the one long fingernail on her left pinkie—pointed and polished black, winking one tiny fleck of lapis.

“You gotta be careful out there today,” Themistius says. “Don’t play games. They call hubby, you bounce. They tell you, ‘Wait right here,’ you bounce. They start asking questions, you bounce. Got me?”

The Dogfaced girl nods at him and slides open the van’s door. The early summer heat flashes up to meet her with tarmac and grass clippings.

Alcibiades, an Occidental—a “normal,” a Buttonhead—sitting shotgun, turns to him and says, “Give the girl some latitude. She’s not some bimbo like that Eris was. She knows what’s up. Right, Zylina?”

Three weeks ago, when she first signed on to the Squad, Zylina couldn’t tell which one of them was in charge. Their titles didn’t help. Alcibiades is called “Squad Captain,” and Themistius, “Squad Chief.” They’re both older than anyone else in the van. She’s guessing thirty, maybe thirty-five. But she’s beginning to see that Alcibiades is the one who pulls the strings. Themistius is just there to give all these Dogfaced kids some kind of hope that if they work real hard, maybe one day they can do the driving. Fucking Buttonheads.

But she softens a little, looking up at smiling Alcibiades, with his pretty eyebrows, nubby nose, and those stupid little ears, curled and naked. Sometimes she wishes she had ears like that. Ones that didn’t work so hard.

“Yeah, I got it. I’m just gonna run the script,” she says.

“Sure,” Alcibiades says. “You’re gonna work that uniform, though.”

She wiggles a bit, swaying her khaki skirt as she steps down from the van, half hoping Alcibiades is watching her ass. The sun licks the bare skin of her limbs and the fur on her face. There’s grapey mountain laurel in the air. She feels like howling—like her mother told her not to.

 

She knows the first house of the day is a no-sale straight off when the man comes to the door gawking from underneath a ball cap that says PROUD. Some TV voice, somewhere in the back of the house, is getting heated about the government. The man’s joints—his knee and hip—rasp in a broken way. He tilts against the jamb, holding a crackling Diet Coke. She should have turned away when she saw the marble-look statue of a sniper kneeling in the front lawn, aiming a scoped rifle at the road.

Most of the people who answer the door have probably never seen a Dogface in person before, and the sight of her is usually a shock at first. But there’s something almost accustomed about the way this man looks at her.

Zylina shakes off the uneasiness of the moment and runs through her usual routine.

 

SCENE: “A TOUGH CUSTOMER” OR “HELP ME,
HERMES WITH YOUR SILVER TONGUE”

A gorgeous yet approachable young DOGFACED GIRL stands in the colonnaded doorway to a large home. She grasps a sales flyer in her hand. A PROUD MAN stares her down from inside the house.

PROUD MAN

You selling something?

DOGFACED GIRL

Well, I’m a disadvantaged student competing in a contest, sir.

PROUD MAN

Uh-huh.

DOGFACED GIRL

If I earn more than five hundred points a day, then I win a scholarship for my first year of college.

PROUD MAN

That right.

He empties his Diet Coke down his throat with a toilet
gurgle.

DOGFACED GIRL

Every person I sign up for a subscription from this list is worth fifty points.

PROUD MAN

Not interested.

A sour sweat rises from him. He lifts his hat to reveal his ears, which had been hidden beneath the band. They are scarred, almost melted looking flaps of flesh. There is a scar, too, running down the side of his neck.

DOGFACED GIRL

She clears her throat and pushes her shoulder blades together. Her red polo uniform shirt stretches against her chest—a piece of salesmanship she has perfected.

They’re all Occidental publications, sir. You can own the words at the very foundation of our society.

She points to a list of titles on her sales brochure.

This subscription, for example, is Notions of Justice and Freedom, and this one is The Tradition of Reason. You can cancel at any time.

The SCARRED MAN winks at her and shuts the door in her
face.

SCARRED MAN

From behind the door.

Arf-arf.

A SNIPER STATUE scopes DOGFACED GIRL
from his blind in a bed of irises.

END SCENE

 

She could have been more persistent, like Alcibiades is always telling her to be, but she knows not to push her luck with a guy like this. She’s smarter than Eris was, and she wants them to know it. She’s not going to end up in jail like that dumb bitch.

The next few houses on the cul-de-sac are a bust. Either there’s no answer, or people close the door in her face. One woman, foggy with the stank of wet socks, tells her to “go chew a bone.” Real fucking clever, lady.

She walks back out the main road, meandering through the neighborhood. She’s looking for some kind of house—the type of place that looks a little like a worn patch in the bottom of a shoe. Some kind of place you could poke your little finger through if you pushed it with the point of your nail.

She sees one of the boys from the Squad walking toward her— the one everyone calls “Q.” He’s a tall and disheveled blond, with a long muzzle. Handsome in his way and not afraid to use his looks to make a sale—effective but crude. He struts toward her with his muscled chest pushed out.

“Yo,” he says, pushing his polo sleeves over his puffy biceps. “You moving big dollars over there?”

“I didn’t even try,” she lies. “Looks dead.” She’s taunting him.

“Shit, you don’t even know dead. I’m gonna go crush that. Watch.”

He smells like too much Cool Water and blueberry Swishers. “What about you?”
“Nah,” he says, “that whole end is a bunch of tightwad trolls.

One lady tells me she wants me to meet her Chihuahua. I swear to God, they just set us up to fail. I mean, where the fuck even are we, though?”

“I don’t know,” Zylina says, as Q heads back toward the house with the sniper in the yard.

Since she jumped in the van in the Target parking lot back home, they’ve been in a new city every day. They must have driven through the grease-yellow dust of three states, stopping in each one to knock on identical doors and run identical pitches on identical Buttonheads. If Zylina is lucky, she sells two hundred bucks worth of books and keeps half, minus her share of gas money and the motel. Now that Eris is gone, at least she gets her own room, even if she has to pay for it.

It’s not really that Alcibiades and Themistius want them to fail—at the end of the day, they’ve got to get their cut, too—they just have a pretty limited idea of who makes a good mark. But Zylina is figuring that out.

See, the way they think is: catch a few stay-at-home moms with more dollars than sense. These ladies don’t know that their orders for a Book of the Month aren’t likely to get filled anytime soon and don’t really care. They don’t read anyway. Maybe they like the idea of the books looking good on a shelf someday. It’s fifty bucks they were going to spend on more yoga pants.

The stay-at-home women are fooled because they don’t try not to be. They trust a good-looking kid in a uniform, even if that kid is a Dogface. Sometimes, especially if the kid is a Dogface, because then they’re doing good for a goddamn change. This kid wants to go to college! She wants to be like us! Even better: Doing Good came right to their door. They don’t even have to mute the TV.

But the angle that Alcibiades and Themistius are missing is the folks who don’t get fooled but will pay you anyway. Zylina’s seen it before: a woman who looks at you like she knows just who you are—a full-of-shit kid trying to get enough money for beer, somebody headed anywhere but college. This kind of person, they side-eye you as they hand you money and give you a smirk that says “enjoy all that while it lasts.” There’s something cynical but honest about that, Zylina thinks. The whole world is thirsty for a good frozen-vodka shot of truth.

 

Wandering a few blocks back toward the interstate, Zylina spots an apartment complex. Outside the gate to the parking lot, the shaggy bark of palm trunks shreds in the hot wind. Through the iron bars of the complex gate, the basin of a sputtering obelisk- shaped fountain is collecting hunks of mulch and a few gas station cups. The wind carries cheap incense and the kind of spicy food you leave cooking all day so it’s falling apart by dinner. She’s been living on boxes of defrosted waffles and energy drinks.

