GR 116 cover image

Dedicated to Fred Chappell (1936 – 2024), with a special tribute essay from Angela Davis-Gardner, and featuring the Robert Watson Literary Prize winners, Mark Spero’s “Pig Therapist” (poetry) and Daniel S.C. Sutter’s “Mantis (fiction), as well as new work by Josh Bell, Elizabeth Fergason, Susan Finch, Jared Green, Benjamin S. Grossberg, Caitlyn Klum, Julia Kolchinsky Dasbach, Nik Moore, Ugochukwu Damian Okpara, Weijia Pan, Suphil Lee Park, Martha Paz-Soldan, Edmund Sandoval, Jacob Schepers, Max Seifert, Michael Waters, Leah Yacknin-Dawson, and C. Dale Young. 

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Featuring the Amon Liner Prize poem, Madeleine Poole’s “Pile of Maggots,” and new work by ​​​​Allison Field Bell, Robert Carr, Stacie Cassarino, Jackie Chicalese, James Ciano, Sasha Debevec-McKenney, Corinne Dekkers, Chard deNiord, Gardner Dorton, Robert Evory, Arielle Hebert, John Hoppenthaler, Amanda K Horn, Nalea J. Ko, Beth Konkoski, AG Latham, Jeffrey H. MacLachlan, Michael Meyerhofer, Ania Mroczek, Mike Nees, John A. Nieves, Bruce Parsons, Chelsea Querner, Rachel Richardson, Robert Stone, Elizabeth Sylvia, Lloyd Wallace, Alice White, and Mimi Yang.

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Greensboro Review - Issue 113

Featuring the Robert Watson Literary Prize winners, Luciana Arbus-Scandiffio’s “Have You Been to the Palisades” for poetry and Jordan Brown’s “Jenny Lynn & Buddy” for fiction, as well as work from Ian Cappelli, Justin Jude Carroll, Camille Carter, Mark Cox, Hannah Craig, Emma DePanise, David Dixon, Gregory Fraser, Mike Good, Bill Hollands, James Jabar, Mimi Manyin, Rose McLarney, Nicholas Molbert, J.S. Nunn, Phoebe Peter Oathout, Dan O’Brien, Lucas Daniel Peters, Ian Power-Luetscher, Dustin Lee Rutledge, Cameron Sanders, M.E. Silverman, Gabriel Spera, and Candace Walsh.

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May 1966

Volume 1, Number 1

The journal’s inaugural issue featured work from students in the first years of the MFA Writing Program at Greensboro, including Kelly Cherry, Harry Humes, Thomas W. Molyneux, and Angela Davis. Students and faculty members printed the issue in the campus duplicating shop, then collated it by hand. Greensboro painter Betty Watson designed the logo that is still in use today.

View » Read selected highlights from previous issues