The Greensboro Review, Issue 108, Fall 2020

“Calan Gaeaf” by John A. Nieves featured at Verse Daily Poems

“Calan Gaeaf” by John Nieves from Issue 108 of The Greensboro Review featured at Verse Daily Poems.Verse Daily is a poetry daily on the worldwide web. By republishing one new poem a day from fine literary magazines and books, Verse Daily promotes poets and their publishers while providing a wealth of excellent poetry to the […]

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The Greensboro Review, Issue 107, Spring 2020

“Crocuses” by David Roderick Selected as a 2020 Verse Daily Favorite

“Crocuses” by David Roderick from Issue 107 of The Greensboro Review was selected as a Verse Daily 2020 Favorite. Verse Daily is a poetry daily on the worldwide web. By republishing one new poem a day from fine literary magazines and books, Verse Daily promotes poets and their publishers while providing a wealth of excellent […]

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Editor’s Dive into the Archives: Reid Wegner’s Testudo By Emma Boggs

Sometimes the best thing in fiction, especially in its shorter forms, is simplicity. In Reid Wegner’s (very) short story “Testudo,” the premise is just that: simple. There is a tortoise, living in captivity, who suffers. There’s much to admire about this piece, but what I first noticed was its refreshingly basic formula, of an animal […]

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Eli Cranor

Eli Cranor Wins Novel Contest

Congratulations to former GR contributor Eli Cranor, whose novel Don’t Know Tough is the winner of the Peter Lovesey First Crime Novel Contest. “Don’t Know Tough,” Eli Cranor’s short story of the same name, won the 2017 Robert Watson Literary Prize and appeared in The Greensboro Review 103. Cranor’s work was selected from more than two hundred entrants […]

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The Greensboro Review, Issue 104, Fall 2018

Editor’s Dive into the Archives: Matt Coz on Dummy by Derek Updegraffe

Subtext. Charles Baxter describes it as the “subterranean realm” of a story. It’s what fuels character’s emotions and motivations. It’s a technique not of showing or telling but implying. The very nature of subtext, when executed correctly, allows the reader to fill in the blanks, to become an active participant in the story: subtext allows […]

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Editor’s Dive into the Archives: Emma Boggs on Shark Fishers by Marlowe Moore

While flipping randomly through an older edition of the Greensboro Review, I came across Marlowe Moore’s “Shark Fishers.” Its prose is what first caught my eye. Simplistic but beautiful—the mark of any skilled writer—the language here shines with its clear and clean conveyance, with its truthful rendering of the narrative at hand. Like any great […]

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