She waits for someone to come punch in the gate code. Themistius is always telling the Squad not to go looking for their own leads. “We’ll pick the doors. You just knock,” he tells them. And this was part of Eris’ problem, she started trying to pick doors—the heaviest doors, the richest ones. That and she started trying to rob motherfuckers.

But Zylina is more clever than Eris ever was. She’s not trying to trade up. She’s trying to trade down—looking for someone who recognizes her.

After a while, Zylina realizes that she could be waiting for hours for someone to drive up to the gate. Fuck it. She walks up to the split in the gate and pushes at the two sides. At first, she thinks they might not budge, and truthfully—for a second—she’s relieved. But then, the gate begins to slide. It opens just enough that she can squeeze through, and she slams it shut behind her.

Where the sidewalks of the posh neighborhood were totally abandoned, here in the apartments, she sees people drifting on the cracked pathways. An old man pushes a shopping cart full of laundry past her, leaving a whiff of musky dryer sheets. Two kids who ought to be in school boot a balding soccer ball off a wall, the smack ricocheting across the courtyard.

On the face of every building, balconies are cluttered with charcoal grills, disintegrating cardboard boxes, and pots of limp petunias. There’s even a legless sparring dummy like the one her cousin used to throttle, his shirt off in her parents’ driveway. The dummy’s head juts through the bars of the balcony like a snared animal.

On one balcony she sees an old woman sitting in a folding lawn chair, like her mother used to do, eyes closed against the sun. The woman wears a crepey dress in a bright pattern of diamonds. Zylina walks up the stairway of the woman’s building to the third floor. She approaches the door of the apartment that she thinks belongs to the woman. Zylina takes a breath and then presses the bell.

There’s buzzing inside, then the sliding of French doors, the rattle of plastic blinds, slippered feet shuffling on linoleum, a chain lock and deadbolt, a hand on the knob.

When the door opens, she sees the small woman standing there, smiling her chunky gray teeth, her ears half-covered in a loofa of gray curls.

“Can I help you, young lady?” she asks Zylina.

Zylina runs through the script Themistius insisted she memorize her first day in the van, the freeway exits flipping past her, becoming strange.

GOOD [MORNING/AFTERNOON/OTHER]! . . . I’M COMPETING IN AN EXCITING CONTEST, [SIR/MA’AM/OTHER] . . . THE OPPORTUNITY TO ADVANCE MY EDUCATION! . . . OVERCOMING CHALLENGES AND FULFILLING MY DREAMS! THE STRUGGLE OF BEING A MINORITY IN AN OCCIDENTAL WORLD . . . TO SUPPORT ME AND MY FAMILY BACK IN [HOMETOWN]!

When Zylina gets to the end of the script, and finishes showing the old woman the brochure of books that could be shipped to her on a monthly basis at a limited-time discounted rate, the woman asks, “Wouldn’t you like to come in for a cup of tea?”

This is not part of the scene.

“I don’t know, ma’am,” Zylina says. “I got a lot of houses I’m supposed to visit this morning.”

“You said you have to sell five hundred dollars a day to meet your goal? For the scholarship?”

“Uh, yeah,” Zylina says. The number is made up. Shit, lady, the scholarship is made up. They’re supposed to make as much money as they can, but nobody ever makes the goal. Q sold three hundred a few days ago and he celebrated by smoking everybody up at the motel that night.

“Well, I’d love to look over your brochure, sweetie,” the old woman tells her. “I’m sure I can find something. You just come in and sit for a while.”

Zylina tries to keep the satisfied surprise from her eyes, but she feels her ears stand straight with the shock.

Themistius would tell her this was a trap and she should get out of there. Tell her it’s against company policy. Themistius would remind her that this is what Eris did, going into customers’ houses where she wasn’t told to go, waiting until they went into the other room to get the slice of cake, the glass of lemonade, and then grabbing their purses or phones off the table and running out the door. When you play that game, you never know when the person you try to fool turns the tables and you end up arrested. But Zylina was just trying to run up her commissions. What was this woman going to do? Call the cops for accepting her invitation?

“OK,” Zylina says, handing her a brochure. “I guess I can pop in. For a quick minute.”

“Wonderful.”

Inside: traces of garlic, essential oils, ashed-out incense, and maybe, underneath that, some lingering stink from a cat a few years dead and cremated. A radio still plays out on the balcony. Zylina can hear the noodly guitars of classic rock radio coming through the glass—the kind her father used to sing along to with his improbable English: “The girl with col-li-ding soap eyes!”

The old woman pulls out a chair for her at a dinged-up kitchen table and wobbles over to the sink to fill a copper kettle that looks a little like the one Zylina’s mother kept on the stove at home.

“Do you mind if I ask a personal question?” the woman asks, like someone who doesn’t care if you mind or not.

“Whatever,” Zylina says.

“How long have you been doing this? Selling these books, I mean. Door to door?”

“It’s got to be almost three weeks, I guess.”

“That’s not such a long time away yet.” The woman puts some spoonfuls of tea into the basket of the kettle and turns on the stove, which ticks until the burner ignites. The gas is sharp in Zylina’s nose.

“It’s the longest that I’ve been away, but I don’t miss it much, really. Maybe you think that’s mean of me?”

“When I was young, all I wanted in the world was to get away from my parents. I thought they were just dreadful,” the woman says, turning back to Zylina. “My father was a banker.”

“My parents are pretty chill,” Zylina says, trying to gauge the woman’s response—how pathetic is enough to win her sympathy, but not so much that she seems like a lost cause? “But you know, they don’t know what it’s like for me in my town.”

“Of course they don’t.” The woman’s face softens with pity.

“They lost their shit, though, when I told them I dropped out of school.”

“School isn’t for everyone,” the woman says, angling an eyebrow.

“I guess,” Zylina says. “The kids didn’t talk to me, which is stupid because I’m the one who should be afraid of them.” She’s still not sure if she’s pegged this woman right. Just to be sure, she adds: “This is why I’m working so hard, ma’am. So that I can go back to school and make something out of my life.”

“Of course, it’s not so different around here,” the woman says. “You might have noticed. Or anywhere, I suppose.”

“But I don’t live here,” Zylina says. “I’m just moving through.”

The kettle spittles into the flame on the stove, and the woman rises to attend to it. While she fixes the tea with milk and sugar, Zylina looks around the small apartment.

What she first thought were just paintings hanging on the walls are instead framed weavings—red, blue, and yellow thread knotted into the shapes of bomber jets with wide wings and bulbous heads, or tanks with blocky treads. One repeats a pattern of grenades like crystalline green eggs. Another spreads an array of interlocking rifles. Zylina makes out beautiful missiles, intricate choppers, elegant borders of flame. Tea splashes into one cup, then the other.

The woman returns to the table and sets a teacup down in front of Zylina. The steam is too rich and hot, but she laps at it daintily.

“It’s good?” the woman asks, raising her white eyebrows.

“Sure. Thanks,” Zylina says. The woman looks disappointed at her reaction, and she pushes through her poofy hair to grasp the back of her neck. The pose uncovers her ear, the shape of a wave- beaten shell. A silver crescent earring, dripping with beads, hangs from it like a snail trying to escape.

“What are those?” Zylina says. “The pictures on the wall.”

“Yes,” the woman says, a smile wriggling her fleshy lips. “I thought you might find those familiar. They’re Cynocephalian.” She enunciates the term with careful precision.

Zylina has never actually seen that name used outside school or printed on her refugee card:

FEMALE, CYNOCEPHALIC

“Dogheaded,” her father had explained. “The only way their misshapen mouths can name us.”

“You collect them?” Zylina asks.

“When I could,” the woman says. “I don’t travel so much anymore.”

“So you’ve been there? To my—my parents’ country?”

