Orange journal cover

Featuring the Amon Liner Poetry Prize winner, Eliana Franklin’s “The Bridge in Summer, along with new poetry and fiction from K.C. Allison, Jackson Benson, Tara Bray, Sarah Brockhaus, Lucas Dean Clark, Marylou Fusco, Kari Gunter-Seymour, Sophia Huneycutt, Anna Lewis, Becka Mara McKay, K.S.M., Alicia Rebecca Myers, Callie Plaxco, Matt Poindexter, Michelle RossSuqi Karen Sims, Adam Tavel, Glenn Taylor, and Emma Cairns Watson. This issue is dedicated to Christopher Swensen (1985 – 2025), Fiction Editor from 2020-2021. 

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Cover of print journal spring 2025

Featuring the Robert Watson Literary Prize winners, Jeni O’Neal’s “Loving a Man and His Kids and His House” in poetry and Emily Harper Ellis’s “The Fairy Swap” in fiction, as well as new work by Miriam Akervall, Megan Blankenship, Alex Bullock, Flora Field, Abigail Ham, Max Kruger-Dull, Seth Leeper, Angela Ma, Elisabeth Murawski, Michael O’Ryan, Leslie Pietrzyk, Caroline Porter, Lindsay Stewart, Zach Swiss, David Thoreen, Amber Train, and Andy Young.

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Greensboro Review, Issue 116

Featuring the Amon Liner Poetry Prize winner, James Daniels’s “We Are All Starved for Touch,” an Editor’s Note by Terry L. Kennedy, and new poetry, stories, and flash from Sean Cho A., Jake Bauer, Nathaniel Bellows, Mark Brazaitis, Sébastien Luc Butler, Lucas Cardona, Adrienne Celt, K.S. Dyal, Jason Gray, Mickie Kennedy, Sally Rosen Kindred, Kip Knott, Alejandro Lucero, Jennie Malboeuf, Cori McKenzie, Eric Paul, Lizzy Ke Polishan, Bryan D. Price, Colleen Kearney Rich, Flannery Maeve Rollins, Anna Sheffer, Hannah Treasure, Alex Tretbar, Audrey Toth, Ross White, Christopher Stetson Wilson, and Haolun Xu.

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May 1966

Volume 1, Number 1

The journal’s inaugural issue featured work from students in the first years of the MFA Writing Program at Greensboro, including Kelly Cherry, Harry Humes, Thomas W. Molyneux, and Angela Davis. Students and faculty members printed the issue in the campus duplicating shop, then collated it by hand. Greensboro painter Betty Watson designed the logo that is still in use today.

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