“The first time I went was over twenty years ago, now. It was a much different place then, as I’m sure they’ve told you. The weapons were still there and the soldiers, but it was very peaceful for a little while. And with the most beautiful people! I wanted to swallow the whole place up and take it back with me in my belly. The last time was probably just before you came here. Just before the first bombings. Well, you know how it was then.”

“I don’t remember it either way,” Zylina tells her. This doesn’t make her sad to think, though she’s sure that this woman thinks she should be feeling some kind of way.

“So you don’t want to go back there someday?”

“No, ma’am. I’m going to California.”

“To go to school?”

“Well, maybe school. Maybe not. My parents told me I had to get a job or move out. So, I did both. I don’t really have a, like, long-term plan, but California is as west as you can go, so I’m going there. I’m getting lit and watching the sunset. Have you seen how purple the sunset is in California? The sunset there is like grape jelly. As soon as the van stops in California, I’m not getting back on.”

There’s something weird about the way the woman is staring at her hands as she rocks the tea cup. It could be that she really believed Zylina was going to be majoring in drama next year at USC, or some shit. Or it could be she’s just happy that Zylina didn’t bullshit her.

“The van?” the woman asks.

“Yeah. You know it drives us around—the Squad that I sell with. These two guys, they drive us and let us off. We take orders, get back on, and they drive us somewhere else.”

The woman’s eyes are fixed on Zylina’s hands, the same way she’s seen Alcibiades staring at her body—some stifled appetite. It seems like she is looking at her fingernail—the long one on her pinkie.

“Sounds kind of exciting,” the woman says. “Living on the open road.”

“I don’t know about that.” Zylina skims her nail along the rim of the cup, testing her.

“When you’re older, you’ll see. Life gets so dull so fast.”

“Thanks for the tea,” Zylina says, standing and fanning her fingers on the table for the woman to get one more look. “So, did you want to buy a subscription?”

“I’m still not totally certain,” the woman says. She puts her hand on Zylina’s, pressing down just hard enough to hold her palm to the wood.

“I thought you were going to order the books.” Zylina looks at the woman’s steamed-over gray eyes. She tries to show her disappointment. “Two full subscriptions you said.”

“Yes,” the woman says, “I was just wondering . . . Would you indulge me?”

“Ma’am?”

“Your fingernail. I was wondering if you would let me take your fingernail.”

Zylina moves to her practiced expression of alarm. It’s the kind of face she gave her parents the moment they told her that she had to leave the house. It didn’t stop them from kicking her out, but she’s pretty sure that it convinced her father to give her the fistful of twenties from his sock drawer before she left.

“I’d be willing to pay for it, of course. And it would grow back.”

“You gotta understand, ma’am, having been to my country, how important that is to my culture.”

Whatever that meant now. Her mother had taught her how to file the nail into a long point, how to lacquer it with polishes that she had kept in tiny crystal pots (now replaced with drugstore gunk), how to open doors and jars without breaking its fragile point, how to brandish it when she was pissed-off with someone. Her mother told her that it was supposed to remind her of the claws the Buttonheads thought all the Dogfaces had—a lie that told her something true.

She never really thought about it much, except that taking care of it made her mother happy even if the kids in school said it made her look like a cokehead. Since she had left, she kept it looking clean more out of habit than anything else.

“You can sign me up for three of your subscriptions,” the woman says with a sharp nod.

“But my mother . . .” Zylina says. “If I ever go home . . .”

“Alright,” the woman says, “I have eight hundred dollars. That’s enough for your five subscription quota with a little left over. You can write that down on your sheet however you’d like.” She winks, unzips a little nylon fanny pack and digs out a neat stack of Benjis.

Zylina makes a slow show of her agreement, taking a deep breath and holding out her hand. The woman tells her to sit still while she gets a pair of scissors.

Zylina listens to the sliding of drawers and the clatter of shuffling through the detritus contained in them—plastic, metal, glass. She stands quietly and walks to the far wall of the room. The framed weavings of the guns and grenades stare back at her. Zylina lifts the edge of one of the frames to look at all the tiny knots of silk, each one the trick of fingers like her own. She thinks of the Dogfaced women pulling hooks, combs, and needles, their own jeweled false-claws kissing the threads as they work. If she had a place to put it, she’d nab this thing—this work—right off the wall. She lets the frame back down, drifts back to the table, and sits down.

The actual cutting is quick. The woman’s hands shudder and the tip of her little Buttonhead tongue presses her upper lip. The stainless blades snip through the nail, and it drops like a breath into a linen napkin cradled in the woman’s palm. Before she places it in a small cedar box, the woman holds it over the tip of her own finger, as if auditioning some prosthesis of spirit.

The woman thanks her and then presses a wad of bills into Zylina’s hand. The money is heavy and damp. Zylina counts out five hundred for the books, three hundred for the nail. She wonders if the woman always keeps so much money on hand. If there is more. If it would be easy to take. She thinks of Eris—how good it must have felt to give in to this curiosity.

“You keep yourself safe,” the woman says as they approach the door.

“Don’t worry about me, ma’am,” Zylina says, looking the woman in the eyes. “There’s plenty of other people to worry about.”

She hurries down the apartment building stairs and strides through the complex back toward the gate. The loss of the nail is such a small change, but without it she feels at once camouflaged and somehow more exposed. The kids kicking the soccer ball do not stop as she crosses the courtyard, and the old man with his laundry cart, who must be coming back with another load, does not lift his head as she passes him in the parking lot. Still there is an alarming sense of lightness. When she gets back to the neighborhood where Alcibiades and Themistius dropped her off, she avoids the other kids in the Squad. There are dandelions growing in the seams of the sidewalks. Zylina spends the last hour kicking off their heads.

 

That night, they stay in a Budget Inn a few miles down the interstate. The pool is open, but the water is filmed with leaves and oily scum. By eleven, nearly everyone is drunk and back in their rooms. Zylina is still stretched out in a plastic chaise with a pool towel wrapped around her knees. Alcibiades is there, too, and they are watching the boy called Q, who sits shirtless with his feet swishing in the water. One of the other boys sits next to him glancing between the smoldering blunt in his fingers and Q’s chest, which flexes, covered in goosebumps. Zylina wraps the towel tighter.

“Damn, you crushed it today, huh?” Alcibiades says, lifting a tallboy of Bud to his lips.

“I guess,” Zylina says. She keeps running her thumb over the rough edge of her pinkie nail.

“Must be working that uniform, like I said.”

“Hell yeah. All the stay-at-home moms drooling at my titties in this shirt,” Zylina says, squeezing her arms together and giving a shimmy.

Alcibiades laughs a little too hard at this, and she goes quiet looking at him. He shows his square teeth and his little nostrils flare. He really is good-looking for a Buttonhead. At least that’s what she thinks right now. She finds herself staring at his ears again. They are soft, delicate, bare—nothing like her own, which stand and point without her choice, covered in coarse red fur.

“Seriously, though,” he says, scrunching his eyebrows and looking into her eyes.

“Seriously, what?”

“I saw you wandering off today. You went into those apartments. You went inside one, with some little old lady, and you didn’t come out for, like, a half-hour. And then when you did, you walked away pretty quick, huh?”

Zylina looks away from him, back toward the pool, where Q and the other boy lean together, licking each other’s faces.

“You don’t even know that was me,” she says, trying to keep her eyes from going wide and her ears from pricking.

“You get a good look around here?” Alcibiades says. “Not a lot of Dogface girls in red polo shirts.”

Across the pool, the boys’ feet are still dangling in the dirty chlorine. They grope at each other’s arms, their waistbands.

“Look,” Alcibiades says, “the folks at the corporate office have been pretty concerned since what happened to Eris. So, maybe you were lost. Maybe I can write down on my report to corporate that I saw you were lost and you stopped to ask directions.”

“Yeah, OK,” Zylina says, “I was lost.”

“Alright. Maybe I’ll write that then. You know, corporate doesn’t want me to have to call the cops on anyone else.”

You called the cops on Eris?”

“I had to. She was gonna get us shut down. But you know, you’re smarter than that. And I like you.”

“I like you, too,” Zylina says, and there’s a part of her that means it. Maybe the same part that is feeling grateful that Alcibiades hasn’t called the cops on her, or the part of her that’s flattered that he looks at her, even now, like he’s hungry for something. She’s worried that it’s the part of her that can’t see a way out of this. She’s picking at the rough edge of her missing pinkie nail. It feels like a scab.

“I’m glad,” he says. “I think that’s going to make things easier.”

She can’t look at him. The boys are leaving the pool, leaning their slick bodies together. She stares down at the towel. The loops in the cotton remind her of the weavings in the old woman’s house with the pictures of the weapons in them. She wonders if the people who made them thought they were just recording what they saw—if they were trying to write history in those rugs. If they were trying to tell her something.

She feels Alcibiades’ fingers on her jaw. His touch is gentle but strong. He lifts her head to look up at him as he slides next to her. “Look,” he says. “You are a really good Squad member. And I think you’re so beautiful and smart.” He smiles almost shyly at her. “You got such soulful eyes.”

“Thanks,” she says. She realizes she is holding her breath.

“And I really like this.” He uses the tip of his thumb to point to his own tongue resting on his lower lip. She realizes that he’s talking about her tongue and feels her ears prickling.

Nervously, she leans in toward his mouth. Cardboardy beer sours his breath. She’s never kissed an Occidental before. She’s never even thought about how it would work. But as she gets close to his mouth, Alcibiades puts his hand on her shoulder and turns away.

“I didn’t mean like that,” he says.

“I’m sorry,” Zylina says. She covers her eyes—half with embarrassment, half with relief.

“It’s just,” he says, “I’ve never been with a

bitch

before.”

The word, coming out of this Buttonhead’s mouth, strikes her.

“Oh,” she says.

“Hey,” Alcibiades says. “Let’s try this.” He reaches down and unbuckles his belt. She hears the soft tinkling of the buckle and then the scratch of his zipper. When he reaches for the fur on the back of her head, she doesn’t need to look down. She can smell him. Bad beer and the ripeness of a man. Her fingernail is still gone, but on the tip of her tongue she can feel the points of her teeth.

“Wait,” Zylina says, tilting her head down to look at him. “I want to tell you what we do . . . back in my country.”

Alcibiades leans toward her and she pushes her muzzle toward his soft, dumb ear. She hears the heave of his breathing, his thudding pulse, the hungry click of his mouth. And beyond that, the hum of the interstate, a gust that just picked up, sizzling dirt against the motel windows.

Before she bites down and tugs back, ripping the cartilage from the pale skin behind his temple, she licks the warm, soft lobe of it, sending electricity down his neck and spine. It is an unspeakable gift.

All he can manage in return is a scream.

 

Zylina is still holding on to the ear as she walks into the sulfurous light of a Valero parking lot. She wipes the thickening blood from her lips with the corner of the pool towel and fingers the folds of flesh cupped in her palm. In the store, she spots a rack of red, white, and blue T-shirts that say PROUD in blocky letters across the chest. In the bathroom, she takes off the uniform polo and changes into the T-shirt. In the mirror, she sees herself—long fox-red face, black nose, ears that tremor, even now, at every noise. She holds up Alcibiades’ ragged ear to the side of her head, covering her own. It’s a bad fit.

“Understand?” she says to herself through the ear. Then wraps it in the polo and throws it in the trash.

She pays for the T-shirt, an energy drink, and a bag of snack mix with banana chips. The lady at the counter clucks her tongue when Zylina asks which direction she needs to go to get to California, but then points left along the interstate. On the access road, Zylina stands with her thumb out, the pool towel wrapped around her bare arms. In the dark, it is impossible to see the little streaks of blood staining it at the edges.

A box truck rolls to a stop in front of her. A driver, whose face she cannot yet see, leans over the cab and pushes open the door. She breathes in, preparing to ask how far the driver is going. It is a bargain she can make in her own voice.

Zylina reaches through the neck of her new shirt and thumbs the hundred-dollar bills stuffed into her bra. Those people who wove guns into their rugs—maybe they weren’t sending her a message but a cure.

 

MOTHER’S LOVE, A SOCRATIC DIALOGUE.
PERSONS OF THE DIALOGUE: Zylina. Mother.

SCENE:—In Exile.

 

MOTHER. I am telling you to stay because I love you.
ZYLINA. Well, your love is a little fucking hard sometimes.
MO. Is it?
ZY. Yes. Your love is like cinderblocks under some ragged-ass pillow.
MO. What should my love be like? Tell me that, Zylina. How should I love?
ZY. I don’t know, Mom. Maybe don’t be so mad at me for leaving?
MO. I’m not mad, I’m disappointed.
ZY. Did you get that from a TV show?
MO. Probably yes, but does that make it false?
ZY. Does it make it corny?
MO. You should do what I have done: Give up your home and career to bring your child out of war and poverty.
Work hard for not enough money only to watch your child reject the opportunity she has been given! Then
tell me you think about my texture. Then tell me who is cinderblocks and who is ragged-ass.
ZY. Ohmygod.
MO. Your grades are good. You have one year left. Why would you not go to college and make a way for yourself
in the world?
ZY. What makes you think that that’s what’s good for me if it’s not what I want?
MO. It’s because I love you.
ZY. Why do you keep saying that?
MO. I say what’s true. I don’t have to prove my love to you.
ZY. You could try.
MO. Tell me: How do I prove? Do you want me to bleed for you? Give me the knife. I bleed for you every day.
ZY. Stop. You’re so extra. Just tell me one time—one time you loved me normally like a mother.
MO. Yes, I’ll tell you. When you were just a baby, three children died in one year from scorpion stings. The nearest hospital was a half-day’s drive away. Your father’s car might not have even made it so far. But the herbalist in our village started using a big horse’s needle to inject the children with scorpion venom. He told everybody that with the venom already in their veins, the scorpions would stay away. It had been thinned—almost harmless. Still, it was a very difficult choice.
ZY. What? Did you do that to me?
MO. Of course. You were fevered for three days. That needle is still inside my heart. But you were never stung by a scorpion. I was always a good mother to you.
ZY. Mom, that’s insane.
MO. No. Not getting you the cure would have been insane.
ZY. That’s not even scientific.
MO. I’m not proving scientifically. You want to know how I love you, and I am telling you. Perhaps my love is needle-love, but how else can it protect you?
ZY. Do you even hear yourself? Why can’t you just be a normal mother? Do you actually believe you can protect people just by feeding them a little piece of what’s trying to hurt them?
MO. Why shouldn’t I believe? You’re still here, aren’t you?

DIXIE WHISTLE

“Breaker, breaker one-seven for anyone coming this way. Mama Bear sleeps in the shadow of a Coca-Cola sign just past the mile marker two-six on I-20. She looks hungry. This is a public service announcement.”

Ma laughs. “Where’d you come up with that?”

And then the radio bursts: “That’s a ten-four. This is Sandstorm.”

A lady trucker. Candy squeals at getting a response, and her mother, in the driver’s seat, laughs with her.

“I didn’t think that thing worked,” Ma says.

The responses blast into the car.

“Mud Hut, copy here, much obliged.”

“Snapper, copy.”

“Y’all shittin me? Did a chipmunk just chew the wire?”

Sandstorm comes back on and says, “Now, Bronc, you watch that silver tongue around the child. What’s your handle, sweetheart?”

Candy hasn’t thought of a handle.

“Don’t look at me,” Ma tells her.

They pass the shopping plaza with the name that makes her think of paper cups. WINN-DIXIE. The radio in the car says whistler. “You can call me Dixie Whistle,” she says into the microphone.

“What’s your wrapper there, Miss Whistle?”

“My what?”

“Your wrapper’s your ride, Dixie Whistle. What you’re toodlin around in.”

Ma says, “Don’t you dare.”

“Blue Monte Carlo,” Candy says.

Their wrapper is really a maroon Dart, not new but new to them, with a black vinyl roof. Ma saved up six hundred dollars and the nice mister with the German shepherd said he’d toss in the CB unit for free rather than disconnect the antenna.

“Belongs to my pa.”

“Well ain’t you a helpful angel there, Dixie Whistle. You let your Pa Whistle know how obliged we are for the sniffaroo.”

Ma says, off-button, “I heard her.”

 

It’s a Burger King night. They get it through the window and Candy sneaks fries from the warm bag on her lap. For an extra ninety-nine cents they get an Empire Strikes Back drinking glass. Now they only need Lando to complete the set of four. They had a Lando earlier, but there was no time to pack him before they left.

In Aunt Vicki’s living room they watch Tic Tac Dough and Candy guesses right on a question about Colorado. She has a quiz on the capitals in a week.

“Aren’t you a smarty,” Aunt Vicki says. She takes a sip of Dr. Pepper.

“Top of her class,” Ma says.

“Show-off,” Maxine says from the floor.

Then a question comes up about the capital of Connecticut, which Candy knows because that’s where they used to live—where Pa still lives—before they got away. The screaming under the kitchen lights. The silver beer stacked in the Frigidaire Frost-Free Refrigerator-Freezer. Fruit magnets holding up her spelling tests. The Greyhound bus over the mountains.

Candy gets another question right, and Aunt Vicki points to Maxine. “This one could take a lesson,” she says.
Maxine sticks out her tongue at Candy.

Candy holds her hands over her ears when they play The Mean Dragon because the roar always startles her. Her intuition kicks in. She knows the Dragon is hidden behind Number Eight. The contestant’s smiling husband is sitting in the front row holding up four fingers so the woman says, “My husband says Number Four, Wink, so I’ll have to go with Number Four!” And then there’s the reveal, Candy pressing her ears with her fingers—wubba, wubba, ching!—two hundred dollars.

Then the woman goes on her own and picks Number Eight for their eight-year-old son, and she and her smiling husband are not going to Puerto Vallarta.

“You ought to be on this show, Candy-babe,” Ma says with a playful kick. “You win us a bunch of money and me and Vicki can quit working at Uptons.”

 

The apartment is too small for the four of them, but Ma says it’s only temporary until she can save enough for her and Candy to get their own place down here. For now, Candy sleeps on a cot in Maxine’s room and Ma gets Aunt Vicki’s couch. Ma made it sound like fun.

When Candy was little and Aunt Vicki and Maxine would come north to visit, she and Maxine would play, but Maxine’s got boyfriends now, wears tank tops and has boobs, and is hardly ever home. Some nights she’s out until it’s darker than Candy would ever be allowed to be out and a car with a revving engine peels away right as Maxine comes in the front door. And then when Aunt Vicki and Ma go out at night, it’s Maxine who stays with Candy and even though sometimes they still play it doesn’t feel the same, like Maxine is waiting things out.

For that first week or so it was like having a sister all of a sudden. Going around her room, Maxine plucked things on the fly for Candy to have: a couple of dolls, a stack of books, a few kiddie T-shirts that weren’t going to fit Maxine anymore. “Since y’all just left with the clothes on your backs,” she said.

Maxine had her own radio, like the one in Ma’s car, on the shelf next to her hi-fi, and she turned it on one night when Ma and Aunt Vicki had gone out. Maxine taught Candy the slang, some of which Candy knew already from watching B.J. and the Bear.

There was a low hiss, then a squawk of voices would spit from the speaker, and a line of red lights would glow all the way to the end.

Maxine picked up the microphone, held the button. The voices on the other end flirted back: howdy and kind.

 

The new box of Honeycombs includes a miniature aluminum license plate. It reads sky high in embossed capital letters and has an outline in the shape of Montana. Candy now has five plates in her collection and, more importantly, once she is finished with the box, she can mail two dollars and two box tops to the Post Cereal Company of Battle Creek, Michigan, to obtain the complete set of plates for the year 1980.

It’s Saturday morning and Ma and Aunt Vicki have left for their daylong shift at Uptons. Maxine is nowhere to be found. Before she left, Ma said it’s supposed to be a nice day, Candy-babe, you ought to go out on your bike and see if you can make yourself a friend. Except Ma forgot that Candy’s bike, as far as she knows, is still propped against the wall in their garage in Connecticut next to the Ford Granada. The used bike that Aunt Vicki found at a tag sale the day after Ma and Candy moved in may have been a nice gesture and all, but it is not her bike.

“Don’t know if I like you being cooped up here all alone,” Ma said. “Just remember your key, okay?”

“I will.”

“And if the phone rings?”

“Don’t pick up.”

“That’s a girl.”

Candy eats two bowls of Honeycombs and watches The Super Globetrotters and Fat Albert until she hears sirens coming from the interstate. She goes to Maxine’s room and turns the receiver to the state police channel.

Maxine told her that the local bacon sits on the S-curve past the Pizza Hut, where the speed limit is 35, and sets traps for the out-of-state haulers before the staties can get a chance.

Also, Channel 19 is the truckers’ channel, but around Atlanta they take it to 17 when they think they’re being sniffed. So many smugglers down in these parts, Maxine says, beer and whiskey for cheap.

A voice comes on: “Can I get a run on a Kentucky trailer, Romeo Romeo three-six. Kid says he’s en route to Tallahassee.”

A little while later: “That’s a squeaker in front of you, twenty-four.”

“No kidding. He’s barely out of the package.”

“I’m sure he went over at least one line, Officer.”

Candy turns back to Channel 17. She picks up the microphone.

“Breaker, breaker one-seven, calling out to Sandstorm. This is Dixie Whistle. You out there, Sandstorm? Snapper? Bronco? I’m here with a troop scoop.”

The line fritzes, whistles. They are probably out of range.

 

“Ask me another one.”

Ma is dressed for the evening, her eyelids silvered. They are waiting for Aunt Vicki and Maxine, who have gone out for chicken in a bucket. Ma puts down her cigarette, picks up the flash cards, shuffles, and draws. “Idaho,” she says.

Candy remembers Idaho as the state in the corner of the map that looks like a graham cracker with a bite taken out. She plays with the syllables. “Idaho. Eyed-a-hoe. I dun-no, Idaho. Des Moines?”

“Nope.”

She wonders if Sandstorm has been to Idaho. In Candy’s ten years and nine months on earth, she has only been to Connecticut, Massachusetts, and Georgia, and the states the Greyhound bus passed through in between. Mark Yetter had been to nineteen states and in class he pointed to each of them on the pull-down map.

“I give up.”

“Boys,” Ma says.

“Boys?”

Ma flips the card. B-O-I-S-E.

“Ask me another.”

“You sure you studied these, Candy-babe?”

“I’m studying now, aren’t I?”

Ma drags her cigarette and draws another card.

 

Maxine brought out her Hardy Boys game for her and Candy to play. But after Ma and Aunt Vicki go out, Maxine tells Candy that Jeff will be coming over. The game remains in its tape-cornered box on the kitchen table.

“You can meet him,” Maxine says, “but then you need to leave.”

Candy wonders if she’ll look like Maxine when she’s fifteen. After Ma and Aunt Vicki are gone, Maxine takes off her sweater to reveal a pretty red polka-dotted short-sleeved top. She puts on lipstick and mascara in the bathroom. She talks to the mirror, watches her lips move as she calls out to Candy that she doesn’t want any chicken, doesn’t eat anything fried anymore.

 

“Breaker one-seven, Dixie Whistle in her cave. Bronco? Sandstorm? You out there?”

“Well, good evenin, girlie.”

“Hi, Sandstorm! What’s your twenty?”

“I’m about twenty-five minutes outside the circle. Lookin forward to a knock back at the ol choke and puke with Bronco and Snapper, I’m gatherin they’ve started without me. Do you believe that, honey?”

Jeff had come in through the back door. He looked older than fifteen. Maxine’s polka dots rode up as she stood tiptoe in the kitchen to lock her arms around his neck. Candy watched the flutter of the boy’s hand down Maxine’s back, grazing her butt, settling at the hold of her hip.

Maxine suggested to Candy that she pour herself a glass of soda pop and take some chicken and biscuits into the bedroom.

The bones sit gnawed on the grease-spotted paper plate on the bedroom floor.

 

On Monday, Candy comes home with a 96 on her state capitals quiz, and Ma hugs her hard and says they ought to celebrate and go out to Pizza Hut, but Candy asks if they can go to the diner instead.

“What diner is that?”

“Near the Winn-Dixie.”

Ma holds her cigarette without lighting it and glances up to the ceiling like she does when she’s doing math in her head. “I don’t know of any diner there, Candy-babe.”

Over the newspaper at the kitchen table, Aunt Vicki says, “Honey, are you talking about the truck stop?”

Candy hadn’t expected her aunt or her mother to know anything about the place.

“I’ve heard the burgers are really good there,” Candy says.

Aunt Vicki chuckles, with Ma following, like there’s a joke flitting between them that Candy wouldn’t get. Ma says, “Not sure we’d be welcome there, Candy-babe. That’s kind of like waltzing into someone else’s church. What made you think of that place?”

 

Over pepperoni slices and sodas, Candy is confused as to why the talk seems to be about grown-up things when she and her near-perfect knowledge of state capitals are supposedly the reason they are out celebrating at Pizza Hut. Some guy named Philip keeps coming up.

“Who’s Philip?” Maxine asks.

“Nobody,” Ma says.

But then Aunt Vicki says, “Just a troublemaker who preys on unsuspecting women.”

“What?” Candy says.

Aunt Vicki looks across the table at Candy. “Your mom has an admirer, dear.”

“I want to hear more,” Maxine says.

“Where’d you meet him?”

“He works with us at Uptons. Vicki knows him.”

“He sells sportswear and comes over every day to talk to your mother,” Aunt Vicki says.
Maxine asks, “Is he cute?”

Ma shrugs, but then Aunt Vicki elbows her and says, “That’s not what you told me in the car!”

“He’s sweet, Vic!”

Aunt Vicki cups her hand around her mouth and whispers to Candy: “She thinks he’s quite handsome.”

Later, sitting on the edge of Candy’s cot, Ma says, “You know, it’s been a while since I’ve gone out with anybody, Candy-babe. You know how you’ve had trouble making friends? We’ve been down here long enough and sometimes when you’re a grown-up, you like having another grown-up around to listen to you. You get what I mean?”

 

Candy creeps down the hallway and peers into the living room. She hears whispers, giggles, shushes. She detects an odor like after gym class.

Ma was done up a little nicer tonight, in a dress that Candy hadn’t seen before. She could smell perfume behind Ma’s ears when they hugged goodbye.

This time, dinner is beef teriyaki and rice, straight out of the carton, with chopsticks. Maxine was wearing a tank top under her sweater and wriggled off her jeans in favor of a short skirt, full ensemble like in between scenes for a play.

Jeff didn’t bother to say hello.

Now the only light in the room comes from the seawater flicker of the TV, which illuminates Jeff’s shirtless torso on top of her cousin. Maxine’s nail-polished fingers run up and down his back.

Candy hops lightly back to the bedroom and closes the door. She puts on her sneakers, then her jacket. The window opens wide enough for her to pass through and she trusts herself to make the leap to the grass. The air is cool and since it’s already dark and past the time she would ever be allowed to be out, it feels like she doesn’t need to rush.

 

It’s five hundred and sixty-seven miles to Atlanta from Columbus, Ohio, where Sandstorm departed in her Kenworth earlier that morning hooked onto a tankerful of phosphoric acid. (“It’s stuff that goes in your Coca-Cola,” she explained over the wires.) From what Sandstorm told Candy, she can expect an eight-hour haul plus or minus the weekend traffic on Interstate 75. Then a knock back at the Choke with Mud Hut and Snapper and whoever hasn’t run their rig off into a ditch.

Aunt Vicki and Maxine’s house is close enough to the interstate that Candy can follow the railroad tracks with a flashlight and not get lost. The tracks go right over the highway. Cars whoosh beneath her, white headlights on one side turning into red taillights going out the other. She sings to herself to make the time pass and soon appearing over the horizon is the glowing sign for the Winn-Dixie and then the diner, which Aunt Vicki called a truck stop though it doesn’t seem to have a name other than D-I-N-E-R.

She hops down the grass slope and under the dusk ambles across the parking lot, past people leaning against cars, cigarettes blazing in their fingers. Women in skirts that end above their knees stand in a row like they’re waiting for rides. They let their glances linger on Candy as she walks, the way most adults seem to now, like she’s a curiosity and maybe a threat but surely someone else’s problem. She thinks of diners like Mel’s Diner on Alice or the silver ones shaped like trolley cars, but what she sees when she enters this one is like something closer to a Howard Johnson’s if they dimmed the lights and kicked out all the kids. No one is eating. A half-dozen folks at the bar laugh over mugs and saucers, and the haze is rank with cigarette smoke and burnt coffee.

The only women in the place are a couple of waitresses with their heads down, folding napkins or sorting silverware into trays, except for one woman who sits at the counter in a line of flannel and denim and mesh hats, swirling a cup of coffee and whispering to the man next to her.

Candy takes a chance. She walks past the sign that says PLEASE WAIT TO BE SEATED, winding through the tables unnoticed until she has positioned herself directly behind the woman.

A voice like a mouse in this hangar: “Hi.”

And then: “Excuse me.”

The woman doesn’t hear Candy, but one of the men does and then it’s the men turning around with their hats and grins, missing her at first, growly and confused. Then they look down and meet her eyes. Candy senses these men looking at her in a new way, from the bottom up.

“The fuck’s this going on?” one says. “Carlo, this your date here?”

The explosion of laughter causes the woman to turn around and get a load of the fuss. She stops laughing when Candy locks her gaze.

“Are you Sandstorm?”

The rest of the laughter drops.

“Who’s askin, may I ask?”

“It’s me,” Candy says. “Don’t you recognize my voice?”

The woman smiles, a half-smile like she’s waiting for the rest of the reveal. Sandstorm looks around for an adult assigned to this charge and when she doesn’t see one says, “Oh, honey. Oh, sweetie. You the one been givin me tips on the radio, ain’t you?”

“I knew you’d be here! I found you!”

“You sure did find me.” The woman’s eyes slide left to right and back. “Guess it ain’t hard to find me. When I’m not in my rig I’m usually here with these . . . knucklebones.” She opens her hand to the rest of the counter. “Snapper, Bronco, Mud Hut? You fellas know our girl Dixie Whistle.”

 

Lighting a cigarette outside the restaurant, Sandstorm says, “You ain’t really no Dixie, are you?”

Even by the glow of the flame, Sandstorm looks younger than Candy had envisioned from the voice that rasped through the radio. Her hair feathers out from the mesh of her STP cap and is the kind of reddish brown the Crayola company calls mahogany. She wears jeans and a man’s gray flannel shirt buttoned halfway up and underneath that flannel Candy can see a T-shirt with a design in red, white, and blue.

In the diner, Sandstorm bought Candy a Coca-Cola, which Candy sips from a glass bottle that feels cold and substantial in her hand.

“My real name’s Candace. My ma calls me Candy-babe.”

Sandstorm pockets her lighter. “No, I mean, you don’t talk like no Dixie. I heard that little voice squeakin over the radio and didn’t know where I was. You oughta call yourself Penny-Whistle. Cause you don’t sound a thing like Dixie.”

“Who gave you the name Sandstorm?” Candy asks.

Sandstorm blows a stream of smoke upward the same way Ma does when she’s trying to remember something. “So long ago, I don’t recall who it was. When you start out, they give you a handle. My real name’s Sandy, see. All the other truckers were men, and none of them were used to seein a lady blowin past them in a rig. I guess I made them go blind.”

“Hey, we rhyme!” Candy says.

“How’s that?”

“Candy and Sandy.”

Sandstorm laughs and says, “Well how about that! I didn’t even notice. You must be good in school.”

Candy shrugs. She was hoping for something else, anything but school. “I don’t like my school. I’m new there. They don’t like me.”

“They probably don’t like you cause you’re so smart. Make them feel slow, they’ll make you feel bad for it. That’s how it always happens. Ain’t your fault they can’t catch up to you.” Sandstorm takes a drag off her cigarette, leans her head back like she’s looking for something in the stars. “Try bein a girl who decides she wants to drive a truck for a living. People sayin there’s something wrong with you that you don’t wanna stick around and bake cookies and all that. I mean your teachers, friends, parents—all those people who were sayin before to follow your dreams, we love you, we believe in you, then you tell them your dream and it’s like a switch and they’re tryin to convince you you’re wrong in the head. I told myself, they’re all scared I might end up in a better place than them. Not long before you learn it ain’t worth wastin your time worryin about what people think. Like what these kids in your school think of you. They ain’t gonna change their minds, so make them think there’s something they don’t know.”

Then Sandstorm says, “You didn’t grow up around these parts, huh?”

Candy shakes her head. “We moved here from Connecticut. Ma and me.”

“Your ma know you’re out here this late, Candace?” Sandstorm shakes down her sleeve and holds her lighter over her watch and squints at the time. “Jesus, out after midnight, and you’re just a baby.”

“I’m almost eleven,” Candy says.

“Not that I’d really know, but that’s still gotta be too late for a kiddo your age. You sneak out or something?”
Candy doesn’t respond to this. Instead she asks, “Have you ever been to Idaho?”

“Idaho?” She exhales smoke. “Shit, sweetie, I been everywhere. Just like the song. Couldn’t tell you the last time I had a haul up there, though. It was probably beautiful. I really don’t remember.”

 

Candy knew she was in trouble when she saw Maxine’s window closed. She thought she could sneak around through the back of the house but that’s where Ma turned out to be. Aunt Vicky and Maxine were not in the apartment.

“Where the hell were you?” Ma had the yellow telephone from the hall with her, the cord stretched so taut around the corner the loops were flattened out of it. “I come home and it’s well after midnight and you’re not in your room, and some kid I’ve never seen before is on top of Maxine! I’d like an explanation!”

“His name is Jeff.”

Whose name is Jeff?”

“Maxine’s boyfriend.”

“Maxine is going to have a baby of her own to take care of at the rate she’s going. Where were you?”

“I was at the diner.”

“What diner?”

The answer that pops into her head—the one she has the presence of mind not to say—is the one with the big sign that says D-I-N-E-R.  She tries to think of a better answer when the radio calls from Maxine’s room:

“Breaker one-seven, breaker one-seven. This is Sandstorm calling out to Dixie Whistle. You back in your cave, Candy? Please give a holler.”

Ma hears the voice and looks around like it must have come out of one of the heating vents in the floor. She follows the voice to Maxine’s room. The radio squawks again and that’s when she sees the receiver light up, hears the hums fading in and out.

“Who have you been talking to, Candace Marie?”

“Sandstorm looking for a twenty on Dixie Whistle. Last seen at the Atlanta choke and puke. Anyone out there see Dixie back in her cave, please holler.”

“Sounds like you have yourself a following there, Dixie,” Ma says. She walks over and unhooks the microphone and swallows before she puts it to her mouth.

“This is Ma Whistle. Who is this?”

“I do beg your pardon, ma’am, this is Sandstorm callin out for Dixie Whistle. Lookin for a twenty on a girl about eleven years old, jeans and a green jacket with red stripes on her sneakers. She left the I-20 diner about forty-five minutes ago.”

Ma thinks of what she wants to say, with no idea what kind of rabbit hears these things, what the protocol is. She holds the button. “I appreciate your concern, Miss Sandstorm. Young Dixie is indeed back in her cave, and I think it’s safe to say she will not be leaving that cave for a good long time. This is Ma Whistle, over and out.”

It takes Ma a couple minutes to figure out which cord leads to where, but when the breath of the radio goes out and the red light is off she goes a step further and yanks the unit from the shelf, microphone dangling on its cord, bouncing and trailing along the carpet. She takes it into the living room, and Candy doesn’t follow her to see what she does with it but imagines that it involves one of Aunt Vicki’s cabinets that she was warned never to open.

Ma stomps back into the bedroom and pulls Candy around by both of her shoulders. Ma’s eyes are wet, the silver streaking down her cheeks. They haven’t been wet like this since Ma and Candy left Connecticut when her eyes were wet all of the time.

“Those are not your friends, baby. You hear me? Those voices out there? Those are strangers. You don’t know where they’re coming from, you don’t know where they’re going. You don’t know what they have to lose. I know you haven’t been finding friends easy down here but you can’t just pull them out of nowhere like that! They will use you up!”

 

The air has a new, unfriendly quiet, absent the crackle. Saturday, during her mother’s shift, Candy goes out on the bike that Aunt Vicki brought home. She has rubber-banded her Georgia license plate (peachy) to the rear frame beneath the banana seat. A couple of years ago it might have been a perfect size bike for her, but now her knees reach higher than the handlebars and she can only ride it to the 7-Eleven so many times. She finds some kids playing Wiffle ball in a schoolyard and doesn’t have the breath for words when they stop and turn around to ask her just what does she think she’s staring at.

At school they ask why she talks so weird. Why her skin’s so pale. She asked her mother what “reckon” meant, since that’s all people say they do down here is reckon, and when Ma didn’t know Candy looked the word up herself in the paperback dictionary that Aunt Vicki kept beneath the TV with the JC Penney catalogs, but all it said was something about paying the money you owe.

On her bike, the neighborhood feels small, and she tries to work out how likely it is she’ll run into the kids from her class. Fifth grade in Georgia feels like what fourth grade did in Connecticut, only down here all the girls except Candy already wear makeup and chew so much gum. They had already read the books for this year at Candy’s old school, so she gets bored and tries to answer the teacher’s questions without sounding like she knows it all, but they already know she knows it all.

Even Maxine doesn’t want her around now that she’s grounded for being caught with Jeff and blames Candy for her getting in trouble. Candy doesn’t see how it’s her fault; she was all ready to play Hardy Boys. If having a boy like you means getting painted up and squished on the couch and never being able to eat any of the food you like, then Candy wonders just what’s so special about the whole thing, but she doubts that Maxine knows, either.

 

Candy gets to meet Philip when he shows up early on moving day in his red pickup truck. His work-gloved hands grip the boxes that Candy packed herself, filled with the books and clothes that Maxine gave her, as well as her license plates. In work boots, he clomps up the stairs, three flights past the apartment of the new landlady, Mrs. Bergendahl, whose Jack Russell terrier barks and scratches on the other side of the door every time they pass.

This time Candy gets her own room, with a real bed and a real closet. Even though it’s only a couple of miles from where Aunt Vicki and Maxine live, for Candy the move means a transfer to yet another school, more explaining and pretending. There were no friends to say goodbye to this time, at least.

Philip sets the boxes down gently in her room, where her bed has been already assembled and made. He looks at the bare yellow walls with his hands on his hips like a frontiersman and says, “I guess we’ve got work to do, huh?”

 

Soon Philip is eating Burger King with them when they watch Tic Tac Dough, letting Candy know how impressed he is when she identifies Pennsylvania as the Keystone State. He is there again on the weekends, watching Georgia Tech basketball in the living room with Ma leaning into him, the two of them cheering when a Tech player scores even though Ma has never cared for basketball in her life.

As he settles in, Philip looks for ways he can help. He adjusts the handlebars on Candy’s not-really-hers bike so her knees don’t hit them when she pedals. He is comically bad at mini-golf and worse at Monopoly and doesn’t seem to care when he loses, which doesn’t make it as much fun as it should be when Candy wins. Candy wonders when she’ll see the rest of him. She hasn’t heard what it sounds like when he yells, hasn’t seen him smash a beer bottle into brown shards of glass. What he’s like when he doesn’t get what he wants.

The CB radio is gone from the Dart. Philip turned out to have a friend who was willing to buy it for forty dollars. It doesn’t matter because Ma had shut the unit off long ago and, anyway, they hardly ride in the Dart anymore; when they go out, it’s often the three of them packed in a row in the cab of Philip’s truck with Candy on the hump, the radio playing the twangy music they like down here that Ma was never into before she met Philip but suddenly she knows the words to, sings along to sometimes.

 

Summer arrives; a thicker haze descends. They don’t keep the public library open for long during the day, or else Candy would spend more time there. Tan boys with armpit hair howl at her out the windows of their cars, rev loudly at red lights.

At the 7-Eleven, Candy and Maxine buy cigarettes with their Twizzlers and Cokes. The boy clerk behind the counter likes Maxine and doesn’t care that she and Candy are underage.

They’re on the front steps of Aunt Vicki’s building. It’s a work shift for Ma and Aunt Vicki, but Philip was watching TV in his shorts like he was part of the upholstery. Then, out of the blue, Maxine called and told her to ride her bike over.

“Your friend,” Maxine says, lighting a Virginia Slim. “Sandstorm? Been askin after you.” She holds the flame out for Candy, who drags slowly, little suck-puffs until the fire takes. She expects to cough and is surprised when she doesn’t.

“You get your CB back?”
“Nope,” Maxine says. “Thanks to you. We listen in Jeff’s truck. He had to get a special kind of license and so he did and now he’s drivin all over the state for Brother Kane.”

Candy tries to flick ash like she has flicked it all her life. “I thought you were forbidden?”

“Not like Mama ever knows where I am. And know what else? Once I get me a job I won’t be goin back to school in the fall. Me and Jeff gotta save.”

“You havin a baby, Maxine?”

Maxine takes a long, drawn-out sip on her Coke bottle as she considers the question. She finishes the bottle, then peers at Candy through the green glass like it’s a telescope. “No, Candy. I’m not having a baby. Not so in the dark I don’t know that.” She sets down the bottle firmly on the wooden step. “Get me out of this shit town first.”

“So what did Sandstorm say?”

“Guess she wanted to know where her tips had gone. Checks in from the diner every Saturday. She misses you.”

Back at home, with the window open in her room, nighttime brings new sounds. After the TV is clicked off at the end of The Waltons, Candy hears the scratch of slippers around the kitchen, then Ma’s whispers entwined with Philip’s in a way that Candy has come to know means he’ll still be there in the morning. She senses Ma stopping at the door to her room where Candy pretends to sleep as though she’s been asleep for hours. Some nights, back in Connecticut, Ma would sleep in Candy’s bed, Candy curling into her and feeling Ma’s muscles and breathing in the cigarette smoke from her nightgown. But that doesn’t happen anymore, and with Philip around it’s never just the two of them anyway, and the last couple of times when Candy tried to curl with Ma on the couch Ma told her that she was getting too big to be doing this.

 

The rigs, parked in columns, look more immense up close than when they pass on the highway. From one end, the trailers stretch all the way to the dark horizon and on their panels scream letters as tall as buildings. The white-lettered tires come up to Candy’s head and behind them, warm engines tick as they cool down. The cabs slumber like animals that roared moments before: the Kenworths have angry, spread-out cat faces; the Peterbilts have square, doglike snouts; and all over there is chrome, reflecting the pink and blue neon of the diner and giving the sense that it would shock Candy if she touched it.

And the license plates: rusted, grimy, larger versions of the ones she collects from the Honeycomb boxes. Here she finds plates representing the states she has never come close to seeing in real life, from the half of the map where everything is bigger and shaped like a rectangle. Wyoming, the silhouette of a man riding a bucking bronco. AMERICA’S DAIRYLAND. LAND OF ENCHANTMENT.

Men in denim spill out of the diner, laughing, finishing off drinks and jokes. Squinting to light cigarettes. They talk up the ladies who have been waiting patiently for their rides like they were the last time she was here. Candy slips into the space between two rigs. The one she stands alongside casts a triangular black shadow where she can crouch without being seen. Her eyes adjust well enough to make out the code lettering on the tanker trailer and the diamond-shaped placard indicating that whatever swishes around inside could scorch rocks.

On the mudflaps: Petunia Pig in a cowgirl outfit. And then, on the driver’s side door of a navy blue Kenworth cab, in fine gold script: Sandstorm.

 

When the men have left with the women, Candy pulls herself up onto the metal treaded stair and slots her fingers into the handle and tugs open the door. She has to jump back down off the step so it can swing open wide enough for her to climb in.

The inside of the cab is warm like the inside of a hat. Candy sits in the driver’s seat, padded with blankets for a boost. There is duct-tape on the corners where the vinyl is torn. The windshield is like a movie screen. Her hands on the steering wheel are tiny; there’s sweat on the grips. The CB squawks to life and sprays out vulgarities, calls for a sign, then falls back to a hush.

A curtain divides the front of the rig from the sleeping compartment in the back. Candy draws it open. In the blue light, she can see that Sandstorm has furnished it like a tiny apartment: the outline of a mattress on the floor, pillows, a portable TV with an antenna telescoped out. A stack of magazines. There is a mirror mounted on the rear inside wall and photos slotted in corners of the frame.

Candy slides onto the mattress and closes the curtain behind her. She rolls over and backs herself up against the far wall and brings up her knees and listens to the voices rolling around outside, the motors hopping to a start and pulling out. Horns quick-tooting see ya later. She’s left a crack in the curtain where she can see the roof of the diner and the black sky above it and is nestled very comfortably when the door to the cab swings open and Sandstorm lugs herself in and exhales.

The ignition turns and, with it, the earth and everything inside the cab rumbles. Candy feels the vibrations beneath her legs. Sandstorm eases out, the truck like a lion awakening and stretching. Sandstorm needs both arms to turn the wheel around just to get the rig onto the service road and then tugs at the rope-horn a couple times and waves and hollers out at the people left in the lot. Then it’s a wait for an opening and a tricky, slow merge and the engine flattens to a murmur.

The only parts of Sandstorm that Candy can see are her baseball cap and her flannel sleeve, the only sound she hears an occasional clearing of the throat, else when a sass blasts over the CB and Sandstorm chuckles but doesn’t pick up the mic. Every so often, the red taillights of a car float past in the left lane. Candy’s legs begin to cramp, and she silently shifts into the position in which she’ll eventually fall asleep. Sandstorm whistles to herself to stay awake and it’s all Candy can do not to hum along.